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Phillip McSween (751 KP) rated The Debut (2000) in Movies
Jan 18, 2018
Must See
Bottom Line: You need to watch The Debut. It's not the best movie out there, but I think it's absolutely necessary as we strive to understand race and our place in the world. No, the acting isn't out-of-this-world and the film is a bit cheesy in spots. The beauty of it all is that it still manages to deliver a powerful message in spite of its shortcomings.
The story revolves around Ben Mercado (Dante Basco). Ben is trying to find himself. He's torn between the lines of his Filipino culture and the rest of the majority world. Racism is tackled head-on, self-racism being one of the most central focuses. When you come from a strong, influential culture, it's not unreal to be scrutinized by others within that culture because you don't confine to the norm. There's power in seeing it unfold in front of you.
I thoroughly enjoyed the insight into the Filipino culture and their traditions. As different as cultures and races can be, it's very interesting to see the similarities that bind us. The birthday party that was thrown for Ben's sister had a familiar feel to the cookouts my mom used to host growing up. At the same time, the differences are also glaring. There is a scene where Ben hits up a party with his friends and he's the only minority there. While he was with people he knew, he still felt out of place. Been there. Interestingly enough, he felt most comfortable around the family and culture he spent part of his life running from, even when there was heavy tension afoot. If that's not real life, I don't know what is.
Director Gene Cajayon made it pretty easy for you to become invested in Ben. You've got everyone trying to decide his life for him while he puts his heart and soul into a passion that no one respects. His father wants him to go to medical school and follow in his own footsteps, but Ben has other plans. Everything comes to a head at his sister's birthday party where the story primarily takes place.
I do wish there were subtitles during the scenes were they were speaking Filipino, however I understand the director's choice to keep that barrier up. At the same time, I felt it lessened the impact of what was being said. It was awkward in spots, but awkwardly real.
The film reinforces one thing among many: We still struggle with race issues today and, unfortunately, it's hard for people on the other side of the coin to properly address those issues. Progress is slow, but as long as there is progress of some sort, it's the only way we can really hope to get better as a society.
So glad this film randomly found its way onto my Movies 365 list. I give it a 73.
The story revolves around Ben Mercado (Dante Basco). Ben is trying to find himself. He's torn between the lines of his Filipino culture and the rest of the majority world. Racism is tackled head-on, self-racism being one of the most central focuses. When you come from a strong, influential culture, it's not unreal to be scrutinized by others within that culture because you don't confine to the norm. There's power in seeing it unfold in front of you.
I thoroughly enjoyed the insight into the Filipino culture and their traditions. As different as cultures and races can be, it's very interesting to see the similarities that bind us. The birthday party that was thrown for Ben's sister had a familiar feel to the cookouts my mom used to host growing up. At the same time, the differences are also glaring. There is a scene where Ben hits up a party with his friends and he's the only minority there. While he was with people he knew, he still felt out of place. Been there. Interestingly enough, he felt most comfortable around the family and culture he spent part of his life running from, even when there was heavy tension afoot. If that's not real life, I don't know what is.
Director Gene Cajayon made it pretty easy for you to become invested in Ben. You've got everyone trying to decide his life for him while he puts his heart and soul into a passion that no one respects. His father wants him to go to medical school and follow in his own footsteps, but Ben has other plans. Everything comes to a head at his sister's birthday party where the story primarily takes place.
I do wish there were subtitles during the scenes were they were speaking Filipino, however I understand the director's choice to keep that barrier up. At the same time, I felt it lessened the impact of what was being said. It was awkward in spots, but awkwardly real.
The film reinforces one thing among many: We still struggle with race issues today and, unfortunately, it's hard for people on the other side of the coin to properly address those issues. Progress is slow, but as long as there is progress of some sort, it's the only way we can really hope to get better as a society.
So glad this film randomly found its way onto my Movies 365 list. I give it a 73.
Debbiereadsbook (1449 KP) rated Hush (Nights #8) in Books
Dec 10, 2018
i love this series!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
So! This is book 8 in the Nights Series, but this one really can be read as a stand alone. I'm not sure I recall Lana or Tom from any of the previous books, but that might be me. Also, books one through 6 are male/male pairings and book7 and this one are male/female pairings. Again, I'm not picky, especially when the author pulls off the difference incredibly well, but I know some readers are. Books one through 3, and 6 and 7 are all 5 stars reads from me too.
Lana has been the bane of Tom's existence since he fell in love with her at 16. Having worked for her for 4 years, Tom really has reached the end of his tether, and feels he needs to move on. But when Lana turns up at his door, drunk, demanding sex, what's a guy to do, huh?? He does the right thing, and puts her to bed, while sleeping on the sofa. But, things change between Lana and Tom, and Lana begins to feel things more keenly. These feelings she never realised she had. And the feelings that she wants more than the verbal battling they have every day. But Tom runs, and Lana has to face some facts.
A thoroughly enjoyable addition to this series, even if i found it not quite up to par as the rest.
Oh, don't get me wrong! It's a great book, told from both Lana and Tom's point of view. It's sexy and hot, and I did read it in one sitting.
It just doesn't have the heat level the other books have, and I think I missed that! Ya'll know I made a new shelf for these books, "fan yourself, it's a hot one" and this book doesn't get to join the others there, simply because of that fact.
There is, though, more emotions in this one, I think. Having loved Lana for the better part of his life, Tom's feeling are front and centre, right from the beginning, but Lana's take some digging out. I LOVED the scene when she's talking to Eveline and Lincoln from book 7, about just WHY Lana is annoyed with Tom!
I really have enjoyed this series, and there is just one book to go, and I will be so bloody sad to see the end of these books!
I also find myself curious as to what name this author usually writes under, as AM Salinger is a pen name. I'd LOVE to read something written under that name, just to see the differences. But then again, it might be young adult, or zombies and they really don't float my boat. So, on reflection, no, I don't want to know!
4 solid sexy (but not quite as sexy as the rest) stars
**same worded review will appear elsewhere**
So! This is book 8 in the Nights Series, but this one really can be read as a stand alone. I'm not sure I recall Lana or Tom from any of the previous books, but that might be me. Also, books one through 6 are male/male pairings and book7 and this one are male/female pairings. Again, I'm not picky, especially when the author pulls off the difference incredibly well, but I know some readers are. Books one through 3, and 6 and 7 are all 5 stars reads from me too.
Lana has been the bane of Tom's existence since he fell in love with her at 16. Having worked for her for 4 years, Tom really has reached the end of his tether, and feels he needs to move on. But when Lana turns up at his door, drunk, demanding sex, what's a guy to do, huh?? He does the right thing, and puts her to bed, while sleeping on the sofa. But, things change between Lana and Tom, and Lana begins to feel things more keenly. These feelings she never realised she had. And the feelings that she wants more than the verbal battling they have every day. But Tom runs, and Lana has to face some facts.
A thoroughly enjoyable addition to this series, even if i found it not quite up to par as the rest.
Oh, don't get me wrong! It's a great book, told from both Lana and Tom's point of view. It's sexy and hot, and I did read it in one sitting.
It just doesn't have the heat level the other books have, and I think I missed that! Ya'll know I made a new shelf for these books, "fan yourself, it's a hot one" and this book doesn't get to join the others there, simply because of that fact.
There is, though, more emotions in this one, I think. Having loved Lana for the better part of his life, Tom's feeling are front and centre, right from the beginning, but Lana's take some digging out. I LOVED the scene when she's talking to Eveline and Lincoln from book 7, about just WHY Lana is annoyed with Tom!
I really have enjoyed this series, and there is just one book to go, and I will be so bloody sad to see the end of these books!
I also find myself curious as to what name this author usually writes under, as AM Salinger is a pen name. I'd LOVE to read something written under that name, just to see the differences. But then again, it might be young adult, or zombies and they really don't float my boat. So, on reflection, no, I don't want to know!
4 solid sexy (but not quite as sexy as the rest) stars
**same worded review will appear elsewhere**
Sarah (7800 KP) rated Doctor Sleep (2019) in Movies
Nov 13, 2019
Brilliantly done
I always go into a Stephen King film with a huge sense of trepidation. He’s my favourite author and sadly far too many film adaptations of his books have been badly mistreated. I have read Doctor Sleep, however this was a long time ago and I’m not quite sure how my vague recollections have impacted on my opinion of this film, but I’m very pleased to say that I absolutely loved it.
This film is very long, but necessarily so. Nothing in this feels like it isn’t needed and apart from feeling ridiculously tired, I was never bored or never found this was dragging at all. It’s helped by a haunting and wonderful score, and the entire film just looks and feels great. The horror aspects whilst scarce, when they do appear they’re very well done and I was pleasantly surprised by one of the especially gorier scenes. Story-wise as far as the book goes, it stays fairly close for the most part. Other than the references to the original film (as the book and the original are polar opposites), there is only one major difference that I identified which was the ending and I actually thought it was a good choice to do this. Ewan McGregor is great as Danny, he isn’t how I would’ve pictured Danny whilst reading the book but he does a great job and Kyleigh Curran is fantastic as Abra, such a talented young actress. The star of this though has to be Rebecca Ferguson. I’ve been a fan of hers for a while and she’s truly menacing as Rose the Hat. I can’t imagine anyone having played her better.
Throughout the film there are of course references to the original and these are so impressively well done. I was surprised at first that they didn’t just use clips from the original, but by the end of the film the reasons for this were made very clear and this worked well. I am torn between being disappointed and happy that they didn’t use CGI to bring back the original actors, but considering the original was made in 1980 I’m overall quite glad they didn’t go down this route when most other films are.
For me, the best part of this film was the final act and this is where I’m so happy they differed from the book. Going back into the Overlook is a truly terrifying and tense experience. I was on the edge of my seat the entire time, both because I was scared and elated to be back where it all began.
Other than the rather lengthy runtime and the slight differences (for the better?) to the book, I can’t think of anything negative to say about this film. Which for me is a rather novel experience. I cannot wait to get this on blu-ray and watch in the comfort of my own home.
This film is very long, but necessarily so. Nothing in this feels like it isn’t needed and apart from feeling ridiculously tired, I was never bored or never found this was dragging at all. It’s helped by a haunting and wonderful score, and the entire film just looks and feels great. The horror aspects whilst scarce, when they do appear they’re very well done and I was pleasantly surprised by one of the especially gorier scenes. Story-wise as far as the book goes, it stays fairly close for the most part. Other than the references to the original film (as the book and the original are polar opposites), there is only one major difference that I identified which was the ending and I actually thought it was a good choice to do this. Ewan McGregor is great as Danny, he isn’t how I would’ve pictured Danny whilst reading the book but he does a great job and Kyleigh Curran is fantastic as Abra, such a talented young actress. The star of this though has to be Rebecca Ferguson. I’ve been a fan of hers for a while and she’s truly menacing as Rose the Hat. I can’t imagine anyone having played her better.
Throughout the film there are of course references to the original and these are so impressively well done. I was surprised at first that they didn’t just use clips from the original, but by the end of the film the reasons for this were made very clear and this worked well. I am torn between being disappointed and happy that they didn’t use CGI to bring back the original actors, but considering the original was made in 1980 I’m overall quite glad they didn’t go down this route when most other films are.
For me, the best part of this film was the final act and this is where I’m so happy they differed from the book. Going back into the Overlook is a truly terrifying and tense experience. I was on the edge of my seat the entire time, both because I was scared and elated to be back where it all began.
Other than the rather lengthy runtime and the slight differences (for the better?) to the book, I can’t think of anything negative to say about this film. Which for me is a rather novel experience. I cannot wait to get this on blu-ray and watch in the comfort of my own home.
Sophia (Bookwyrming Thoughts) (530 KP) rated Parting Worlds (Once Upon a Curse #4) in Books
Mar 24, 2020
Parting Worlds brings everything together.
Parting Worlds is the fourth and final book in the Once Upon a Curse series, a retelling based on The Little Mermaid. This starts right where Chasing Midnight ends before going back to the very beginning and bringing everything to full circle.
We get a little intro to who Aerewyn is back in the third book, but Parting Worlds is where we truly get to know who she is and her side of the story. We get the chance to see her bond with Nymia and how it forms from complete strangers as young faeries to best friends as they train to become priestesses, where they can use their magic to protect fellow magical creatures.
I personally loved seeing their friendship bloom and how it ultimately withstands in the centuries of time they're apart from each other. I also loved seeing how they have ups and downs in their relationship and how they try to overcome those without straining it. It shows how they have a close bond with each other despite their differences.
I think Parting Worlds also gives us a chance to truly see Nymia's growth as a character as this is set before the third book but still connected. Chasing Midnight also shows her growth, but it was brief and fleeting as much of the focus was not in the past and rather on how she changes throughout the book through the events.
Going back to where all the disaster begins.
And finally, through Aerewyn's story, Kaitlyn Davis shows us how all of this began in the first place. I had so many questions after reading the third book and a lot of them were answered in Parting Worlds. Aerewyn's a faerie full of mischief and seeks to bend the rules whenever she can this sounds like me. She questions how the world can be different, where humans and magical creatures can live together in harmony, especially when she meets Erick and starts forming a relationship with him. Honestly, it's the Butterfly Effect in a fairy tale dystopia and I am living for it.
The majority of the book focuses on how Aerewyn and Erick meet and how their meeting becomes fateful for the rest of the world. But Aerewyn still grows as a character: she's still mischievous and up to no good, but she learns how her actions became major consequences for everyone, including herself. And I love how Davis does this really well.
A bittersweet end, but maybe there are more stories.
I don't know about anyone else, but Parting Worlds feels bittersweet with a (sort of?) happy ending. This puts the final piece of the story together with no loose ends in the story; it's answering all of the questions that have been there since Gathering Frost and connecting all the books together. At the same time, there sounds like there could potentially be another storyline in the future. If that happens, you know what I'm doing.
Parting Worlds is the fourth and final book in the Once Upon a Curse series, a retelling based on The Little Mermaid. This starts right where Chasing Midnight ends before going back to the very beginning and bringing everything to full circle.
We get a little intro to who Aerewyn is back in the third book, but Parting Worlds is where we truly get to know who she is and her side of the story. We get the chance to see her bond with Nymia and how it forms from complete strangers as young faeries to best friends as they train to become priestesses, where they can use their magic to protect fellow magical creatures.
I personally loved seeing their friendship bloom and how it ultimately withstands in the centuries of time they're apart from each other. I also loved seeing how they have ups and downs in their relationship and how they try to overcome those without straining it. It shows how they have a close bond with each other despite their differences.
I think Parting Worlds also gives us a chance to truly see Nymia's growth as a character as this is set before the third book but still connected. Chasing Midnight also shows her growth, but it was brief and fleeting as much of the focus was not in the past and rather on how she changes throughout the book through the events.
Going back to where all the disaster begins.
And finally, through Aerewyn's story, Kaitlyn Davis shows us how all of this began in the first place. I had so many questions after reading the third book and a lot of them were answered in Parting Worlds. Aerewyn's a faerie full of mischief and seeks to bend the rules whenever she can this sounds like me. She questions how the world can be different, where humans and magical creatures can live together in harmony, especially when she meets Erick and starts forming a relationship with him. Honestly, it's the Butterfly Effect in a fairy tale dystopia and I am living for it.
The majority of the book focuses on how Aerewyn and Erick meet and how their meeting becomes fateful for the rest of the world. But Aerewyn still grows as a character: she's still mischievous and up to no good, but she learns how her actions became major consequences for everyone, including herself. And I love how Davis does this really well.
A bittersweet end, but maybe there are more stories.
I don't know about anyone else, but Parting Worlds feels bittersweet with a (sort of?) happy ending. This puts the final piece of the story together with no loose ends in the story; it's answering all of the questions that have been there since Gathering Frost and connecting all the books together. At the same time, there sounds like there could potentially be another storyline in the future. If that happens, you know what I'm doing.
BankofMarquis (1832 KP) rated Fast & Furious Presents: Hobbs & Shaw (2019) in Movies
Aug 6, 2019
Delivers EXACTLY what is expected - and that's a good thing
If you are heading into the multi-plex to check out FAST AND FURIOUS PRESENTS: HOBBS & SHAW, the 9th(!) entry in the Fast and Furious Universe, you pretty much know (and expect) what you are about to watch.
And HOBBS & SHAW does not disappoint - delivering over-the-top action with unsinkable heroes and unblinking villains battling each other with explosions galore and disposable henchmen being...well...disposed of left and right.
Reprising their roles as "Lawman" Luke Hobbs and "Outcast" Deckard Shaw (F&F terms for them) are the charismatic Dwayne "The Rock" Johnson and the smoldering Jason Statham. Their two characters can't stand each other, so - naturally - they are forced to work in concert with each other to stop Super-Villain Brixton (Edris Elba). Can these 2 "frenemies" learn to put aside their differences and work together to stop a Villain that they cannot stop by themselves?
What do you think?
But...it's the journey...not the destination that's the fun of this film and this film is fun, fun, fun, indeed. Both Johnson and Statham know EXACTLY what type of film they are in - and know what their core audience is coming to this film to see - and they deliver in spades. They are perfect for these characters and are perfectly paired together. While the script, at times, seemed forced, these 2 action SuperStars make even the clunkiest of dialogue work and they are "game" for whatever is thrown at them.
Elba joins in strongly as the villain and newcomer (at least to this franchise) Vanessa Kirby (the White Widow in MISSION IMPOSSIBLE: FALLOUT) just as strongly counterbalances all 3 of them as the "McGuffin" of this film - the thing that the good guys and the bad guys are fighting each other for. Dame Helen Mirren is back as the criminal mother of Statham's character and she understands what type of film she's in as well. So does Eddie Marsan, who looks like he is having an absolute ball as a scientist brought into the fray.
There are also 2 "secret cameos" in this film that are fun - and I perked up in my seat when both of these cameos injected energy into this testosterone-infused flick.
Former Stuntman and Director David Leitch (DEADPOOL 2, ATOMIC BLONDE) throws a ton of action, car chases, guns, fights and explosions at the audience - all to good effect. His answer to bad acting and huge, implausible plot holes? Blow things up! And that works very, very well for this film. Leitch delivers exactly what is expected here - and that's just fine for me.
I was extremely entertained by this movie. I was in the mood for it - and it delivered exactly what I was looking for. Kind of like eating a good burger.
Letter Grade: A- (though, don't expect to break into "discussion groups" afterward)
8 stars (out of 10) and you can take that to the Bank (ofMarquis)
And HOBBS & SHAW does not disappoint - delivering over-the-top action with unsinkable heroes and unblinking villains battling each other with explosions galore and disposable henchmen being...well...disposed of left and right.
Reprising their roles as "Lawman" Luke Hobbs and "Outcast" Deckard Shaw (F&F terms for them) are the charismatic Dwayne "The Rock" Johnson and the smoldering Jason Statham. Their two characters can't stand each other, so - naturally - they are forced to work in concert with each other to stop Super-Villain Brixton (Edris Elba). Can these 2 "frenemies" learn to put aside their differences and work together to stop a Villain that they cannot stop by themselves?
What do you think?
But...it's the journey...not the destination that's the fun of this film and this film is fun, fun, fun, indeed. Both Johnson and Statham know EXACTLY what type of film they are in - and know what their core audience is coming to this film to see - and they deliver in spades. They are perfect for these characters and are perfectly paired together. While the script, at times, seemed forced, these 2 action SuperStars make even the clunkiest of dialogue work and they are "game" for whatever is thrown at them.
Elba joins in strongly as the villain and newcomer (at least to this franchise) Vanessa Kirby (the White Widow in MISSION IMPOSSIBLE: FALLOUT) just as strongly counterbalances all 3 of them as the "McGuffin" of this film - the thing that the good guys and the bad guys are fighting each other for. Dame Helen Mirren is back as the criminal mother of Statham's character and she understands what type of film she's in as well. So does Eddie Marsan, who looks like he is having an absolute ball as a scientist brought into the fray.
There are also 2 "secret cameos" in this film that are fun - and I perked up in my seat when both of these cameos injected energy into this testosterone-infused flick.
Former Stuntman and Director David Leitch (DEADPOOL 2, ATOMIC BLONDE) throws a ton of action, car chases, guns, fights and explosions at the audience - all to good effect. His answer to bad acting and huge, implausible plot holes? Blow things up! And that works very, very well for this film. Leitch delivers exactly what is expected here - and that's just fine for me.
I was extremely entertained by this movie. I was in the mood for it - and it delivered exactly what I was looking for. Kind of like eating a good burger.
Letter Grade: A- (though, don't expect to break into "discussion groups" afterward)
8 stars (out of 10) and you can take that to the Bank (ofMarquis)
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BankofMarquis (1832 KP) rated Luca (2021) in Movies
Jun 22, 2021
Charming but Unspectacular
Usually, a motion picture premiere by PIXAR is a major event and (most of the time) the product premiered is one of the better films debuting in that year (regardless of whether they are animated or not). But…the past 2 PIXAR films have debuted directly on the Disney+ streaming service.
One can understand SOUL debuting on-line since the world was in the midst of a global pandemic. But with LUCA, one had to scratch their heads wondering why the brass at Pixar wouldn’t give it at least a cursory theatrical release.
But, now that I’ve seen LUCA, I know why.
Luca tells the tale of a sea monster named…you got it…Luca, who ventures above the surface of the water with a friend to the human world. As a premise for this film, the Sea Monsters turn into humans when their skin is dry (and turn back into Sea Monsters when they are wet).
As Directed by Enrico Casarosa (the director of the the wonderful 2011 short animated film LA LUNA), Luca is a charming, if unspectacular, film that wears its heart - and it’s message of inclusion for ALL, no matter their differences - on it’s sleeve in a pretty overt way that doesn’t aide, nor does it detract, from the film.
Playing the lead roles of Luca and Alberto are child actors Jacob Tremblay (ROOM) and Jack Dylan Grazer (IT) and they are just like this film - charming and unspectacular. They instill these characters with youthful zest and energy…but not much else. Rising above them (and this film, if I’m being honest) is the voice work of the wonderful Maya Rudolph and the always affable Jim Gaffigan as Luca’s parents, who end up looking for Luca in the human world. To be honest, I would have rather had a film focusing on these two looking for Luca, than the movie we got.
Director Casaroso has stated that he has been inspired by the works of the great Japanese animation Director Hayao Miyazaki and it shows in some of the scenes that are absolutely breathtaking to look at while the feeling of this film is light and airy and not too terribly deep.
This is the 3rd straight film from Pixar that I have found to be “just fine, nothing special”, which is just a bit disappointing in that Pixar films were once the gold standard of animated films.
While not a standout film, Luca is an entertaining diversion and certainly one where the younger ones in the family will find fun while their parents will be entertained…enough. I have to admit, that I was not engaged with the main characters throughout the film, but was caught up at the end and found myself rooting for our heroes, so I guess Casarosa did something right.
Letter Grade:B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
One can understand SOUL debuting on-line since the world was in the midst of a global pandemic. But with LUCA, one had to scratch their heads wondering why the brass at Pixar wouldn’t give it at least a cursory theatrical release.
But, now that I’ve seen LUCA, I know why.
Luca tells the tale of a sea monster named…you got it…Luca, who ventures above the surface of the water with a friend to the human world. As a premise for this film, the Sea Monsters turn into humans when their skin is dry (and turn back into Sea Monsters when they are wet).
As Directed by Enrico Casarosa (the director of the the wonderful 2011 short animated film LA LUNA), Luca is a charming, if unspectacular, film that wears its heart - and it’s message of inclusion for ALL, no matter their differences - on it’s sleeve in a pretty overt way that doesn’t aide, nor does it detract, from the film.
Playing the lead roles of Luca and Alberto are child actors Jacob Tremblay (ROOM) and Jack Dylan Grazer (IT) and they are just like this film - charming and unspectacular. They instill these characters with youthful zest and energy…but not much else. Rising above them (and this film, if I’m being honest) is the voice work of the wonderful Maya Rudolph and the always affable Jim Gaffigan as Luca’s parents, who end up looking for Luca in the human world. To be honest, I would have rather had a film focusing on these two looking for Luca, than the movie we got.
Director Casaroso has stated that he has been inspired by the works of the great Japanese animation Director Hayao Miyazaki and it shows in some of the scenes that are absolutely breathtaking to look at while the feeling of this film is light and airy and not too terribly deep.
This is the 3rd straight film from Pixar that I have found to be “just fine, nothing special”, which is just a bit disappointing in that Pixar films were once the gold standard of animated films.
While not a standout film, Luca is an entertaining diversion and certainly one where the younger ones in the family will find fun while their parents will be entertained…enough. I have to admit, that I was not engaged with the main characters throughout the film, but was caught up at the end and found myself rooting for our heroes, so I guess Casarosa did something right.
Letter Grade:B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Thunderspace ~ Rain & Thunder
Health & Fitness and Lifestyle
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During the day, Thunderspace won't let you focus on all the noise around you. And at night it will...