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Alan Widler recommended Taking Tiger Mountain (By Strategy) by Brian Eno in Music (curated)

"There’s something very quirky about the two records Brian Eno made just after he left Roxy Music. They feel naturally 'him’, in a way, like he didn’t really think about it too much. He did it very quickly, in a sort of 'of-the-time’ kind of way, and those records really brought out his character more than any other music he’s done over the years, even including his ambient stuff – I think he thinks about all that ambient stuff too much, in a way. The earlier records feel like they were done with humour and fun. Obviously there’s a big cash incentive if you’re asked to produce Coldplay or U2, they’re difficult things to turn down if you’re any producer. But I think it’s been debilitating for him, he should just be more experimental. [But] I do hear a lot of good stories about his approach and the way he coaxes the best out of people as a producer. There was a bit of a connection between him and Depeche Mode – he did some remixes for 'I Feel You', which were called the Swamp mixes, and they’re typical Eno. They sound exactly like the kind of thing you’d expect him to do, and I loved them. And I thought they were great. There was a connection because Flood had worked with on the U2 records, and they’d hired a house and built a studio there, and all lived together to make a record. I said 'That’s a great idea, let’s do the same thing’. And it was a total disaster. We lived together and recorded together, and of course, it was one of the most uncreative recording sessions… actually, it wasn’t really – it was one of the most difficult recording sessions we’ve ever had. We were all living in this house and nothing was getting done, and yet, when I look back and see what we produced over a very long period of ten weeks, we recorded three of the best Mode tracks ever."

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LoganCrews (2861 KP) rated When Will I Be Loved (2004) in Movies

Jul 4, 2021 (Updated Jul 4, 2021)

"𝘠𝘰𝘶 𝘳𝘪𝘤𝘩 𝘭𝘪𝘵𝘵𝘭𝘦 𝘥𝘢𝘥𝘥𝘺'𝘴 𝘨𝘪𝘳𝘭, 𝘸𝘩𝘢𝘵 𝘵𝘩𝘦 𝘧𝘶𝘤𝘬 𝘢𝘳𝘦 𝘺𝘰𝘶 𝘥𝘰𝘪𝘯𝘨? 𝘏𝘰𝘸 𝘥𝘢𝘳𝘦 𝘺𝘰𝘶 𝘱𝘳𝘰𝘷𝘰𝘬𝘦 𝘮𝘦 𝘭𝘪𝘬𝘦 𝘵𝘩𝘪𝘴!"

A deeply, *deeply* misogynistic, artsy-fartsy disaster of stratospheric proportions where every slimebag man has some idiotic 'philosophical' defense as to why they need to manipulate this woman into letting them fuck her - made by a known serial sexual predator. I felt complicit for even entertaining the idea to watch such dogshit, like I needed a military-grade chemical shower after seeing it. Or to at least bleach my eyes. Might be the worst movie I've ever seen, if not then certainly somewhere down in the bottom 5 or 10. Written, edited, and shot like a bad high school student project with this unbearable non-story which rips off - of all movies - 𝘐𝘯𝘥𝘦𝘤𝘦𝘯𝘵 𝘗𝘳𝘰𝘱𝘰𝘴𝘢𝘭 (by name, in fact)? Neve Campbell has sex with another women (without showing any skin of course) behind a transparent mesh curtain scored to a shitty Bach cover - imagine if that episode from "South Park" where the people smelled their own farts was real and you'd get this depth-free piece of shit. As cynical, uninvolved, and up-its-own-ass as 𝘛𝘩𝘦 𝘋𝘳𝘦𝘢𝘮𝘦𝘳𝘴 is, at least that one actually went through with its promise of provocation. 𝘍𝘪𝘧𝘵𝘺 𝘚𝘩𝘢𝘥𝘦𝘴 𝘰𝘧 𝘎𝘳𝘦𝘺 is unironically more provocative than this. Effectively just a series of bullshit conversations that go nowhere and shit-tier sex scenes more poorly thrown together than that one from Twilight: Breaking Dawn Part I. And then it also features horrible ass songs on the soundtrack because of course it does. One of the rare movies to bag Roger Ebert's highest rating... which was also 'earned' by fellow turds 𝘛𝘩𝘦 𝘎𝘰𝘭𝘥𝘦𝘯 𝘊𝘰𝘮𝘱𝘢𝘴𝘴 and 𝘛𝘩𝘪𝘳𝘵𝘦𝘦𝘯 𝘊𝘰𝘯𝘷𝘦𝘳𝘴𝘢𝘵𝘪𝘰𝘯𝘴 𝘈𝘣𝘰𝘶𝘵 𝘖𝘯𝘦 𝘛𝘩𝘪𝘯𝘨 (which - awful as they are - are masterpieces compared to this) so it shows how much that distinction is worth lmao. Shoot me now.