Search
Search results
BlockyTime - Track your time no need to Start/Stop
Productivity and Utilities
App
BlockyTime, A simple time logger no need to tap Start/Stop. ### App Store Featured of 2016 in China...
Baby Feed Timer - Breastfeeding Baby Tracker
Lifestyle and Medical
App
“Simple, quick and easy to use – a must for night feeds!” "All the answers to your...
FishTales - A Fishing Log Book and Journal
Lifestyle and Sports
App
**** Named favorite fishing journal app for iPhone by iMore.com - March 11, 2014 **** FishTales is...
Rota Calendar - Work Shift Manager
Productivity and Lifestyle
App
Sort your shift out - 8 reasons to get control back of your social life with Rota Calendar. Does...
Notebooks for iPhone
Productivity and Business
App
This is the "iPhone only" version of Notebooks. If you want to run it on your iPad, too, you might...
Book Writer One
Productivity and Lifestyle
App
Take Note, Organize Thoughts, Make a Book. Share with the World. Make your own book with Book...
See How You Eat Coach 80/20 diet rule app
Health & Fitness and Lifestyle
App
Say NO to calorie counting. Say YES to permanent balance. #nodiet The easiest way to track how you...
Bob Mann (459 KP) rated Bridget Jones's Baby (2016) in Movies
Sep 29, 2021
Come the F*** on Bridget… who’s the Daddy?
The world’s favourite lonely-hearts diarist is back. Bridget (Renée Zellweger) once again starts the film ‘all by herself’, haunted by occasional meetings with ex-flame Mark D’Arcy (Colin Firth) – now married to Camilla (Agni Scott) – and facing the natural discomfort of the early funeral of another friend who has died way too young. And at 43, Bridget’s biological clock is also ticking towards parental midnight.
Proving that enormous ditzyness and lack of talent need not be an impediment to a successful career, Bridget is now a top TV floor manager on a cable news station, anchored by friend Miranda (an excellent Sarah Solemani). In an effort to shake Bridget out of her malaise, Miranda takes her to a music festival (featuring some fun cameos!) where she has a one-night-stand with the delectable (speaking at least for all the women in my audience) Jack (Patrick Dempsey). Following another one-night-stand with D’Arcy and finding herself pregnant, a comedy of farce follows with one expectant mother and two prospective fathers competing for Bridget’s affections.
OK. So it’s not bloody Shakespeare. But it is an extremely well-crafted comedy, and as a British rom-com it significantly out-does many of the efforts of the rom-com king – Richard Curtis – in recent years. As a series its just amazing how many of the original cast have been reunited after 2004’s rather lacklustre “Bridget Jones: Edge of Reason”. Particularly effective are Bridget’s parents, played by the delectably Tory Gemma Jones and the ever-perfect Jim Broadbent. And Bridget’s trio of irreverent friends: Shazzer (Sally Phillips), Jude (Shirley Henderson) and Tom (James Callis) are all back. All are either well into parenthood or have impending parenthood, adding to the pressure on Bridget’s aching ovaries.
New to the cast, and brilliant in every scene she’s in, is the ever-radiant Emma Thompson as Bridget’s doctor. Is there any actress in the movies today that can deliver a comic line better-timed than Thompson? I doubt it. Just superb. And Thompson also co-wrote the screenplay, together with Bridget author Helen Fielding and – an unlikely contributor – Ali G collaborator Dan Mazer. All contribute to a sizzling script – not based on Fielding’s poorly received story – that zips along and makes the 123 minute run-time fly by. My one reservation would be – despite the film being set in the current day – lapses into internet memes like Hitler Cats and song crazes that are at least five years out of date. But I forgive that for the Colin Firth ‘Gangnam’ line, for me the funniest in the whole film.
Zellweger looks fantastic, pulling off the 4 year age difference from her character with ease. And isn’t it wonderful to see a middle-aged character as the centre of a rom-com for once? Hollywood would be well to remember that romance is not restricted to the 20-somethings. Certainly the packed cinema – filled with probably 90% (well oiled) women – certainly thought so, in what was a raucous and entertaining showing!
The music is superbly supported by an epic soundtrack of well-chosen tracks from Ellie Goulding, Years and Years, Jess Glynne, Lily Allen (with very funny adult content!) and classic oldies, all wrappered with nice themes by the brilliant and underrated Craig “Love Actually” Armstrong.
Sharon Maguire – the director of the original “Diary” – has delivered here a fun, absorbing and enormously entertaining piece of fluff that deserves to do well. And it has in the UK, making $11M in its opening weekend here and playing to packed showings. However – incomprehensibly – it has bombed in the US with only $8M coming in. Hopefully it might prove a bit of a sleeper hit there: come on America… we go to see all of the rubbish rom-coms you send over here, and this is way better than most of those!
This was a film I was determined to be sniffy about with my rating. But as a) I enjoyed it very much and b) a packed audience of women can’t be wrong…
Proving that enormous ditzyness and lack of talent need not be an impediment to a successful career, Bridget is now a top TV floor manager on a cable news station, anchored by friend Miranda (an excellent Sarah Solemani). In an effort to shake Bridget out of her malaise, Miranda takes her to a music festival (featuring some fun cameos!) where she has a one-night-stand with the delectable (speaking at least for all the women in my audience) Jack (Patrick Dempsey). Following another one-night-stand with D’Arcy and finding herself pregnant, a comedy of farce follows with one expectant mother and two prospective fathers competing for Bridget’s affections.
OK. So it’s not bloody Shakespeare. But it is an extremely well-crafted comedy, and as a British rom-com it significantly out-does many of the efforts of the rom-com king – Richard Curtis – in recent years. As a series its just amazing how many of the original cast have been reunited after 2004’s rather lacklustre “Bridget Jones: Edge of Reason”. Particularly effective are Bridget’s parents, played by the delectably Tory Gemma Jones and the ever-perfect Jim Broadbent. And Bridget’s trio of irreverent friends: Shazzer (Sally Phillips), Jude (Shirley Henderson) and Tom (James Callis) are all back. All are either well into parenthood or have impending parenthood, adding to the pressure on Bridget’s aching ovaries.
New to the cast, and brilliant in every scene she’s in, is the ever-radiant Emma Thompson as Bridget’s doctor. Is there any actress in the movies today that can deliver a comic line better-timed than Thompson? I doubt it. Just superb. And Thompson also co-wrote the screenplay, together with Bridget author Helen Fielding and – an unlikely contributor – Ali G collaborator Dan Mazer. All contribute to a sizzling script – not based on Fielding’s poorly received story – that zips along and makes the 123 minute run-time fly by. My one reservation would be – despite the film being set in the current day – lapses into internet memes like Hitler Cats and song crazes that are at least five years out of date. But I forgive that for the Colin Firth ‘Gangnam’ line, for me the funniest in the whole film.
Zellweger looks fantastic, pulling off the 4 year age difference from her character with ease. And isn’t it wonderful to see a middle-aged character as the centre of a rom-com for once? Hollywood would be well to remember that romance is not restricted to the 20-somethings. Certainly the packed cinema – filled with probably 90% (well oiled) women – certainly thought so, in what was a raucous and entertaining showing!
The music is superbly supported by an epic soundtrack of well-chosen tracks from Ellie Goulding, Years and Years, Jess Glynne, Lily Allen (with very funny adult content!) and classic oldies, all wrappered with nice themes by the brilliant and underrated Craig “Love Actually” Armstrong.
Sharon Maguire – the director of the original “Diary” – has delivered here a fun, absorbing and enormously entertaining piece of fluff that deserves to do well. And it has in the UK, making $11M in its opening weekend here and playing to packed showings. However – incomprehensibly – it has bombed in the US with only $8M coming in. Hopefully it might prove a bit of a sleeper hit there: come on America… we go to see all of the rubbish rom-coms you send over here, and this is way better than most of those!
This was a film I was determined to be sniffy about with my rating. But as a) I enjoyed it very much and b) a packed audience of women can’t be wrong…
Kristy H (1252 KP) rated 13 Minutes in Books
Feb 13, 2018
When they pull Natasha out of the river, she's been dead for thirteen minutes. Thirteen dark, cold minutes. It's amazing the teenager even lives; in fact, it's just pure luck that a man and his dog stumble upon her and pull her from the river's icy clutches. Tasha, as she's known, has no memory of how she wound up in the river, but she knows it wasn't intentional on her part. In fact, she's pretty sure two of her closest friends, Hayley and Jenny, had something to do with it. The two seemed weird in the days leading up to the incident. The trio of beautiful, popular girls--known as "the Barbies" at school--were supposedly the best of friends. But after the accident, Tasha feels drawn to her former friend, Becca, whom she dropped in middle school. Becca isn't sure why Tasha is suddenly being so nice to her. Tasha isn't sure either. And no one is exactly sure how or why Tasha ended up in that river.
I've never read a novel by [a:Sarah Pinborough|457300|Sarah Pinborough|https://images.gr-assets.com/authors/1463056151p2/457300.jpg] before, and I was pretty impressed. She's a great writer, and <i>she certainly knows how to capture the voice of the teenagers within the pages of her novel</i>. I don't think I realized this book would be quite so YA, if that makes any sense. I <i>kept waiting for there to be a bit more to the story than teenage politics</i>, but it's truly sort of a <i>Pretty Little Liars</i>-type tale. That's not to say it's not well-done. It may have just been a tad bit young for me; still, <i>it's an excellent novel and would be a truly wonderful read for most teens</i>, too.
Part of the novel's brilliance comes in its format. It's told from the point of view of Becca and Tasha, but we also get excerpts from Tasha's diary; case files from the Inspector on Tasha's case; notes from Tasha's psychologist; texts between the teens; and more. <i>I enjoyed the format, and it was quite effective at building suspense and tension. </i>
Because,<i> wow, yes, the book is certainly tense and compelling.</i> You're constantly wondering how reliable our teenage narrators are and questioning everything that happens. Now, as mentioned, there's a lot of teenage drama. A LOT. <i>These teens are truly a little scary</i>, and this was yet another book that makes me a tiny bit frightened for my five-year-old daughters to grow up. My goodness. At times, I got a bit bogged down in all the teen antics, but it was still quite interesting.
Becca was definitely a bit of a kid, but I still liked her (for the most part). She was well-written, just a little young for me. Pinborough is truly amazing at getting in the head of these teenagers--capturing the pettiness, meanness, and honestly, sometimes the dumbness, of their mindset. But she also caught the brutal neediness behind some of their actions: that raw need of kids that age to fit in with their peers.
I had a decent idea how this one was going to play out pretty early on, but that didn't stop me from reading (as mentioned, I tore through this in about 24 hours). There's something oddly compelling about this book and its characters. Pinborough weaves in <i>The Crucible</i> as a backdrop--it's the school play--which is a really clever move, as there are a lot of parallels between said drama and the melodrama unfolding among Tasha, Hayley, and Jenny.
Overall, this novel really just hinges on the duality of the hatefulness and vulnerability of teenagers. It may come across as a little too YA and predictable for some adults, but I can't deny that it's well-written and crisp. It's hard to like some of the characters, but I think it would make a great book for teens (albeit it's rather freaking scary). I was leaning toward 3.5 stars before writing this review, but I think I'll do 3.75 and bump up to 4 stars here on Goodreads (that's not complicated at all, right? Perhaps fitting for this complicated and twisty novel).
I received a copy of this novel from Netgalley and the publisher (thank you!) in return for an unbiased review; it is available everywhere as of 10/03/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
I've never read a novel by [a:Sarah Pinborough|457300|Sarah Pinborough|https://images.gr-assets.com/authors/1463056151p2/457300.jpg] before, and I was pretty impressed. She's a great writer, and <i>she certainly knows how to capture the voice of the teenagers within the pages of her novel</i>. I don't think I realized this book would be quite so YA, if that makes any sense. I <i>kept waiting for there to be a bit more to the story than teenage politics</i>, but it's truly sort of a <i>Pretty Little Liars</i>-type tale. That's not to say it's not well-done. It may have just been a tad bit young for me; still, <i>it's an excellent novel and would be a truly wonderful read for most teens</i>, too.
Part of the novel's brilliance comes in its format. It's told from the point of view of Becca and Tasha, but we also get excerpts from Tasha's diary; case files from the Inspector on Tasha's case; notes from Tasha's psychologist; texts between the teens; and more. <i>I enjoyed the format, and it was quite effective at building suspense and tension. </i>
Because,<i> wow, yes, the book is certainly tense and compelling.</i> You're constantly wondering how reliable our teenage narrators are and questioning everything that happens. Now, as mentioned, there's a lot of teenage drama. A LOT. <i>These teens are truly a little scary</i>, and this was yet another book that makes me a tiny bit frightened for my five-year-old daughters to grow up. My goodness. At times, I got a bit bogged down in all the teen antics, but it was still quite interesting.
Becca was definitely a bit of a kid, but I still liked her (for the most part). She was well-written, just a little young for me. Pinborough is truly amazing at getting in the head of these teenagers--capturing the pettiness, meanness, and honestly, sometimes the dumbness, of their mindset. But she also caught the brutal neediness behind some of their actions: that raw need of kids that age to fit in with their peers.
I had a decent idea how this one was going to play out pretty early on, but that didn't stop me from reading (as mentioned, I tore through this in about 24 hours). There's something oddly compelling about this book and its characters. Pinborough weaves in <i>The Crucible</i> as a backdrop--it's the school play--which is a really clever move, as there are a lot of parallels between said drama and the melodrama unfolding among Tasha, Hayley, and Jenny.
Overall, this novel really just hinges on the duality of the hatefulness and vulnerability of teenagers. It may come across as a little too YA and predictable for some adults, but I can't deny that it's well-written and crisp. It's hard to like some of the characters, but I think it would make a great book for teens (albeit it's rather freaking scary). I was leaning toward 3.5 stars before writing this review, but I think I'll do 3.75 and bump up to 4 stars here on Goodreads (that's not complicated at all, right? Perhaps fitting for this complicated and twisty novel).
I received a copy of this novel from Netgalley and the publisher (thank you!) in return for an unbiased review; it is available everywhere as of 10/03/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
Heather Cranmer (2721 KP) rated The S-Word in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I was super excited to read this book! I had wanted it since I first heard about it. While it wasn't as good as I had hoped, it was still a good read.
The book blurb above does a good job in describing what this book is going to be about, so I won't put it into my own words or else it'll be a bit repetitive.
I don't really know if I like the title or not. It does sum up the book pretty well because it's the s-word that starts off a whole chain of events.
I do like the cover! I enjoyed the simplicity of it, really, so it was a great choice by the author. What I liked most was how some words were etched into the cover.
The world building was a bit wishy-washy. Personally, I really don't think someone would be as forgiving as Angie if their best friend (or any girl for that matter) slept with their boyfriend, especially one of four years. Secondly, I really don't think a high school student would conduct an investigation into who made their friend commit suicide. However, there is some creditably to this world. The different people in the high school really make it feel like it's taking place there. The feelings in the book also come across as being genuine.
The pacing was good. There were a few parts throughout the book where the pacing does get a bit shaky, but it quickly goes back to being a decent pace. I wouldn't say it's a book devouring pace, but it's still good enough where you do want to read it quickly.
I enjoyed the plot. It definitely picks up on a very real problem happening around schools (and well, a lot of places) - bullying and its consequences. I loved the message it was conveying. I did predict something about Lizzie which I can't say because of a spoiler. I also predicted a plot twist as well which I won't elaborate on due to spoilers. There was one plot twist that I definitely didn't see coming!!
The characters were alright. Sometimes the character of Angie felt a bit one dimensional and unrealistic. As I've said before, I can't imagine anyone conducting an investigation about who was calling someone a slut and all that after the fact. Sometimes, there was something about her that made her seem like she wasn't a teenager even though she was meant to be. She didn't really act like one through a lot of the book. I did enjoy that the author didn't make her out to be a stuck-up cheerleader though because not all cheerleaders are snobby. I liked how she would take chances on people. I felt like I didn't get to know too much about Drake to pass that much judgement on him. He comes across as a bit of a sleaze for cheating on Angie. I wish he was featured a bit more. I loved the character of Jesse. I enjoyed his flamboyant nature and how he didn't care what anyone really thought about him. I would even dare to say that I found him to be the strongest and most believable character. Lizzie comes across as a goody two-shoes and your typical teen sweetheart. I don't really have a a clear feeling about Lizzie because, although we get to read some of her diary entries and she's talked about, there's nothing strong enough to give me a clear picture of her personality.
The dialogue was believable for the most part. What I didn't find believable is some of the times Angie would question people. For example, in one scene in the book, Angie is questioning a character named Shelby. She circles around her interrogating her, and while Shelby is an actress, I just couldn't ever imagine that scene and that dialogue taking place. Also, there is a bit of swearing in this book, and while some of it does seem like everyday teen speak, some of it seems forced like the author was just throwing it in for good measure. Other then that, the dialogue came across as teens speaking which is what this book is.
Overall, The S-Word by Chelsea Pitcher is a good read. However, the main character and some of the world building does let it down, but the plot and pacing do help to make this a good read.
I'd recommend this book to those aged 17+ who have been affected by bullying.
I'd give The S-Word by Chelsea Pitcher a 3.5 out of 5.
I was super excited to read this book! I had wanted it since I first heard about it. While it wasn't as good as I had hoped, it was still a good read.
The book blurb above does a good job in describing what this book is going to be about, so I won't put it into my own words or else it'll be a bit repetitive.
I don't really know if I like the title or not. It does sum up the book pretty well because it's the s-word that starts off a whole chain of events.
I do like the cover! I enjoyed the simplicity of it, really, so it was a great choice by the author. What I liked most was how some words were etched into the cover.
The world building was a bit wishy-washy. Personally, I really don't think someone would be as forgiving as Angie if their best friend (or any girl for that matter) slept with their boyfriend, especially one of four years. Secondly, I really don't think a high school student would conduct an investigation into who made their friend commit suicide. However, there is some creditably to this world. The different people in the high school really make it feel like it's taking place there. The feelings in the book also come across as being genuine.
The pacing was good. There were a few parts throughout the book where the pacing does get a bit shaky, but it quickly goes back to being a decent pace. I wouldn't say it's a book devouring pace, but it's still good enough where you do want to read it quickly.
I enjoyed the plot. It definitely picks up on a very real problem happening around schools (and well, a lot of places) - bullying and its consequences. I loved the message it was conveying. I did predict something about Lizzie which I can't say because of a spoiler. I also predicted a plot twist as well which I won't elaborate on due to spoilers. There was one plot twist that I definitely didn't see coming!!
The characters were alright. Sometimes the character of Angie felt a bit one dimensional and unrealistic. As I've said before, I can't imagine anyone conducting an investigation about who was calling someone a slut and all that after the fact. Sometimes, there was something about her that made her seem like she wasn't a teenager even though she was meant to be. She didn't really act like one through a lot of the book. I did enjoy that the author didn't make her out to be a stuck-up cheerleader though because not all cheerleaders are snobby. I liked how she would take chances on people. I felt like I didn't get to know too much about Drake to pass that much judgement on him. He comes across as a bit of a sleaze for cheating on Angie. I wish he was featured a bit more. I loved the character of Jesse. I enjoyed his flamboyant nature and how he didn't care what anyone really thought about him. I would even dare to say that I found him to be the strongest and most believable character. Lizzie comes across as a goody two-shoes and your typical teen sweetheart. I don't really have a a clear feeling about Lizzie because, although we get to read some of her diary entries and she's talked about, there's nothing strong enough to give me a clear picture of her personality.
The dialogue was believable for the most part. What I didn't find believable is some of the times Angie would question people. For example, in one scene in the book, Angie is questioning a character named Shelby. She circles around her interrogating her, and while Shelby is an actress, I just couldn't ever imagine that scene and that dialogue taking place. Also, there is a bit of swearing in this book, and while some of it does seem like everyday teen speak, some of it seems forced like the author was just throwing it in for good measure. Other then that, the dialogue came across as teens speaking which is what this book is.
Overall, The S-Word by Chelsea Pitcher is a good read. However, the main character and some of the world building does let it down, but the plot and pacing do help to make this a good read.
I'd recommend this book to those aged 17+ who have been affected by bullying.
I'd give The S-Word by Chelsea Pitcher a 3.5 out of 5.