Search
Search results
When the Men Were Gone
7.0
Rate It
Book
A cross between Friday Night Lights and The Atomic City Girls, When The Men Were Gone is a debut...
WWII WW2 World War 2 World War II football Texas
Flobella Adventures in the Creative Idea Dimension: Book 1 The Creative Path
Book
The Creative Path - Imagine the possibilities... Flobella is a creatress but she doesn't know it....
MG Middle Grade Fantasy fiction children's children
1000 Fires by Traci Lords
5.7
Rate It
Album Watch
1000 Fires is the debut studio album by American singer and actress Traci Lords, released on...
Mortal Kombat Virtuosity soundtrack
Bob Mann (459 KP) rated Star Trek - Nemesis (2002) in Movies
Sep 28, 2021
This film should have worked. They had four years to work up the film: the biggest gap between movies in the series to date. The sets and special effects deployed are a notable improvement on “Insurrection” and are, at times, very impressive. It’s a movie that has personal angst for Picard; an epic space battle; and the death of a major character. And a young Tom Hardy turns in a memorable performance, belying what was to come: it’s interesting that this is only Hardy’s third feature (following his debut in “Black Hawk Down” just the year before!). It’s also a full NINE years before he won the BAFTA Rising Star award!
And yet it’s just not very engaging: I find myself fiddling with my phone while its on, which is never a good sign. Gone are any of the comic asides that have tended to lighten the mood of these films: this is dark and plot-heavy throughout. It’s even got a ‘mind-rape’ scene that is quite disturbing.
Naturally, the Enterprise insurance premium has taken another hammering by the end of the film. You can just imagine the discussion back in space dock… “no mate…” – sucking air in through his front teeth “…that whole front bumper’s gonna have to be replaced, and that’ll cost you a pretty packet”!
Combined with poor marketing and fierce competition (the film opening in the same month as “Lord of the Rings: The Two Towers”), this ended up with the worse financial performance of any of the Trek movies (in terms of budget to return ratio). And it killed the franchise. The only option was to be a full reboot: something that was to take another seven years to happen.
And yet it’s just not very engaging: I find myself fiddling with my phone while its on, which is never a good sign. Gone are any of the comic asides that have tended to lighten the mood of these films: this is dark and plot-heavy throughout. It’s even got a ‘mind-rape’ scene that is quite disturbing.
Naturally, the Enterprise insurance premium has taken another hammering by the end of the film. You can just imagine the discussion back in space dock… “no mate…” – sucking air in through his front teeth “…that whole front bumper’s gonna have to be replaced, and that’ll cost you a pretty packet”!
Combined with poor marketing and fierce competition (the film opening in the same month as “Lord of the Rings: The Two Towers”), this ended up with the worse financial performance of any of the Trek movies (in terms of budget to return ratio). And it killed the franchise. The only option was to be a full reboot: something that was to take another seven years to happen.
Hazel (2934 KP) rated The Dinner Lady Detectives in Books
Oct 24, 2021
This is, in my humble opinion, a very successful debut and definitely a series that I am looking forward to keeping up with. It is described as "a delightful, quintessentially British cosy mystery" and that's exactly what you get.
Margery and Clementine are dinner ladies, or to give them their official title 'Education Centre Nourishment Consultants' (really? is that what they're called now?!?!?!), and they are an absolute blast. Their relationship absolutely shines through from start to finish, it's beautiful and very authentic feeling.
Margery and Clementine smell a rat when one of their colleagues is found dead in the walk-in freezer of the school kitchen and so begins their unorthodox investigation into her death which results in all manner of escapades. There are some very funny moments (the suspended school ceiling being a particular highlight for me 🤣🤣) amongst a great and engaging plot with excellent characters throughout.
I raced through this book desperate to find out what happened and how it was all going to come together and I wasn't disappointed in the slightest and I am pleased to read on the publisher website that they have acquired the rights to a three-book deal. I think someone needs to snap this up and make a television series - I can so see Dawn French and Jennifer Saunders as Margery and Clem, in fact, that's who I was seeing in my head as I was reading it!
Highly recommended for those of you who want a break from all the doom, gloom and violence in many crime fiction books and who don't mind a bit of dark humour.
Thank you so much Canelo and NetGalley for my advance copy in return for an honest, unbiased and unedited review.
Margery and Clementine are dinner ladies, or to give them their official title 'Education Centre Nourishment Consultants' (really? is that what they're called now?!?!?!), and they are an absolute blast. Their relationship absolutely shines through from start to finish, it's beautiful and very authentic feeling.
Margery and Clementine smell a rat when one of their colleagues is found dead in the walk-in freezer of the school kitchen and so begins their unorthodox investigation into her death which results in all manner of escapades. There are some very funny moments (the suspended school ceiling being a particular highlight for me 🤣🤣) amongst a great and engaging plot with excellent characters throughout.
I raced through this book desperate to find out what happened and how it was all going to come together and I wasn't disappointed in the slightest and I am pleased to read on the publisher website that they have acquired the rights to a three-book deal. I think someone needs to snap this up and make a television series - I can so see Dawn French and Jennifer Saunders as Margery and Clem, in fact, that's who I was seeing in my head as I was reading it!
Highly recommended for those of you who want a break from all the doom, gloom and violence in many crime fiction books and who don't mind a bit of dark humour.
Thank you so much Canelo and NetGalley for my advance copy in return for an honest, unbiased and unedited review.
Mark @ Carstairs Considers (2579 KP) rated Molten Death in Books
Apr 3, 2024 (Updated Apr 3, 2024)
Valerie Face a Hot Problem on Vacation in Hawaii
Valerie Corbin and her wife, Kristen, are spending a couple of weeks in Hilo, staying with Kristen’s friend Isaac. They have arrived just as a lava flow is really gaining steam, so they decide to go out and see it early their first Saturday morning on the island. When Valerie wanders away from the other two, she sees part of a body being buried in the molten lava. She can’t get anyone to take her seriously, even Kristen and Isaac. Certainly, the police aren’t taking it seriously without any proof. Can Valerie figure out what really happened?
Author Leslie Karst lives part time in Hilo, so I wasn’t surprised that she chose this as the setting for her new series. Her knowledge showed in how she brought the setting to life. And who doesn’t want a Hawaiian vacation? The plot was very inventive, and I appreciated Valerie’s good motive for getting involved. We had some nice twists before a great climax. I did struggle with Valerie’s relationship with Kristen because they were so at odds for much of the book. I think if this hadn’t been my introduction to them, I would have been okay with this sub-plot. Overall, I liked the series regulars by the end, and Valerie’s darker baggage made her an interesting character. We do get some Pigeon and Hawai’ian mixed into the dialogue. A couple times it was a bit overwhelming, but for the most part, I could figure it out from the context. We get six Hawaiian recipes at the end. The inventive plot will make this series debut a winner for mystery fans.
Author Leslie Karst lives part time in Hilo, so I wasn’t surprised that she chose this as the setting for her new series. Her knowledge showed in how she brought the setting to life. And who doesn’t want a Hawaiian vacation? The plot was very inventive, and I appreciated Valerie’s good motive for getting involved. We had some nice twists before a great climax. I did struggle with Valerie’s relationship with Kristen because they were so at odds for much of the book. I think if this hadn’t been my introduction to them, I would have been okay with this sub-plot. Overall, I liked the series regulars by the end, and Valerie’s darker baggage made her an interesting character. We do get some Pigeon and Hawai’ian mixed into the dialogue. A couple times it was a bit overwhelming, but for the most part, I could figure it out from the context. We get six Hawaiian recipes at the end. The inventive plot will make this series debut a winner for mystery fans.
Debbiereadsbook (1761 KP) rated Hidden Rooms in Books
May 3, 2024
4 very VERY good stars
Independent reviewer for Archaeolibrarian via BookSirens, I was gifted my copy of this book.
This is the author's debut novel, and I reckon she nailed it!
Riley's sister-in-law to be, Beth, is murdered, and her brother Ethan, is the prime suspect. Riley knows he's innocent, and sets about to prove it.
What I particularly liked about this, was being kept on my toes! Until it all came out, I didn't know whether Ethan did it or not!
Beth is keeping secrets, and those secrets cost her, but again, it takes time for things to come out.
Everything does take a time to come out, and I suggest, if like me, you weren't liking the slow pace, KEEP AT IT! It does speed up and move at pace. I am glad I kept with it.
Riley tells a great tale, even with this illness that rocks her through much of the book. I enjoyed her, especially as she is the only voice in the book. I liked the way the illness was dealt with, or not for much of the time!
I think I might not have enjoyed this so much had someone else had a say, which is contrary to my usual "I wanted to hear from everyone" thing, I know, but I really did like Riley.
It's well written, and well delivered. There is just enough suspense, once it kicks off, to keep you fully engaged and invested with this group of people.
As an ARC reader of many years, my primary genre is romance. Once in a while something different will come through and my interest is piqued. I am certainly glad I took this one on, and will absolutely read more by this author as and when.
4 very VERY good stars
*same worded review will appear elsewhere
This is the author's debut novel, and I reckon she nailed it!
Riley's sister-in-law to be, Beth, is murdered, and her brother Ethan, is the prime suspect. Riley knows he's innocent, and sets about to prove it.
What I particularly liked about this, was being kept on my toes! Until it all came out, I didn't know whether Ethan did it or not!
Beth is keeping secrets, and those secrets cost her, but again, it takes time for things to come out.
Everything does take a time to come out, and I suggest, if like me, you weren't liking the slow pace, KEEP AT IT! It does speed up and move at pace. I am glad I kept with it.
Riley tells a great tale, even with this illness that rocks her through much of the book. I enjoyed her, especially as she is the only voice in the book. I liked the way the illness was dealt with, or not for much of the time!
I think I might not have enjoyed this so much had someone else had a say, which is contrary to my usual "I wanted to hear from everyone" thing, I know, but I really did like Riley.
It's well written, and well delivered. There is just enough suspense, once it kicks off, to keep you fully engaged and invested with this group of people.
As an ARC reader of many years, my primary genre is romance. Once in a while something different will come through and my interest is piqued. I am certainly glad I took this one on, and will absolutely read more by this author as and when.
4 very VERY good stars
*same worded review will appear elsewhere
Zoosk (5 KP) rated Stone Roses by The Stone Roses in Music
Dec 5, 2024
A Timeless Masterpiece
Every so often, an album comes along that feels like it was born out of pure magic, and The Stone Roses is one of those rare gems. From the opening notes of “I Wanna Be Adored” to the euphoric closer “I Am the Resurrection,” this debut album is a flawless journey through shimmering guitars, hypnotic rhythms, and an aura of defiance and mysticism.
What sets this album apart is its ability to transcend genres. It’s a perfect blend of jangly indie rock, psychedelic flourishes, and danceable grooves, creating a sound that feels fresh even decades later. John Squire’s guitar work is nothing short of genius—each riff and solo feels meticulously crafted yet completely effortless. Ian Brown’s vocal delivery, while unconventional, perfectly captures the swagger and yearning that permeates every track.
Tracks like “She Bangs the Drums” and “Made of Stone” are anthems of pure joy, brimming with melodies that seem to be pulled straight from the heavens. “Waterfall” is a blissful, sun-drenched escape, while “I Am the Resurrection” is a sprawling epic that perfectly captures the band’s rebellious energy. Every song feels essential; there’s no filler here.
Listening to this album feels like stepping into another world, one where everything is drenched in sunlight and possibility. It’s no wonder it became the defining soundtrack of the late ‘80s Madchester scene, but its influence stretches far beyond that. Bands like Oasis and Arctic Monkeys owe much of their sound and success to this record.
For me, The Stone Roses isn’t just an album—it’s an experience. It’s bold, timeless, and utterly captivating. I can’t think of a single way it could be improved, and for that reason, it’s a perfect 10/10.
What sets this album apart is its ability to transcend genres. It’s a perfect blend of jangly indie rock, psychedelic flourishes, and danceable grooves, creating a sound that feels fresh even decades later. John Squire’s guitar work is nothing short of genius—each riff and solo feels meticulously crafted yet completely effortless. Ian Brown’s vocal delivery, while unconventional, perfectly captures the swagger and yearning that permeates every track.
Tracks like “She Bangs the Drums” and “Made of Stone” are anthems of pure joy, brimming with melodies that seem to be pulled straight from the heavens. “Waterfall” is a blissful, sun-drenched escape, while “I Am the Resurrection” is a sprawling epic that perfectly captures the band’s rebellious energy. Every song feels essential; there’s no filler here.
Listening to this album feels like stepping into another world, one where everything is drenched in sunlight and possibility. It’s no wonder it became the defining soundtrack of the late ‘80s Madchester scene, but its influence stretches far beyond that. Bands like Oasis and Arctic Monkeys owe much of their sound and success to this record.
For me, The Stone Roses isn’t just an album—it’s an experience. It’s bold, timeless, and utterly captivating. I can’t think of a single way it could be improved, and for that reason, it’s a perfect 10/10.
Shark Baroni And The Stars In The Sea
Book
A fantastic debut from a budding young author, Shark Baroni and the Stars in the Sea is a tale full...
children's book children's picture book
LeftSideCut (3776 KP) rated Pig (2021) in Movies
Nov 30, 2021
Nicolas Cage's placement within the zeitgeist is almost legendary at this point. His various unhinged performances over the decades have ensured that he's the go-to-guy for any movie with a whacky premise that needs a lead who will commit to the part, no matter how ludicrous. Pig is a film that has fallen a little foul of this. It's a film that had been mistakenly billed to me as "John Wick but with Nicolas Cage and a pig", a film that's very synopsis lends itself to the absurdity that surrounds Cage and his career.
The finished project however is an emotional and heartfelt triumph. For starters, the whole movie is shot beautifully with plenty of stunning cinematography on display. It verges into arthouse territory fairly regularly, but works hand in hand with the way the narrative chugs along, quite wonderfully.
The slower pace of proceedings is filled with great dialogue and great turns from the likes of Adam Arkin and the ever-reliable Alex Wolff, but make no mistake, Pig belongs to Cage 100%. His performance here is nothing short of fantastic. His character is layered, and aspects of him are slowly revealed as the story unfolds, and Cage delivers it all pretty flawlessly. No joke, probably his career highlight.
The tone is a rollercoaster, from optimism amongst sadness to flat out despair. The climactic scene in particular is an absolutly beautiful and emotional shit show, that lands perfectly thanks to its stellar cast.
Pig is a movie that I didn't expect to get me as much as it did. It's an incredibly competent, subtle, and well realised debut full-length feature from Michael Sarnoski, that I imagine will be criminally overlooked when awards season rolls around. Give Nicolas Cage an Oscar dammit!
The finished project however is an emotional and heartfelt triumph. For starters, the whole movie is shot beautifully with plenty of stunning cinematography on display. It verges into arthouse territory fairly regularly, but works hand in hand with the way the narrative chugs along, quite wonderfully.
The slower pace of proceedings is filled with great dialogue and great turns from the likes of Adam Arkin and the ever-reliable Alex Wolff, but make no mistake, Pig belongs to Cage 100%. His performance here is nothing short of fantastic. His character is layered, and aspects of him are slowly revealed as the story unfolds, and Cage delivers it all pretty flawlessly. No joke, probably his career highlight.
The tone is a rollercoaster, from optimism amongst sadness to flat out despair. The climactic scene in particular is an absolutly beautiful and emotional shit show, that lands perfectly thanks to its stellar cast.
Pig is a movie that I didn't expect to get me as much as it did. It's an incredibly competent, subtle, and well realised debut full-length feature from Michael Sarnoski, that I imagine will be criminally overlooked when awards season rolls around. Give Nicolas Cage an Oscar dammit!