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From the Shadows
From the Shadows
8
8.3 (3 Ratings)
Book Rating
The main characters in this novel are detective Monica and social worker Michael. I really enjoyed the way the author developed these two characters throughout the book. Monica is a single mother who is trying her best to be a good mum and a good detective. She is an interesting character with a very distinctive appearance. Michael had his own issues in the past, but at the moment his main goal is to find his client Nichol, who suddenly disappeared, and he is the only one who cares enough to find him. While Monica is dealing with dead teenagers, Michael is launching his own investigation into finding the missing boy. The case gets more tangled and complicated, so Monica and Michael start working together to solve it all.

I really liked this cooperation and teamwork between these two characters, they compliment each other. The narrative was fast paced and full of twists and turns. Sometimes I used to feel, that Michael’s wish to find Nichol was too repetitive, it made him look a little boring at times. I really enjoyed the multiple perspectives, especially the killer’s parts. It was visible that man is absolutely out of his mind, but still, very amusing to read.

I enjoyed the writing style of this novel, the suspense was very well kept, and overall delivery of the plot is very intriguing. The chapters are quite short, and the whole book was a really quick read for me. The ending was quite unexpected, but at the same time quite disappointing. I was expecting something more. So, to conclude, This is a really good thriller, filled with layered characters and plot. I really enjoyed it, and I hope you will give this book a try and enjoy it as much as I did. 🙂
  
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Gary Giddins recommended Mr. Arkadin (1962) in Movies (curated)

 
Mr. Arkadin (1962)
Mr. Arkadin (1962)
1962 | Classics, Drama, Mystery
7.0 (1 Ratings)
Movie Favorite

"Criterion’s comprehensive edition of this long-undervalued film is a major DVD event, though it may not enlarge the film’s fan base. The problems, beyond a few incomprehensible plot points, include a dreadful lead performance by Nixon look-alike Robert Arden, who is surrounded by terrific actors in the margins (Akim Tamiroff, Michael Redgrave, Mischa Auer, Katina Paxinou), plus gorgeous Paola Mori; the result feels a bit like Hamlet without Hamlet. Then there is Welles’s wig and beard, evidently borrowed from a junior high school performance of Faust. Never mind: there are many, many unforgettable moments, and the plot is so good—detective as inadvertent Judas goat—that a fine, conventional film could still be made from the same material. Criterion includes the surprisingly good novel, which Welles variously took and denied credit for. In my hearing, he took credit."

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