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Scream 6 (2023)
Scream 6 (2023)
2023 | Horror
7
6.2 (5 Ratings)
Movie Rating
Following the events of “Scream” which not only served as a soft reboot
and the fifth film in the series; “Scream VI” has arrived a year later and
picks up shortly where the last film ended. The survivors have now moved
to New York to attend college and are eager to put the horror of the
massacres behind them.

Sam (Melissa Barrera), has started dating in secret and is overly
protective of her sister Tara (Jenna Ortega), to the point where Tara has
started to lash out. When a murder is reported that has evidence of
Ghostface influence, Sam desires to leave the city with Tara but again
finds her sister reluctant and the sister find themselves suspects under
Detective Bailey (Dermot Mulroney). The fact that Tara is rooming with
Bailey’s daughter does not help as many online conspiracy nuts think that
Sam is behind the recent and new killings based on her lineage and has
gotten away with it once again.

As the threatening calls, attacks, and body count start to rise; Gail
Weathers (Courtney Cox), arrives much to the chagrin of the survivors who
believe that she is there simply to fein friendship and support all the
while looking for material for another book.

The arrival of now FBI agent Kirby Reed (Hayden Panettiere), moves things
into overdrive as the attacks, deaths, and danger become more frequent and
brutal and the investigation leads to even more questions and mysteries as
the characters struggle to survive.

While like the prior films I was able to figure out who was responsible
very early as well as all but one of the twists, the film still
entertained and in a era where many franchises are going through the
motions, “Scream VI” shows that there is still plenty of life left thanks
to an enjoyable cast, some creative and intense scenes, and a formula that
fans should enjoy.

3.5 stars out of 5
  
Pestilence (The Four Horsemen #1)
Pestilence (The Four Horsemen #1)
T.A. Chase | 2011 | LGBTQ+, Paranormal, Romance
8
7.0 (2 Ratings)
Book Rating
This book starts with Aldo 'waking up' after a successful attempt at killing himself, so to say he was a bit confused should be taken as given. He finds out that he is now Pestilence, the White Horseman. It is his job to go where he is sent and spread epidemics in order to keep the balance between Heaven and Hell. He was a doctor in his life, so it is both ironic and heartbreaking for him to now be spreading disease. In an effort to distance himself from the human population, he lives in the middle of the Amazon jungle. So you can imagine his surprise when he sees a man stumble into his clearing, full of fever and virus.

Bart was left in the middle of the jungle by his lover and the rest of the research team. He doesn't know how he has made it to the clearing, but he is glad that he did when Pestilence looks after him and helps him to make a long and slow recovery. Pestilence is riddled with guilt over the deaths of his wife and son due to the Bubonic Plague, and his 'job'. Bart comes into his life like a dervish and Pestilence starts to question if he can actually have a relationship.

I thoroughly enjoyed the world-building and characters in this book. It is the first of a new series, and I am looking forward to reading the others. Although I really liked Pestilence and Bart, I personally loved the scenes with Death, as I really enjoyed his dry wit and personality.

With a relationship that grows and develops, as well as forgiveness, guilt, love, and disease, this book is certainly worth the read. Definitely recommended.

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
 
Merissa
Archaeolibrarian - I Dig Good Books!
Nov 10, 2015
  
40x40

ClareR (5674 KP) rated The Figurine in Books

Nov 20, 2023  
The Figurine
The Figurine
Victoria Hislop | 2023 | Contemporary, Fiction & Poetry
8
8.0 (1 Ratings)
Book Rating
I do love Victoria Hislop books, and in The Figurine I was transported back to Greece in the 1960’s with dictators ruling and a young girl, Helena, visiting her affluent grandparents on her own. Her grandfather is authoritarian, aloof, and never really connects with his granddaughter, but her grandmother clearly adores her. Through these summer visits, Helena grows to love Greece, even if she never manages to form a relationship with her grandfather.

As she gets older, Helena goes to university, meets a man who convinces her to go on archaeological digs on Greek Islands, and she then discovers antiques in her grandparents flat after their deaths - antiques that should not be owned by a private collector at all. These antiques are not acquired under legitimate means, and just how they were acquired soon becomes very clear to Helena. With the help of some Greek friends she is able to start the process of returning the valuable antiques to their rightful owners - the Greek people.

There is still the matter of a dodgy, antique smuggling boyfriend to deal with, and to do so involves the help of friends in London. So this story goes between London and Greece - and believe me when I say that Greece is painted in a much more favourable light than London. Everything seems grey and cold in London, and Greece is all sunshine and warmth. I know where I would rather be.

I love how Hislop writes about Greece: she’s clearly a Hellenophile, and why wouldn’t she be?! It’s a beautiful country. And when the matter of an ancient figurine comes up (that of the title of the book), we see how important even the smallest piece of Greece’s history is to the country as a whole.

Another gorgeous book from Victoria Hislop - a good one to read during the dull winter months that we have coming our way!

Read on The Pigeonhole.
  
VT
Viper: The Prophecy (Odins Wolves 2)
Candi Fox | 2023
6
6.0 (1 Ratings)
Book Rating
155 of 235
Kindle
Viper :The Prophecy (Odins Wolves MC 2)
By Candi Fox
⭐️⭐️⭐️

Gaia. the mother of all created a werewolf shifter class to serve as guardians. To avoid war, Gaia gifted those that answered the call to Odin, who infused the warriors with immortality creating a class of demigods who fight for justice.
20 years ago, the world found out that humans were not the only Earth dwellers. Now Dark Fae and Shifters live in the light.
Logan Haagan: Viper, Viking demigod, and retired Dallas police officer will join his brothers in White Horse, OK as part of the OWMC who will work to exact justice when the law can’t. Before leaving Dallas, Viper sees Lady Death fight in an underground ring. The fight has mafia ties and ruthlessly pits all manner of dark fae creatures often encouraging the death of the loser.
Billie, Lady Death has been fighting for the Tromlui capo, Cayum since she was a teenager. She becomes a champion of the ring and wants nothing more than to win her contract back and help her friend who is being threatened. Viper and Synne, a dark fae, work to get her released, but Cayum is not easily discouraged and will stop at nothing to keep Billie right where he wants her.
Viper and Billie are sent to New Orleans to uncover a curse, unearth an ancient vampire relic, and discover an age-old prophecy that will change everything...
Don’t miss this epic tale of myths, justice, and prophecy.

I did enjoy this one but think I was expecting to feel the same as I did about book 1 and I didn’t. The world building is really good with complex characters and storylines. Loved catching up with Odins wolves and finding other creatures especially loving Deaths identity . Also a gator shifter that’s a first for me too!
  
Viceroy's House (2017)
Viceroy's House (2017)
2017 | International, Drama
5
5.0 (1 Ratings)
Movie Rating
The 80:20 Rule.
India, 1947. Churchill’s government has sent Lord Grantham – – sorry — Lord Louis Mountbatten of Burma (Hugh Bonneville, “The Monuments Men“) as the new Viceroy. His mission is to make sure he is the last ever Viceroy, for India is to be returned to independence. But racial tensions between the Hindu and minority Muslim populations are brittle and deteriorating fast. Can India survive as a single country, or will Mountbatten be forced to partition the country along religious lines to avoid civil-war and countless deaths?

Of course, there is little tension in this plot line since we know Pakistan was indeed founded by Muhammad Ali Jinnah (played by Denzil Smith) on August 14th 1947. (In reality, Jinnah’s victory was short lived as he died of TB the following year). The rest of India went on to be ruled by Jawaharlal Nehru (played by Tanveer Ghani). What the film does remind this generation of is the extreme cost of that partition, with riots, mass abductions and rapes, over a million estimated deaths and one of the biggest migrations of populations ever seen. (All of this is largely shown through original newsreel footage, which is effectively inter-weaved with the film).

So as an educational documentary it is useful. However, as an entertaining movie night out? Not so much. After coming out of the film we needed to buy some milk at Tesco and I was put on the spot by the checkout lady to sum-up the film: “Worthy but dull” was what I came up with, which with further time to reflect still seems a good summary.
This shouldn’t have been the case, since the film is directed by the well-respected Gurinder Chadha (“Bend it like Beckham) and boasts a stellar cast, with Bonneville supported by Gillian Anderson (“The X Files”) as Lady Mountbatten; Michael Gambon (“Harry Potter”) as General Ismay (Mountbatten’s chief of staff); Simon Callow (“Four Weddings and a Funeral”) as Radcliffe (the drawer of ‘the new map’); and Om Puri (“The Hundred Foot Journey“) as former political prisoner Ali Rahim Noor. Playing Mountbatten’s daughter is Lily Travers (“Kingsman: The Secret Service“): Virginia McKenna’s granddaughter.

But unfortunately, for me at least, the film lumbers from scene to scene, seldom engaging with me. Bonneville’s Mountbatten, whilst perfectly sound, was just a re-tread of Downton with added humidity and curry; Anderson’s (probably extremely accurate) crystal-glass English accent quickly becomes tiresome; and elsewhere a lot of the acting of the broader Indian cast is, I’m sorry to comment, rather sub-par. For me, only Om Puri, who sadly died in January, delivers an effective and moving performance as the blind father (literally) unable to see that the arranged marriage for his daughter Aalia (Huma Qureshi) is heading for trouble thanks to Mountbatten’s man-servant. And no, that isn’t a euphemism…. I’m talking about his real manservant, Jeet Kumar (Manish Dayal)!!
As an aside, the late Puri (probably most famous in western cinema for “East is East”) has made over 270 feature films in his prolific career, over and above his many appearances on Indian TV. And he still has another 6 films to be released! May he rest in peace.

Probably realising that the historical plot is not enough to sustain the film, the screenwriters Paul Mayeda Berges (“Bend it like Beckham”), Moira Buffini (“Tamara Drewe”) and Gurinder Chadha try to add more substance with the illicit romance between the Hindu Jeet and the Muslim Aalia. Unfortunately this is clunky at best, with an incessant 30 minutes-worth of longing looks before anything of substance happens. Even the “Lion“-style denouement (also with a railway train connection) is unconvincing.

After that, the film just tends to peter out, with a ‘real-life photograph’ segue delivering a rather tenuous connection between a character not even featured in the film and the director!
Mrs. Chadha has clearly corralled an army of extras to deliver some of the scenes in the film, in the hope of delivering a historical epic of the scale of Attenborough’s “Gandhi”. For me, she misses by a considerable margin. But that’s just my view….. if you like historical dramas, its a film you might enjoy: as the great man himself said “Honest disagreement is often a good sign of progress”.
  
The Princess Diarist
The Princess Diarist
Carrie Fisher | 2017 | Biography
10
7.5 (22 Ratings)
Book Rating
This is Carrie Fisher's memoir of her time during the filming of Star Wars Episode IV, including entries from the diaries she kept during that time that she recently discovered. I think this was the first time that Fisher really talked about her relationship with Leia, and what Leia has offered to her over the years. She also talks about her fans, and how much they mean to her and everything about the ending of the book was so much more heartbreaking given the circumstances. I was genuinely surprised by how touching her closing chapters were, in regards to her relationship with Leia and the Star Wars community as a whole.

It was a little surreal reading this so soon after both her death and her mother's, as she talks frequently about her mother in the book, as well as mentioning a couple of times, in an offhand manner, how she would like to be remembered for certain events. Perhaps it was too soon for me after her death. Not that I was ever necessarily a huge Carrie Fisher fan, but I've certainly been a Star Wars fan my whole life (I saw the original Star Wars when it was released - I was 3), so while there was never necessarily a Carrie Fisher in a my life, there has always been a Princess Leia, and it seemed to hit home a little for me. It also made me unreasonably angry that Carrie Fisher died; in a year of so many celebrity deaths, it seemed like just another death to some, but it made me angry because she overcame so much, and still had so much to do and offer to the world. So, yeah - maybe I should have put a little time in between her death and reading this book, knowing it was her last, but it seemed like the thing to do at the time. It is typically funny in that Carrie Fisher way, but equally sad given the circumstances. I fairly certain, however, that again, in that typically funny Carrie Fisher way, she would have found some way to turn her death into an appropriate epilogue to this book.
  
Hex Hall (Hex Hall, #1)
Hex Hall (Hex Hall, #1)
Rachel Hawkins | 2010 | Fiction & Poetry
6
8.0 (12 Ratings)
Book Rating
The first thing that I found curious was that the author does not begin with when Sophie first discovers who she is, but instead begins with what incident propels her to switch to the paranormal-reject-filled boarding school, Hecate Hall - also affectionately known as "Hex Hall." The incident shows the softer side of Sophie, so it is easy to predict the choices she makes throughout the rest of the book.
Hecate Hall is similar to any other high school, just with a paranormal twist. The werewolves can still talk and walk upright, so they are not considered true shapeshifters. The fairies don't have to hide their wings, can turn into balls of light for travel, communicate through mirrors, as well as many other traditions of legend - but all seem to be pretentious snobs. The witches are divided into dark and light, and Sophie is unknowingly cast as a dark witch, though she can't guess how, which puts her in the line of fire from the other three dark witches on campus, who swing from classic "mean girls" to her best friends unpredictably. Plus, what school would be complete without the resident "hottie", whom Sophie can't help but fall for, especially since fate keeps putting the two of them together. And finally, two vampires also reside at school - though they are not considered equals - Sophie's roommate, Jenna, as well as a teacher condemned into hiding, none other than Lord Byron, the poet. While Lord Byron's role turned out to be a major disappointment, Jenna seemed to be the one with all of the secrets, even as she is repeatedly blamed for the new deaths cropping up.
Sophie is easy to like, with a fantastic sense of humor and strong moral sense. The flip-flopping emotions of the cast of characters matched the average teenager well, and made for many entertaining situations. The many surprises that saturated the plot made the book engaging, and I look forward to reading about what Sophie does with her new-found information about herself in the next book, Demonglass.
  
Halloween (2018)
Halloween (2018)
2018 | Horror
I got chills
#halloween? while at times extremely #silly is a very enjoyable & fitting tribute to the #johncarpenter original. I must confess I hadn't seen the #original Halloween until a few weeks ago (its 4k release) & found it to be incredibly tense, dripping in dread, unnerving & extremely #creepy with an awesome soundtrack. #Halloween2018 manages to lovingly recreate everything people love about the first one but doesn't manage to do it quite as well. While I did enjoy this film a heck of a lot it does have a lot of problems - first of all the first half fails to create a chilling atmosphere & any tension for that matter, there's just far to many silly jokes/bad humour & the pacing is far to fast with scenes rushing by quicker than a #michaelbay movie. This leaves no time for dread, tension or the #chills the creepy lingering shots the first film brought us & I really hoped it would slow down at some point & thankfully it does. Approaching the second half things take a real turn & the movie really starts to have #fun feeling less like a tv movie & more like a #horror film, there are some great stationary camera shots, cool cinematography moments, great imagery, messy deaths & some really suspenseful stalking scenes with genuinely scary reveals/brutal attacks. Soundtrack wise it also switches it up a bit while still feeling #nostalgic too & there's an amazing garden scene where it really heightens the fear & dread. Themes of #depression & how it can make us feel cast out/alone & how our mental burdens can be passed down & effect our our children are handled well while metaphors for fighting our demons together as a family also feel refreshing & current. Overall its opening 10 minutes are brilliant then the film makes some really bad choices but recovers itself well enough to make it a film that's so worth seeing at the cinema. A big #nostalgia trip done right & with all its flaws looking at the film now as a whole I think it works well & is a great #love letter to #80s #slasher films & to #terminator2 haha. #odeon #odeonlimitless #jamieleecurtis #michaelmyers #killer #gore #horror #scary #retro #fridayfeeling #filmbuff #filmcritic #mask #frightnight