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Emma @ The Movies (1786 KP) rated Rocketman (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Is it a musical? Is it a biopic? Does anyone actually know? I think one of the descriptions I saw called it a fantasy, and that is true for a couple of moments but it's a bit of a push. I had a good time watching this and there are definitely things about it that work well, I do however feel that this was rather confused. You've got the story parts mixed with the songs, but only occasionally are those songs what I'd call proper musical numbers. The occasional fantasy moments are a little
The costumes design was wonderful, as you'd expect when you're dressing "Elton". Everything looked just right, all the outfits were inspired by originals that he wore on stage. Just one was almost a direct copy, the baseball uniform that Elton wore was made of sequins and the Rocketman version was made of Swarovski crystals. I also loved the way they adapted the devil costume as the story progressed, very imaginative.
There are a few scenes with fantasy elements in them, one didn't feel like it fit into the whole movie, but I liked the way it landed. I did however love the scene where young Reggie conducts an orchestra, it was a beautiful scene that blended in seamlessly with the regular action.
Good on Taron Egerton for doing the singing for Rocketman, it's no small challenge, but it didn't do it for me. Listening to Elton songs gives me a buzz, there's a vibrancy to his voice and I just didn't feel that in the songs.
Overall, in fact, there were only two points where I really felt moved by what was going on. The first was a moment we actually see in the trailer where Eton and his audience take to the air. When that scene happens in the film it gave me goosebumps, it was perfectly timed and... uplifting... sorry. The second scene was during the conclusion which I won't go into because of spoilers.
While the acting was fine in Rocketman I was drawn much more to it artistically. The costumes, the sets, how the elements all flowed well together, absolutely stunning.
I think if I'd connected better with the songs I could have forgiven the fact that they were haphazardly combining genres, but as it was I felt it didn't fully deliver. As an addition to the recent trend of movies based on music I'm not completely sold, but it does take a bold step in portraying gay relationships, and abusive ones, on the screen which I think should be applauded.
What you should do
It's definitely sex and drugs and rock 'n' roll, so if those things aren't for you then I'd try something different, but for the sheer spectacle, it was worth watching.
Movie thing you wish you could take home
My own costume designer? But someone with a little less dramatic flare.
The costumes design was wonderful, as you'd expect when you're dressing "Elton". Everything looked just right, all the outfits were inspired by originals that he wore on stage. Just one was almost a direct copy, the baseball uniform that Elton wore was made of sequins and the Rocketman version was made of Swarovski crystals. I also loved the way they adapted the devil costume as the story progressed, very imaginative.
There are a few scenes with fantasy elements in them, one didn't feel like it fit into the whole movie, but I liked the way it landed. I did however love the scene where young Reggie conducts an orchestra, it was a beautiful scene that blended in seamlessly with the regular action.
Good on Taron Egerton for doing the singing for Rocketman, it's no small challenge, but it didn't do it for me. Listening to Elton songs gives me a buzz, there's a vibrancy to his voice and I just didn't feel that in the songs.
Overall, in fact, there were only two points where I really felt moved by what was going on. The first was a moment we actually see in the trailer where Eton and his audience take to the air. When that scene happens in the film it gave me goosebumps, it was perfectly timed and... uplifting... sorry. The second scene was during the conclusion which I won't go into because of spoilers.
While the acting was fine in Rocketman I was drawn much more to it artistically. The costumes, the sets, how the elements all flowed well together, absolutely stunning.
I think if I'd connected better with the songs I could have forgiven the fact that they were haphazardly combining genres, but as it was I felt it didn't fully deliver. As an addition to the recent trend of movies based on music I'm not completely sold, but it does take a bold step in portraying gay relationships, and abusive ones, on the screen which I think should be applauded.
What you should do
It's definitely sex and drugs and rock 'n' roll, so if those things aren't for you then I'd try something different, but for the sheer spectacle, it was worth watching.
Movie thing you wish you could take home
My own costume designer? But someone with a little less dramatic flare.
Eilidh G Clark (177 KP) rated Goblin in Books
Jul 2, 2019
Brilliant book, well wriiten, original
Winner of the Saltire Society first book of the year award 2017, Goblin, by Ever Dundas is a brilliant and brave first novel. Set in both London during WW2 and in Edinburgh in 2011, the story is told in flashback. For me, the first half of the novel is the best, we meet Goblin as a nine-year-old tomboy with a love for animals and a passion for storytelling - both of which the protagonist collects.
Goblin has a difficult family life; a mother who doesn’t want her, 'Goblin-runt born blue. Nothing can kill you. [...] You're like a cockroach,' (p.5) a father who mends radio’s and barely talks and a brother (David) who spends most of his time in his bedroom. Left to her own devices, the protagonist, her dog Devil, and her two friends Mac and Stevie roam the neighbourhood and hang around in an abandoned worksite. As a collector of stories, Goblin enthusiastically attends the local church with Mac, 'I loved the stories, turning them over in my head, weaving my own.' (p.24) before meeting The Crazy Pigeon Lady who tells her tales of Lizards people from the realm below. The childhood innocence in these chapters, mixed with magic realism, break down the walls of adult reasoning and creates a wonderful suspension of disbelief.
But without giving away the story plot, the suspension of disbelief serves another purpose; to divert the reader (as well as the adult protagonist) from the truth. So, while the adult Goblin searches amongst her tangled past, she takes the reader along for the ride. We meet multiple parents, live life on the road, come alive on the streets and in the circus, explore love, death, desire, and hate – and somewhere in the middle we meet an impressive collection of animals - Goblin has it all. And as far as strong female protagonists go, she’s right up there with Anais Hendricks from Jenni Fagan’s Panopticon, to Janie Ryan in Kerry Hudson’s Tony Hogan Bought Me an Ice Cream Float Before He Stole My Ma, characters who are so real you might just walk by them on the street.
The only teeny tiny criticism about the novel is that the second half spans over a lengthy period of time and it felt a little rushed. However, there is so much to say about this novel, so many angles to discuss, from Queer Theory to Religion, from Myth to Realism, and as a graduate of English Literature I could have a field day studying this book but for now, as a lover of good books, I’ll give it a big thumbs up and a huge recommendation, it’ll be finding a space on my ‘keep’ book shelve.
Goblin, Ever Dundas (2017) published by Saraband
Goblin has a difficult family life; a mother who doesn’t want her, 'Goblin-runt born blue. Nothing can kill you. [...] You're like a cockroach,' (p.5) a father who mends radio’s and barely talks and a brother (David) who spends most of his time in his bedroom. Left to her own devices, the protagonist, her dog Devil, and her two friends Mac and Stevie roam the neighbourhood and hang around in an abandoned worksite. As a collector of stories, Goblin enthusiastically attends the local church with Mac, 'I loved the stories, turning them over in my head, weaving my own.' (p.24) before meeting The Crazy Pigeon Lady who tells her tales of Lizards people from the realm below. The childhood innocence in these chapters, mixed with magic realism, break down the walls of adult reasoning and creates a wonderful suspension of disbelief.
But without giving away the story plot, the suspension of disbelief serves another purpose; to divert the reader (as well as the adult protagonist) from the truth. So, while the adult Goblin searches amongst her tangled past, she takes the reader along for the ride. We meet multiple parents, live life on the road, come alive on the streets and in the circus, explore love, death, desire, and hate – and somewhere in the middle we meet an impressive collection of animals - Goblin has it all. And as far as strong female protagonists go, she’s right up there with Anais Hendricks from Jenni Fagan’s Panopticon, to Janie Ryan in Kerry Hudson’s Tony Hogan Bought Me an Ice Cream Float Before He Stole My Ma, characters who are so real you might just walk by them on the street.
The only teeny tiny criticism about the novel is that the second half spans over a lengthy period of time and it felt a little rushed. However, there is so much to say about this novel, so many angles to discuss, from Queer Theory to Religion, from Myth to Realism, and as a graduate of English Literature I could have a field day studying this book but for now, as a lover of good books, I’ll give it a big thumbs up and a huge recommendation, it’ll be finding a space on my ‘keep’ book shelve.
Goblin, Ever Dundas (2017) published by Saraband
Phil Leader (619 KP) rated A Blink of the Screen: Collected Shorter Fiction in Books
Nov 8, 2019
For someone who was as prolific at writing novels as Terry Pratchett he didn't write much in the way of short stories. As he himself comments in this collection of his work this is because 'they cost blood' to write and he wondered how others such as Neil Gaiman could write so many short stories. This is all the more surprising given his grounding in journalism, something that demands producing a story withing a set number of words.
The basis for this seems to be that the nugget of an idea behind a Pratchett book was rarely simple enough to be encapsulated neatly in the short story form; his characters and ideas took time to develop and that's before the addition of the amusing footnotes and his skill at producing pastiche, parody and satire of many different things without the narrative stumbling or swerving.
This collection shows that although relatively few in number, the Pratchett short story was just as fine as could be expected. Sometimes they could be a little rushed to get to the point before the end (best seen in his tale of a gnome from the country that finds other gnomes in a department store - the story that was later rewritten fully as Truckers)
This is also a somewhat eclectic mix. There is the first story that he was paid for about the devil wanting to promote hell, which he wrote at school but it is clear that he already had the flair for writing even then. A few science fiction stories including the prescient and dark #ifdefDEBUG "world/enough" "time" about someone retreating to a virtual reality world. There is the story that formed the first ideas that would eventually become The Long Earth and of course some Diskworld shorts and related notes.
Taken together they show that over a long span of time Pratchett was coming up with great ideas. There is a little uneveness but part of this is due to his writing style being different between Diskworld and his more science fiction based stories (something that confused a lot of Diskworld readers when they read The Long Earth, but goes back even to The Dark Side of the Sun and Strata both of which are very different to Diskworld in tone.
To this end the editors have been wise to have the Diskworld stories as the second half with the 'other' stories at the beginning. This avoids the tone changing too much between stories.
This sounds like it might be for the Pratchett 'completist', like one of those greatest hits albums that comes out with just one or two rare tracks, but really this is a great collection of short stories by any measure. A couple of these are fairly well known - Troll Bridge and Theatre of Cruelty - but there is nothing gratuitous here. And of course there are plenty of laughs and subtle takes on society and humanity.
The basis for this seems to be that the nugget of an idea behind a Pratchett book was rarely simple enough to be encapsulated neatly in the short story form; his characters and ideas took time to develop and that's before the addition of the amusing footnotes and his skill at producing pastiche, parody and satire of many different things without the narrative stumbling or swerving.
This collection shows that although relatively few in number, the Pratchett short story was just as fine as could be expected. Sometimes they could be a little rushed to get to the point before the end (best seen in his tale of a gnome from the country that finds other gnomes in a department store - the story that was later rewritten fully as Truckers)
This is also a somewhat eclectic mix. There is the first story that he was paid for about the devil wanting to promote hell, which he wrote at school but it is clear that he already had the flair for writing even then. A few science fiction stories including the prescient and dark #ifdefDEBUG "world/enough" "time" about someone retreating to a virtual reality world. There is the story that formed the first ideas that would eventually become The Long Earth and of course some Diskworld shorts and related notes.
Taken together they show that over a long span of time Pratchett was coming up with great ideas. There is a little uneveness but part of this is due to his writing style being different between Diskworld and his more science fiction based stories (something that confused a lot of Diskworld readers when they read The Long Earth, but goes back even to The Dark Side of the Sun and Strata both of which are very different to Diskworld in tone.
To this end the editors have been wise to have the Diskworld stories as the second half with the 'other' stories at the beginning. This avoids the tone changing too much between stories.
This sounds like it might be for the Pratchett 'completist', like one of those greatest hits albums that comes out with just one or two rare tracks, but really this is a great collection of short stories by any measure. A couple of these are fairly well known - Troll Bridge and Theatre of Cruelty - but there is nothing gratuitous here. And of course there are plenty of laughs and subtle takes on society and humanity.
BankofMarquis (1832 KP) rated The Laundromat (2019) in Movies
Aug 1, 2021
Fun and Interesting
Do remember the Oscar nominated film THE BIG SHORT from 2015, where Director Adam McKay would make sense out of a dry subject (the financial crisis of 2008) by breaking the 4th wall and speaking directly to the audience, while also wrapping in a very strong emotional drama?
Well…Director Steven Soderbergh (ERIN BROCKOVICH) has taken that recipe and attached it to another dry subject (this time money laundering through off-shore “Shell Companies”) and has turned in a very good and interesting (though not quite as intense) film that got lost in the shuffle in 2019.
Starring Meryl Streep as a widow who is trying to get her Insurance Company to pay off after the death of her husband, THE LAUNDROMAT follows the trail through shell company after shell company as the money is Laundered by 2 unscrupulous Bankers (Gary Oldman and Antonio Banderas) in a series of vignettes.
While THE LAUNDROMAT doesn’t pack the punch of THE BIG SHORT (where the real life consequences of what happened impacted many, many people throughout the world), THE LAUNDROMAT falls just short in that only Meryl Streep’s character really suffers the consequences (though many unscrupulous players do get theirs in the end).
Soderbergh is a Director who’s work I have really, really liked throughout his career as he has a tendency to focus on the people, rather than spectacle, when telling a story, and it works well in this film. He gets the audience to care about the victims of the scheming money men and root like crazy for the “bad guys” to get theirs.
As for the acting, Meryl Streep (of course) is marvelous as Ellen Martin, the widow who’s tragic experience (the death of her husband - played by the great James Cromwell) sets off the course of events in this film.
Oldman and Banderas are equally as good as the narrators and antagonists of this piece. They play their roles with a slight wink in their eyes and a “devil-may-care” attitude which makes them charming, but does take a notch (or so) off of the drama of the piece.
Soderbergh, as he is want to do, fills this film with many memorable actors/characters in what amounts to extended cameos - Jeffrey Wright, Robert Patrick, David Schwimmer, Will Forte, Chris Parnell, Larry Wilmore and even Sharon Stone stop by for a moment to bring other characters into play and they all work well.
To be fair, some of the vignettes work better than the others, but all-in-all Soderbergh has crafted an interesting, fun and IMPORTANT film that will teach it’s audience about the inner workings of a system that most of us have heard about but never really looked into.
Check out THE LAUNDROMAT the next time you are scrolling through Netflix looking for something good to watch.
Letter Grade A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Well…Director Steven Soderbergh (ERIN BROCKOVICH) has taken that recipe and attached it to another dry subject (this time money laundering through off-shore “Shell Companies”) and has turned in a very good and interesting (though not quite as intense) film that got lost in the shuffle in 2019.
Starring Meryl Streep as a widow who is trying to get her Insurance Company to pay off after the death of her husband, THE LAUNDROMAT follows the trail through shell company after shell company as the money is Laundered by 2 unscrupulous Bankers (Gary Oldman and Antonio Banderas) in a series of vignettes.
While THE LAUNDROMAT doesn’t pack the punch of THE BIG SHORT (where the real life consequences of what happened impacted many, many people throughout the world), THE LAUNDROMAT falls just short in that only Meryl Streep’s character really suffers the consequences (though many unscrupulous players do get theirs in the end).
Soderbergh is a Director who’s work I have really, really liked throughout his career as he has a tendency to focus on the people, rather than spectacle, when telling a story, and it works well in this film. He gets the audience to care about the victims of the scheming money men and root like crazy for the “bad guys” to get theirs.
As for the acting, Meryl Streep (of course) is marvelous as Ellen Martin, the widow who’s tragic experience (the death of her husband - played by the great James Cromwell) sets off the course of events in this film.
Oldman and Banderas are equally as good as the narrators and antagonists of this piece. They play their roles with a slight wink in their eyes and a “devil-may-care” attitude which makes them charming, but does take a notch (or so) off of the drama of the piece.
Soderbergh, as he is want to do, fills this film with many memorable actors/characters in what amounts to extended cameos - Jeffrey Wright, Robert Patrick, David Schwimmer, Will Forte, Chris Parnell, Larry Wilmore and even Sharon Stone stop by for a moment to bring other characters into play and they all work well.
To be fair, some of the vignettes work better than the others, but all-in-all Soderbergh has crafted an interesting, fun and IMPORTANT film that will teach it’s audience about the inner workings of a system that most of us have heard about but never really looked into.
Check out THE LAUNDROMAT the next time you are scrolling through Netflix looking for something good to watch.
Letter Grade A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Movie Metropolis (309 KP) rated The Giver (2014) in Movies
Jun 10, 2019
A Striking visual translation
Over the last decade, cinema-going audiences have had the treat of numerous adaptations of popular young adult novels. Some of them have been particularly great – the Harry Potter series the highlight – whilst others have been less than stellar – Twilight, I’m looking at you.
However, with The Hunger Games on the edge of its tantalising conclusion, director Phillip Noyce introduces teens and adults alike to a whole new world in The Giver, but can it seduce audiences which have already had numerous fantasy worlds to enjoy?
For the most part, yes. Noyce directs this adaptation with extreme visual flair and commands some great performances from the veteran actors, even if the young thespians pale a little in comparison.The-Giver-Brenton-Thwaites-character-poster-691x1024
The Giver follows a community dealing with the aftermath of a brutal conflict. The Elders (people in charge) have been forced to eradicate all feelings, emotion, colour and memories from the past to ensure that this doesn’t happen again. Unfortunately, the plan isn’t fool-proof and one person each generation must be tasked with storing information from the past to ensure the progression of the future.
The book’s intriguing premise brings a striking visual translation. The majority of the picture is shot in black and white which adds to the emotionless atmosphere – just how The Elders want it.
Meryl Streep plays the Chief Elder and despite her limited screen time manages to command each scene she is a part of – though we have come to expect nothing less from the woman who played Margaret Thatcher so beautifully. Jeff Bridges is the title character – The Giver, who manages to impart wisdom to the one teenager each generation.
The teenage characters, despite their constant presence on screen, lack the magic and sparkle of their older counterparts. Brenton Thwaites stars as The Receiver Jonas and is probably the best of the younger stars, though a decent turn by True Blood’s Alexander Skarsgard helps alleviate the offerings somewhat, and there’s even a small role for Taylor Swift.
Despite it’s reasonably small budget of $25million compared to The Hunger Games $78million, the special effects are all of a decent standard. Of course there’s a few lapses here and there in areas were most people would probably never notice, and a few larger issues involving unrealistic space ships – but there isn’t too much to criticise as the striking cinematography is were the eyes are drawn.
Overall, it’s easy to feel sorry for The Giver, it’s come at an awkward time when audiences aren’t ready to get invested in another young adult movie and therefore I predict its box office success will fall short of the quality of the film itself.
The acting is on the whole very good and it’s nice to see Meryl Streep getting her teeth into the role of a villain in a style similar to her role in The Devil Wears Prada, but it all feels a little unsure of itself. Is it a sentimental rom-com or a utopian thriller? Who knows, but it’s definitely worth a watch for the striking visuals alone.
https://moviemetropolis.net/2014/09/24/a-striking-visual-translation-the-giver-review/
However, with The Hunger Games on the edge of its tantalising conclusion, director Phillip Noyce introduces teens and adults alike to a whole new world in The Giver, but can it seduce audiences which have already had numerous fantasy worlds to enjoy?
For the most part, yes. Noyce directs this adaptation with extreme visual flair and commands some great performances from the veteran actors, even if the young thespians pale a little in comparison.The-Giver-Brenton-Thwaites-character-poster-691x1024
The Giver follows a community dealing with the aftermath of a brutal conflict. The Elders (people in charge) have been forced to eradicate all feelings, emotion, colour and memories from the past to ensure that this doesn’t happen again. Unfortunately, the plan isn’t fool-proof and one person each generation must be tasked with storing information from the past to ensure the progression of the future.
The book’s intriguing premise brings a striking visual translation. The majority of the picture is shot in black and white which adds to the emotionless atmosphere – just how The Elders want it.
Meryl Streep plays the Chief Elder and despite her limited screen time manages to command each scene she is a part of – though we have come to expect nothing less from the woman who played Margaret Thatcher so beautifully. Jeff Bridges is the title character – The Giver, who manages to impart wisdom to the one teenager each generation.
The teenage characters, despite their constant presence on screen, lack the magic and sparkle of their older counterparts. Brenton Thwaites stars as The Receiver Jonas and is probably the best of the younger stars, though a decent turn by True Blood’s Alexander Skarsgard helps alleviate the offerings somewhat, and there’s even a small role for Taylor Swift.
Despite it’s reasonably small budget of $25million compared to The Hunger Games $78million, the special effects are all of a decent standard. Of course there’s a few lapses here and there in areas were most people would probably never notice, and a few larger issues involving unrealistic space ships – but there isn’t too much to criticise as the striking cinematography is were the eyes are drawn.
Overall, it’s easy to feel sorry for The Giver, it’s come at an awkward time when audiences aren’t ready to get invested in another young adult movie and therefore I predict its box office success will fall short of the quality of the film itself.
The acting is on the whole very good and it’s nice to see Meryl Streep getting her teeth into the role of a villain in a style similar to her role in The Devil Wears Prada, but it all feels a little unsure of itself. Is it a sentimental rom-com or a utopian thriller? Who knows, but it’s definitely worth a watch for the striking visuals alone.
https://moviemetropolis.net/2014/09/24/a-striking-visual-translation-the-giver-review/
Movie Metropolis (309 KP) rated The Girl on the Train (2016) in Movies
Jun 10, 2019
A Victim of its marketing
It’s always refreshing to see a film released primarily for the adult market. We all loved The Hunger Games, but imagine what the series could’ve been like had the franchise been given a 15 or even an 18 certification.
And Fifty Shades of Grey may have its critics (me being one of them) but at least it appealed to those of us not interested in sharing cinema screens with rambling tweens. The finest of the adult genre? Well, that has to be Gone Girl. But now there’s a new kid on the block, ready to steal its crown. Is The Girl on the Train a worthy adversary?
Alcoholic Rachel Watson (Emily Blunt) catches daily glimpses of a seemingly perfect couple, Scott (Luke Evans) and Megan (Haley Bennett), from the window of her train. One day, Watson witnesses something shocking unfold in the garden of the strangers’ home. Rachel tells the authorities what she thinks she saw after learning Megan is missing. Unable to trust her memory, the troubled woman begins her own investigation, while police suspect that Rachel may have crossed a dangerous line.
Emily Blunt has become one of Hollywood’s finest actors, constantly adding new genres to her resume. From The Devil Wears Prada to Sicario and beyond, there is nothing she won’t try and The Girl on the Train is bolstered by a career-best performance by the actress. It’s never easy to play a drunk convincingly; you can look to some UK soap operas for proof of that, but she manages to pull it off exceptionally well.
Of the supporting cast, only Justin Theroux makes a lasting impact as Rachel’s ex-husband Tom, now living with his new wife Anna – a lacklustre Rebecca Ferguson. It would be unfair to sling too much mud at a very talented group of actors, but up against Blunt, there really is no comparison.
Elsewhere, the complex narrative of Paula Hawkins’ book translates to a rather messy filming style when viewed on the big screen. Continuous flashbacks from within Rachel’s mind are handled reasonably well by director Tate Taylor (The Help) and he manages to wrench everything together to stop the plot from becoming incoherent.
Unfortunately, The Girl on the Train is a victim of its own intense marketing campaign. The trailers have given away far too much for those who haven’t read the book and whilst the twists and turns aren’t immediately obvious, some of the Cluedo-esque fun has been removed. It’s clear Dreamworks wanted the film to resemble Gone Girl as much as possible, aiming to attract a similar audience, but this may have backfired slightly.
Overall, The Girl on the Train is a particularly faithful adaptation of the novel of the same name, held up by an intense and frankly incredible performance by Emily Blunt. Unfortunately, some of the film’s suspense has been lost by a poorly executed marketing campaign and as such it becomes a passable addition to the adult thriller genre. This year’s Gone Girl it is not.
https://moviemetropolis.net/2016/10/06/a-victim-of-its-marketing-the-girl-on-the-train-review/
And Fifty Shades of Grey may have its critics (me being one of them) but at least it appealed to those of us not interested in sharing cinema screens with rambling tweens. The finest of the adult genre? Well, that has to be Gone Girl. But now there’s a new kid on the block, ready to steal its crown. Is The Girl on the Train a worthy adversary?
Alcoholic Rachel Watson (Emily Blunt) catches daily glimpses of a seemingly perfect couple, Scott (Luke Evans) and Megan (Haley Bennett), from the window of her train. One day, Watson witnesses something shocking unfold in the garden of the strangers’ home. Rachel tells the authorities what she thinks she saw after learning Megan is missing. Unable to trust her memory, the troubled woman begins her own investigation, while police suspect that Rachel may have crossed a dangerous line.
Emily Blunt has become one of Hollywood’s finest actors, constantly adding new genres to her resume. From The Devil Wears Prada to Sicario and beyond, there is nothing she won’t try and The Girl on the Train is bolstered by a career-best performance by the actress. It’s never easy to play a drunk convincingly; you can look to some UK soap operas for proof of that, but she manages to pull it off exceptionally well.
Of the supporting cast, only Justin Theroux makes a lasting impact as Rachel’s ex-husband Tom, now living with his new wife Anna – a lacklustre Rebecca Ferguson. It would be unfair to sling too much mud at a very talented group of actors, but up against Blunt, there really is no comparison.
Elsewhere, the complex narrative of Paula Hawkins’ book translates to a rather messy filming style when viewed on the big screen. Continuous flashbacks from within Rachel’s mind are handled reasonably well by director Tate Taylor (The Help) and he manages to wrench everything together to stop the plot from becoming incoherent.
Unfortunately, The Girl on the Train is a victim of its own intense marketing campaign. The trailers have given away far too much for those who haven’t read the book and whilst the twists and turns aren’t immediately obvious, some of the Cluedo-esque fun has been removed. It’s clear Dreamworks wanted the film to resemble Gone Girl as much as possible, aiming to attract a similar audience, but this may have backfired slightly.
Overall, The Girl on the Train is a particularly faithful adaptation of the novel of the same name, held up by an intense and frankly incredible performance by Emily Blunt. Unfortunately, some of the film’s suspense has been lost by a poorly executed marketing campaign and as such it becomes a passable addition to the adult thriller genre. This year’s Gone Girl it is not.
https://moviemetropolis.net/2016/10/06/a-victim-of-its-marketing-the-girl-on-the-train-review/
Heather Cranmer (2721 KP) rated The Repossession (Repossession, #1) in Books
Jun 7, 2018
This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>.
First off, I just wanted to say that I found it extremely cool that the outer edges of all the pages were blue!! Super cool!! Pointless but still super cool!
The Repossession is a YA sci-fi story. It centers mainly around the characters of 15 year old Genie and 15 year old Rian. Genie's mother and most of the town of Spurlake believe Genie is possessed by the devil thanks to Reverend Schneider. Genie is imprisoned in her room and treated worst than an actual prisoner. Enter Rian, Genie's boyfriend, to save the day and rescue her. After she escapes her home, she must avoid Reverend Schneider as he wants to take Genie to a place called the Fortress where strange experiments are happening to local kids.
I loved the character of Genie. I felt sorry for her as the way she was being treated in the beginning of the book is horrible. I found Genie to be a very strong character. I loved the fact that the author didn't write her off to be some poor little damsel in distress. Genie could definitely hold her own.
Rian was also a great character! I could feel the love he had for Genie coming through the pages. I liked the fact that he never tried to hold Genie back. He felt real and not like just some character in a book. Rian is also a very strong character.
I'm divided on the cover though. I like it, but then again, I don't. Part of me finds it too plain, but the other part of me thinks that with anything else on the cover, it would make it too cluttered. However, the cover definitely suits the book!! At first the cover didn't make sense to me, but as I read more into the story and learned the major plot (yes, I'm deliberately trying to avoid mentioning it so you can learn what it is yourself), it made total sense! The same about the title although I had to think more about why it was so aptly named "The Repossession."
This book had excellent pacing. It was slow in the places that needed to be paced a bit more slowly and fast in the bits that it were meant to be fast. In fact, it was so hard to stop reading this book. I always think pacing plays a major part in me not wanting to put a book down...well, that and the plot of course!
The only thing that I didn't like was the scientific mumbo jumbo mostly because I didn't understand what was meant. However, this was only for about a chapter or two. If you're in to your science, this probably wouldn't bother you, but I am not scientific oriented at all! In fact, I struggled through science in high school.
I'd definitely recommend The Repossession to others. It was such a thrilling read!!!! It is part of a series, and because I loved the first book so much, I've already bought the sequel The Hunting.
First off, I just wanted to say that I found it extremely cool that the outer edges of all the pages were blue!! Super cool!! Pointless but still super cool!
The Repossession is a YA sci-fi story. It centers mainly around the characters of 15 year old Genie and 15 year old Rian. Genie's mother and most of the town of Spurlake believe Genie is possessed by the devil thanks to Reverend Schneider. Genie is imprisoned in her room and treated worst than an actual prisoner. Enter Rian, Genie's boyfriend, to save the day and rescue her. After she escapes her home, she must avoid Reverend Schneider as he wants to take Genie to a place called the Fortress where strange experiments are happening to local kids.
I loved the character of Genie. I felt sorry for her as the way she was being treated in the beginning of the book is horrible. I found Genie to be a very strong character. I loved the fact that the author didn't write her off to be some poor little damsel in distress. Genie could definitely hold her own.
Rian was also a great character! I could feel the love he had for Genie coming through the pages. I liked the fact that he never tried to hold Genie back. He felt real and not like just some character in a book. Rian is also a very strong character.
I'm divided on the cover though. I like it, but then again, I don't. Part of me finds it too plain, but the other part of me thinks that with anything else on the cover, it would make it too cluttered. However, the cover definitely suits the book!! At first the cover didn't make sense to me, but as I read more into the story and learned the major plot (yes, I'm deliberately trying to avoid mentioning it so you can learn what it is yourself), it made total sense! The same about the title although I had to think more about why it was so aptly named "The Repossession."
This book had excellent pacing. It was slow in the places that needed to be paced a bit more slowly and fast in the bits that it were meant to be fast. In fact, it was so hard to stop reading this book. I always think pacing plays a major part in me not wanting to put a book down...well, that and the plot of course!
The only thing that I didn't like was the scientific mumbo jumbo mostly because I didn't understand what was meant. However, this was only for about a chapter or two. If you're in to your science, this probably wouldn't bother you, but I am not scientific oriented at all! In fact, I struggled through science in high school.
I'd definitely recommend The Repossession to others. It was such a thrilling read!!!! It is part of a series, and because I loved the first book so much, I've already bought the sequel The Hunting.
Sophia (Bookwyrming Thoughts) (530 KP) rated Camelot Burning (Metal & Lace, #1) in Books
Jan 23, 2020
I don't know much about Arthurian Lore it's probably one of the only story I've never read in it's original form aside from the original Grimm Brothers' Fairy Tales (but those are horrifying, so I'm not even going to bother). I somehow doubt that Magic Tree House who made Morgan LeFay a harmless fly or Wizard101's Avalonian world even counts, except for maybe the latter being used as visual aid. :p
But personally that's sort of the thrill in reading a retelling without reading the original one: no judging or comparing it's a mostly complete blank slate.
Camelot Burning follows Vivienne, a lady-in-waiting and Merlin's Apprentice, who wants a way out of Camelot's way of life. She even has a plan hatched at least until Morgan Le Fay enters the picture and she has to stay to build a weapon that could ultimately save Camelot.
Merlin is actually a fun character am I weird to say that I found him drunk yet wise? It's not an easy combo since most drunk people act... well, not wise at all. While I'm not exactly warm and fuzzy with the other characters yet, Merlin is a winner.
There's a very interesting way with magic Rose introduces. Usually when it comes to magic, the price is something minor or huge, depending on whatever is asked very similar to karma (or fate or etc.). Here though... it's the ultimate price if you use magic too much: *cues ominous music* your soul. That's like selling your soul to the devil! Unless you're a creepy villain who wants to take over the world, that's not usually the ultimate price. Minor = minor payback. Major = major payback. No ifs buts or wait, what's after that? o_O
<img border="0" src="http://2.bp.blogspot.com/-dV7rlbVhpPk/UyjGVWubEkI/AAAAAAAACyA/ngeF1DAiEmk/s1600/tumblr_m5x9n1xf3D1rqfhi2o1_500.gif"; height="143" width="200">
Behind the Blog Tidbit: Camelot Burning was one of those novels who got a neutral rating (rawly speaking). I would have rounded up to a 4.5 rather than a 4, but I chose not to for a few reasons:
~ Too predictable It could just be me, but I guessed that <spoiler>Vivienne was the coordinates to Avalon and Morgan Le Fay was acting innocent as a distraction.</spoiler>
~ Too much technicalities I felt like I was reading a foreign language, and that was not the words used in magic. It all felt really confusing.
~ It said The End.
<img border="0" src="http://1.bp.blogspot.com/-lsFMKEdcrBc/UyjG4_6Sj3I/AAAAAAAACyM/Q0tKlJ9xOLw/s1600/th.jpg"; height="155" width="200">
That last bullet didn't play a major impact. It's just a minor peeve, especially when it's the first novel in the series.
I fully enjoyed reading Kathryn Rose's debut novel. Camelot Burning takes a refreshing and unique spin on Arthurian lore, or more accurately Arthurian + Fantasy + Steampunk.
-----------------
Advance Review Copy provided by Flux for review
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/05/arc-review-camelot-burning-by-kathryn-rose.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>
But personally that's sort of the thrill in reading a retelling without reading the original one: no judging or comparing it's a mostly complete blank slate.
Camelot Burning follows Vivienne, a lady-in-waiting and Merlin's Apprentice, who wants a way out of Camelot's way of life. She even has a plan hatched at least until Morgan Le Fay enters the picture and she has to stay to build a weapon that could ultimately save Camelot.
Merlin is actually a fun character am I weird to say that I found him drunk yet wise? It's not an easy combo since most drunk people act... well, not wise at all. While I'm not exactly warm and fuzzy with the other characters yet, Merlin is a winner.
There's a very interesting way with magic Rose introduces. Usually when it comes to magic, the price is something minor or huge, depending on whatever is asked very similar to karma (or fate or etc.). Here though... it's the ultimate price if you use magic too much: *cues ominous music* your soul. That's like selling your soul to the devil! Unless you're a creepy villain who wants to take over the world, that's not usually the ultimate price. Minor = minor payback. Major = major payback. No ifs buts or wait, what's after that? o_O
<img border="0" src="http://2.bp.blogspot.com/-dV7rlbVhpPk/UyjGVWubEkI/AAAAAAAACyA/ngeF1DAiEmk/s1600/tumblr_m5x9n1xf3D1rqfhi2o1_500.gif"; height="143" width="200">
Behind the Blog Tidbit: Camelot Burning was one of those novels who got a neutral rating (rawly speaking). I would have rounded up to a 4.5 rather than a 4, but I chose not to for a few reasons:
~ Too predictable It could just be me, but I guessed that <spoiler>Vivienne was the coordinates to Avalon and Morgan Le Fay was acting innocent as a distraction.</spoiler>
~ Too much technicalities I felt like I was reading a foreign language, and that was not the words used in magic. It all felt really confusing.
~ It said The End.
<img border="0" src="http://1.bp.blogspot.com/-lsFMKEdcrBc/UyjG4_6Sj3I/AAAAAAAACyM/Q0tKlJ9xOLw/s1600/th.jpg"; height="155" width="200">
That last bullet didn't play a major impact. It's just a minor peeve, especially when it's the first novel in the series.
I fully enjoyed reading Kathryn Rose's debut novel. Camelot Burning takes a refreshing and unique spin on Arthurian lore, or more accurately Arthurian + Fantasy + Steampunk.
-----------------
Advance Review Copy provided by Flux for review
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/05/arc-review-camelot-burning-by-kathryn-rose.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>
Sarah (7800 KP) rated the PlayStation 4 version of NieR: Automata in Video Games
May 3, 2020 (Updated May 3, 2020)
Hugely enjoyable
I'm a big Final Fantasy fan and whilst Nier: Automata isn't quite the same size and scale RPG as the FF games, I really enjoyed playing this - even if it isn't perfect.
This game looks amazing. The world they've created here is bleak yet beautifully rendered. The characters are well styled (even if a little inappropriate, but that's to be expected from a Japanese game). The score and music is beautiful. Maybe overly dramatic at times but it really helps build tension and drama in the game. The gameplay itself is a cross between Final Fantasy and a Devil May Cry style game, with a variety of side quests, upgrades and levelling up available alongside a non-turn based open fighting system. For me I actually preferred this style of fighting to the FF games as it's more like a real battle rather than everyone taking turns. There is a lot of detail in this game too, but without going to quite the extremes FF games do. It never quite feels as huge and unmanageable.
The story is different and how the gameplay unfolds took me a while to get used to, especially when you get on to the second and third parts of the story. But when you get over the initial irritation you soon come to love the game play and how you discover all the different aspects to the story. Especially the rather sweet & emotional sides to the characters.
However there are some downsides. The fighting is very repetitive and despite various types of bosses, there is rarely any skill involved to defeating them - continuously shooting and hack and slash seems to be the standard. There's also a lot of grinding involved in this game and it can get a bit irritating. The machines also regenerate very quickly and it can get quite tiresome to run in & out of areas within a space of minutes and have to defeat the same baddies over and over.
Also, unless you're willing to dedicate a large portion of your life then it seems near impossible to get 100% completion. I'm at 72% and have done virtually all of the side quests and endings. Admittedly I havent quite finished yet but when I do I doubt I'll have anywhere near 90% - maxing out weapons and levelling up to level 99 to defeat an otherwise undefeatable machine just doesn't appeal.
Finally, the idea behind the 26 endings to this game is one I'm still undecided on. In a way it feels like a "choose your own ending" style thing like the old Goosebumps books, however it's not obvious how to get these endings (I looked them up). Maybe it's because I'm not a fan of wandering everywhere in an open world trying & hitting absolutely everything, it's a bit of a slog. But knowing where to find the endings for me made them a little more entertaining.
Overall this is a very enjoyable game and definitely an 8/8.5. If they had cut out some of the grinding and slogging commonly found in rpgs to make it more achievable to get 100%, I'd definitely rate it at least a 9.
This game looks amazing. The world they've created here is bleak yet beautifully rendered. The characters are well styled (even if a little inappropriate, but that's to be expected from a Japanese game). The score and music is beautiful. Maybe overly dramatic at times but it really helps build tension and drama in the game. The gameplay itself is a cross between Final Fantasy and a Devil May Cry style game, with a variety of side quests, upgrades and levelling up available alongside a non-turn based open fighting system. For me I actually preferred this style of fighting to the FF games as it's more like a real battle rather than everyone taking turns. There is a lot of detail in this game too, but without going to quite the extremes FF games do. It never quite feels as huge and unmanageable.
The story is different and how the gameplay unfolds took me a while to get used to, especially when you get on to the second and third parts of the story. But when you get over the initial irritation you soon come to love the game play and how you discover all the different aspects to the story. Especially the rather sweet & emotional sides to the characters.
However there are some downsides. The fighting is very repetitive and despite various types of bosses, there is rarely any skill involved to defeating them - continuously shooting and hack and slash seems to be the standard. There's also a lot of grinding involved in this game and it can get a bit irritating. The machines also regenerate very quickly and it can get quite tiresome to run in & out of areas within a space of minutes and have to defeat the same baddies over and over.
Also, unless you're willing to dedicate a large portion of your life then it seems near impossible to get 100% completion. I'm at 72% and have done virtually all of the side quests and endings. Admittedly I havent quite finished yet but when I do I doubt I'll have anywhere near 90% - maxing out weapons and levelling up to level 99 to defeat an otherwise undefeatable machine just doesn't appeal.
Finally, the idea behind the 26 endings to this game is one I'm still undecided on. In a way it feels like a "choose your own ending" style thing like the old Goosebumps books, however it's not obvious how to get these endings (I looked them up). Maybe it's because I'm not a fan of wandering everywhere in an open world trying & hitting absolutely everything, it's a bit of a slog. But knowing where to find the endings for me made them a little more entertaining.
Overall this is a very enjoyable game and definitely an 8/8.5. If they had cut out some of the grinding and slogging commonly found in rpgs to make it more achievable to get 100%, I'd definitely rate it at least a 9.
Haley Mathiot (9 KP) rated The Wolf Next Door (Westfield Wolves, #3) in Books
Apr 27, 2018
The Wolf Next Door by Lydia Dare
Genre: Paranormal werewolf romance, historical fiction
ISBN:9781402236969
Published: June 1st 2010 by Sourcebooks Casablanca
Rating:
Years ago, William Westfield and Pricia Hawthorne were in love—but Pricia's heart was broken and she refuses to let the scoundrel forget it. She knows now that he never committed the accused crime… but she can't bare to give her heart to him again. Even though she wants to.
Will has established his reputation as the best lover in six centuries. And he knows he did it to get Pricia out of his head. He still loves and adores her, snotty remarks and spirited personality and rule-breaking attitude and all. But when he is forced to visit the Hawthorne house to escort his sisters-in-law, he discovers that another man—another Lycan man—is pursuing her hand in marriage. Will doesn't think: The games are over. He decides that he will do anything and everything to keep the other werewolf away, and claim her forever.
This was, out of the three Westfield stories, my favorite. From the time I started reading, I couldn't put it down. It was fast-paced, exciting, and romantic. Although can I say that the covers—for this one and the others—could have been better? Still, I loved the story.
Will has always been my favorite Westfield, because of his happy, funny, warm, laid-back personality… and I loved seeing him desperately in love, trying his hardest to charm Pricia's socks off. Pricia is my favorite kind of heroine: the kind that can hold her own, especially with five brothers. Put Will and Pricia together, and you have an epic couple: They love each other, they hate each other. But they only hate each other because they love each other… a never-ending circle, a never-ending conversation, and a never-ending story… but a very satisfying ending to the book.
The plot was a lot more exciting than Dare's other werewolf stories—not to say the others aren't exciting. But this one surpassed the others. The other Lycan threatening Will's happiness added a good conflict to the story. Pricia's execution of torture on poor Will was both pitiful and hilarious. There was a war going on between the two wolves, and a war going on between the lovers, and it made for a stay-up-until-3-AM kind of book.
One of the reasons this one was probably my favorite, was because it wasn't sappy. I'm not saying the others are: but there was this running theme of the woman telling the man she was in love with him, and the man not admitting it until way too late, and causing problems because of it. There was none of that in The Wolf Next Door. Will straight up told Pricia that he loved her. He told her father he loved her. He told his brothers, and her brothers, that he loved her. And it made their romance much better and much more believable.
Magic, romance, heart-break, rivals, witches, and true love…all tied together with a sweet, naive, innocent little devil, and a very handsome werewolf. This one is begging to be re-read.
Content/recommendation: Little language, some sex. Ages 18+
Genre: Paranormal werewolf romance, historical fiction
ISBN:9781402236969
Published: June 1st 2010 by Sourcebooks Casablanca
Rating:
Years ago, William Westfield and Pricia Hawthorne were in love—but Pricia's heart was broken and she refuses to let the scoundrel forget it. She knows now that he never committed the accused crime… but she can't bare to give her heart to him again. Even though she wants to.
Will has established his reputation as the best lover in six centuries. And he knows he did it to get Pricia out of his head. He still loves and adores her, snotty remarks and spirited personality and rule-breaking attitude and all. But when he is forced to visit the Hawthorne house to escort his sisters-in-law, he discovers that another man—another Lycan man—is pursuing her hand in marriage. Will doesn't think: The games are over. He decides that he will do anything and everything to keep the other werewolf away, and claim her forever.
This was, out of the three Westfield stories, my favorite. From the time I started reading, I couldn't put it down. It was fast-paced, exciting, and romantic. Although can I say that the covers—for this one and the others—could have been better? Still, I loved the story.
Will has always been my favorite Westfield, because of his happy, funny, warm, laid-back personality… and I loved seeing him desperately in love, trying his hardest to charm Pricia's socks off. Pricia is my favorite kind of heroine: the kind that can hold her own, especially with five brothers. Put Will and Pricia together, and you have an epic couple: They love each other, they hate each other. But they only hate each other because they love each other… a never-ending circle, a never-ending conversation, and a never-ending story… but a very satisfying ending to the book.
The plot was a lot more exciting than Dare's other werewolf stories—not to say the others aren't exciting. But this one surpassed the others. The other Lycan threatening Will's happiness added a good conflict to the story. Pricia's execution of torture on poor Will was both pitiful and hilarious. There was a war going on between the two wolves, and a war going on between the lovers, and it made for a stay-up-until-3-AM kind of book.
One of the reasons this one was probably my favorite, was because it wasn't sappy. I'm not saying the others are: but there was this running theme of the woman telling the man she was in love with him, and the man not admitting it until way too late, and causing problems because of it. There was none of that in The Wolf Next Door. Will straight up told Pricia that he loved her. He told her father he loved her. He told his brothers, and her brothers, that he loved her. And it made their romance much better and much more believable.
Magic, romance, heart-break, rivals, witches, and true love…all tied together with a sweet, naive, innocent little devil, and a very handsome werewolf. This one is begging to be re-read.
Content/recommendation: Little language, some sex. Ages 18+