Search
Search results
Purple Phoenix Games (2266 KP) rated Kingdomino Origins in Tabletop Games
Dec 28, 2021
I try very hard not to allow hype to affect my views on a game. This is why I similarly rarely consume other reviewers’ work on a game prior to me playing it. I don’t want others influencing my experiences. However, I was ultimately tempted by the Game Boy Geek, Dan King, when a video he published was titled, “Why I’ll Never Play Kingdomino Again.” I mean, with a title like that, and already having reviewed and loved OG Kingdomino, I just HAD to see what was with this new version. I have to say, he makes some great points – many with which I tend to agree. But what are those points?
Kingdomino Origins is a tile drafting and placement game set in prehistoric times for two to four players. Just like the original Kingdomino (even though this is titled Origins, which makes me chuckle) players will be drafting tiles from the offer and adding them to their village, matching terrain types to those already built. Instead of crowns to count VP, Origins has players using fire icons and tokens to multiply VP for endgame scoring. New for Origins is the ability to play three different modes: Discovery, Totem, and Tribe Mode! The player with the most VP at the end of the game wins!
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup (a two-player game playing the Tribe mode is used for this review), place the Cave Board on the table, shuffle the Caveman tiles, and deal four to the board. Separate the fire tokens and resourceeples into their piles on the table. Shuffle the main domino tiles and, as in the original, draw four, arrange them numerically, and reveal them to make the offer. Place another four domino tiles nearby, face-down, and arranged numerically. The players each choose a color, takes their starting tile with hut placed atop, and their two chiefeeples. The first player will choose to take tiles 1 and 4 or 2 and 3 from the offer by placing their chiefeeples upon them. The game is now setup for Tribe Mode and ready to begin!
On a normal turn, a player will have two steps to complete: Place a Domino, and Choose a New Domino. In a 3-4 player game, each player will have one domino to place, but in this 2 player game each player will have two dominoes to place within their 7×7 grid (a 5×5 grid with 3-4 player games). The player takes their chosen dominoes from beneath their chiefs and add them to their village grid. As in all domino-based games, the terrain (or side) of the domino must be placed adjacent to a matching terrain type in the village; the starting tile is wild and can match to any terrain type.
Once a domino is placed, if it shows icons or volcanoes, special rules are enacted. For icons showing resources, a wooden resourceeple is placed upon the icon. These come in mammoths, fish, mushrooms, and flints. In Tribe Mode, these will be used later. However, if a volcano is placed in the village, it will spew forth one to three flames, whose tokens will be placed on a domino square in the village. The volcano tile showing one active crater sends a flame soaring up to three squares away, and diagonal movement is acceptable. A volcano tile showing three active craters throws three flames (a fire token with three fire icons) one square away.
Once both tiles have been placed, the player will next Choose a New Domino (or dominoes when playing a two player game). From the now-revealed set of four new tiles in the offer, the players will choose their next tile(s) to be played during the next round, thus also creating the turn order for the next round.
After players have chosen their dominoes, and only in Tribe Mode, the final step to the turn is optional: Recruit a Caveman. Remember those resourceeples that were placed on tiles? By discarding two different resources, a player may recruit one of the face-up Caveman tiles from the board. By discarding one of each type of resource, the player may instead look through the stack of Caveman tiles and take one of their choosing. These Caveman tiles do many different things, but they primarily offer extra VP for being placed adjacent to specific resources, or by clumping together similar Cavemen in the village.
Once all the dominoes have been added to the villages, the game ends and VPs are counted for each player. The game comes with an excellent score pad to help keep track of the different ways to earn VP. The player with the most VP (“comfort points” in the game) is the winner and creates the most prosperous Caveman village!
Components. Just like previous versions of Kingdomino, these components are excellent. The domino tiles are again thick and glossy, the huts are again the 3D style, and the chiefeeples are similar in style to the kingeeples from the original. In this new version, however, new fire tokens have been added, and are fine, but they are double-sided to remind players how many squares they travel – an EXCELLENT idea. I have to also applaud these cute little resourceeples. They are so stinkin cute and look great on the villages. The art is again wonderful on everything in the box, and overall is just a great bunch of components.
What about the claim Dan King made about never playing Kingdomino again? Gosh darnit, I totally agree. By simply playing the included Discovery Mode you get all the same functionality of Kingdomino. But it doesn’t stop there. I didn’t really get into the second mode, Totem Mode, but it also uses the resourceeples to grant extra VP to the players who have collected the majority of each type. It is a great next step from Discovery, and a good setup for Tribe Mode, especially when playing with newer gamers.
So, the components are similar quality to the original version, but there are more components included, and provide three different play modes. The only thing I see that the original Kingdomino has on this version is the Age of Giants expansion. Perhaps something similar is in the works for Origins, where players can effectively negate opponents’ VPs. I’m sure giants existed in Caveman times, right?
All this said, I may be soon looking for a new home for my copy of Kingdomino and the Age of Giants expansion, as I am certainly agreeing with Dan here. I don’t think I have the interest in playing Kingdomino anymore, as long as I have Kingdomino Origins in my arsenal. Purple Phoenix Games gives this one a super-upgraded 5 / 6. The extra play modes, excellent components, and the cool volcano mechanics just elevate this superior version. If you are a fan of Kingdomino, then I highly recommend you check out Kingdomino Origins. Unless, of course, you don’t wish to be seduced away from your beloved copy of the original version. I understand, but you may be unnecessarily handicapping your collection.
Kingdomino Origins is a tile drafting and placement game set in prehistoric times for two to four players. Just like the original Kingdomino (even though this is titled Origins, which makes me chuckle) players will be drafting tiles from the offer and adding them to their village, matching terrain types to those already built. Instead of crowns to count VP, Origins has players using fire icons and tokens to multiply VP for endgame scoring. New for Origins is the ability to play three different modes: Discovery, Totem, and Tribe Mode! The player with the most VP at the end of the game wins!
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup (a two-player game playing the Tribe mode is used for this review), place the Cave Board on the table, shuffle the Caveman tiles, and deal four to the board. Separate the fire tokens and resourceeples into their piles on the table. Shuffle the main domino tiles and, as in the original, draw four, arrange them numerically, and reveal them to make the offer. Place another four domino tiles nearby, face-down, and arranged numerically. The players each choose a color, takes their starting tile with hut placed atop, and their two chiefeeples. The first player will choose to take tiles 1 and 4 or 2 and 3 from the offer by placing their chiefeeples upon them. The game is now setup for Tribe Mode and ready to begin!
On a normal turn, a player will have two steps to complete: Place a Domino, and Choose a New Domino. In a 3-4 player game, each player will have one domino to place, but in this 2 player game each player will have two dominoes to place within their 7×7 grid (a 5×5 grid with 3-4 player games). The player takes their chosen dominoes from beneath their chiefs and add them to their village grid. As in all domino-based games, the terrain (or side) of the domino must be placed adjacent to a matching terrain type in the village; the starting tile is wild and can match to any terrain type.
Once a domino is placed, if it shows icons or volcanoes, special rules are enacted. For icons showing resources, a wooden resourceeple is placed upon the icon. These come in mammoths, fish, mushrooms, and flints. In Tribe Mode, these will be used later. However, if a volcano is placed in the village, it will spew forth one to three flames, whose tokens will be placed on a domino square in the village. The volcano tile showing one active crater sends a flame soaring up to three squares away, and diagonal movement is acceptable. A volcano tile showing three active craters throws three flames (a fire token with three fire icons) one square away.
Once both tiles have been placed, the player will next Choose a New Domino (or dominoes when playing a two player game). From the now-revealed set of four new tiles in the offer, the players will choose their next tile(s) to be played during the next round, thus also creating the turn order for the next round.
After players have chosen their dominoes, and only in Tribe Mode, the final step to the turn is optional: Recruit a Caveman. Remember those resourceeples that were placed on tiles? By discarding two different resources, a player may recruit one of the face-up Caveman tiles from the board. By discarding one of each type of resource, the player may instead look through the stack of Caveman tiles and take one of their choosing. These Caveman tiles do many different things, but they primarily offer extra VP for being placed adjacent to specific resources, or by clumping together similar Cavemen in the village.
Once all the dominoes have been added to the villages, the game ends and VPs are counted for each player. The game comes with an excellent score pad to help keep track of the different ways to earn VP. The player with the most VP (“comfort points” in the game) is the winner and creates the most prosperous Caveman village!
Components. Just like previous versions of Kingdomino, these components are excellent. The domino tiles are again thick and glossy, the huts are again the 3D style, and the chiefeeples are similar in style to the kingeeples from the original. In this new version, however, new fire tokens have been added, and are fine, but they are double-sided to remind players how many squares they travel – an EXCELLENT idea. I have to also applaud these cute little resourceeples. They are so stinkin cute and look great on the villages. The art is again wonderful on everything in the box, and overall is just a great bunch of components.
What about the claim Dan King made about never playing Kingdomino again? Gosh darnit, I totally agree. By simply playing the included Discovery Mode you get all the same functionality of Kingdomino. But it doesn’t stop there. I didn’t really get into the second mode, Totem Mode, but it also uses the resourceeples to grant extra VP to the players who have collected the majority of each type. It is a great next step from Discovery, and a good setup for Tribe Mode, especially when playing with newer gamers.
So, the components are similar quality to the original version, but there are more components included, and provide three different play modes. The only thing I see that the original Kingdomino has on this version is the Age of Giants expansion. Perhaps something similar is in the works for Origins, where players can effectively negate opponents’ VPs. I’m sure giants existed in Caveman times, right?
All this said, I may be soon looking for a new home for my copy of Kingdomino and the Age of Giants expansion, as I am certainly agreeing with Dan here. I don’t think I have the interest in playing Kingdomino anymore, as long as I have Kingdomino Origins in my arsenal. Purple Phoenix Games gives this one a super-upgraded 5 / 6. The extra play modes, excellent components, and the cool volcano mechanics just elevate this superior version. If you are a fan of Kingdomino, then I highly recommend you check out Kingdomino Origins. Unless, of course, you don’t wish to be seduced away from your beloved copy of the original version. I understand, but you may be unnecessarily handicapping your collection.
Mars via the Moon: The Next Giant Leap: 2016
Book
MOMENTUM IS BUILDING for a return to the Moon. NASA's international partners on the International...
Rachel King (13 KP) rated Fever (The Chemical Garden, #2) in Books
Feb 11, 2019
I found this book to be much grimmer than the first book, Wither. In this book, Rhine and Gabriel spend most of their time trying to escape and running from or to some place. It was rather tiring at times, and I often wondered while I was reading, Don't they need to eat more? Seriously, they subsist on almost no food until they get to the orphanage, and even then, Rhine still seems to have an anorexic-like view of any and all food. Not very realistic for teenagers, in my view.
Moving on. Rhine's behavior while trapped in the carnival showed me that she can be very scatterbrained and disorganized, without any real planning abilities, even though I saw her as just the opposite in the first book. She seemed to just give in as the power of the drug "angel blood" is forced on her and Gabriel to control them. Her lack of motivation was disappointing, to say the least. The little girl she escapes with proves to be one of the most interesting variables in the whole book.
Further events once they escape seem to just delay the inevitable, but they do help to draw a more detailed picture of the world that Rhine comes from - the desperation and depravity that so much of society has sunk to as the hope of its children continues to inexplicably die. The division between those that want to continue looking for a cure and those that don't is clear, but what is not clear for most of the book is what is killing Rhine, who should still have 3 years of life to go. The horrible Vaughn of Wither is like a haunting presence throughout the book, and he has more secrets than even I can fathom.
The romance between Rhine and Gabriel is stagnated without the threat of discovery by Rhine's abandoned husband. Between escaping capture, living on the run, and futilely hunting down Rhine's brother, it has little chance to grow much at all. In fact, Rhine seemed to have more chemistry with another boy at the orphanage than she can maintain with Gabriel. Plus, Gabriel knows nothing about the world outside the mansion and is flung reeling into this life of survival that he could not have been prepared for - I can't help but feel sorry for him.
The most fascinating scene in the book is hinted at on the cover from the tarot card in Rhine's hand, but unfortunately those elements won't be covered until the final, untitled book in 2013. I look forward to a conclusion that more cleanly wraps up this series.
Moving on. Rhine's behavior while trapped in the carnival showed me that she can be very scatterbrained and disorganized, without any real planning abilities, even though I saw her as just the opposite in the first book. She seemed to just give in as the power of the drug "angel blood" is forced on her and Gabriel to control them. Her lack of motivation was disappointing, to say the least. The little girl she escapes with proves to be one of the most interesting variables in the whole book.
Further events once they escape seem to just delay the inevitable, but they do help to draw a more detailed picture of the world that Rhine comes from - the desperation and depravity that so much of society has sunk to as the hope of its children continues to inexplicably die. The division between those that want to continue looking for a cure and those that don't is clear, but what is not clear for most of the book is what is killing Rhine, who should still have 3 years of life to go. The horrible Vaughn of Wither is like a haunting presence throughout the book, and he has more secrets than even I can fathom.
The romance between Rhine and Gabriel is stagnated without the threat of discovery by Rhine's abandoned husband. Between escaping capture, living on the run, and futilely hunting down Rhine's brother, it has little chance to grow much at all. In fact, Rhine seemed to have more chemistry with another boy at the orphanage than she can maintain with Gabriel. Plus, Gabriel knows nothing about the world outside the mansion and is flung reeling into this life of survival that he could not have been prepared for - I can't help but feel sorry for him.
The most fascinating scene in the book is hinted at on the cover from the tarot card in Rhine's hand, but unfortunately those elements won't be covered until the final, untitled book in 2013. I look forward to a conclusion that more cleanly wraps up this series.
Kristy H (1252 KP) rated Her Pretty Face in Books
Mar 10, 2019
Compulsively readable with some great twists & turns
Frances is struggling. She feels overweight and socially inept, struggling to keep up with the beautiful, wealthy mothers at the fancy private school, Forrester Academy, that her son Marcus attends. That struggle is made even harder by an incident with Marcus and a classmate, Abbey Dumas, that sets the other moms against her. Even worse, no one knows about a horrible event in Frances' past that haunts her: not even her husband, Jason, and Marcus. But she feels rescued when she forges a friendship with a beautiful mother, Kate Randolph. She's funny, irreverent, and almost seems to recognize a kind of darkness in Frances. Suddenly, life at Forrester--and life in general--seems bearable. Meanwhile Kate's teenage daughter Daisy feels as if her mother has stopped loving her. Every few years her parents uproot her and younger brother to move yet again. What is the purpose of trying at school--in life--she wonders? Then a startling discovery comes to light, changing everything for Frances, Kate, and Daisy.
The format of this novel makes it an incredibly quick read: we get present-day events told by Frances and Daisy, interspersed with snippets told by a young boy named DJ, whose older sister, Courtney was murdered by a man named Shane Nelson in the 1990s. I found this to be a fascinating thriller: it keeps you wondering the entire time, with some very interesting and unexpected turns. I always appreciate a novel with some twists that I'm not expecting. I especially enjoyed how Daisy grew on me--her character was really well-done and while, at first, she seemed out of place in the story, by the end, she was my favorite, and I couldn't imagine the book without her.
In many ways this is a more character-driven book than a straight-up mystery. While, as mentioned, there's definitely some unexpected moments, there was no explosive ending, which I thought might happen for a while. In the end, though, I think that was appropriate--you become somewhat attached to these characters and Harding does a good job of bringing you into their (often twisted) worlds.
Overall, I enjoyed this one. It was compulsively readable, with some great twists and turns and interesting characters. I've had THE PARTY on my Kindle for a while--this has definitely motivated me to push it up higher in my TBR pile.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!)
The format of this novel makes it an incredibly quick read: we get present-day events told by Frances and Daisy, interspersed with snippets told by a young boy named DJ, whose older sister, Courtney was murdered by a man named Shane Nelson in the 1990s. I found this to be a fascinating thriller: it keeps you wondering the entire time, with some very interesting and unexpected turns. I always appreciate a novel with some twists that I'm not expecting. I especially enjoyed how Daisy grew on me--her character was really well-done and while, at first, she seemed out of place in the story, by the end, she was my favorite, and I couldn't imagine the book without her.
In many ways this is a more character-driven book than a straight-up mystery. While, as mentioned, there's definitely some unexpected moments, there was no explosive ending, which I thought might happen for a while. In the end, though, I think that was appropriate--you become somewhat attached to these characters and Harding does a good job of bringing you into their (often twisted) worlds.
Overall, I enjoyed this one. It was compulsively readable, with some great twists and turns and interesting characters. I've had THE PARTY on my Kindle for a while--this has definitely motivated me to push it up higher in my TBR pile.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!)
As a worker tears apart an old house under construction in London, he makes an unsettling discovery: tiny bones. The police believe they belong to a baby who was buried years earlier. The story catches the eye of journalist Kate Waters, who immediately wants to determine the child's identity. Her research leads her to a missing child from several decades in the past: a stolen baby, who was never found. Kate finds herself drawn into the missing baby's case and the lives of several women: Angela, a mother who had her baby stolen many years ago; Emma, who once lived on the block where the baby's bones were found; and Jude, Emma's mother.
I really enjoyed Barton's previous novel, The Widow, and I have to say that THE CHILD did not disappoint. It's hard exactly to describe her books, but they have some sort of power over you, drawing you into their narrative and making it difficult to come back to reality until you've reached the end. Much like THE WIDOW, we're presented with a cast of disparate characters-not all of whom are particularly likeable. I hadn't realized, for some reason, that THE CHILD would feature Kate again--a journalist we previously met in Barton's earlier book. I found Kate a much more engaging protagonist this time around: she came across as more human and flawed.
Otherwise, the novel focuses on timid, depressed Emma and her difficult relationship with her mother, Jude, who kicked Emma out of the house at the sixteen. Each woman has a turn at the narration, as does Angela, who is still reeling from having her baby stolen from the hospital (and never found). Barton does a skillful job weaving their stories together. Everything unfolds in bits and pieces as the tale progresses in the eyes of each of our narrators. For me, it was extremely riveting: just as one shocking piece came out, another one would fall into place.
Barton also gives us an excellent look into the journalism business, with a focus on how Kate writes her stories, with a strong emphasis on real (face-to-face, non-Internet-based) research. We see firsthand how the current social media craze is affecting the newspaper world. It's refreshing, as we get to basically see a crime/story solved, yet not necessarily through the lens of a typical police drama.
Overall, I really enjoyed this one. I figured out parts of it as it went along, but found it to be a very compelling read. Definitely worth picking up.
I really enjoyed Barton's previous novel, The Widow, and I have to say that THE CHILD did not disappoint. It's hard exactly to describe her books, but they have some sort of power over you, drawing you into their narrative and making it difficult to come back to reality until you've reached the end. Much like THE WIDOW, we're presented with a cast of disparate characters-not all of whom are particularly likeable. I hadn't realized, for some reason, that THE CHILD would feature Kate again--a journalist we previously met in Barton's earlier book. I found Kate a much more engaging protagonist this time around: she came across as more human and flawed.
Otherwise, the novel focuses on timid, depressed Emma and her difficult relationship with her mother, Jude, who kicked Emma out of the house at the sixteen. Each woman has a turn at the narration, as does Angela, who is still reeling from having her baby stolen from the hospital (and never found). Barton does a skillful job weaving their stories together. Everything unfolds in bits and pieces as the tale progresses in the eyes of each of our narrators. For me, it was extremely riveting: just as one shocking piece came out, another one would fall into place.
Barton also gives us an excellent look into the journalism business, with a focus on how Kate writes her stories, with a strong emphasis on real (face-to-face, non-Internet-based) research. We see firsthand how the current social media craze is affecting the newspaper world. It's refreshing, as we get to basically see a crime/story solved, yet not necessarily through the lens of a typical police drama.
Overall, I really enjoyed this one. I figured out parts of it as it went along, but found it to be a very compelling read. Definitely worth picking up.
Kristy H (1252 KP) rated The Broken Girls in Books
Mar 20, 2018
Captivating, ghostly thriller
Idlewild Hall has been abandoned since 1979. Until then, it was a boarding school of last resort, where parents sent the daughters they'd sooner rather forget. Now someone is looking to restore it, bringing back all of journalist Fiona Sheridan's memories of her teenage sister, Deb. Deb was murdered and her body left in the fields of Idlewild. A rich teen--her sister's boyfriend--named Tim Christopher was charged with Deb's murder. But it never seemed quite right to Fiona. So, she decides to write a story about the restoration, but encounters more than she bargained for as she begins to uncover years of long-buried secrets.
This is a wonderful, captivating book that drew me in immediately. I've never read anything by Simone St. James, so this was a welcome surprise. The novel alternates between two time periods: 1950 and 2014. In 1950, we hear from four girls attending Idlewild Hall--Katie, CeCe, Sonia, and Roberta. One of the girls soon goes missing and her disappearance ties to 2014, where Fiona is both searching for more information about her sister's death and, eventually, more knowledge about the missing Idlewild student. It's incredibly well-done and extremely suspenseful, drawing you quickly into the narrative and the two separate but related worlds.
The book plays on the boarding school mystique and offers up more supernatural elements than I was expecting, but they somehow work here. The novel is creepy and not one I always wanted to be reading alone in the dark! Like some of my favorites, Jennifer McMahon and Carol Goodman, St. James has a flair for the eerie and the ghostly, and it works well in this context. The boarding school stands stark and haunting in the book-terrifying at times-and you feel the fear ooze across the pages from the various characters.
Indeed, St. James does a great job capturing her characters, whom practically come to life before your very eyes. The group from boarding school are excellent--each different in their own way--and Fiona is an excellent, complicated character as well. While the two eras stood alone, I enjoyed how the stories intermingled and slowly tangled together, making the book quite fascinating and a real page-turner. This one wasn't what I expected; at times, it could be quite heartbreaking and touching.
Overall, this is an incredibly well-done thriller. It's quite captivating with lovely characters. A great discovery. I received a copy of this novel from the publisher and Netgalley in return for an unbiased review. More at http://justacatandabookatherside.blogspot.com.
This is a wonderful, captivating book that drew me in immediately. I've never read anything by Simone St. James, so this was a welcome surprise. The novel alternates between two time periods: 1950 and 2014. In 1950, we hear from four girls attending Idlewild Hall--Katie, CeCe, Sonia, and Roberta. One of the girls soon goes missing and her disappearance ties to 2014, where Fiona is both searching for more information about her sister's death and, eventually, more knowledge about the missing Idlewild student. It's incredibly well-done and extremely suspenseful, drawing you quickly into the narrative and the two separate but related worlds.
The book plays on the boarding school mystique and offers up more supernatural elements than I was expecting, but they somehow work here. The novel is creepy and not one I always wanted to be reading alone in the dark! Like some of my favorites, Jennifer McMahon and Carol Goodman, St. James has a flair for the eerie and the ghostly, and it works well in this context. The boarding school stands stark and haunting in the book-terrifying at times-and you feel the fear ooze across the pages from the various characters.
Indeed, St. James does a great job capturing her characters, whom practically come to life before your very eyes. The group from boarding school are excellent--each different in their own way--and Fiona is an excellent, complicated character as well. While the two eras stood alone, I enjoyed how the stories intermingled and slowly tangled together, making the book quite fascinating and a real page-turner. This one wasn't what I expected; at times, it could be quite heartbreaking and touching.
Overall, this is an incredibly well-done thriller. It's quite captivating with lovely characters. A great discovery. I received a copy of this novel from the publisher and Netgalley in return for an unbiased review. More at http://justacatandabookatherside.blogspot.com.
Kristy H (1252 KP) rated Every Note Played in Books
Mar 28, 2018
Touching, heartfelt novel
Richard is a renowned concert pianist preparing for another concert tour when he starts realizing his body is betraying him. Soon, he is diagnosed with ALS and loses the use of his right arm. He cannot play his beloved piano, and nothing about his life seems okay anymore. Even worse, he knows his left arm will come next. His ex-wife, Karina, hears whispers of Richard's diagnosis, but cannot believe it's true. Surely not her viral, oft-hated ex. Karina, after all, blames Richard for so many choices she didn't make in her own life. But when Richard's disease progresses, it becomes clear that the two may need reconcile, at least temporarily, for the sake of Richard's care and safety.
I really loved Lisa Genova's STILL ALICE and so decided to pick this one up from the library. It has a similar feel, of a successful adult slowly spiraling into disease. However, Genova really excels in taking a sad story of decline and turning it into a tale of discovery and hope, as well. There are definitely some depressing moments in this novel, but it's also lovely and touching, too.
I think most know by now that Genova is Ph.D., so she truly knows what she writes. The novel is filled with so many careful details that really allow you to see Richard's ALS--including its progressions and how it steals so much of what Richard held so dear. It's scary and heartbreaking to read. The realism makes the story so much more stark and also allows you to picture exactly what's happening to him, both physically and emotionally.
Because this is an emotional novel, as well. It is a study in relationships and a look at our two main individuals: Richard, a rather narcissistic pianist, and his ex-wife, Karina, who sacrificed so much in her life for her (now-ex) husband and daughter. Both have so many regrets about their life--and the lives they didn't lead. There is a lifetime of resentments between the two. They also have a daughter, Grace, who struggles with her father's illness. And each parent must deal with how they've treated Grace as she grew up.
In some ways, nothing really happens. In other ways, everything happens--a man slowly loses his body and everything he once held so dear about his life. Relationships change. It's a novel filled with real, beautiful, touching moments. It's not always an easy read, but it's a worthwhile one, for sure.
I really loved Lisa Genova's STILL ALICE and so decided to pick this one up from the library. It has a similar feel, of a successful adult slowly spiraling into disease. However, Genova really excels in taking a sad story of decline and turning it into a tale of discovery and hope, as well. There are definitely some depressing moments in this novel, but it's also lovely and touching, too.
I think most know by now that Genova is Ph.D., so she truly knows what she writes. The novel is filled with so many careful details that really allow you to see Richard's ALS--including its progressions and how it steals so much of what Richard held so dear. It's scary and heartbreaking to read. The realism makes the story so much more stark and also allows you to picture exactly what's happening to him, both physically and emotionally.
Because this is an emotional novel, as well. It is a study in relationships and a look at our two main individuals: Richard, a rather narcissistic pianist, and his ex-wife, Karina, who sacrificed so much in her life for her (now-ex) husband and daughter. Both have so many regrets about their life--and the lives they didn't lead. There is a lifetime of resentments between the two. They also have a daughter, Grace, who struggles with her father's illness. And each parent must deal with how they've treated Grace as she grew up.
In some ways, nothing really happens. In other ways, everything happens--a man slowly loses his body and everything he once held so dear about his life. Relationships change. It's a novel filled with real, beautiful, touching moments. It's not always an easy read, but it's a worthwhile one, for sure.
BookwormMama14 (18 KP) rated Born of Persuasion (Price of Privilege, #1) in Books
Jan 2, 2019
Our leading lady, Julia Elliston, is the daughter of the famed Atheist William Elliston. She is young and naïve, her mother tried to protect her and shield her from the world outside. She has much to learn about the world and is in a delicate emotional state. Her entire life has begun to crumble, starting with the death of her mother. She soon learns that everything she thought she knew is a lie. How did her mother die exactly? And who is this mysterious guardian who wishes to remain anonymous? Her childhood sweetheart has betrayed her, yet is there hope for reconciliation? As we follow Julia’s journey of discovery we encounter a few other key players. Edward and Henry Auburn, brothers who fell in love with Julia and her best friend Elizabeth Windham as children. They made plans of their future together and were secretly betrothed. But now, all their hopes and dreams are threatened. Elizabeth’s mother, Mrs. Windham has taken it upon herself to find a husband for “poor Julia”. Lady Foxworth is intent upon playing matchmaker as well. Little does Julia know the vast change in life that could take place if she concedes to marry Mr. Macy. A man with extraordinary wealth that has promised to care for and protect Julia. But can he be trusted? When laws cannot protect Julia, will her life come to ruin? And will she take a step of faith towards the only One who remains constant in an ever changing world?
To be completely honest, I didn’t know what to think of this book most of the time I was reading it. Now that I have finished I will say that while I wasn’t 100% impressed with particulars of the content, it was a very well written book. I love the descriptive way Jessica Dotta drew me into the story. So much so, that I could imagine standing in the room with Julia. The language and style is one of my favorites for reading. The entire book is narrated by Julia who is looking back on her life much later, after the events have taken place. She hints at other mysteries in the story, but doesn’t give away too much. I was not impressed with the scenes between Mr. Macy and Julia where he was supposedly “courting” her. Although Julia remains a maiden by the end of the book, she allowed Macy’s advancements premature. It made me feel uncomfortable. Other than that, I really did enjoy Born of Persuasion. I am starting the second book Mark of Distinction, today.
To be completely honest, I didn’t know what to think of this book most of the time I was reading it. Now that I have finished I will say that while I wasn’t 100% impressed with particulars of the content, it was a very well written book. I love the descriptive way Jessica Dotta drew me into the story. So much so, that I could imagine standing in the room with Julia. The language and style is one of my favorites for reading. The entire book is narrated by Julia who is looking back on her life much later, after the events have taken place. She hints at other mysteries in the story, but doesn’t give away too much. I was not impressed with the scenes between Mr. Macy and Julia where he was supposedly “courting” her. Although Julia remains a maiden by the end of the book, she allowed Macy’s advancements premature. It made me feel uncomfortable. Other than that, I really did enjoy Born of Persuasion. I am starting the second book Mark of Distinction, today.
There's plenty of letters and journals preserved regarding royalty, aristocrats and other rich and famous people but less about more ordinary people. OK, so most of ancestors would have been peasants/yeomen who would have been unlikely to be able to read, but every so often something does turn up which throws some light on our understanding of what we might consider to be more ordinary people. The Paston letters are one famous example and the story presented in the book is another discovery along the same sort of lines.
Our story begins in India, with William Jackson, who will be the father of our 'profligate son'. It is while in India that he meets his future wife and several other influential connections. A major incident here also has an impact on this William's future. The Profligate Son of the title is the son of this William Jackson, also called William Jackson, just to confuse the issue! Jackson senior had returned to England and was a reasonably wealthy man of the new middle classes. He had, however, made his fortune in trade and was keen for his only son to receive a good education and go into the law - one of the gentlemanly occupations at this time.
Unfortunately, William was not particularly interested in a good education, but far more interested in pursuing what he considered 'gentlemanly' pursuits - being idle and frivolous, drinking conspicuous amounts and consorting with women of easy virtue! In spite of the admonitions of his father and the pleadings of his affectionate mother, William continued into a downward spiral - resorting to forgery and deception to gain what it really seems he believes he was entitled to. The Georgian world, in some ways not dissimilar to modern days, was largely built upon trades-persons extending credit, which allowed William to get away with so much. We follow our anti-hero through various prisons and courts until he is finally transported to Australia. I find it most amazing that he never seems to repent of what he has done and really seems to believe that there has been a miscarriage of justice against him!
This story has been preserved through the writings of Mr Jackson, the father, and the letters between various family members which have been preserved for all this time. an interesting insight into the seamier side of Georgian life - and perhaps a lesson for people in these times who are too apt to live upon credit!
Our story begins in India, with William Jackson, who will be the father of our 'profligate son'. It is while in India that he meets his future wife and several other influential connections. A major incident here also has an impact on this William's future. The Profligate Son of the title is the son of this William Jackson, also called William Jackson, just to confuse the issue! Jackson senior had returned to England and was a reasonably wealthy man of the new middle classes. He had, however, made his fortune in trade and was keen for his only son to receive a good education and go into the law - one of the gentlemanly occupations at this time.
Unfortunately, William was not particularly interested in a good education, but far more interested in pursuing what he considered 'gentlemanly' pursuits - being idle and frivolous, drinking conspicuous amounts and consorting with women of easy virtue! In spite of the admonitions of his father and the pleadings of his affectionate mother, William continued into a downward spiral - resorting to forgery and deception to gain what it really seems he believes he was entitled to. The Georgian world, in some ways not dissimilar to modern days, was largely built upon trades-persons extending credit, which allowed William to get away with so much. We follow our anti-hero through various prisons and courts until he is finally transported to Australia. I find it most amazing that he never seems to repent of what he has done and really seems to believe that there has been a miscarriage of justice against him!
This story has been preserved through the writings of Mr Jackson, the father, and the letters between various family members which have been preserved for all this time. an interesting insight into the seamier side of Georgian life - and perhaps a lesson for people in these times who are too apt to live upon credit!
Gareth von Kallenbach (980 KP) rated Futurama: Bender's Game (2008) in Movies
Aug 14, 2019
The third of the straight to DVD Futurama movies, “Futurama: Bender’s Game” has arrived and continues the winning formula of the television series and two previous films.
This time the film starts out as a standard episode rather than continue the events of the past film. In true Futurama style, there are references to past characters and pop culture gags throughout. The early focus of the story is on the Dark Matter fuel shortage that is controlled by the greedy Mom and her corporation. Mom insists that prices are way up so she has to charge more for the precious starship fuel, but avoids any questions related to her record profits related to the ever rising fuel prices.
With the rising fuel costs the Planetary Express Office, is put on a very strict flight schedule that causes havoc amongst the crew. Fry (Billy West), still drifts aimlessly about life, Amy (Lauren Tom) is as shallow as ever and Leela (Katey Sagal), has an ager issue and is outfitted with a shock collar that jolts her whenever she loses her temper.
Bender (John Di Maggio), has a larger issue as he spots some of the staff children and their friends playing Dungeons and Dragons and wants to be a part of the action. It is learned that robots were not built for imagination so when Bender takes up the game and becomes the entity Titanius, he soon has a hard time distinguishing between reality and fantasy. Combine this with Leela’s entry of the Planet Express ship into a Demo Derby and you get a premise ripe with laughter.
The story shifts into high gear when Professor Farnsworth (Billy West), decides to use his anti-backwards crystal to end his old flame Moms hold on the fuel industry. The Crew make a startling discovery as they battle mom, and thanks to the power of the crystal and Bender, find themselves in a strange medieval world where each of them has new identities in this alternate universe.
In a race against time, the Planet Express staff must not only survive the alternate universe, but defeat Mom and her plans for universal domination.
With sharp picture and sound, this is a very enjoyable new adventure for fans.
There are loads of extras which include deleted scenes, commentaries, and a look at the next film “Into The Wild Green Yonder”.
All in all a welcome and satisfying film that should delight fans and help keep us happy until the new film arrives next year.
This time the film starts out as a standard episode rather than continue the events of the past film. In true Futurama style, there are references to past characters and pop culture gags throughout. The early focus of the story is on the Dark Matter fuel shortage that is controlled by the greedy Mom and her corporation. Mom insists that prices are way up so she has to charge more for the precious starship fuel, but avoids any questions related to her record profits related to the ever rising fuel prices.
With the rising fuel costs the Planetary Express Office, is put on a very strict flight schedule that causes havoc amongst the crew. Fry (Billy West), still drifts aimlessly about life, Amy (Lauren Tom) is as shallow as ever and Leela (Katey Sagal), has an ager issue and is outfitted with a shock collar that jolts her whenever she loses her temper.
Bender (John Di Maggio), has a larger issue as he spots some of the staff children and their friends playing Dungeons and Dragons and wants to be a part of the action. It is learned that robots were not built for imagination so when Bender takes up the game and becomes the entity Titanius, he soon has a hard time distinguishing between reality and fantasy. Combine this with Leela’s entry of the Planet Express ship into a Demo Derby and you get a premise ripe with laughter.
The story shifts into high gear when Professor Farnsworth (Billy West), decides to use his anti-backwards crystal to end his old flame Moms hold on the fuel industry. The Crew make a startling discovery as they battle mom, and thanks to the power of the crystal and Bender, find themselves in a strange medieval world where each of them has new identities in this alternate universe.
In a race against time, the Planet Express staff must not only survive the alternate universe, but defeat Mom and her plans for universal domination.
With sharp picture and sound, this is a very enjoyable new adventure for fans.
There are loads of extras which include deleted scenes, commentaries, and a look at the next film “Into The Wild Green Yonder”.
All in all a welcome and satisfying film that should delight fans and help keep us happy until the new film arrives next year.