Search
Search results
Ross (3284 KP) rated The Occultist in Books
Feb 12, 2019 (Updated Feb 14, 2019)
Far from original LitRPG but a whole lot of fun
** Thanks to Portal Books and the author for giving me the chance to read this in advance of its release **
The LitRPG genre (the best-known example being Ready Player One) is something of a narrow one. There are only a few levers to pull: the main character's real life scenario, the game mechanics, the main character's chosen "class" in-game and the conflicts therein.
The Occultist looks to mix this up a bit with the main character choosing a less traditional class, of occultist - that is, he learns the ability to summon a variety of demons and spells/abilities to use with them. This would mark The Occultist out from the crowd, if it weren't for Awaken Online already having done almost the exact same. In AO, Jason chooses a dark class and summons zombies, skeletons etc, and a large part of the early stages of this book really bear a very close resemblance to AO. We have the main character's problems at home, leading him to want to escape into the game, and to find a way to make money from his gaming hobby. The chosen in-game path is almost identical. There is an extremely strong, popular player that he wants to compete with.
From early on, I was thinking this book was a rip-off of AO. But the second half of the book is really where the book marks itself apart from AO. Whereas that book's action was focused on large scale strategy in battles, here we are scurrying around in the background picking players off one by one and there are some truly excellent action sequences, where the abilities and spells learned and the demons at Damien's disposal are used to some really creative effects. Damien looks to get some revenge on his nemesis and also to try and "level up" quickly (again, a key component of LitRPG books), and tries to pick off players as they battle other players, or take on perilous dungeons.
A lot of LitRPG books have had a very immersive gaming element, at times it was more like reading a more traditional fantasy book but where the main character was more clear what he was doing and what skills/abilities he was using. Here you are always aware the character is in a game: he "equips" clothes rather than getting dressed, there is no need for eating or sleeping, what can and can't be done, what you get from killing another character etc is so much more in line with games than in other books. This again marked it out from other books, and gave it a very different feel.
Another major selling point of The Occultist is that it doesn't mess around with time dilation (game time running at a much faster rate than real time). I don't see why so many of the other books in this genre feel the need to build this in, as it is then hard to keep it consistent, and doesn't really feel right or necessary at any time.
Also, Damien's real world troubles take more focus than in other books, as he struggles to find somewhere to live and is on the run.
While the book manages to stick to its own rules (what can and can't be done etc), there is one moment where the main character manages to do something he shouldn't be able to do (his spells have a cool down period before they can be used again and at least once this isn't observed), which was slightly frustrating given how hard the author had tried to plan out the action in line with the people involved and their skills and strengths.
My only real gripe with the book is the title of the game/series - Saga Online, which sounds less like an exciting new MMORPG, and more like the web portal for booking a pensioners' cruise!
In summary, not an original idea (but hard to have such a thing in this genre) but a superbly well told, exciting and fun read. I heartily recommend this to anyone who likes fantasy books, games like the Witcher or just anyone looking for some real fun escapism.
The LitRPG genre (the best-known example being Ready Player One) is something of a narrow one. There are only a few levers to pull: the main character's real life scenario, the game mechanics, the main character's chosen "class" in-game and the conflicts therein.
The Occultist looks to mix this up a bit with the main character choosing a less traditional class, of occultist - that is, he learns the ability to summon a variety of demons and spells/abilities to use with them. This would mark The Occultist out from the crowd, if it weren't for Awaken Online already having done almost the exact same. In AO, Jason chooses a dark class and summons zombies, skeletons etc, and a large part of the early stages of this book really bear a very close resemblance to AO. We have the main character's problems at home, leading him to want to escape into the game, and to find a way to make money from his gaming hobby. The chosen in-game path is almost identical. There is an extremely strong, popular player that he wants to compete with.
From early on, I was thinking this book was a rip-off of AO. But the second half of the book is really where the book marks itself apart from AO. Whereas that book's action was focused on large scale strategy in battles, here we are scurrying around in the background picking players off one by one and there are some truly excellent action sequences, where the abilities and spells learned and the demons at Damien's disposal are used to some really creative effects. Damien looks to get some revenge on his nemesis and also to try and "level up" quickly (again, a key component of LitRPG books), and tries to pick off players as they battle other players, or take on perilous dungeons.
A lot of LitRPG books have had a very immersive gaming element, at times it was more like reading a more traditional fantasy book but where the main character was more clear what he was doing and what skills/abilities he was using. Here you are always aware the character is in a game: he "equips" clothes rather than getting dressed, there is no need for eating or sleeping, what can and can't be done, what you get from killing another character etc is so much more in line with games than in other books. This again marked it out from other books, and gave it a very different feel.
Another major selling point of The Occultist is that it doesn't mess around with time dilation (game time running at a much faster rate than real time). I don't see why so many of the other books in this genre feel the need to build this in, as it is then hard to keep it consistent, and doesn't really feel right or necessary at any time.
Also, Damien's real world troubles take more focus than in other books, as he struggles to find somewhere to live and is on the run.
While the book manages to stick to its own rules (what can and can't be done etc), there is one moment where the main character manages to do something he shouldn't be able to do (his spells have a cool down period before they can be used again and at least once this isn't observed), which was slightly frustrating given how hard the author had tried to plan out the action in line with the people involved and their skills and strengths.
My only real gripe with the book is the title of the game/series - Saga Online, which sounds less like an exciting new MMORPG, and more like the web portal for booking a pensioners' cruise!
In summary, not an original idea (but hard to have such a thing in this genre) but a superbly well told, exciting and fun read. I heartily recommend this to anyone who likes fantasy books, games like the Witcher or just anyone looking for some real fun escapism.
Matthew Krueger (10051 KP) rated the Xbox 360 version of Doom in Video Games
Mar 20, 2020
Kick Some Ass
Doom- such a classic to all, I personally didnt play doom until the 360. Yes you read that right, i didnt play this game until the 360. So lets talk about it.
The gameplay:
Doom is a first-person shooter presented with early 3D graphics. The player controls an unnamed space marine—later termed the Doomguy—through a series of levels set in military bases on the moons of Mars and in Hell. To finish a level, the player must traverse through the area to reach a marked exit room. Levels are grouped together into named episodes, with the final level focusing on a boss fight with a particularly difficult enemy.
While traversing the levels, the player must fight a variety of enemies, including demons and possessed undead humans, while managing supplies of ammunition, health, and armor. Enemies often appear in large groups, and the game features five difficulty levels which increase the quantity and damage done by enemies, with enemies respawning upon death and moving faster than normal on the hardest difficulty setting.
Levels can also include pits of toxic waste, ceilings that lower and crush anything below them, and locked doors which require a keycard, skull-shaped key device, or a remote switch to be opened.
The plot:
Doom is divided into three episodes: "Knee-Deep in the Dead", "The Shores of Hell", and "Inferno". A fourth episode, "Thy Flesh Consumed", was added in an expanded version of the game, The Ultimate Doom. The game itself contains very few plot elements, with the minimal story instead given in the instruction manual and short text segues between episodes.
In the future, the player character (an unnamed space marine) has been punitively posted to Mars after assaulting a superior officer, who ordered his unit to fire on civilians. Players assume the role of a space marine, popularly known as "Doomguy", fighting his way through hordes of invading demons from Hell.
The Impact/Legacy:
Doom helped define the FPS genre and inspired numerous similar games, known as "Doom clones". It is one of the most significant games in video game history, and is frequently cited as one of the greatest games of all time. It pioneered online distribution and technologies including 3D graphics, networked multiplayer gaming, and support for customized modifications via packaged files (WADs). However, its graphic violence and hellish imagery also made it a subject of controversy.
Doom was influential and dozens of new first-person shooter titles appeared following Doom's release, and they were often referred to as "Doom clones" rather than "first-person shooters". The term "Doom clone" was used to describe the style of gameplay in Doom-style games. While the term was initially popular, it was, after 1996, gradually replaced by "first-person shooter", and the phrase "first-person shooter" had firmly superseded "Doom clone" around 1998. Some of these were certainly "clones", hastily assembled and quickly forgotten, while others explored new grounds of the genre and were highly acclaimed. Many of the games closely imitated features in Doom such as the selection of weapons and cheat codes.
Devoted players have spent years creating speedruns for Doom, competing for the quickest completion times and sharing knowledge about routes through the levels and how to exploit bugs in the Doom engine for shortcuts. Achievements include the completion of both Doom and Doom II on the "Ultra-Violence" difficulty setting in less than 30 minutes each. In addition, a few players have also managed to complete Doom II in a single run on the difficulty setting "Nightmare!", on which monsters are more aggressive, launch faster projectiles (or, in the case of the Pinky Demon, simply move faster), and respawn roughly 30 seconds after they have been killed (level designer John Romero characterized the idea of such a run as "[just having to be] impossible").
So overall Doom is a epic game, and started the first person shooter genre, started speedrunning and started the franchise as we know today. So thank you id software and John Ramero for this game.
The gameplay:
Doom is a first-person shooter presented with early 3D graphics. The player controls an unnamed space marine—later termed the Doomguy—through a series of levels set in military bases on the moons of Mars and in Hell. To finish a level, the player must traverse through the area to reach a marked exit room. Levels are grouped together into named episodes, with the final level focusing on a boss fight with a particularly difficult enemy.
While traversing the levels, the player must fight a variety of enemies, including demons and possessed undead humans, while managing supplies of ammunition, health, and armor. Enemies often appear in large groups, and the game features five difficulty levels which increase the quantity and damage done by enemies, with enemies respawning upon death and moving faster than normal on the hardest difficulty setting.
Levels can also include pits of toxic waste, ceilings that lower and crush anything below them, and locked doors which require a keycard, skull-shaped key device, or a remote switch to be opened.
The plot:
Doom is divided into three episodes: "Knee-Deep in the Dead", "The Shores of Hell", and "Inferno". A fourth episode, "Thy Flesh Consumed", was added in an expanded version of the game, The Ultimate Doom. The game itself contains very few plot elements, with the minimal story instead given in the instruction manual and short text segues between episodes.
In the future, the player character (an unnamed space marine) has been punitively posted to Mars after assaulting a superior officer, who ordered his unit to fire on civilians. Players assume the role of a space marine, popularly known as "Doomguy", fighting his way through hordes of invading demons from Hell.
The Impact/Legacy:
Doom helped define the FPS genre and inspired numerous similar games, known as "Doom clones". It is one of the most significant games in video game history, and is frequently cited as one of the greatest games of all time. It pioneered online distribution and technologies including 3D graphics, networked multiplayer gaming, and support for customized modifications via packaged files (WADs). However, its graphic violence and hellish imagery also made it a subject of controversy.
Doom was influential and dozens of new first-person shooter titles appeared following Doom's release, and they were often referred to as "Doom clones" rather than "first-person shooters". The term "Doom clone" was used to describe the style of gameplay in Doom-style games. While the term was initially popular, it was, after 1996, gradually replaced by "first-person shooter", and the phrase "first-person shooter" had firmly superseded "Doom clone" around 1998. Some of these were certainly "clones", hastily assembled and quickly forgotten, while others explored new grounds of the genre and were highly acclaimed. Many of the games closely imitated features in Doom such as the selection of weapons and cheat codes.
Devoted players have spent years creating speedruns for Doom, competing for the quickest completion times and sharing knowledge about routes through the levels and how to exploit bugs in the Doom engine for shortcuts. Achievements include the completion of both Doom and Doom II on the "Ultra-Violence" difficulty setting in less than 30 minutes each. In addition, a few players have also managed to complete Doom II in a single run on the difficulty setting "Nightmare!", on which monsters are more aggressive, launch faster projectiles (or, in the case of the Pinky Demon, simply move faster), and respawn roughly 30 seconds after they have been killed (level designer John Romero characterized the idea of such a run as "[just having to be] impossible").
So overall Doom is a epic game, and started the first person shooter genre, started speedrunning and started the franchise as we know today. So thank you id software and John Ramero for this game.
Hazel (2934 KP) rated Darkness, Darkness (Charles Resnick, #12) in Books
Jan 12, 2018
What a great book!
The storyline took me back to my early teenage years and I recall watching the news about the miners strike with my parents but, not coming from a mining community and being quite young, I never fully appreciated what was really happening. I have since seen a couple of things that have touched on the subject but I felt this book brought me new perspectives to this difficult time in British history particularly from the point of view of the striking miners, the "scabs" and the families caught on both sides. Although this is a work of fiction, I found it very believable with a feel of authenticity and I particularly enjoyed the way the author switched from the present to the past throughout which, for me, worked very well.
The book was full of interesting and colourful characters many of whom have their own demons to deal with not least Resnick himself who I felt came across as a sad and melancholic man who appears disillusioned with not only his work but also his life. Many of the characters had issues outside of the main focus of the book and I felt these were seamlessly woven throughout which added further dimensions to this engrossing story. This is all written at great pace which kept me engaged throughout and, to cap it all, it kept me guessing who the killer was right until the end.
Where have I been? I must have had my head in the sand for many years not to have come across John Harvey and Charlie Resnick before! This is Resnick's last case and my first foray into the world of this very interesting character ... it won't be my last and I will go back to the start of the series in order to find out how it all began.
I am grateful to the publisher, Randomhouse UK Cornerstone and www.netgalley.com for sending me a copy in return for an honest review and for introducing me to another new author to add to my ever-growing list of great writers.
http://haziegaze.blogspot.co.uk/
The storyline took me back to my early teenage years and I recall watching the news about the miners strike with my parents but, not coming from a mining community and being quite young, I never fully appreciated what was really happening. I have since seen a couple of things that have touched on the subject but I felt this book brought me new perspectives to this difficult time in British history particularly from the point of view of the striking miners, the "scabs" and the families caught on both sides. Although this is a work of fiction, I found it very believable with a feel of authenticity and I particularly enjoyed the way the author switched from the present to the past throughout which, for me, worked very well.
The book was full of interesting and colourful characters many of whom have their own demons to deal with not least Resnick himself who I felt came across as a sad and melancholic man who appears disillusioned with not only his work but also his life. Many of the characters had issues outside of the main focus of the book and I felt these were seamlessly woven throughout which added further dimensions to this engrossing story. This is all written at great pace which kept me engaged throughout and, to cap it all, it kept me guessing who the killer was right until the end.
Where have I been? I must have had my head in the sand for many years not to have come across John Harvey and Charlie Resnick before! This is Resnick's last case and my first foray into the world of this very interesting character ... it won't be my last and I will go back to the start of the series in order to find out how it all began.
I am grateful to the publisher, Randomhouse UK Cornerstone and www.netgalley.com for sending me a copy in return for an honest review and for introducing me to another new author to add to my ever-growing list of great writers.
http://haziegaze.blogspot.co.uk/
Whatchareadin (174 KP) rated Now You See Her in Books
May 10, 2018
Nina Bloom is a successful attorney in New York City. She has a beautiful daughter who has just turned 17 and is the most important thing in her life. But Nina has a past that no one knows about. Both of her parents are dead and she was an only child. During her senior year in college, she took a trip to Key West for Spring Break that changed her life forever. Now with a new case being presented to her, she has to face the demons from her past. Will she be able to get through this case and come out on the other end alive? Will she still be able to protect her daughter from the dangers that she has been hiding for so long?
James Patterson has long been one of my favorite authors. I love how quickly I can get through his books and how enthralling the story usually is. I plan on listening to all of JP's standalone books through audio this year. I've gotten caught up with all the Women's Murder Club books and hope to continue to stay on top of those.
What really struck me about this book was Nina's ability to keep the secret for so long. For 17 years no one knew about her past or that she was even hiding in the first place. Her firm decides to take on some pro bono work with other firms in the city in a effort to exonerate people on death row. The first case she is assigned is quite personal as she is quite sure that the person who is in jail for the crime should not be. I wondered the whole time if she would be able to get through the case without having to reveal her true identity or if the past she left behind was going to come back and haunt her and her daughter forever. I great listen for this James Patterson book.
Up next, [bc:Sundays at Tiffany's|2029177|Sundays at Tiffany's|James Patterson|https://images.gr-assets.com/books/1266475617s/2029177.jpg|3307932]
James Patterson has long been one of my favorite authors. I love how quickly I can get through his books and how enthralling the story usually is. I plan on listening to all of JP's standalone books through audio this year. I've gotten caught up with all the Women's Murder Club books and hope to continue to stay on top of those.
What really struck me about this book was Nina's ability to keep the secret for so long. For 17 years no one knew about her past or that she was even hiding in the first place. Her firm decides to take on some pro bono work with other firms in the city in a effort to exonerate people on death row. The first case she is assigned is quite personal as she is quite sure that the person who is in jail for the crime should not be. I wondered the whole time if she would be able to get through the case without having to reveal her true identity or if the past she left behind was going to come back and haunt her and her daughter forever. I great listen for this James Patterson book.
Up next, [bc:Sundays at Tiffany's|2029177|Sundays at Tiffany's|James Patterson|https://images.gr-assets.com/books/1266475617s/2029177.jpg|3307932]
graveyardgremlin (7194 KP) rated Sins of the Father (Buffy the Vampire Slayer: Season 3, #1) in Books
Feb 15, 2019
Set in an alternate season three, SINS OF THE FATHER features two interesting, although slightly competitive, plots. The first one has Pike (featured in the movie Buffy the Vampire Slayer and the comic, [b:Buffy the Vampire Slayer: Omnibus, Vol. 1|271365|Buffy the Vampire Slayer Omnibus, Vol. 1|Joss Whedon|http://d.gr-assets.com/books/1348752850s/271365.jpg|263081]) coming to town for Buffy's help with a stone demon, while the second deals with Giles and his past. Quite obviously, demons of all kinds are the theme of the book.
This is my first foray into the Buffy novels and I have to say it was a pretty good one to start with. The characterizations were well-done, most notably Willow and Xander (I could just hear their dialogue and see their expressions), with the exceptions of Cordy, who sounded like herself about half the time, and Giles, who just seemed off somehow. The plot moves well enough along and the action was well-written. I especially liked their new vampire equipment that you can't help but think, "Why didn't anyone come up with this before?" The banter was great and definitely had the feel of the show, it made me laugh quite a few times. The only thing I had a problem with was Buffy's indecision about Pike and Angel. While I get the part about Pike being a 'normal' guy who knows that she fights paranormal crime and isn't put off, but why does she have such strong feelings for him still? It's been two, two-and-a-half years since she even saw him, I just don't see it. Also, the 'impossible love' between Buffy and Angel was redundant. If anyone has ever seen the show (and how many are going to read the books if they aren't a fan?), they already know all the angsty melodrama on the subject. One remark on the subject was all we needed, not repeatedly using just about the same two phrases a million times. With those two quibbles said, this was an entertaining book that took me back to my favorite time of the show, the high school years.
This is my first foray into the Buffy novels and I have to say it was a pretty good one to start with. The characterizations were well-done, most notably Willow and Xander (I could just hear their dialogue and see their expressions), with the exceptions of Cordy, who sounded like herself about half the time, and Giles, who just seemed off somehow. The plot moves well enough along and the action was well-written. I especially liked their new vampire equipment that you can't help but think, "Why didn't anyone come up with this before?" The banter was great and definitely had the feel of the show, it made me laugh quite a few times. The only thing I had a problem with was Buffy's indecision about Pike and Angel. While I get the part about Pike being a 'normal' guy who knows that she fights paranormal crime and isn't put off, but why does she have such strong feelings for him still? It's been two, two-and-a-half years since she even saw him, I just don't see it. Also, the 'impossible love' between Buffy and Angel was redundant. If anyone has ever seen the show (and how many are going to read the books if they aren't a fan?), they already know all the angsty melodrama on the subject. One remark on the subject was all we needed, not repeatedly using just about the same two phrases a million times. With those two quibbles said, this was an entertaining book that took me back to my favorite time of the show, the high school years.
Janeeny (200 KP) rated Eleanor Oliphant Is Completely Fine in Books
May 9, 2019 (Updated Jun 10, 2019)
This months reading roulette is . . . . . ‘Eleanor Oliphant is completely fine’ by Gail Honeyman. I’m quite happy this one came up this month, as I’ve been hearing a lot about it and was hoping to be on the bandwagon before it drove out of town.
Eleanor Oliphant is doing ok. She has a simple life and a simple routine. Eleanor doesn’t really have any close acquaintances but she’s ok with that because Eleanor Oliphant is completely fine, or so she thinks. In one adventitious afternoon Eleanor becomes closely involved in the lives of Raymond, an unassuming IT guy at the accounts firm where she works, Sammy, an elderly gentleman with an upfront manner, and his larger than life family. Eleanor slowly starts to realise that maybe things weren’t so fine after all.
What can I say about this book that hasn’t been said already? I can see why it has had such high acclaim.
Eleanor is a hard character to relate to, her mannerisms and speech are antiquated and she has an almost childish naivety about her. However, because of the way she looks at life you can’t help becoming involved and follow her story. From the outset we are given very few details about Eleanor, so you draw certain conclusions about her quirky behaviour. Gradually as the book goes on you tease more and more details about Eleanor, her family, and her history and things start to make sense. Honeyman does well in holding back information, only letting it come to light at the right moment, right up until the very end.
I did really enjoy this book. I liked the way it was told from Eleanor’s perspective, her naive outlook gives you a different perception of situations
It’s clear that Gail Honeyman is trying to get across a very strong message about loneliness. I am very much oversimplifying the story by saying this, but Eleanor Oliphant is lonely and as such is having trouble dealing with her demons. It’s when she is thrown into the company of others that things take a turn and she begins the healing process. I think it’s this message and it’s implications on today’s society that has made it so popular
Eleanor Oliphant is doing ok. She has a simple life and a simple routine. Eleanor doesn’t really have any close acquaintances but she’s ok with that because Eleanor Oliphant is completely fine, or so she thinks. In one adventitious afternoon Eleanor becomes closely involved in the lives of Raymond, an unassuming IT guy at the accounts firm where she works, Sammy, an elderly gentleman with an upfront manner, and his larger than life family. Eleanor slowly starts to realise that maybe things weren’t so fine after all.
What can I say about this book that hasn’t been said already? I can see why it has had such high acclaim.
Eleanor is a hard character to relate to, her mannerisms and speech are antiquated and she has an almost childish naivety about her. However, because of the way she looks at life you can’t help becoming involved and follow her story. From the outset we are given very few details about Eleanor, so you draw certain conclusions about her quirky behaviour. Gradually as the book goes on you tease more and more details about Eleanor, her family, and her history and things start to make sense. Honeyman does well in holding back information, only letting it come to light at the right moment, right up until the very end.
I did really enjoy this book. I liked the way it was told from Eleanor’s perspective, her naive outlook gives you a different perception of situations
It’s clear that Gail Honeyman is trying to get across a very strong message about loneliness. I am very much oversimplifying the story by saying this, but Eleanor Oliphant is lonely and as such is having trouble dealing with her demons. It’s when she is thrown into the company of others that things take a turn and she begins the healing process. I think it’s this message and it’s implications on today’s society that has made it so popular
Neon's Nerd Nexus (360 KP) rated Hellboy (2019) in Movies
May 13, 2019
More like Hellno
#hellboy is an #abomination, a brain dead overlong shit show of bad decisions & sheer laziness. I can honestly say i was so pumped for this film but it was such a monstrosoty that i considered walking out after just 30mins. Lets kick this off so i can at least pretend i havent wasted my night with this dross. To sum the film up its a cross between #eastenders & #kingsman (no not the good kingsman either that dire sequel #kingsmanthegoldencircle) & as you can imagine it doesnt work at all. Its not gritty, its not #funny, its not #stylish & its not well made, in fact its also not even half as good as it seems to think it is either coming across so #happy & smug with itself its practically flipping you the middle finger the entire run time. Tacky is a great word i would use to describe this movie, tacky & childish with #humour that wouldn't go a miss in a kids tv program (eg burp jokes, dribble jokes & #jokes about kissing old ladies). Acting is poor everyone just looks & talks half arsed like they can't be bothered, delivering emotionless lines without conviction making dialog a bland back & forth chore. I hope you like bickering too because theres a #hell of alot of pointless bickering scenes that just feel unnecessary. Not one character is developed or likeable not even hellboy himself with the #villain #millajovovich feeling like a bad guy in a stage play just minus the hissing. Cgi is so woefully bad is downright embarrassing sticking out like a saw thumb ruining the forgettable action scenes. Camera work is choppy & the film is badly edited with disorienting quick cuts. Sets & #creatures are bland/unimaginative & prosthetics feel cheaply made (even hellboys face feels off round the eyes). Plot was so paint by numbers i lost interest midway & put my head in my hands when the terrible climax hit (Talk about build up with no pay off). Hellboy ultimatly prooves filling a film with #violence, swearing, popular #music & #popculture references doesnt make your film cool if everything else around it lacks. Lazy forgettable boring poorly made shite. Avoid. #odeon #odeonlimitless #superhero #ronperlman #strangerthings #dc #guillermodeltoro #demons #horror #gore #comic
Neon's Nerd Nexus (360 KP) rated Us (2019) in Movies
May 13, 2019
A stab in the dark
#usmovie is a powerful, #political & psychological #horror that has so many strong messages to convay that it constantly intimates & frightens the viewer in ways that most mainstream horror films simply can't comprehend. ?THIS #REVIEW MAY CONTAIN SPOILERS? #jordanpeele manages to do it again this time around & while not quite to the quality of #getout #us manages to shine with its impressive direction & nerve shattering soundtrack. To start i want to talk about the messages that I think came across to me while viewing Us. For most of its runtime you could be fooled into thinking Peele has made a simple but very decent #80s #nostalgia/home invasion/#slasher movie but once we hit the final act it almost tests you to see how much of the finer details you been paying attention to by hitting you with the overall message its been trying to convey. This world is falling apart at the seems & we are the ones responsible, we create imaginary #borders, distance/alienate ourselves from one another day by day, weve stoped comunicating, #loving trusting in one another & we gradually grow our hatred & fuel our #social awkwardness with technology. Its highly #depressing stuff & when it finally sinks in this is whats at the movies core & how it relates so well to the world today the burden of it ways heavy as you leave the cinema. Cutting ties with one another is a strong theme here as well as how lack of comunication, childhood trauma & inner #demons can become toxic/contagious & lead to the destruction of a family. Acting is simply phenomenal with #LupitaNyongo giving a performance so nerve shattering yet so humble that she deserves an award for sure. Its not a flawless movie however as does have flaws, its a little drawn out at times & when the film feels the need to talk you through & explain itself i found it a little tedious but that being said it accomplishes a perfect balance of #comedy, horror & seriousness with a spine tingling score & #gorgeous cinematography making it well worth experiencing. #odeon #odeonlimitless #filmbuff #filmcritic #friyay #weekend #scary #black #gore #trump #america #usa
Neon's Nerd Nexus (360 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
May 13, 2019
Out of this world
#spidermanintothespiderverse isn't just an incredible film its also hands down THE best #Spiderman film period & a film fans of the #webhead simply must see. Wow what an intense, #nostalgic & visually breath taking movie, its downright #gorgeous with a dazzling & explosive colour pallet, great dimensional pop, slick smooth unique #animation & some of the most absolutely insane/creative camera angles ive seen all year. This film had my eyes constantly opening wider, searching around the screen trying to take in the immense/painstaking detail literally crammed into every scene. So much attention to detail & #love for years of spiderman material has gone into the making of this film that its honestly just a complete joy to behold. Story wise its a complete breath of fresh air too with constantly shocking plot twists a new spin on origins & extremely informative catch up scenes. Characters are all extremely likable & really well fleshed out & human that have to deal with some really tuff adult problems that i was not expecting to delve into in an #animated #film. Themes are vast here & my favourite explored how none of our #hero's really want the burden or responsibility of doing this as a job but understanding its their purpose/#destiny keeps them dedicated to it. There's also alot on commitment, loss, #courage, inner #demons, fate & #fear which again was awesome to see. Score & soundtrack wise it also shines with all the music intensifying & complimenting not only the tension but the obscure telltale visual style too. Speaking of tension its top notch too, there were scenes that had me sweating & sat on the edge of my seat in suspense & action so energetic, fluid & busy i felt goosebumps on my arms. While also absolutely #laugh out loud #hillarious the film can also be emotionally heavy at times too & i was surprised at just how often the film quickly got dark with either a surprising character death or deep philosophical dialog. Do yourself a favour see this in cinemas & in 3d we need #sony to realise this is the high quality spiderman we want more of. Simply stunning. #marvel #spidergwen #stanlee #mcu #comic #spiderpig #milesmorales #odeon #filmbuff #superhero
Neon's Nerd Nexus (360 KP) rated Halloween (2018) in Movies
May 13, 2019
I got chills
#halloween? while at times extremely #silly is a very enjoyable & fitting tribute to the #johncarpenter original. I must confess I hadn't seen the #original Halloween until a few weeks ago (its 4k release) & found it to be incredibly tense, dripping in dread, unnerving & extremely #creepy with an awesome soundtrack. #Halloween2018 manages to lovingly recreate everything people love about the first one but doesn't manage to do it quite as well. While I did enjoy this film a heck of a lot it does have a lot of problems - first of all the first half fails to create a chilling atmosphere & any tension for that matter, there's just far to many silly jokes/bad humour & the pacing is far to fast with scenes rushing by quicker than a #michaelbay movie. This leaves no time for dread, tension or the #chills the creepy lingering shots the first film brought us & I really hoped it would slow down at some point & thankfully it does. Approaching the second half things take a real turn & the movie really starts to have #fun feeling less like a tv movie & more like a #horror film, there are some great stationary camera shots, cool cinematography moments, great imagery, messy deaths & some really suspenseful stalking scenes with genuinely scary reveals/brutal attacks. Soundtrack wise it also switches it up a bit while still feeling #nostalgic too & there's an amazing garden scene where it really heightens the fear & dread. Themes of #depression & how it can make us feel cast out/alone & how our mental burdens can be passed down & effect our our children are handled well while metaphors for fighting our demons together as a family also feel refreshing & current. Overall its opening 10 minutes are brilliant then the film makes some really bad choices but recovers itself well enough to make it a film that's so worth seeing at the cinema. A big #nostalgia trip done right & with all its flaws looking at the film now as a whole I think it works well & is a great #love letter to #80s #slasher films & to #terminator2 haha. #odeon #odeonlimitless #jamieleecurtis #michaelmyers #killer #gore #horror #scary #retro #fridayfeeling #filmbuff #filmcritic #mask #frightnight