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ClareR (6241 KP) rated Sixteen Horses in Books
Oct 30, 2021
Sixteen Horses was a pretty gruesome thriller about a Forensic Veterinarian who is called in to investigate the discovery of sixteen horses heads, buried in a circle on farmland. If you find dismembered animals upsetting, then this won’t be the book for you, but I found the way that Cooper Allen undertook her investigation fascinating.
There is a really bleak, moody atmosphere throughout this book, that brought The Smiths song ‘Everyday is like Sunday’ to mind: this IS the coastal town that they forgot to close down, and everyday does seem to be grey - if not silent!
Ilmarsh is a town that has seen far better days, full of the unemployed and displaced, and even though it’s not a pleasant thought, it’s no surprise that it should be the setting for a series of disappearances, arson and mutilations. There is someone in this town with a lot of time on their hands. And no better way to spend it.
The writing is mesmerising - I found it hard to drag myself away, even though I found it profoundly unsettling. And that’s the big thing about this novel: I’m still not 100% sure who the culprit was, but I found myself not too upset by that. It was such a breathtaking journey (however, if anyone would like to message me with the answer to that, I wouldn’t be at all put out!)
Many thanks to the publisher who provided me with an e-copy of the book through both NetGalley and Jellybooks (because I forgot I already had it from NetGalley 🤦🏼♀️).
There is a really bleak, moody atmosphere throughout this book, that brought The Smiths song ‘Everyday is like Sunday’ to mind: this IS the coastal town that they forgot to close down, and everyday does seem to be grey - if not silent!
Ilmarsh is a town that has seen far better days, full of the unemployed and displaced, and even though it’s not a pleasant thought, it’s no surprise that it should be the setting for a series of disappearances, arson and mutilations. There is someone in this town with a lot of time on their hands. And no better way to spend it.
The writing is mesmerising - I found it hard to drag myself away, even though I found it profoundly unsettling. And that’s the big thing about this novel: I’m still not 100% sure who the culprit was, but I found myself not too upset by that. It was such a breathtaking journey (however, if anyone would like to message me with the answer to that, I wouldn’t be at all put out!)
Many thanks to the publisher who provided me with an e-copy of the book through both NetGalley and Jellybooks (because I forgot I already had it from NetGalley 🤦🏼♀️).
Mastering the Art of French Murder
8.0
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As Paris rediscovers its joie de vivre, Tabitha Knight, recently arrived from Detroit for an...
Brushstrokes from the Past (Soli Hansen Mysteries #4)
Book
WWII and the mid-seventeenth century are entwined in this fourth dual timeline novel about Nazi art...
Historical Fiction Mystery Sweet
The Remembering Tree
8.0
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Only she who holds the key will unearth the secrets of the Remembering Tree. Still trying to...
Supernatural Gothic Suspense
Seams Like Murder
8.0
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From USA Today bestselling author Dorothy Howell, a brand new cozy mystery series featuring...
Merissa (14030 KP) rated Dawn's Desire (Prairie Smoke Ranch #1) in Books
Aug 16, 2021 (Updated Jul 17, 2023)
DAWN'S DESIRE is the first book in the Prairie Smoke Ranch series and we are introduced to a whole host of characters, but we focus on Nathan and Bishop. Nathan is the foreman of the ranch and is older (although I don't think we actually ever get his age). Bishop is a twenty-eight-year-old, newly-minted professor of Palaeontology and is on the ranch due to the discovery of possible dinosaur bones.
There is a lot going on in this story - trouble with the ranch next door, bone poachers, European tours, and a possible thief working on the ranch. Because of this, I didn't feel like this was a character-led story and I didn't really feel the connection between our two MCs.
Nathan and Bishop get an HFN ending and there is definitely no conclusion to any of what's gone on during their story, so I hope more answers will be available in the next books.
This is the first book and I am looking forward to reading book two. This series has a lot to offer and I love V.L. Locey's writing. Although it didn't tick my boxes in the way her stories usually do, I still thoroughly enjoyed this beginning and have no hesitation in recommending it.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 16, 2021
There is a lot going on in this story - trouble with the ranch next door, bone poachers, European tours, and a possible thief working on the ranch. Because of this, I didn't feel like this was a character-led story and I didn't really feel the connection between our two MCs.
Nathan and Bishop get an HFN ending and there is definitely no conclusion to any of what's gone on during their story, so I hope more answers will be available in the next books.
This is the first book and I am looking forward to reading book two. This series has a lot to offer and I love V.L. Locey's writing. Although it didn't tick my boxes in the way her stories usually do, I still thoroughly enjoyed this beginning and have no hesitation in recommending it.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 16, 2021
A Sucker For Christmas
8.0
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An annual Christmas vacation to Australia gives two long-term friends more than they bargained...
Paranormal MM Romance Seasonal
The Old Dragon’s Head
8.0
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The Great Wall of China may be constructed of stone and packed earth, but it is home to a...
Historical Fiction Fantasy Supernatural Thriller Speculative Fiction
Merissa (14030 KP) rated Discovery Moon (Gladstone Shifters #5) in Books
Sep 13, 2022
I was completely swept away in the story...
DISCOVERY MOON is the fifth book in the Gladstone Shifters series and you really need to read this as a series rather than a set of standalones.
Lance has been the nanny for Ben and Evan's pups since they were born and he loves his job. He does dream of having a mate and pups of his own though. Sometimes, you have to be careful what you wish for, as Lance does indeed get a mate and pups but, perhaps, not in the way he imagined.
Told from multiple perspectives, you once again get a well-rounded view of Gladstone and their ties with other packs. This one starts off with lots happening in different places but, slowly, it all comes together.
As with every book in this series, I was completely swept away in the story and the characters. I have laughed with them and cried for them. I've been hopeful and distraught, happy and vengeful. Trust me, by the end, I was exhausted!
A brilliant addition to a series I adore! If you like multiple perspectives, intricate personal storylines, mixed up with others, woven together with mastery, then I can highly recommend this book. But, PLEASE, read them in order!
Absolutely and utterly recommended!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Lance has been the nanny for Ben and Evan's pups since they were born and he loves his job. He does dream of having a mate and pups of his own though. Sometimes, you have to be careful what you wish for, as Lance does indeed get a mate and pups but, perhaps, not in the way he imagined.
Told from multiple perspectives, you once again get a well-rounded view of Gladstone and their ties with other packs. This one starts off with lots happening in different places but, slowly, it all comes together.
As with every book in this series, I was completely swept away in the story and the characters. I have laughed with them and cried for them. I've been hopeful and distraught, happy and vengeful. Trust me, by the end, I was exhausted!
A brilliant addition to a series I adore! If you like multiple perspectives, intricate personal storylines, mixed up with others, woven together with mastery, then I can highly recommend this book. But, PLEASE, read them in order!
Absolutely and utterly recommended!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Lucy Buglass (45 KP) rated Border (2018) in Movies
Jun 20, 2019
If you’re a fan of the original super dark fairy tales, you’re probably going to love Border. But be warned, it contains some incredibly disturbing content that I wasn’t prepared for. This film is not an easy watch, and I found myself thinking about it for a long time afterwards. That’s not necessarily a bad thing, it just isn’t for the faint of heart.
The film follows Tina (Eva Melander), a woman who works for the Swedish Border Control. She has a unique talent to sniff out contraband, so she’s an asset to the rest of the team. This ability confuses many around her, and this becomes a central part of Tina’s self-discovery later on in the film. Alongside her ability, Tina suffers from facial deformities which makes her an outcast in society.
Tina’s life changes when she meets a man named Vore (Eero Milonoff), who looks just like her. At first, she suspects him of something, but following an inspection, lets him pass through. The two of them have frequent encounters throughout the film, with Vore helping Tina to understand who she is. As she’s embarking on this journey, Tina is assigned to a child pornography case, with the authorities believing her ability can help them find the perpetrator.
Border is dark both in its narrative and its visuals, as you seldom see the sunlight throughout the entire film. It feels gritty, dirty and bleak, reflecting this incredibly harrowing case that Tina has to try and solve. Even her own home is depressing; living in a tiny cabin-like home with a man named Roland who trains dogs. Tina’s relationship with Roland is confusing to the audience, and she barely spends any time at home, opting to take walks outside instead. She is an incredibly lonely, isolated character until Vore comes along.
The film’s visuals really stood out to me, I loved the ethereal fantasy elements even when bad things are happening. Since Tina spends a lot of her time outdoors, her encounters with wildlife and nature are beautifully shot. These moments seem to be the only ones that bring Tina real joy, and the cinematography reflects this. The film’s bleakness can often feel too much at times, but it’s entirely appropriate given the story. Despite Tina’s eventual self-discovery, this is not a happy film.
Tina and Vore’s animalistic behaviour may be uncomfortable for some audiences, and it was for me too. The film relies on long, purely diegetic scenes that bring us closer to the action than we may have liked. Their relationship is raw, functional and sometimes aggressive, often making it difficult to like the characters. Despite this, I still liked Tina as a character and wanted her to find happiness.
Border is just under two hours in length, but feels much longer due to Abbasi’s use of lingering shots. I did find myself feeling a little frustrated with this at times, but the beauty of the cinematography made up for it. The story is as twisted as it is captivating, and by the end of the film you’re left in a stunned silence trying to process what you just saw. It’s the kind of film that leaves you feeling exhausted afterwards.
This happened to be my first real exploration of Nordic cinema, and I’m certainly interested to see what other films are out there. Border is a unique and harrowing story that points fun at Nordic relations, and is certainly worth the watch. Having said that, I’m not sure I could go through it again.
https://jumpcutonline.co.uk/review-border-2019/
The film follows Tina (Eva Melander), a woman who works for the Swedish Border Control. She has a unique talent to sniff out contraband, so she’s an asset to the rest of the team. This ability confuses many around her, and this becomes a central part of Tina’s self-discovery later on in the film. Alongside her ability, Tina suffers from facial deformities which makes her an outcast in society.
Tina’s life changes when she meets a man named Vore (Eero Milonoff), who looks just like her. At first, she suspects him of something, but following an inspection, lets him pass through. The two of them have frequent encounters throughout the film, with Vore helping Tina to understand who she is. As she’s embarking on this journey, Tina is assigned to a child pornography case, with the authorities believing her ability can help them find the perpetrator.
Border is dark both in its narrative and its visuals, as you seldom see the sunlight throughout the entire film. It feels gritty, dirty and bleak, reflecting this incredibly harrowing case that Tina has to try and solve. Even her own home is depressing; living in a tiny cabin-like home with a man named Roland who trains dogs. Tina’s relationship with Roland is confusing to the audience, and she barely spends any time at home, opting to take walks outside instead. She is an incredibly lonely, isolated character until Vore comes along.
The film’s visuals really stood out to me, I loved the ethereal fantasy elements even when bad things are happening. Since Tina spends a lot of her time outdoors, her encounters with wildlife and nature are beautifully shot. These moments seem to be the only ones that bring Tina real joy, and the cinematography reflects this. The film’s bleakness can often feel too much at times, but it’s entirely appropriate given the story. Despite Tina’s eventual self-discovery, this is not a happy film.
Tina and Vore’s animalistic behaviour may be uncomfortable for some audiences, and it was for me too. The film relies on long, purely diegetic scenes that bring us closer to the action than we may have liked. Their relationship is raw, functional and sometimes aggressive, often making it difficult to like the characters. Despite this, I still liked Tina as a character and wanted her to find happiness.
Border is just under two hours in length, but feels much longer due to Abbasi’s use of lingering shots. I did find myself feeling a little frustrated with this at times, but the beauty of the cinematography made up for it. The story is as twisted as it is captivating, and by the end of the film you’re left in a stunned silence trying to process what you just saw. It’s the kind of film that leaves you feeling exhausted afterwards.
This happened to be my first real exploration of Nordic cinema, and I’m certainly interested to see what other films are out there. Border is a unique and harrowing story that points fun at Nordic relations, and is certainly worth the watch. Having said that, I’m not sure I could go through it again.
https://jumpcutonline.co.uk/review-border-2019/