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Entertainment Editor (1988 KP) rated Tales From The Backseat by The Academic in Music
Feb 13, 2018
A solid debut packed with indie rock thrills...
The debut album from Irish four-piece The Academic is brimming with energy and potential. The band, singer Craig Fitzgerald, drummer Dean Gavin, and brothers Matt and Stephen Murtagh, guitar and bass respectively, have been building up a following across the Irish Sea since forming as teenagers in 2013.
By Ealasaid MacAlister
Original Review - 7
Read the Full Review Here - http://www.clashmusic.com/reviews/the-academic-tales-from-the-backseat
By Ealasaid MacAlister
Original Review - 7
Read the Full Review Here - http://www.clashmusic.com/reviews/the-academic-tales-from-the-backseat
Charlie Cobra Reviews (1840 KP) rated How To Train Your Dragon: The Hidden World (2019) in Movies
Jul 3, 2020
Flying On Fumes: Bittersweet End to Dragons - 7/10
How To Train Your Dragon: The Hidden World is the final installment in the trilogy of films based on the books by Cressidia Cowell. It was written and directed by Dean Deblois, produced by DreamWorks Animation and distributed by Universal. With a returning cast starring Jay Burachel, America Ferrera, Cate Blanchett, and Craig Ferguson.
One year after (How To Train Your Dragon 2) Hiccup (Jay Burachel) and friends defended Berk from the threat of Drago Bludvist; the group is still rescuing dragons and relocating them back to their village. Now however the villagers are dealing with a problem of overcrowding and overpopulation of dragons. Hiccup begins the process of finding a new home for everyone to relocate to, the fabled "Hidden World" of the dragons. The conflict of the film enters when the Vikings whose dragons Hiccup has been freeing, seek the help of Grimmel the Grisly (F. Murray Abraham), a dragon hunter responsible for the eradication and near extermination of all Night Furies. And also Toothless being enamoured with the discovery of a female White Fury dragon.
This movie was really good and while watching I had fun seeing the whole group dynamic and how everyone interacted with each other. It felt awesome seeing them again and how they all grew up a little over the last year. When comparing this movie to the others in the series, it felt like it fell short especially for being the last movie in the trilogy. I guess it was hard to surpass how great the last film was. While visually stunning and exhilarating at times it failed to be as great as it could have and felt like something was missing in this conclusion to an epic series. The atmosphere of the movie felt like it never quite matched the tone that they were trying to set with the seriousness of the plot. It's like only the main character felt the weight of the world on his shoulders but it is a kids movie after all. Like I said certainly enjoyable, I give it a 7/10.
One year after (How To Train Your Dragon 2) Hiccup (Jay Burachel) and friends defended Berk from the threat of Drago Bludvist; the group is still rescuing dragons and relocating them back to their village. Now however the villagers are dealing with a problem of overcrowding and overpopulation of dragons. Hiccup begins the process of finding a new home for everyone to relocate to, the fabled "Hidden World" of the dragons. The conflict of the film enters when the Vikings whose dragons Hiccup has been freeing, seek the help of Grimmel the Grisly (F. Murray Abraham), a dragon hunter responsible for the eradication and near extermination of all Night Furies. And also Toothless being enamoured with the discovery of a female White Fury dragon.
This movie was really good and while watching I had fun seeing the whole group dynamic and how everyone interacted with each other. It felt awesome seeing them again and how they all grew up a little over the last year. When comparing this movie to the others in the series, it felt like it fell short especially for being the last movie in the trilogy. I guess it was hard to surpass how great the last film was. While visually stunning and exhilarating at times it failed to be as great as it could have and felt like something was missing in this conclusion to an epic series. The atmosphere of the movie felt like it never quite matched the tone that they were trying to set with the seriousness of the plot. It's like only the main character felt the weight of the world on his shoulders but it is a kids movie after all. Like I said certainly enjoyable, I give it a 7/10.
Acanthea Grimscythe (300 KP) rated Highwayman in Books
May 16, 2018
It's a bit hard for me to really talk about how I felt while reading Highwayman by Craig Saunders. To some extent, I feel that I may not know as much about old lore and mythology as I thought I did - and that's definitely a possibility. The concept behind the book is intriguing, but there are many elements of Saunders story that failed to satisfy me.
In the wake of a plane crash, Karl Goodman finds himself in-between life and death - a sort of limbo that I felt was reminiscent of an episode of Supernatural where Castiel and Dean are fighting vampires in purgatory. I say this largely because of the whole Fog-World/forest atmosphere. In this surreal world, a murderer from centuries past is able to cross the lines between the worlds of the living and dead to continue visiting his reign of horror upon unsuspecting individuals. Guided by the Deans, who appear to be a set of reapers, for lack of a better term (or maybe ferrymen), and a young, comatose girl named Imke, Karl finds himself seeking out this murderous highwayman so that he can exact revenge for his daughter's death.
While I have a strong love for the supernatural and paranormal, I couldn't help but find myself confused more often than not by several aspects of the story. I am, admittedly, ignorant of the White Hart and the Green Man, but I like to think I'm a bit more versed in the many varieties of spooks. In fact, Saunders portrayal of a barrow-wight did not stray unreasonably far from its native draugr. What does baffle me though is how Saunders introduces these supernatural elements into his book. When I received Highwayman, I was expecting something dark and macabre that dealt with... well, with highwaymen. The main villain of the tale is precisely that, but the book itself is largely a ghost story. That isn't necessarily a problem, but it simply did not sit very well with me.
To further complicate the telling of the story, there are far too many differing points of view - five or six, total. (I can't remember if there was a part told from Mr. Dean's perspective.) This makes it hard to keep track of the passage of time, and whether or not that is intentional, I found it bothersome. For instance, at one point Bethany, Karl's wife, does something. Then, for several chapters, the story does not return to her. In fact, the disparity between returning to her point of view was so great that I actually thought that Saunders had forgotten about her.
One of the other issues that bothered me was the circumstances of Karl and Bethany's daughter's death. At first it is explained as a drowning, but then later we learn it was not. Apparently her murder was so horrid that Karl conveniently blocked the tragedy from his mind with a far more "rational" explanation, and to me this felt more like slapping a bandaid on a forgotten plot element than something that was done naturally.
At no point during my reading of this book did I feel any sort of emotion or attachment to any of the characters, and I found that to be extremely disappointing. The cast of Highwayman are not, in any way, extraordinary (well, not depth wise), and that made it harder for me to get into the book.
Overall, I didn't care much for Highwayman; however I will not let that discourage me from reading more of Saunders' work in the future. As part of the DarkFuse Reader's Group, I received an advance copy of this book in exchange for an honest review. I would like to thank DarkFuse, Craig Saunders, and NetGalley for this opportunity.
In the wake of a plane crash, Karl Goodman finds himself in-between life and death - a sort of limbo that I felt was reminiscent of an episode of Supernatural where Castiel and Dean are fighting vampires in purgatory. I say this largely because of the whole Fog-World/forest atmosphere. In this surreal world, a murderer from centuries past is able to cross the lines between the worlds of the living and dead to continue visiting his reign of horror upon unsuspecting individuals. Guided by the Deans, who appear to be a set of reapers, for lack of a better term (or maybe ferrymen), and a young, comatose girl named Imke, Karl finds himself seeking out this murderous highwayman so that he can exact revenge for his daughter's death.
While I have a strong love for the supernatural and paranormal, I couldn't help but find myself confused more often than not by several aspects of the story. I am, admittedly, ignorant of the White Hart and the Green Man, but I like to think I'm a bit more versed in the many varieties of spooks. In fact, Saunders portrayal of a barrow-wight did not stray unreasonably far from its native draugr. What does baffle me though is how Saunders introduces these supernatural elements into his book. When I received Highwayman, I was expecting something dark and macabre that dealt with... well, with highwaymen. The main villain of the tale is precisely that, but the book itself is largely a ghost story. That isn't necessarily a problem, but it simply did not sit very well with me.
To further complicate the telling of the story, there are far too many differing points of view - five or six, total. (I can't remember if there was a part told from Mr. Dean's perspective.) This makes it hard to keep track of the passage of time, and whether or not that is intentional, I found it bothersome. For instance, at one point Bethany, Karl's wife, does something. Then, for several chapters, the story does not return to her. In fact, the disparity between returning to her point of view was so great that I actually thought that Saunders had forgotten about her.
One of the other issues that bothered me was the circumstances of Karl and Bethany's daughter's death. At first it is explained as a drowning, but then later we learn it was not. Apparently her murder was so horrid that Karl conveniently blocked the tragedy from his mind with a far more "rational" explanation, and to me this felt more like slapping a bandaid on a forgotten plot element than something that was done naturally.
At no point during my reading of this book did I feel any sort of emotion or attachment to any of the characters, and I found that to be extremely disappointing. The cast of Highwayman are not, in any way, extraordinary (well, not depth wise), and that made it harder for me to get into the book.
Overall, I didn't care much for Highwayman; however I will not let that discourage me from reading more of Saunders' work in the future. As part of the DarkFuse Reader's Group, I received an advance copy of this book in exchange for an honest review. I would like to thank DarkFuse, Craig Saunders, and NetGalley for this opportunity.