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"You’ll easily find yourself losing hours at a time to the intriguing puzzling rhythms of the...
Emma @ The Movies (1786 KP) rated Odd Thomas (2014) in Movies
Aug 15, 2020
I'd put off watching this for a long time, I loved the books by Dean Koontz and that made me a little nervous for the film. I'd almost forgotten about it until it popped up streaming, it's been a long time so I figured I'd forgotten enough about the books to see it.
Odd tries to live a simple life in Pico Mundo but when you have the ability to see dead people and talk to them it makes things difficult, especially when everything is pointing to something disastrous on the horizon.
The idea behind Odd's ability is a good one and I feel like they manage to illustrate it well during the film, foreknowledge may have helped a bit but I honestly don't remember that much from the books and we're given a succinct explanation.
Anton Yelchin plays the lead character and he has the perfect demeanour for it. There's a calm but scared quality that fits right into his wheelhouse and it was a match made in heaven.
Yelchin is off-set by Willem Dafoe as Chief Porter and Addison Timlin as Stormy Llewellyn, both of whom give great performances that bolster to story from each side. While they're not massive roles they both influence and guide Odd in very different ways and they're particularly effective characters.
The film plays out like a supernatural detective story with Odd at its centre trying to save Pico Mundo from an unknown terror. It creates a nice sense of intrigue to latch on to early on and plenty of fantasy action to move you along with the story at a quick pace.
For a relatively obscure film it's got a solid all round feel with passable graphics and a great visual style. Normally I find voice overs in films a little off putting but the bits of the story it's combined with work really well and again, added to the storytelling. I couldn't honestly say how accurate it was to the source material after such a long time, but I can tell you I wasn't disappointed with what I watched.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/odd-thomas-movie-review.html
Odd tries to live a simple life in Pico Mundo but when you have the ability to see dead people and talk to them it makes things difficult, especially when everything is pointing to something disastrous on the horizon.
The idea behind Odd's ability is a good one and I feel like they manage to illustrate it well during the film, foreknowledge may have helped a bit but I honestly don't remember that much from the books and we're given a succinct explanation.
Anton Yelchin plays the lead character and he has the perfect demeanour for it. There's a calm but scared quality that fits right into his wheelhouse and it was a match made in heaven.
Yelchin is off-set by Willem Dafoe as Chief Porter and Addison Timlin as Stormy Llewellyn, both of whom give great performances that bolster to story from each side. While they're not massive roles they both influence and guide Odd in very different ways and they're particularly effective characters.
The film plays out like a supernatural detective story with Odd at its centre trying to save Pico Mundo from an unknown terror. It creates a nice sense of intrigue to latch on to early on and plenty of fantasy action to move you along with the story at a quick pace.
For a relatively obscure film it's got a solid all round feel with passable graphics and a great visual style. Normally I find voice overs in films a little off putting but the bits of the story it's combined with work really well and again, added to the storytelling. I couldn't honestly say how accurate it was to the source material after such a long time, but I can tell you I wasn't disappointed with what I watched.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/odd-thomas-movie-review.html
Rojo (2018)
7.0
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Movie
Argentina, 1976. Claudio Morán is a successful and respected lawyer of an Argentinian town that...
Fearless (Scarlet Suffragette #1)
8.0
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Book
Nicola Claire's captivating new Gothic romance series introduces a dark and sinister early settler...
Sleep No More: Six Murderous Tales
8.0
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Book
The acknowledged Queen of Crime, P. D. James, was a past master of the short story, weaving together...
crime
Thy Killer's Keeper
5.5
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Book
John Salton is everything that a country police can expect of its agent. He has brilliant analytical...
sci fi science fiction paranormal thriller crime detective
Hazel (2934 KP) rated The Cellar in Books
Nov 20, 2022
This is a dark, disturbing and violent psychological thriller that pulls no punches and is highly descriptive which may be a bit much for some; I admit that I winced and drew breath a few times but kept going as I was gripped and already highly invested in the story.
The characters are excellent and feel real. Marcus Gove is a despicable person; I can't even bring myself to call him a human being he is that bad, he is a sad, twisted and demented individual who has absolutely no moral compass or redeeming qualities whatsoever - an absolutely brilliant character and one you love to hate.
Lucy is a young woman who is generally content apart from being in an unfulfilling relationship and her mum being diagnosed with cancer but things get a whole lot worse when she comes into the crosshairs of Marcus Gove and her world turns into the most horrendous nightmare.
Ray Lewis is the detective tasked with finding Lucy; not so easy when there are few clues and even less evidence and whilst he may be unfit, unhealthy and thought of as a dinosaur, he goes about his business in a methodical way with some much-needed humour.
Told from the points of view of each of the main characters and at a really good pace, this is a book that has you wanting to put down at times due to the graphic nature of what is being written and not put it down due to the gripping nature of the story ... not put it down won out with me.
This is the first book by John Nicholl I have read before and it certainly won't be the last especially if they are as addictive and compelling as this has been and I therefore have no hesitation in recommending it to others who love a gritty and dark thriller who don't mind graphic and disturbing details that have you wincing as you read.
Many thanks to Boldwood Books and NetGalley for enabling me to read and share my thoughts of The Cellar.
The characters are excellent and feel real. Marcus Gove is a despicable person; I can't even bring myself to call him a human being he is that bad, he is a sad, twisted and demented individual who has absolutely no moral compass or redeeming qualities whatsoever - an absolutely brilliant character and one you love to hate.
Lucy is a young woman who is generally content apart from being in an unfulfilling relationship and her mum being diagnosed with cancer but things get a whole lot worse when she comes into the crosshairs of Marcus Gove and her world turns into the most horrendous nightmare.
Ray Lewis is the detective tasked with finding Lucy; not so easy when there are few clues and even less evidence and whilst he may be unfit, unhealthy and thought of as a dinosaur, he goes about his business in a methodical way with some much-needed humour.
Told from the points of view of each of the main characters and at a really good pace, this is a book that has you wanting to put down at times due to the graphic nature of what is being written and not put it down due to the gripping nature of the story ... not put it down won out with me.
This is the first book by John Nicholl I have read before and it certainly won't be the last especially if they are as addictive and compelling as this has been and I therefore have no hesitation in recommending it to others who love a gritty and dark thriller who don't mind graphic and disturbing details that have you wincing as you read.
Many thanks to Boldwood Books and NetGalley for enabling me to read and share my thoughts of The Cellar.
Batman: Resurrection
5.0
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Book
After The Joker’s death, Batman and Gotham City face a mysterious new threat in this direct sequel...
Gareth von Kallenbach (980 KP) rated Stuber (2019) in Movies
Jul 8, 2019
Stuber Review
There’s no denying that ridesharing has become one of the fastest growing industries around the world. What used to be a chore of finding a cab company and calling them for a pickup (or flagging them down in the streets of New York) has now been simplified with a smartphone app. What used to be thirty minutes waiting for your ride to arrive has now been reduced to minutes thanks to technology. So, a movie featuring a lovable Uber driver who gets caught tangled up with a cop chasing a notorious fugitive shouldn’t sound like to much of a stretch.
Stuber introduces us to Stu (Kumail Nanjiani) a man who is madly in love with his plutonic friend and pushed around daily by his boss at the local big chain sporting goods store. In an effort to help subsidize his friend Becca’s (Betty Gilpin) spin studio he moonlights as an Uber driver. Fate intervenes one day when Detective Vic (Dave Bautista) who has literally just undergone corrective eye surgery receives a tip that the drug lord who had murdered his partner just months before has turned up again in the city. Unable to drive, and recently introduced to Uber by his daughter, Detective Vic is forced to hold hostage Stu as he tracks the killer through the city in an effort to bring him to justice.
Stuber features a star-studded cast that brings this amazingly heartfelt and incredibly funny film to the big screen. With a supporting cast such as Karen Gillan, Mira Sorvino and Natalie Morales to back them up, the audience is taken on a laugh filled, action-packed movie that certainly shows better than the advertisements would lead you to believe. The characters are instantly likable, and no matter how much cursing (of which there is a lot) and violence is portrayed on the screen that never changes. Kumail Nanjiani does an amazing job as the lovable Stu. His comedic timing regularly hits the mark, and his portrayal of a man longing to escape the friend zone never gets old. Bautista delivers what may be one of the most defining roles that he has played. While he regularly is able to stand out among his peers in his previous films, this is one of the first where he is asked to carry the film on his own shoulders…and carry it he does. The partnership and true friendship between the two is believable and continues to strengthen as the film moves on. I might even go as far as to say that the chemistry between these two incredible actors is magical.
That’s not to say that Stuber is a perfect movie, it’s predictable and doesn’t really bring anything new to the table. It does however handle the cop who can’t drive scenario far better than any movie that has come before it (like that horrendous movie Taxi that came out back in 2004). It’s a movie that could have gotten away with a PG-13 rating with a little less language, which ultimately may have helped it do better in the theaters (only time will tell of course). That being said, the language itself never feels as though it was thrown in for shock value, in fact I imagine that any of us who might wind up in this particular predicament might have a few choice words of our own to spout out throughout the entire adventure.
I got far more out of Stuber than I thought possible. For a movie that has had little fanfare and releases not long after the acquisition of Twentieth Century Fox, it’s incredibly fun and full of just as much heart. To say that I had not expected this to be a movie where the audience would clap when it was over would be a tremendous understatement. It’s good to see that movie studios haven’t given up on fun ideas, even ones that don’t seem to be exceptionally revolutionary or over-the-top. This is one of the most surprising movies of the summer, in a summer full of blockbusters and big budget films Stuber quietly succeeds where many others are likely to fail. Stuber is certainly a movie worth the price of admission, and you might even come out a little happier than when you went in.
4 out of 5 stars
http://sknr.net/2019/07/07/stuber/
Stuber introduces us to Stu (Kumail Nanjiani) a man who is madly in love with his plutonic friend and pushed around daily by his boss at the local big chain sporting goods store. In an effort to help subsidize his friend Becca’s (Betty Gilpin) spin studio he moonlights as an Uber driver. Fate intervenes one day when Detective Vic (Dave Bautista) who has literally just undergone corrective eye surgery receives a tip that the drug lord who had murdered his partner just months before has turned up again in the city. Unable to drive, and recently introduced to Uber by his daughter, Detective Vic is forced to hold hostage Stu as he tracks the killer through the city in an effort to bring him to justice.
Stuber features a star-studded cast that brings this amazingly heartfelt and incredibly funny film to the big screen. With a supporting cast such as Karen Gillan, Mira Sorvino and Natalie Morales to back them up, the audience is taken on a laugh filled, action-packed movie that certainly shows better than the advertisements would lead you to believe. The characters are instantly likable, and no matter how much cursing (of which there is a lot) and violence is portrayed on the screen that never changes. Kumail Nanjiani does an amazing job as the lovable Stu. His comedic timing regularly hits the mark, and his portrayal of a man longing to escape the friend zone never gets old. Bautista delivers what may be one of the most defining roles that he has played. While he regularly is able to stand out among his peers in his previous films, this is one of the first where he is asked to carry the film on his own shoulders…and carry it he does. The partnership and true friendship between the two is believable and continues to strengthen as the film moves on. I might even go as far as to say that the chemistry between these two incredible actors is magical.
That’s not to say that Stuber is a perfect movie, it’s predictable and doesn’t really bring anything new to the table. It does however handle the cop who can’t drive scenario far better than any movie that has come before it (like that horrendous movie Taxi that came out back in 2004). It’s a movie that could have gotten away with a PG-13 rating with a little less language, which ultimately may have helped it do better in the theaters (only time will tell of course). That being said, the language itself never feels as though it was thrown in for shock value, in fact I imagine that any of us who might wind up in this particular predicament might have a few choice words of our own to spout out throughout the entire adventure.
I got far more out of Stuber than I thought possible. For a movie that has had little fanfare and releases not long after the acquisition of Twentieth Century Fox, it’s incredibly fun and full of just as much heart. To say that I had not expected this to be a movie where the audience would clap when it was over would be a tremendous understatement. It’s good to see that movie studios haven’t given up on fun ideas, even ones that don’t seem to be exceptionally revolutionary or over-the-top. This is one of the most surprising movies of the summer, in a summer full of blockbusters and big budget films Stuber quietly succeeds where many others are likely to fail. Stuber is certainly a movie worth the price of admission, and you might even come out a little happier than when you went in.
4 out of 5 stars
http://sknr.net/2019/07/07/stuber/
Joe Goodhart (27 KP) rated Detective Comics Volume 3: League of Shadows in Books
Nov 30, 2020
<i>A little bit of "backstory": I am a sucker for well-executed Ra's al Ghul story! To me, he is one of Batman's best adversaries and one of my personal faves! Add in more human, less off-the-scale like he is under Tom King's run Batman, and you've got a great treat for me! Now, that said, on to my review.</i>
<img src="https://i.imgur.com/MW33UBM.gif"; width="300" height="200">
I am still enjoying my return to reading DC's books rather than the current slop Marvel is serving up. My latest undertaking has been James Tynion IV's run on DETECTIVE COMICS. Last night, I devoured the 3rd volume, "League of Shadows", largely for the reasons in my backstory above.
I know some folks on interwebs have issues with Tynion's writing for the Dark Knight. I've read things like "bland" and "his stories go NOWHERE". I don't know which of his Batman entries they are reading, but thus far, not a one has disappointed.
This one was particularly interesting as it dealt with Cassandra Cain, a former Batgirl/now calling herself "Orphan" as that is what her parents have chosen to do, leaving her <i>orphaned</i>. Her mother is Sandra Wu-San, or as she is better known, Lady Shiva. There is no love lost between Cassandra and her mother; essentially, Shiva treats the poor girl as if she was dead, not even a product of her womb. Sad, really. But, it is good to see Cassandra and Shiva's relationship dealt with following the whole "Rebirth".
I may be in a serious minority here, but I really liked the ending (not <i>really</i> much of Spoiler), where Batman holds her in a embrace, letting her known she is not alone..ever. Sure, Bats is all about the whole "Dark Knight" and "Oooh, feel my scary presence, criminals!", but it was nice to see his human, father-esque side to his character. Much better than the way he is being handled in his main book!
Equally meaty and worthwhile was Ra's inclusion as part of the story. I found him to be well-written, feeling much like "The Demon's Head" that is his being. I was totally able to hear, in my head, his dialogue as read by David Warner, who did his voice in BATMAN: THE ANIMATED SERIES. That definitely seems like Tynion is truly writing at the top of his game!
I was also quite pleased with the subplot of more background to Batwoman's character. I was not really that familiar with her character, other than in the animated DC film. That aside, I found her to be real and decidedly interesting, especially her relationship with her father. Again, some excellent writing from Tynion!
And speaking of Batwoman, how cool was it to see Batman assembling Bat-Family 2.0? This plot element harkened back to the Silver Age, where DETECTIVE COMICS would often do double-sized issues that focused on the then-Bat-Fam: Batman, Robin (Dick Grayson, not yet Nightwing), Batgirl, and sometimes, Elongated Man would get a story in it as well.
The new Bat-Fam consists of Batman (of course!), Batwing (Lucius Fox's son), Batwoman, Orphan (Cassandra Cain), Azrael (who I consider to be not-so-interest, leaving me to skip the last issue of this volume as it was 100% Azrael-centric), Spoiler (Stephanie Brown), Red Robin, and the-now-trying-his-hand-at-being-a-rehabilitated-good-guy Clayface. Quite a mixed bag, almost like a Skittles version of the Bat-Fam, but interesting choices for a collaborative team.
The team functions well enough, but there is some static and tension, as would be true of any team assembled such as this lot. All in all, I really dug the gang, and they really worked well together. Super-smooth idea of introducing a Bat-Fam 2.0! Bravo, James Tynion IV,you are AWESOME for doing this!
It is also worth mentioning the artists for this volume: Marcio Takara and Christian Duce. I was already familiar with Takara's delicious style from his work on Marvel's ALL-NEW WOLVERINE. Christian Duce was previously unknown to me, but after seeing his super-legit art skills, he is going to be one for me to keep an eye for going forward!
Blah, blah, blah, am I right? I could go on and on, but if you weren't reading my blathering, you could be reading this excellent Bat-book. I was going to give it 5-Stars, but I see that I was just giving them out for a while not unlike Oprah giving away new cars! So, that's it! Go already! You need to get a'readin'!
<img src="https://i.imgur.com/MW33UBM.gif"; width="300" height="200">
I am still enjoying my return to reading DC's books rather than the current slop Marvel is serving up. My latest undertaking has been James Tynion IV's run on DETECTIVE COMICS. Last night, I devoured the 3rd volume, "League of Shadows", largely for the reasons in my backstory above.
I know some folks on interwebs have issues with Tynion's writing for the Dark Knight. I've read things like "bland" and "his stories go NOWHERE". I don't know which of his Batman entries they are reading, but thus far, not a one has disappointed.
This one was particularly interesting as it dealt with Cassandra Cain, a former Batgirl/now calling herself "Orphan" as that is what her parents have chosen to do, leaving her <i>orphaned</i>. Her mother is Sandra Wu-San, or as she is better known, Lady Shiva. There is no love lost between Cassandra and her mother; essentially, Shiva treats the poor girl as if she was dead, not even a product of her womb. Sad, really. But, it is good to see Cassandra and Shiva's relationship dealt with following the whole "Rebirth".
I may be in a serious minority here, but I really liked the ending (not <i>really</i> much of Spoiler), where Batman holds her in a embrace, letting her known she is not alone..ever. Sure, Bats is all about the whole "Dark Knight" and "Oooh, feel my scary presence, criminals!", but it was nice to see his human, father-esque side to his character. Much better than the way he is being handled in his main book!
Equally meaty and worthwhile was Ra's inclusion as part of the story. I found him to be well-written, feeling much like "The Demon's Head" that is his being. I was totally able to hear, in my head, his dialogue as read by David Warner, who did his voice in BATMAN: THE ANIMATED SERIES. That definitely seems like Tynion is truly writing at the top of his game!
I was also quite pleased with the subplot of more background to Batwoman's character. I was not really that familiar with her character, other than in the animated DC film. That aside, I found her to be real and decidedly interesting, especially her relationship with her father. Again, some excellent writing from Tynion!
And speaking of Batwoman, how cool was it to see Batman assembling Bat-Family 2.0? This plot element harkened back to the Silver Age, where DETECTIVE COMICS would often do double-sized issues that focused on the then-Bat-Fam: Batman, Robin (Dick Grayson, not yet Nightwing), Batgirl, and sometimes, Elongated Man would get a story in it as well.
The new Bat-Fam consists of Batman (of course!), Batwing (Lucius Fox's son), Batwoman, Orphan (Cassandra Cain), Azrael (who I consider to be not-so-interest, leaving me to skip the last issue of this volume as it was 100% Azrael-centric), Spoiler (Stephanie Brown), Red Robin, and the-now-trying-his-hand-at-being-a-rehabilitated-good-guy Clayface. Quite a mixed bag, almost like a Skittles version of the Bat-Fam, but interesting choices for a collaborative team.
The team functions well enough, but there is some static and tension, as would be true of any team assembled such as this lot. All in all, I really dug the gang, and they really worked well together. Super-smooth idea of introducing a Bat-Fam 2.0! Bravo, James Tynion IV,you are AWESOME for doing this!
It is also worth mentioning the artists for this volume: Marcio Takara and Christian Duce. I was already familiar with Takara's delicious style from his work on Marvel's ALL-NEW WOLVERINE. Christian Duce was previously unknown to me, but after seeing his super-legit art skills, he is going to be one for me to keep an eye for going forward!
Blah, blah, blah, am I right? I could go on and on, but if you weren't reading my blathering, you could be reading this excellent Bat-book. I was going to give it 5-Stars, but I see that I was just giving them out for a while not unlike Oprah giving away new cars! So, that's it! Go already! You need to get a'readin'!
AJaneClark (3975 KP) Aug 17, 2020
Amy Norman (1048 KP) Aug 18, 2020