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Andrew Carnegie
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Celebrated historian David Nasaw, whom The New York Times Book Review has called "a meticulous...
The Midnight Peacock: The Sinclair's Mysteries
9.0
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A fast-paced historical mystery adventure for readers aged 9+ years, with gorgeous Edwardian period...
young adult crime
Feral Sins (The Phoenix Pack #1)
4.0
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If your inner wolf and your body react rather enthusiastically to a psychotic Alpha male who’s own...
The Meadows
10.0
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"A story of pain, injustice, love, resistance, and hope, this glorious book will lodge inside you...
YA Dystopian LGBTQ+ Science Fiction
ClareR (5864 KP) rated The Startup Wife in Books
Mar 20, 2022
I really enjoyed this satirical story of love and marriage in the setting of an app startup. It’s a book of two halves, really: a love story, and how you set an app is set up and start a business.
Computer scientist Asha, meets up with her high school crush, Cyrus, they fall in love and get married. Along with Cyrus’ friend Jules, Asha develops an app based on Cyrus’ beliefs. And the app really takes off - which is where the second part of the book kicks in.
Cyrus goes from reluctant participant in the venture, to being a guru who enthrals thousands of subscribers each day with his motivational webcasts. He IS the face of WAI, and Asha’s role is almost forgotten. Even when it becomes something of a phenomenon, Asha’s development and programming expertise is pushed aside to make way for her clearly more charismatic husband. The problem is, and this is what really started to put me off his character, Cyrus buys into his own charisma. He thinks he and the app are capable of doing far more than they realistically can do, and disaster awaits. If only they’d listened to Asha.
Asha is the loyal wife, but faced with being constantly undermined at work, and not being supported by Cyrus, things are bound to come to a head. And they certainly do! Everything that can go wrong, does!
I really liked the way that the author looked at how social media and apps should have a responsibility towards their users. People get carried away online, thinking that anything is possible, and social media can reinforce this.
I also think that the way that Asha was pushed out and her role trivialised was representative of many women in the workplace. In particular, the way that their investor ignored Asha in meetings, directing technical questions (her job) to the male partners.
Parts of this book really made me laugh, other parts showed the online world as trivial and shallow. It portrayed the dangers of trusting a programme with no human perception of situations. It’s a great book which not only entertained me, but really got me thinking.
Computer scientist Asha, meets up with her high school crush, Cyrus, they fall in love and get married. Along with Cyrus’ friend Jules, Asha develops an app based on Cyrus’ beliefs. And the app really takes off - which is where the second part of the book kicks in.
Cyrus goes from reluctant participant in the venture, to being a guru who enthrals thousands of subscribers each day with his motivational webcasts. He IS the face of WAI, and Asha’s role is almost forgotten. Even when it becomes something of a phenomenon, Asha’s development and programming expertise is pushed aside to make way for her clearly more charismatic husband. The problem is, and this is what really started to put me off his character, Cyrus buys into his own charisma. He thinks he and the app are capable of doing far more than they realistically can do, and disaster awaits. If only they’d listened to Asha.
Asha is the loyal wife, but faced with being constantly undermined at work, and not being supported by Cyrus, things are bound to come to a head. And they certainly do! Everything that can go wrong, does!
I really liked the way that the author looked at how social media and apps should have a responsibility towards their users. People get carried away online, thinking that anything is possible, and social media can reinforce this.
I also think that the way that Asha was pushed out and her role trivialised was representative of many women in the workplace. In particular, the way that their investor ignored Asha in meetings, directing technical questions (her job) to the male partners.
Parts of this book really made me laugh, other parts showed the online world as trivial and shallow. It portrayed the dangers of trusting a programme with no human perception of situations. It’s a great book which not only entertained me, but really got me thinking.
DaveySmithy (107 KP) rated Twisters (2024) in Movies
Dec 4, 2024
A Solid Sequel That Doesn’t Fully Capture the Storm
As a long-time fan of the original Twister (1996), I went into Twisters (2024) with a mix of excitement and trepidation. How could this sequel live up to the raw, chaotic energy of its predecessor, a film that turned storm chasing into an adrenaline-fueled spectacle? The answer, for better or worse, is that it doesn’t quite match it, but it does enough to stand on its own.
Let’s start with what works. The visual effects are undeniably stunning. The tornadoes in this film are some of the most terrifyingly realistic I’ve ever seen on screen. They’re bigger, meaner, and more chaotic than ever, and the sequences where characters are caught in their destructive path are genuinely breathtaking. If you go into Twisters just wanting jaw-dropping destruction, you won’t be disappointed.
The cast also delivers solid performances. Daisy Edgar-Jones brings a grounded vulnerability to her role as a young meteorologist trying to prove herself, while Glen Powell’s charismatic storm chaser injects some much-needed levity into the film. Their chemistry isn’t groundbreaking, but it’s believable enough to keep the human drama engaging.
However, where Twisters falters is in its attempt to replicate the heart of the original. The 1996 film had a quirky charm and a ragtag group of storm chasers you couldn’t help but root for. In contrast, the characters here feel a bit more polished and conventional, and the film takes itself too seriously at times. It’s missing some of the playful chaos and oddball humor that made the original so endearing.
The plot, while serviceable, is also a bit formulaic. The stakes are high, but the story doesn’t take many risks, and it occasionally leans too heavily on nostalgia. I couldn’t help but feel that some moments—especially the callbacks to the original—were more about fan service than moving the story forward.
That said, Twisters does succeed as a modern disaster movie. It’s thrilling, visually spectacular, and worth seeing on a big screen. While it doesn’t quite recapture the magic of its predecessor, it’s an enjoyable
Let’s start with what works. The visual effects are undeniably stunning. The tornadoes in this film are some of the most terrifyingly realistic I’ve ever seen on screen. They’re bigger, meaner, and more chaotic than ever, and the sequences where characters are caught in their destructive path are genuinely breathtaking. If you go into Twisters just wanting jaw-dropping destruction, you won’t be disappointed.
The cast also delivers solid performances. Daisy Edgar-Jones brings a grounded vulnerability to her role as a young meteorologist trying to prove herself, while Glen Powell’s charismatic storm chaser injects some much-needed levity into the film. Their chemistry isn’t groundbreaking, but it’s believable enough to keep the human drama engaging.
However, where Twisters falters is in its attempt to replicate the heart of the original. The 1996 film had a quirky charm and a ragtag group of storm chasers you couldn’t help but root for. In contrast, the characters here feel a bit more polished and conventional, and the film takes itself too seriously at times. It’s missing some of the playful chaos and oddball humor that made the original so endearing.
The plot, while serviceable, is also a bit formulaic. The stakes are high, but the story doesn’t take many risks, and it occasionally leans too heavily on nostalgia. I couldn’t help but feel that some moments—especially the callbacks to the original—were more about fan service than moving the story forward.
That said, Twisters does succeed as a modern disaster movie. It’s thrilling, visually spectacular, and worth seeing on a big screen. While it doesn’t quite recapture the magic of its predecessor, it’s an enjoyable
Ross (3284 KP) rated The Siege of Abythos in Books
Nov 7, 2017
Poetry battle (2 more)
Poetry battle
Poetry battle
The third instalment in the Chronicles of the Black Gate series is the biggest yet, in terms of page count. The story follows the same PoV characters as previous books but their adventures are now covering so much more of the world and the storyline is becoming quite entangled.
Tharok's attempts to unite the orc-like kragh tribes and invade the human world continue, meanwhile Lady Iskra seeks to rescue her son and take revenge on the Ascendant's empire.
This book covers a lot more political debate and intrigue than the previous two, with prolonged discussion of who should be invaded, and what should be done thereafter. While this is very much a necessity in such an epic tale I felt it was somewhat laboured at times.
I very nearly gave up on this book at one point - where the portly magister Audsley (who has three demons lurking in his soul) was seeking to inveigle his way into the upper echelons of the empire, most of this storytelling centred around the colour of robes to wear, the type and colour of paper to use in sending letters and reciting poetry. Again this was very much laboured but bearable, until it looked like we were heading for what can only be described as a poetry battle, where Audsley (coached by one of his demons) was set to take on a senior government official's poetry representative in a battle of wits to see how would curry favour in the empire.
That's right: a poetry battle.
Think Philip Larkin in 8 Mile.
Will the real Slim Shakespeare please stand up.
Kanye Wordsworth.
NWA (Novelists with Assonance)
At this point I very nearly gave up. Thankfully, so did Audsley and the contest ended abruptly as he refused to let his demon take control of him. Phew. Disaster avoided. If this had been allowed to continue it would have made Tom Bombadil look like a critical plot point.
Other than Audsley's chapters (which in the previous book had been a highlight) the book does roll along at a reasonable pace and there is just about enough action to keep the interest, particularly in the last 100 or so pages.
All in all, a good read and a turning point for the series as a whole, but a lot of nonsense could have been removed, (Edgar Allan) Poe Shizzle.
Tharok's attempts to unite the orc-like kragh tribes and invade the human world continue, meanwhile Lady Iskra seeks to rescue her son and take revenge on the Ascendant's empire.
This book covers a lot more political debate and intrigue than the previous two, with prolonged discussion of who should be invaded, and what should be done thereafter. While this is very much a necessity in such an epic tale I felt it was somewhat laboured at times.
I very nearly gave up on this book at one point - where the portly magister Audsley (who has three demons lurking in his soul) was seeking to inveigle his way into the upper echelons of the empire, most of this storytelling centred around the colour of robes to wear, the type and colour of paper to use in sending letters and reciting poetry. Again this was very much laboured but bearable, until it looked like we were heading for what can only be described as a poetry battle, where Audsley (coached by one of his demons) was set to take on a senior government official's poetry representative in a battle of wits to see how would curry favour in the empire.
That's right: a poetry battle.
Think Philip Larkin in 8 Mile.
Will the real Slim Shakespeare please stand up.
Kanye Wordsworth.
NWA (Novelists with Assonance)
At this point I very nearly gave up. Thankfully, so did Audsley and the contest ended abruptly as he refused to let his demon take control of him. Phew. Disaster avoided. If this had been allowed to continue it would have made Tom Bombadil look like a critical plot point.
Other than Audsley's chapters (which in the previous book had been a highlight) the book does roll along at a reasonable pace and there is just about enough action to keep the interest, particularly in the last 100 or so pages.
All in all, a good read and a turning point for the series as a whole, but a lot of nonsense could have been removed, (Edgar Allan) Poe Shizzle.
Erika Kehlet (21 KP) rated Station Eleven in Books
Feb 21, 2018
This is an instance of a book cover catching my attention, and refusing to let it go. I started seeing this one first in magazines, and then bookstores and websites all over the place, until I decided I had to read it. I had the impression that it took place in a post-pandemic world, but that was about it. I'm glad I didn't read the book blurb more carefully, because I don't think that I would have been interested in the story of a Hollywood star and a band of travelling actors. I would probably not have picked it up, and I would have missed something beautiful.
This book is, at its heart, a story of survival and resilience. It starts at a point in time just as the flu pandemic is beginning. We meet a variety of individuals at a performance of Kind Lear, and then follow several of them both forward and back ward in time, learning about their past, and watching as their futures unfold in the new world. The author's main focus is on the characters, what drives them, what mattered to them before the collapse of civilization and afterwards, and their personal relationships more than the disaster itself.
Kirsten Potter does an excellent job with the narration - her voice and timing were a pleasure to listen to.
I thoroughly enjoyed this audiobook, and would recommend it to fans of almost any type of fiction or word lovers in general. It was so full of memorable quotes, that I caught myself jotting them down to read later, and that isn't something I normally do. Since I have them though, I'd like to leave you with a few of my favorites....
Hell is the absence of the people you long for.
It was gorgeous and claustrophobic. I loved it and I always wanted to escape.
What I mean to say is, the more you remember, the more youve lost.
First we only want to be seen, but once were seen, thats not enough anymore. After that, we want to be remembered.
She had never entirely let go of the notion that if she reached far enough with her thoughts she might find someone waiting, that if two people were to cast their thoughts outward at the same moment they might somehow meet in the middle.
There are certain qualities of light that blur the years.
This book is, at its heart, a story of survival and resilience. It starts at a point in time just as the flu pandemic is beginning. We meet a variety of individuals at a performance of Kind Lear, and then follow several of them both forward and back ward in time, learning about their past, and watching as their futures unfold in the new world. The author's main focus is on the characters, what drives them, what mattered to them before the collapse of civilization and afterwards, and their personal relationships more than the disaster itself.
Kirsten Potter does an excellent job with the narration - her voice and timing were a pleasure to listen to.
I thoroughly enjoyed this audiobook, and would recommend it to fans of almost any type of fiction or word lovers in general. It was so full of memorable quotes, that I caught myself jotting them down to read later, and that isn't something I normally do. Since I have them though, I'd like to leave you with a few of my favorites....
Hell is the absence of the people you long for.
It was gorgeous and claustrophobic. I loved it and I always wanted to escape.
What I mean to say is, the more you remember, the more youve lost.
First we only want to be seen, but once were seen, thats not enough anymore. After that, we want to be remembered.
She had never entirely let go of the notion that if she reached far enough with her thoughts she might find someone waiting, that if two people were to cast their thoughts outward at the same moment they might somehow meet in the middle.
There are certain qualities of light that blur the years.
ClareR (5864 KP) rated The Survival Game in Books
Sep 10, 2018
Global warming from a child's perspective.
I know it's necessary to have differentiation between the age groups for the protection of those who are youngest, but in this case, knowing that this is a child's/ young person's book, may put adults off reading this - and that would be a shame. All of the themes in this novel are very current. Set against the backdrop of a global climate disaster, we see how the displaced are treated: in a word, badly. We see the devastation that global warming wreaks, and the terrifying journey that a 14 year old girl, Mhairi Anne Bain (Mab, for short, which is interesting, as she is a symbol of freedom in Shakespeare and Mab Darogan in Welsh folklore was someone who was prophesied to come and save the Welsh from the English by forcing them out, as the Scots have forced the English out in this story, I suppose. Don't ask me how I remember this kind of information) makes on her own from the Sudan to the Isle of Arran. On her journey, she meets a young boy who doesn't speak, and she finds herself feeling responsible for him. I think he gives her some hope and a reason to keep going, to be honest. She decides to take him home with her, but of course, it isn't that easy.
Everything in this novel is plausible - the way in which Scotland and other countries decide how to control population, global warming and its consequences, and the resultant mass movement of people affected by drought and flooding.
I really enjoyed this: Mhairi has a very mature voice, as would any child who had seen and experienced what she had, and she is believable. We don't see all of the horrors she experiences, but they are alluded to, which is probably a very good idea when children are going to be the target audience. To be honest, there are a lot of adults that really don't want or need the gory details.
This is a timely novel, and one that is important to read. I could see that there would be a lot of discussion arising from this book in a classroom.
Many thanks to NetGalley and the publisher for my copy of this book to read and to give an honest review.
Everything in this novel is plausible - the way in which Scotland and other countries decide how to control population, global warming and its consequences, and the resultant mass movement of people affected by drought and flooding.
I really enjoyed this: Mhairi has a very mature voice, as would any child who had seen and experienced what she had, and she is believable. We don't see all of the horrors she experiences, but they are alluded to, which is probably a very good idea when children are going to be the target audience. To be honest, there are a lot of adults that really don't want or need the gory details.
This is a timely novel, and one that is important to read. I could see that there would be a lot of discussion arising from this book in a classroom.
Many thanks to NetGalley and the publisher for my copy of this book to read and to give an honest review.