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James P. Sumner (65 KP) rated Joker (2019) in Movies
Oct 7, 2019
An unapologetic masterpiece.
I wasn't sure what to expect going into this film. I'm a huge comic book fan, so the controversy and scepticism surrounding this movie, as well as the fact it's based within an established story world, had me doubting how it would work and how good the execution of it would be.
I certainly didn't expect the film I saw.
The basis for this movie is simple and effective: Arthur Fleck (played with a career-defining performance by Joaquin Phoenix) is a mentally unstable and depressed wannabe stand-up comedian working as a clown in a 1980's Gotham City. The movie is set against a backdrop of civil unrest, worker strikes and city-wide poverty, with each being exaggerated to highlight both the severity of each one for the purposes of the film, but also to shine a spotlight on how tough the real world was back then.
A potentially fatal encounter on a late-night subway acts as a catalyst for Fleck, who is shown throughout the first 20 minutes to be a man living on a knife's edge - balancing his own pitiful existence with the way society believes he should act. You get the sense that it would take nothing more than a gentle push to send him one way or the other. The subway was that push.
In a city that very much reflects the character's state of mind, this served to push more than just Arthur Fleck over the edge. Because he happened to be dressed as a clown at the time, and because the *cough* victims *cough* worked for Wayne Enterprises (ran by Thomas Wayne himself), it's seen by many as a vigilante act - someone standing up to the rich elite. This sparks outrage and rioting across the city. The idea of a man dressed as a clown standing up for the little guy becomes the poster child for a civil movement, much in the styling of "V For Vendetta (2005)".
The more Arthur Fleck struggles personally, the worse the streets of Gotham seem to get, as if society's increasing tension and unrest is somehow linked to his own state of mind. He finally realises what he has inadvertently created and begins to transform himself into the vigilante icon people already believe him to be.
Despite the slow pace of the movie, it never seems to drag. The story of Fleck's inevitable descent unfolds patiently, showing you exactly what it wants you to see, when it wants you to see it. It's a very bold and confident step for a movie which would've known how controversial it was going to be before it was even released.
The style of the film is extremely clever. The soundtrack is little more than a low-frequency hum, which plays almost constantly throughout. The camerawork is also exceptional. In every shot of Arthur Fleck, the camera centres on him before very slowly closing in on him. It's subtle, perhaps only a few millimetres per shot, but it's noticeable enough that you feel yourself being pulled in, being legitimately gripped by what you're watching. This contributes to what is, overall, a claustrophobic and sometimes unnerving experience.
There has been initial controversy about the film, with reports of people leaving the cinema during the screening for varying reasons. You see this from time to time, and the cynic in me thinks this is rarely more than clever marketing tactics. And then you see the comments from people who say they were disgusted or sickened or disturbed or whatever. I usually think it's a load of rubbish. That people are just saying that for attention. I don't honestly believe people who are that easily offended by a movie would choose to see something that is clearly going to show you all the things you don't like.
However, with "Joker (2019)", I can actually understand it. This is a truly disturbing film. Not for the violence, which has been the subject of much debate. There's actually very little violence in the movie, but when it's there, it's pretty graphic, admittedly. But honestly, it's not anywhere near as bad as a lot of things you see nowadays. No, it's disturbing because of how believable Arthur Fleck is. Seeing how unstable he is. Seeing how easy he can choose to do terrible things. It's... uncomfortable to watch at times, but only because it's so well done, so well written, you hate yourself for sympathising with him.
If I had to draw comparisons for this movie, I would have to say it's more subtle than "Watchmen (2009)", it's grittier and darker than "Taxi Driver (1976)" or "Fight Club (1999)" and much more uncompromising and unapologetic than "Natural Born Killers (1994)". It is truly a modern-day masterpiece. There are two major plot twists, both occurring in the second act, which really highlight the genius behind the screenplay. This movie is written perfectly, and executed the same way on-screen by Phoenix, who draws from both Jack Nicholson and Heath Ledger to create this unique take on the character which more than holds its own.
Now, before I summarise, we do need to address the whole... y'know... Batman thing. This is the Joker's origin story, after all.
So, first thing's first: this isn't a comic book movie. Not by a long way. This belongs in the same conversation as Goodfellas, not Guardians of the Galaxy. Director Todd Phillips has even stated that this is simply a stand-alone movie telling a story that needed to be told. Yes, it has references to the DC comic universe (which I will omit here for fear of venturing into spolier territory), but it's unlikely to ever cross over with DC's attempt to mimic the MCU.
The nods to the comics are infrequent but clever, touching on themes and events we already know, and in some cases, re-writing them entirely - which definitely will draw controversy with the hardcore comic fans. For example, I did question why they used the civil unrest subplot and backdrop to essentially try and make Wayne Enterprises the villain of the story, but like it or not, it was necessary and it worked like a charm.
I don't know if this was intentional or not, but there was one scene in particular towards the end of the movie where the Joker (as he is now) is riding in the back of a car with his head leaning against the window. The camera was on the wing mirror, focused on his face, and almost frame-for-frame it reminded me of the iconic scene in "The Dark Knight (2008)" where Heath Ledger's Joker is driving with his head out of the window. I'd like to think this was a gracious tribute to the performance of this character that will never be topped.
For a film that breaks the conventions of story-telling by having no real build-up or climactic ending, I have to say I can't remember a time when I was so blown away, so moved, and so affected by a movie. As close to perfect as you'll see this year.
10/10
A quick side note:
The show "13 Reasons Why" has a disclaimer at the beginning of each series from the cast that essentially warns viewers that, due to the sensitive nature of the content, it's inadvisable to watch it if you're struggling with depression or suicidal thoughts. I genuinely think this film should carry a similar notice. It's a dark, grim, unrelenting journey into one man's depressive life. While I won't ever believe listening to Marilyn Manson can make you want to shoot schoolchildren, I do think that if someone is struggling with suicidal thoughts or depression, this movie probably isn't for them. The story focuses on the media glorifying the terrible acts of someone who is mentally unstable. Yes, it's a movie. It's not real. But for someone in a very bad place themselves, this probably isn't the kind of thing you need to, or should, watch.
I certainly didn't expect the film I saw.
The basis for this movie is simple and effective: Arthur Fleck (played with a career-defining performance by Joaquin Phoenix) is a mentally unstable and depressed wannabe stand-up comedian working as a clown in a 1980's Gotham City. The movie is set against a backdrop of civil unrest, worker strikes and city-wide poverty, with each being exaggerated to highlight both the severity of each one for the purposes of the film, but also to shine a spotlight on how tough the real world was back then.
A potentially fatal encounter on a late-night subway acts as a catalyst for Fleck, who is shown throughout the first 20 minutes to be a man living on a knife's edge - balancing his own pitiful existence with the way society believes he should act. You get the sense that it would take nothing more than a gentle push to send him one way or the other. The subway was that push.
In a city that very much reflects the character's state of mind, this served to push more than just Arthur Fleck over the edge. Because he happened to be dressed as a clown at the time, and because the *cough* victims *cough* worked for Wayne Enterprises (ran by Thomas Wayne himself), it's seen by many as a vigilante act - someone standing up to the rich elite. This sparks outrage and rioting across the city. The idea of a man dressed as a clown standing up for the little guy becomes the poster child for a civil movement, much in the styling of "V For Vendetta (2005)".
The more Arthur Fleck struggles personally, the worse the streets of Gotham seem to get, as if society's increasing tension and unrest is somehow linked to his own state of mind. He finally realises what he has inadvertently created and begins to transform himself into the vigilante icon people already believe him to be.
Despite the slow pace of the movie, it never seems to drag. The story of Fleck's inevitable descent unfolds patiently, showing you exactly what it wants you to see, when it wants you to see it. It's a very bold and confident step for a movie which would've known how controversial it was going to be before it was even released.
The style of the film is extremely clever. The soundtrack is little more than a low-frequency hum, which plays almost constantly throughout. The camerawork is also exceptional. In every shot of Arthur Fleck, the camera centres on him before very slowly closing in on him. It's subtle, perhaps only a few millimetres per shot, but it's noticeable enough that you feel yourself being pulled in, being legitimately gripped by what you're watching. This contributes to what is, overall, a claustrophobic and sometimes unnerving experience.
There has been initial controversy about the film, with reports of people leaving the cinema during the screening for varying reasons. You see this from time to time, and the cynic in me thinks this is rarely more than clever marketing tactics. And then you see the comments from people who say they were disgusted or sickened or disturbed or whatever. I usually think it's a load of rubbish. That people are just saying that for attention. I don't honestly believe people who are that easily offended by a movie would choose to see something that is clearly going to show you all the things you don't like.
However, with "Joker (2019)", I can actually understand it. This is a truly disturbing film. Not for the violence, which has been the subject of much debate. There's actually very little violence in the movie, but when it's there, it's pretty graphic, admittedly. But honestly, it's not anywhere near as bad as a lot of things you see nowadays. No, it's disturbing because of how believable Arthur Fleck is. Seeing how unstable he is. Seeing how easy he can choose to do terrible things. It's... uncomfortable to watch at times, but only because it's so well done, so well written, you hate yourself for sympathising with him.
If I had to draw comparisons for this movie, I would have to say it's more subtle than "Watchmen (2009)", it's grittier and darker than "Taxi Driver (1976)" or "Fight Club (1999)" and much more uncompromising and unapologetic than "Natural Born Killers (1994)". It is truly a modern-day masterpiece. There are two major plot twists, both occurring in the second act, which really highlight the genius behind the screenplay. This movie is written perfectly, and executed the same way on-screen by Phoenix, who draws from both Jack Nicholson and Heath Ledger to create this unique take on the character which more than holds its own.
Now, before I summarise, we do need to address the whole... y'know... Batman thing. This is the Joker's origin story, after all.
So, first thing's first: this isn't a comic book movie. Not by a long way. This belongs in the same conversation as Goodfellas, not Guardians of the Galaxy. Director Todd Phillips has even stated that this is simply a stand-alone movie telling a story that needed to be told. Yes, it has references to the DC comic universe (which I will omit here for fear of venturing into spolier territory), but it's unlikely to ever cross over with DC's attempt to mimic the MCU.
The nods to the comics are infrequent but clever, touching on themes and events we already know, and in some cases, re-writing them entirely - which definitely will draw controversy with the hardcore comic fans. For example, I did question why they used the civil unrest subplot and backdrop to essentially try and make Wayne Enterprises the villain of the story, but like it or not, it was necessary and it worked like a charm.
I don't know if this was intentional or not, but there was one scene in particular towards the end of the movie where the Joker (as he is now) is riding in the back of a car with his head leaning against the window. The camera was on the wing mirror, focused on his face, and almost frame-for-frame it reminded me of the iconic scene in "The Dark Knight (2008)" where Heath Ledger's Joker is driving with his head out of the window. I'd like to think this was a gracious tribute to the performance of this character that will never be topped.
For a film that breaks the conventions of story-telling by having no real build-up or climactic ending, I have to say I can't remember a time when I was so blown away, so moved, and so affected by a movie. As close to perfect as you'll see this year.
10/10
A quick side note:
The show "13 Reasons Why" has a disclaimer at the beginning of each series from the cast that essentially warns viewers that, due to the sensitive nature of the content, it's inadvisable to watch it if you're struggling with depression or suicidal thoughts. I genuinely think this film should carry a similar notice. It's a dark, grim, unrelenting journey into one man's depressive life. While I won't ever believe listening to Marilyn Manson can make you want to shoot schoolchildren, I do think that if someone is struggling with suicidal thoughts or depression, this movie probably isn't for them. The story focuses on the media glorifying the terrible acts of someone who is mentally unstable. Yes, it's a movie. It's not real. But for someone in a very bad place themselves, this probably isn't the kind of thing you need to, or should, watch.
Jamie (131 KP) rated The Shining Girls in Books
Jun 4, 2017
Ambitious & unique story line (1 more)
Handles the web of time paradoxes well
Mash-up of genres is disjointing (2 more)
Romance is distracting at best
Repeated murder scenes gets wearisome
A cool time travel thriller
The Shining Girls follows Harper, a crude serial killer from the 1930’s that can hop through time; and Kirby, the spunky young woman that got away. This book was incredibly ambitious in its premise and I spent a great deal of my time reading the book wondering if it could deliver and I can happily say that I wasn’t disappointed.
The story is a heavily character driven dive through recent American history, from the Great Depression in the 1930’s all the way up to the early 1990’s. I was impressed by the amount of research that was put into this book, each decade having enough detail to get a good feel for the era. Many of the characters were pretty well fleshed out for such short chapters, and I found myself liking many of them.
My favorite part of the story, though, was the tragedy that was Harper because of how very flawed and human he is. He views himself as commanding, charming, persuasive, but to many of his victims he’s just downright creepy. He thinks himself calculating yet he makes mistakes left and right. He has a drive to rise up from the trenches of poverty and starvation from his own era, to be powerful. His choice of victims are all women in a great act of femicide, because he has this dire need to feel masculine. He chooses women that he views as invincible, that shine with ambition in order to assert his dominance by snuffing them out. He thinks he has this divine purpose, a destiny to fulfill because he wants it so desperately, even though the reality is that it’s simply senseless violence with no real meaning. He obsesses over the murders, returning to the scene of the crimes over and over to get off. Harper is pathetic. It was a refreshing change from the stereotypical smooth, genius archetype that glorifies killers. I didn’t know right away that this book was meant to be a feminist novel, but that’s what I took away from not only Harper’s struggle with masculinity, but with the strong and fiercely independent female characters all throughout the book.
There were a couple of problems with the book, however, that I feel need to be addressed. The mash up of genres is both a good and bad aspect of the story. The middle chapters where romance comes into play to me was really distracting and feels out of place. The tagline describing the novel also states that “the girl who wouldn’t die hunts the killer who shouldn’t exist” but honestly, it didn’t feel much like Kirby was really hunting the killer. Looking for connections with other murder cases and investigating some wild hunches, yes, but really she spends most of the book developing her bond with Dan. I would have really liked for this to be more of a cat and mouse type of hunt between Kirby and Harper.
The chapters with Harper were much more interesting, but even those became a little repetitive. We as the reader follow Harper as he stalks his victims in childhood, waiting for the right time to strike when they reach adulthood. While it was necessary for the plot to detail the characters to both connect them to the greater chain of paradoxes and to show Harper’s descent, the violence is excessive and extremely detailed, and after a while it started to feel more like torture porn. It just got tiring after a while.
Despite its flaws, I thought this book was good, and I mean really good. I loved the way that the time paradoxes were handled, time travel stories tend to be tricky and usually end up with a couple of glaring loop holes. The loops are handled in a way that I found satisfying and this book is easily my favorite time travel novel I’ve ever read. It is truly unique and a story I won’t soon forget.
The story is a heavily character driven dive through recent American history, from the Great Depression in the 1930’s all the way up to the early 1990’s. I was impressed by the amount of research that was put into this book, each decade having enough detail to get a good feel for the era. Many of the characters were pretty well fleshed out for such short chapters, and I found myself liking many of them.
My favorite part of the story, though, was the tragedy that was Harper because of how very flawed and human he is. He views himself as commanding, charming, persuasive, but to many of his victims he’s just downright creepy. He thinks himself calculating yet he makes mistakes left and right. He has a drive to rise up from the trenches of poverty and starvation from his own era, to be powerful. His choice of victims are all women in a great act of femicide, because he has this dire need to feel masculine. He chooses women that he views as invincible, that shine with ambition in order to assert his dominance by snuffing them out. He thinks he has this divine purpose, a destiny to fulfill because he wants it so desperately, even though the reality is that it’s simply senseless violence with no real meaning. He obsesses over the murders, returning to the scene of the crimes over and over to get off. Harper is pathetic. It was a refreshing change from the stereotypical smooth, genius archetype that glorifies killers. I didn’t know right away that this book was meant to be a feminist novel, but that’s what I took away from not only Harper’s struggle with masculinity, but with the strong and fiercely independent female characters all throughout the book.
There were a couple of problems with the book, however, that I feel need to be addressed. The mash up of genres is both a good and bad aspect of the story. The middle chapters where romance comes into play to me was really distracting and feels out of place. The tagline describing the novel also states that “the girl who wouldn’t die hunts the killer who shouldn’t exist” but honestly, it didn’t feel much like Kirby was really hunting the killer. Looking for connections with other murder cases and investigating some wild hunches, yes, but really she spends most of the book developing her bond with Dan. I would have really liked for this to be more of a cat and mouse type of hunt between Kirby and Harper.
The chapters with Harper were much more interesting, but even those became a little repetitive. We as the reader follow Harper as he stalks his victims in childhood, waiting for the right time to strike when they reach adulthood. While it was necessary for the plot to detail the characters to both connect them to the greater chain of paradoxes and to show Harper’s descent, the violence is excessive and extremely detailed, and after a while it started to feel more like torture porn. It just got tiring after a while.
Despite its flaws, I thought this book was good, and I mean really good. I loved the way that the time paradoxes were handled, time travel stories tend to be tricky and usually end up with a couple of glaring loop holes. The loops are handled in a way that I found satisfying and this book is easily my favorite time travel novel I’ve ever read. It is truly unique and a story I won’t soon forget.
Haley Mathiot (9 KP) rated Bleeding Violet in Books
Apr 27, 2018
Bleeding Violet by Dia Reeves
Genre: YA, Romance, Paranormal
Rating: 4/5
My Summary: Hanna is a freak. Diagnosed with Anxiety, Depression, Insomnia, Hyperactivity, Insanity, and nearly shut away as a maniac-depressive, she runs away from home in search of the mother she never knew. On arriving in her mother’s strange town called Portero, she makes a deal with her mom—if she can fit in with the people in this town within two weeks, she can stay. Her mother scoffs at the idea of Hanna being able to fit into the town—but Hanna soon learns that this has nothing to do with her, and everything to do with the town. Portero is like nothing she’s ever seen or heard of or imagined before. Strange creatures, invisible doors, a police-like force with a strange sense of right and wrong, a boy who she’s not sure if she likes or hates (but knows for sure that he’s hot), and a mayor who thinks she’s a god, Hanna starts her two-week challenge trying to fit in—and ends it trying to save the lives of everyone she loves.
Review:
Bleeding Violet was freakishly amazing, morbidly exciting, and realistically romantic.
I love it when the romance between the characters is real—not two perfect people who never fight who get along perfect. No, the romance between Hanna and Wyatt was not perfect, but it was there and it was special, and it was funny.
This whole book was funny. Though parts of it were strange and morbid, a lot of it was moderately confusing in an understandable way (Does that make any sense? probably not. Remember that Hanna is insane. She hallucinates… and makes some pretty interesting things happen near the end. It is confusing because it’s impossible, but understandable because she’s crazy.). I laughed almost the whole way through. It’s light and heavy, witty and serious, all mixed with the color purple.
The characters were my favorite. All the characters were very distinct and different. Sometimes when reading a story, some of the minor characters kind of blend together and seem similar, not defined enough, because they don’t really matter. But in Bleeding Violet, all the characters are distinct. I’m not sure if telling everyone that I identify with Hanna would be a wise idea because it might scare you… but to a certain extent, I did (and do) relate to her. Not just because of my own insanity (mwa-ha-ha!) but because her character was written in a very clear personal way. The story is told from first person inside Hanna’s head, so I knew exactly what Hanna was thinking all the time. Wyatt wasn’t perfect either. He had his flaws and that made him a real person. The change in Rosalie (the mother) was… both interesting and wonderful to see (Trying to keep this spoiler-free… but those of you who’ve read it already know what I mean by “change”).
The plot was engaging and fast paced, but not rushed. The details enhanced the story, rather than slowing it down just for the sake of telling you what something looked or felt like.
Bleeding Violet has a good mix of reality and paranormal. It’s mixed well enough that you can relate to it and it feels like our present day, age, and atmosphere, but the paranormal aspects are still strong and don’t feel out of place.
The low points of the book were the writing, and the ending. The writing was nothing special, but for the most part it was acceptable. The ending wasn’t a let down, but it could have been better. It was cute and sweet, but it didn’t fix all the problems, didn’t answer all the questions, and didn’t have quite enough closure for me.
Content: There was some sex, but no explicit details. There were some sexual references, moderate language, and some morbid details. Not for the easily offended or the weak of stomach.
Recommendation: Ages 16+ to anyone who doesn’t mind being a little freaked out or surprised by crazy people.
Will I buy this book and read it again? Yes, probably. (I read the e-book copy for review.) It will (hopefully soon) have a permanent spot on my bookshelf.
~Haleyknitz
Genre: YA, Romance, Paranormal
Rating: 4/5
My Summary: Hanna is a freak. Diagnosed with Anxiety, Depression, Insomnia, Hyperactivity, Insanity, and nearly shut away as a maniac-depressive, she runs away from home in search of the mother she never knew. On arriving in her mother’s strange town called Portero, she makes a deal with her mom—if she can fit in with the people in this town within two weeks, she can stay. Her mother scoffs at the idea of Hanna being able to fit into the town—but Hanna soon learns that this has nothing to do with her, and everything to do with the town. Portero is like nothing she’s ever seen or heard of or imagined before. Strange creatures, invisible doors, a police-like force with a strange sense of right and wrong, a boy who she’s not sure if she likes or hates (but knows for sure that he’s hot), and a mayor who thinks she’s a god, Hanna starts her two-week challenge trying to fit in—and ends it trying to save the lives of everyone she loves.
Review:
Bleeding Violet was freakishly amazing, morbidly exciting, and realistically romantic.
I love it when the romance between the characters is real—not two perfect people who never fight who get along perfect. No, the romance between Hanna and Wyatt was not perfect, but it was there and it was special, and it was funny.
This whole book was funny. Though parts of it were strange and morbid, a lot of it was moderately confusing in an understandable way (Does that make any sense? probably not. Remember that Hanna is insane. She hallucinates… and makes some pretty interesting things happen near the end. It is confusing because it’s impossible, but understandable because she’s crazy.). I laughed almost the whole way through. It’s light and heavy, witty and serious, all mixed with the color purple.
The characters were my favorite. All the characters were very distinct and different. Sometimes when reading a story, some of the minor characters kind of blend together and seem similar, not defined enough, because they don’t really matter. But in Bleeding Violet, all the characters are distinct. I’m not sure if telling everyone that I identify with Hanna would be a wise idea because it might scare you… but to a certain extent, I did (and do) relate to her. Not just because of my own insanity (mwa-ha-ha!) but because her character was written in a very clear personal way. The story is told from first person inside Hanna’s head, so I knew exactly what Hanna was thinking all the time. Wyatt wasn’t perfect either. He had his flaws and that made him a real person. The change in Rosalie (the mother) was… both interesting and wonderful to see (Trying to keep this spoiler-free… but those of you who’ve read it already know what I mean by “change”).
The plot was engaging and fast paced, but not rushed. The details enhanced the story, rather than slowing it down just for the sake of telling you what something looked or felt like.
Bleeding Violet has a good mix of reality and paranormal. It’s mixed well enough that you can relate to it and it feels like our present day, age, and atmosphere, but the paranormal aspects are still strong and don’t feel out of place.
The low points of the book were the writing, and the ending. The writing was nothing special, but for the most part it was acceptable. The ending wasn’t a let down, but it could have been better. It was cute and sweet, but it didn’t fix all the problems, didn’t answer all the questions, and didn’t have quite enough closure for me.
Content: There was some sex, but no explicit details. There were some sexual references, moderate language, and some morbid details. Not for the easily offended or the weak of stomach.
Recommendation: Ages 16+ to anyone who doesn’t mind being a little freaked out or surprised by crazy people.
Will I buy this book and read it again? Yes, probably. (I read the e-book copy for review.) It will (hopefully soon) have a permanent spot on my bookshelf.
~Haleyknitz
Character development (2 more)
Background
Story and plot = top notch
Amazing and will leave you on the edge of your seat!
As many of you know, I've struggled at getting into audio books but I think I've finally started to come around to the idea of them. I was given two free months of Scribd to try out and this is the second audio book that I've listened too.
At first, I wasn't too big of a fan of the narrator. She just sounded like she didn't give any care in the world and to be honest, her voice was very high pitched and rather annoying. Well, once we got into a little bit deeper into the story, the narrator actually grew on me. Don't judge a book by it's cover, I know I know. I'm rather bad at that haha.
“You have to learn to look at the whole of something, not just the parts.”
One thing that I rather liked about Warcross was that it delved into depression and loss a tad bit. Authors that can work that angle along with including a mass amount of diversity into their stories really are amazing human beings.
I absolutely love reading YA that includes diversity such as different ethnicity and LGBTQ+. Warcross has it both, and even has the main character, Emika, as a POC. This really brought the novel together and created this colorful novel that left me on the edge of my seat.
“It is hard to describe loss to someone who has never experienced it, impossible to explain all the ways it changes you. But for those who have, not a single word is needed.”
Warcross begins by following Emika in her journey of catching someone who has been illegally gambling within the game Warcross. She works as a bounty hunter and is rather good at her job. But, the main problem that she has is there are so many bounty hunters out there, so jobs are not quite an easy thing to get. This doesn't help Emika's debt problem at all. She's on the verge of losing her apartment and being put on the side of the street.
Opening ceremony night comes for the Warcross championships and Emika accidentally hacks into it. The creator of Warcross, Hideo Tanaka, ends up contacting her and hiring Emika as a bounty hunter to catch Zero. But what Emika doesn't realize is that she will be joining the championship as well to act as a spy. She is thrown in and immediately picked as a wildcard. But the journey she's about to take isn't what it's all put out to be.
Danger lurks behind every corner and people are not who they truly say they are. For Emika's in a life and death battle that could drastically change the future.
“Everyone has a different way of escaping the dark stillness of their mind.”
Characters:
Emika Chen - bounty hunter, hacker, the main character who has rainbow dyed hair and is an absolute rockin' badass.
Hideo Tanaka - billionaire creator of Warcross and eventually a love interest to Emika
Sasuke Tanaka - brother to Hideo, he was kidnapped at a young age and nobody knows if he's even alive.
Zero - the antagonist, or so we thought. Emika is trying to catch him.
Hammie, Roshan, DJ Ren, & Asher - members of the Phoenix Riders
Reasons why I rated it 5 stars:
1. The plot was top notch, absolutely amazing, and one of the best I've seen in awhile!
2. I will be rereading this once I get my hands on a physical copy. I may even re-listen to the audio book. It was just that good!
3. There is so much character and story development within the story and Marie Lu is a breath of fresh air. Not only did she include development, but there was background and representation!
4. Grammar and spelling isn't being counted against because I have no idea. It sounded good, but the narrator could have fixed stuff. Like I literally have no idea what the writing is like since I listened to Warcross on audio book.
5. The overall story left me wanting more of Warcross, more of Emika, more of what's in store for Emika. I just NEED MORE!
"Everything's science fiction until someone makes it science fact.”
At first, I wasn't too big of a fan of the narrator. She just sounded like she didn't give any care in the world and to be honest, her voice was very high pitched and rather annoying. Well, once we got into a little bit deeper into the story, the narrator actually grew on me. Don't judge a book by it's cover, I know I know. I'm rather bad at that haha.
“You have to learn to look at the whole of something, not just the parts.”
One thing that I rather liked about Warcross was that it delved into depression and loss a tad bit. Authors that can work that angle along with including a mass amount of diversity into their stories really are amazing human beings.
I absolutely love reading YA that includes diversity such as different ethnicity and LGBTQ+. Warcross has it both, and even has the main character, Emika, as a POC. This really brought the novel together and created this colorful novel that left me on the edge of my seat.
“It is hard to describe loss to someone who has never experienced it, impossible to explain all the ways it changes you. But for those who have, not a single word is needed.”
Warcross begins by following Emika in her journey of catching someone who has been illegally gambling within the game Warcross. She works as a bounty hunter and is rather good at her job. But, the main problem that she has is there are so many bounty hunters out there, so jobs are not quite an easy thing to get. This doesn't help Emika's debt problem at all. She's on the verge of losing her apartment and being put on the side of the street.
Opening ceremony night comes for the Warcross championships and Emika accidentally hacks into it. The creator of Warcross, Hideo Tanaka, ends up contacting her and hiring Emika as a bounty hunter to catch Zero. But what Emika doesn't realize is that she will be joining the championship as well to act as a spy. She is thrown in and immediately picked as a wildcard. But the journey she's about to take isn't what it's all put out to be.
Danger lurks behind every corner and people are not who they truly say they are. For Emika's in a life and death battle that could drastically change the future.
“Everyone has a different way of escaping the dark stillness of their mind.”
Characters:
Emika Chen - bounty hunter, hacker, the main character who has rainbow dyed hair and is an absolute rockin' badass.
Hideo Tanaka - billionaire creator of Warcross and eventually a love interest to Emika
Sasuke Tanaka - brother to Hideo, he was kidnapped at a young age and nobody knows if he's even alive.
Zero - the antagonist, or so we thought. Emika is trying to catch him.
Hammie, Roshan, DJ Ren, & Asher - members of the Phoenix Riders
Reasons why I rated it 5 stars:
1. The plot was top notch, absolutely amazing, and one of the best I've seen in awhile!
2. I will be rereading this once I get my hands on a physical copy. I may even re-listen to the audio book. It was just that good!
3. There is so much character and story development within the story and Marie Lu is a breath of fresh air. Not only did she include development, but there was background and representation!
4. Grammar and spelling isn't being counted against because I have no idea. It sounded good, but the narrator could have fixed stuff. Like I literally have no idea what the writing is like since I listened to Warcross on audio book.
5. The overall story left me wanting more of Warcross, more of Emika, more of what's in store for Emika. I just NEED MORE!
"Everything's science fiction until someone makes it science fact.”
KittyMiku (138 KP) rated Brokenhearted: The Power of Darkness in Books
May 23, 2019
In this 396 page love story, its clear to see why the Touched Saga has become so popular. Unlike the previous books before it, this one takes place around Gemma. The first half has you feeling sorry for Gemma and even teary eyes. Whereas the last half leaves you breathless and anxious. I found that the whole book kept me on edge. With new information and new ways to think about things, I can't help but be left in a state of amazement and stupor. Don't get me wrong, each book thus far has left me with a lot of new ways of thinking of things, but this book has left my mind boggled and my heart gripped in a vice.
I had first though this was taking on another Twilight Sage feel, with Gemma being all dressed and even making it seem the love interests will change in a way. This might have been slightly annoying at first. Even though I love Evan and all his character stands for and often wanted to cry a bit myself, I couldn't help but have that feeling it might have been inspired by the Twilight Saga. I was glad I held my breath though. I understand that the depression and what not had to be endured as it was crucial to learning more about Gemma and her role in everything. And though it seemed slow moving at first, it wasn't long before things began to piece together.
Learning that Gemma wasn't as mortal as she appeared to be, even with her ability to see things she shouldn't, was quite unrealistic and not exactly what I expected. I had thought maybe she was an angel as well, but to find out she was a witch left me breathless. I was intrigued to learn more about witches and how Hell works was quite a breath taking experience. I hadn't ever thought to Hell being a beautiful but twisted place to reside. I found that I quite enjoyed learning about the Souls residing in Hell as well as how it worked. The details on the different souls, the wildlife, and different things that can be found in Hell were truly awe inspiring. I was floored by how the images Amore had given me through her details of Hell and the Souls that resided there. I especially loved how the level of humanity also determined how the Souls lived and how some of them can be grouped up and live in villages together. To see how the way one mortal lives to be the determinating factor in how their soul is affected in Hell. I was just truly amazed to how it all worked and how the Witches would take claim to the Angels they managed to capture and how that Witch blood could lead to ecstasy to the Souls in their realm was a concept that was new to me, and I loved it.
We all know that we have that one person we would do anything to keep by our side and to watch Gemma be willing to become a full fledged witch in order to save Evan was truly liberating. I couldn't help but be moved by this sacrifice she was willing to make. To see how her love could allow her to see the deceptions and give her courage to stand against Sohpia, or Lucifer, was truly encouraging and proving her character has grown stronger and even more brave than she had when the series started. I was just excited by her actions and her willingness to do whatever it took to keep her Evan close to her, no matter what.
Overall, Brokenhearted was a truly amazing book. I would rate it five stars out of five stars. I firmly believe that out of the series thus far, this has to be my favorite book. It not only allowed the reader to see how much Gemma would do for her love, but brought up Hell and all the interesting concepts Amore had thought of where Witches and Souls acted in Hell.
I had first though this was taking on another Twilight Sage feel, with Gemma being all dressed and even making it seem the love interests will change in a way. This might have been slightly annoying at first. Even though I love Evan and all his character stands for and often wanted to cry a bit myself, I couldn't help but have that feeling it might have been inspired by the Twilight Saga. I was glad I held my breath though. I understand that the depression and what not had to be endured as it was crucial to learning more about Gemma and her role in everything. And though it seemed slow moving at first, it wasn't long before things began to piece together.
Learning that Gemma wasn't as mortal as she appeared to be, even with her ability to see things she shouldn't, was quite unrealistic and not exactly what I expected. I had thought maybe she was an angel as well, but to find out she was a witch left me breathless. I was intrigued to learn more about witches and how Hell works was quite a breath taking experience. I hadn't ever thought to Hell being a beautiful but twisted place to reside. I found that I quite enjoyed learning about the Souls residing in Hell as well as how it worked. The details on the different souls, the wildlife, and different things that can be found in Hell were truly awe inspiring. I was floored by how the images Amore had given me through her details of Hell and the Souls that resided there. I especially loved how the level of humanity also determined how the Souls lived and how some of them can be grouped up and live in villages together. To see how the way one mortal lives to be the determinating factor in how their soul is affected in Hell. I was just truly amazed to how it all worked and how the Witches would take claim to the Angels they managed to capture and how that Witch blood could lead to ecstasy to the Souls in their realm was a concept that was new to me, and I loved it.
We all know that we have that one person we would do anything to keep by our side and to watch Gemma be willing to become a full fledged witch in order to save Evan was truly liberating. I couldn't help but be moved by this sacrifice she was willing to make. To see how her love could allow her to see the deceptions and give her courage to stand against Sohpia, or Lucifer, was truly encouraging and proving her character has grown stronger and even more brave than she had when the series started. I was just excited by her actions and her willingness to do whatever it took to keep her Evan close to her, no matter what.
Overall, Brokenhearted was a truly amazing book. I would rate it five stars out of five stars. I firmly believe that out of the series thus far, this has to be my favorite book. It not only allowed the reader to see how much Gemma would do for her love, but brought up Hell and all the interesting concepts Amore had thought of where Witches and Souls acted in Hell.