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Sophia (Bookwyrming Thoughts) (530 KP) rated The Wanderers (The Wanderers, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
Kate Ormand takes a unique twist in <i>The Wanderers</i>, following a group of nomad shapeshifters traveling under the guise of a circus. Flo has been part of the circus ever since she was young but has always thought of what the world would be like if she were not a part of the circus. When she accidentally reveals what the circus really is to the public, shapeshifter hunters attack and take away everything she has ever known.
There aren't a lot of shapeshifter books out there all the ones I've come across so far typically have characters that shift into wolves (<i>technically</i> werewolves are like shapeshifters. They're interchangeable). <i>The Wanderers</i>, on the other hand, don't really have wolves (I don't think there are any here). Ormand takes the concept and expands the idea of shapeshifter to include all kinds of animals bears, seals, tigers, horses, etc. It's a breather to have all kinds of animals instead of the usual furry four-legged ones. Have I mentioned there's a shapeshifting parrot? Uber-cool.
Flo (I started imagining her as that Progressive chick) has elements of a good character she's realistic and brave, even though she's watching her back constantly for hunters. She has a constant inner battle with a desire and curiosity to see the world outside of the circus but has no clue if she wants to take that opportunity when she's old enough to be offered a life outside. But Flo is a bit of a mystery to me, and so are most of the shifters.
<i>The Wanderers</i> feels more like a discovery book no one aside from the "elders" know how the circus originated in the first place. Flo and the other shifters seem as though they've been there all their lives they all have a similar past and their way to the circus are all similar. The book becomes more of a survival book after the attack and the remaining shifters work together (albeit the tolerable tension some have towards Flo) to escape the clutches of the hunters going after them. In the midst of it all, Flo discovers a disturbing plot and sets about breaking it before other shifters get hurt as well.
Ormand pulls off an ending similar to <a title="Killer of Enemies by Joseph Bruchac" href="https://bookwyrmingthoughts.com/review-killer-of-enemies-by-joseph-bruchac/"; target="_blank" rel="noopener">Bruchac's in <i>Killer of Enemies</i></a> there's a solid ending, but it's very open-ended and lots of things could potentially happen. The ending to <i>The Wanderers</i> feels very fitting with the story considering the title and the concept. Even though I'm not a huge fan of this book, Ormand has certainly left a mark with just the entire idea.
<a href="https://bookwyrmingthoughts.com/arc-review-the-wanderers-by-kate-ormand/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Kate Ormand takes a unique twist in <i>The Wanderers</i>, following a group of nomad shapeshifters traveling under the guise of a circus. Flo has been part of the circus ever since she was young but has always thought of what the world would be like if she were not a part of the circus. When she accidentally reveals what the circus really is to the public, shapeshifter hunters attack and take away everything she has ever known.
There aren't a lot of shapeshifter books out there all the ones I've come across so far typically have characters that shift into wolves (<i>technically</i> werewolves are like shapeshifters. They're interchangeable). <i>The Wanderers</i>, on the other hand, don't really have wolves (I don't think there are any here). Ormand takes the concept and expands the idea of shapeshifter to include all kinds of animals bears, seals, tigers, horses, etc. It's a breather to have all kinds of animals instead of the usual furry four-legged ones. Have I mentioned there's a shapeshifting parrot? Uber-cool.
Flo (I started imagining her as that Progressive chick) has elements of a good character she's realistic and brave, even though she's watching her back constantly for hunters. She has a constant inner battle with a desire and curiosity to see the world outside of the circus but has no clue if she wants to take that opportunity when she's old enough to be offered a life outside. But Flo is a bit of a mystery to me, and so are most of the shifters.
<i>The Wanderers</i> feels more like a discovery book no one aside from the "elders" know how the circus originated in the first place. Flo and the other shifters seem as though they've been there all their lives they all have a similar past and their way to the circus are all similar. The book becomes more of a survival book after the attack and the remaining shifters work together (albeit the tolerable tension some have towards Flo) to escape the clutches of the hunters going after them. In the midst of it all, Flo discovers a disturbing plot and sets about breaking it before other shifters get hurt as well.
Ormand pulls off an ending similar to <a title="Killer of Enemies by Joseph Bruchac" href="https://bookwyrmingthoughts.com/review-killer-of-enemies-by-joseph-bruchac/"; target="_blank" rel="noopener">Bruchac's in <i>Killer of Enemies</i></a> there's a solid ending, but it's very open-ended and lots of things could potentially happen. The ending to <i>The Wanderers</i> feels very fitting with the story considering the title and the concept. Even though I'm not a huge fan of this book, Ormand has certainly left a mark with just the entire idea.
<a href="https://bookwyrmingthoughts.com/arc-review-the-wanderers-by-kate-ormand/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Night Reader Reviews (683 KP) rated Go Back for Love in Books
Mar 18, 2020
Honest Review for Free Copy of Book
Go Back for Love by Anne-Marie Sassoli is an extremely brief romance. This book can easily be read in a day, in not just a couple of hours. It also relies heavily on time travel in very short bursts.
Laura is a bit of a nobody and always has been, at least in her own opinion. Then one seemingly random day she gets a letter from a solicitor. This letter sets her off on a whole new life as it is her inheritance from an aunt she barely knew. Along with a large sum of money Laura is given a mysterious coin collection that is connected to her aunt in a most unusual way. Through these coins, Laura learns about her aunt's past. She is introduced to her aunt’s fall from riches to being a servant. Her aunt’s journey doesn't end there but in an unexpected interaction with a man who sees her potential as a person despite the differences in their social classes.
During Laura’s discovery of her aunt's past, she also starts forming a cautious relationship with her neighbor, Blaire, who also happens to own the building she lives in. What is most startling is how Blaire is already interwoven into Laura’s life by a surprising connection to her Aunt. Was their meeting predetermined by fate (or the Aunt) or is it just something that happened by chance?
Like many of the books that I do not care for, I do like the concept, it just wasn’t presented very well. So much could be done with how the Aunt's coins allowed Laura to travel back in time. What Laura saw when she traveled was also interesting but lacked relevance, it contained no lesson and did nothing to directly encourage Blaire and Laura to get together. The book is extremely vague. It is almost as if it is an unfinished draft of what could be a much larger story. Unfortunately, everything felt glossed over, like the author had a good idea but didn’t want to take the time to write a larger novel.
If I were to recommend this book to anyone it would be adults who like romance (there is one semi-vivid sex scene). It is good for those that want a basic and quick read, but those wanting something with more depth will be disappointed. I rate this book 1 out of 4. I was rather disappointed in it. While so short stories have the amazing ability to quickly draw readers in, provoke emotion, or make them think, this one missed the mark. In fact upon thinking about the story, time travel wasn’t even needed as the money that Laura also got put the couple in contact and not the coins.
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Laura is a bit of a nobody and always has been, at least in her own opinion. Then one seemingly random day she gets a letter from a solicitor. This letter sets her off on a whole new life as it is her inheritance from an aunt she barely knew. Along with a large sum of money Laura is given a mysterious coin collection that is connected to her aunt in a most unusual way. Through these coins, Laura learns about her aunt's past. She is introduced to her aunt’s fall from riches to being a servant. Her aunt’s journey doesn't end there but in an unexpected interaction with a man who sees her potential as a person despite the differences in their social classes.
During Laura’s discovery of her aunt's past, she also starts forming a cautious relationship with her neighbor, Blaire, who also happens to own the building she lives in. What is most startling is how Blaire is already interwoven into Laura’s life by a surprising connection to her Aunt. Was their meeting predetermined by fate (or the Aunt) or is it just something that happened by chance?
Like many of the books that I do not care for, I do like the concept, it just wasn’t presented very well. So much could be done with how the Aunt's coins allowed Laura to travel back in time. What Laura saw when she traveled was also interesting but lacked relevance, it contained no lesson and did nothing to directly encourage Blaire and Laura to get together. The book is extremely vague. It is almost as if it is an unfinished draft of what could be a much larger story. Unfortunately, everything felt glossed over, like the author had a good idea but didn’t want to take the time to write a larger novel.
If I were to recommend this book to anyone it would be adults who like romance (there is one semi-vivid sex scene). It is good for those that want a basic and quick read, but those wanting something with more depth will be disappointed. I rate this book 1 out of 4. I was rather disappointed in it. While so short stories have the amazing ability to quickly draw readers in, provoke emotion, or make them think, this one missed the mark. In fact upon thinking about the story, time travel wasn’t even needed as the money that Laura also got put the couple in contact and not the coins.
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Emma @ The Movies (1786 KP) rated Apollo 11 (2019) in Movies
Apr 7, 2020
I was sad to miss this one at the cinema, I imagine having it up on the big screen would have been very impressive, but only one of the mainstream cinemas had it on.
Space documentaries are always interesting, to think that all of that technology was really in its infancy and we were making such big strides for humanity is mindblowing... and that's why this felt like a letdown.
It's wonderful that we're getting this unseen footage but they've turned it into a film, it's not really a documentary at all. In a documentary I expect to learn things I didn't know before, but here while I was seeing things I'd never seen it's actually not showing you a new angle on the story. It's great to see everything evolving as it did on the day and through the journey but that isn't new. With such a rich story of science and discovery behind space exploration I am at a loss as to why they would forego having a narrator.
Having a narrator adds an extra layer of information that really does add something and makes the footage accessible to new viewers. I've seen documentaries on things like this before and so some of what I was seeing on screen was recognisable, but there were still some shots where I didn't know what I was looking at. Some prompting would have been useful, it was like walking through a museum where they've taken down the labels on the exhibits.
The footage is generally well edited throughout, and as I said before, the feel is that of a film as opposed to a documentary. They're compiled picture, audio and video images together to follow the crew on and above the Earth and the fact they can line it up so well is impressive. There's a montage as the crew return to Earth and this was particularly good when paired with "Mother Country" by John Stewart.
Putting the footage together can't have been an easy task, but some of it suffered for the sake of a shot. At one point we get a slightly out of place split screen "Go" sequence which showed all the departments calling out. I liked it as an idea but the audio isn't the best quality as it carries through, and after the initial effect it's difficult to understand what's going on and that detracts from some of the impact.
I appreciate the fact they dug into the archives for everything, the studio even used their 1969 logo, and crafting music that would have been possible then was impressive... even if a lot of it wasn't as inspiring as the moments it accompanied.
While Apollo 11 itself is a mindblowing event the way this "documentary" has been produced is not. Well crafted, yes, but its lack of further detail and background had a heavy negative impact for me. If I was rating just for the event then it would absolutely be a 5 star review, as a newly produced bit of work it doesn't bring anything new to the table even with it all being new footage.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/04/apollo-11-movie-review.html
Space documentaries are always interesting, to think that all of that technology was really in its infancy and we were making such big strides for humanity is mindblowing... and that's why this felt like a letdown.
It's wonderful that we're getting this unseen footage but they've turned it into a film, it's not really a documentary at all. In a documentary I expect to learn things I didn't know before, but here while I was seeing things I'd never seen it's actually not showing you a new angle on the story. It's great to see everything evolving as it did on the day and through the journey but that isn't new. With such a rich story of science and discovery behind space exploration I am at a loss as to why they would forego having a narrator.
Having a narrator adds an extra layer of information that really does add something and makes the footage accessible to new viewers. I've seen documentaries on things like this before and so some of what I was seeing on screen was recognisable, but there were still some shots where I didn't know what I was looking at. Some prompting would have been useful, it was like walking through a museum where they've taken down the labels on the exhibits.
The footage is generally well edited throughout, and as I said before, the feel is that of a film as opposed to a documentary. They're compiled picture, audio and video images together to follow the crew on and above the Earth and the fact they can line it up so well is impressive. There's a montage as the crew return to Earth and this was particularly good when paired with "Mother Country" by John Stewart.
Putting the footage together can't have been an easy task, but some of it suffered for the sake of a shot. At one point we get a slightly out of place split screen "Go" sequence which showed all the departments calling out. I liked it as an idea but the audio isn't the best quality as it carries through, and after the initial effect it's difficult to understand what's going on and that detracts from some of the impact.
I appreciate the fact they dug into the archives for everything, the studio even used their 1969 logo, and crafting music that would have been possible then was impressive... even if a lot of it wasn't as inspiring as the moments it accompanied.
While Apollo 11 itself is a mindblowing event the way this "documentary" has been produced is not. Well crafted, yes, but its lack of further detail and background had a heavy negative impact for me. If I was rating just for the event then it would absolutely be a 5 star review, as a newly produced bit of work it doesn't bring anything new to the table even with it all being new footage.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/04/apollo-11-movie-review.html
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Melanie Caldicott (6 KP) rated Sorrowland in Books
Apr 29, 2021
You can also read my review at my blog - https://roamingthroughbooks.wordpress.com
Sorrowland is a genre-bending book which is like nothing I have ever read before and probably ever will again!
The story centres around Fern, an albino black teenage girl who gives birth to twins, Howling and Feral in the woods after escaping from a cult called Cainland. What follows is a mindboggling adventure surrounding her survival.
This is a coming of age story like no other – part sci-fi, part horror, part dystopian, part magical realism, this book defies genre. But amongst all the myriad of twists and turns this novel takes, what lies at the heart of it is a story about a girl who comes to understand her identity and rises above what has been spoken over her in her past.
During Fern’s journey of self-discovery the book examines themes such as racism, indoctrination, abuse and misogyny. There are many challenges in reading this book as we encounter a dystopian world that is disturbingly similar to our own exploring those who live on the fringe of society due to white domination. This not only includes Cainland, the cult set up by black people originally to challenge the white belief system, but also native American characters who quietly hold onto their truth in a far less bigoted and twisted way.
I love the big questions this book asks and the twisted paths it takes in asking them leading you into such unknown territories through the plot that you meet these issues head on in such different ways that you confront them anew and reexamine how you really feel about them and the impact that they have on our world.
Sorrowland is compelling and, although this would never be a genre I would normally read, I enjoyed the enigmatic nature of the evolving fantastical storyline and the constant surprises Rivers Solomon weaves into the plot. It is extremely well-written, with powerful characterisation, rich with poetic descriptions and intelligent themes.
However, the aims of the book seem to get a little muddled at times and I became confused about what Solomon wanted me to get out of the book. The story becomes so fast-paced and dense at times that this prevented me from taking a step back and truly immersing myself in the deeper themes of the novel.
This is a hard book to review. As I said, not something I would normally read, but the quality of the writing won me over. That said, I did not come away from the book feeling a sense of enjoyment, but instead, unsettled and disturbed by encountering a story of brutality with wild, savage characters and a frightening world where nothing is as it seems.
I would recommend this book – purely because you will be changed by it and this is one of the most powerful gifts of literature – but it is not a comfortable read and would not suit everyone.
Thanks to the publishers and NetGalley for the ARe-copy in exchange for this honest review.
Sorrowland is a genre-bending book which is like nothing I have ever read before and probably ever will again!
The story centres around Fern, an albino black teenage girl who gives birth to twins, Howling and Feral in the woods after escaping from a cult called Cainland. What follows is a mindboggling adventure surrounding her survival.
This is a coming of age story like no other – part sci-fi, part horror, part dystopian, part magical realism, this book defies genre. But amongst all the myriad of twists and turns this novel takes, what lies at the heart of it is a story about a girl who comes to understand her identity and rises above what has been spoken over her in her past.
During Fern’s journey of self-discovery the book examines themes such as racism, indoctrination, abuse and misogyny. There are many challenges in reading this book as we encounter a dystopian world that is disturbingly similar to our own exploring those who live on the fringe of society due to white domination. This not only includes Cainland, the cult set up by black people originally to challenge the white belief system, but also native American characters who quietly hold onto their truth in a far less bigoted and twisted way.
I love the big questions this book asks and the twisted paths it takes in asking them leading you into such unknown territories through the plot that you meet these issues head on in such different ways that you confront them anew and reexamine how you really feel about them and the impact that they have on our world.
Sorrowland is compelling and, although this would never be a genre I would normally read, I enjoyed the enigmatic nature of the evolving fantastical storyline and the constant surprises Rivers Solomon weaves into the plot. It is extremely well-written, with powerful characterisation, rich with poetic descriptions and intelligent themes.
However, the aims of the book seem to get a little muddled at times and I became confused about what Solomon wanted me to get out of the book. The story becomes so fast-paced and dense at times that this prevented me from taking a step back and truly immersing myself in the deeper themes of the novel.
This is a hard book to review. As I said, not something I would normally read, but the quality of the writing won me over. That said, I did not come away from the book feeling a sense of enjoyment, but instead, unsettled and disturbed by encountering a story of brutality with wild, savage characters and a frightening world where nothing is as it seems.
I would recommend this book – purely because you will be changed by it and this is one of the most powerful gifts of literature – but it is not a comfortable read and would not suit everyone.
Thanks to the publishers and NetGalley for the ARe-copy in exchange for this honest review.
Lee (2222 KP) rated Supernova (2020) in Movies
Oct 12, 2020
When I first saw the trailer for Supernova, I could tell that we were in for a fairly intense depiction of dementia and its effect on loved ones, delivered by a couple of veteran actors at the top of their game. Consequently, it was one of the movies I was most looking forward to as part of this years London Film Festival, and while it wasn’t quite as full-on or emotional for me as I was expecting, that’s certainly not the fault of Colin Firth or Stanley Tucci, who are both outstanding.
“We’re not going back, you know,” Sam (Firth) says to husband Tusker (Tucci) as they head off in their campervan for a road trip. He’s referring to any items they might have needed for the trip which are left behind, but those words will prove to hold a much deeper meaning as their journey progresses. Tusker, a best-selling author, has deliberately left his medication at home, having decided that it is having no effect in his battle with dementia. When Sam leaves Tusker in the van to head into a supermarket for supplies, he returns to find Tusker missing - a frantic drive down nearby country lanes finds him standing alone, lost and confused. His mind is clearly beginning to fail him.
As they put the incident behind them and continue their journey, we get a real sense of the love and commitment they both share. As they travel through the beautiful scenery of the Lake District, they bicker and joke with each other, like a gay version of Steve Coogan and Rob Brydon series, The Trip. “It isn’t even satisfying half the time,” Tusker admits after teasing Sam. When asked why he bothers anymore, he just smiles and replies “Because of the other half.”
Tusker continues to work on a new novel, but is finding it increasingly difficult to write anymore and has instead become preoccupied with gazing at the night sky, fascinated with astronomy. Sam, a semi-retired concert pianist, has taken a break to join Tusker on one last road-trip, revisiting locations from their lives together. They stop off at the home of Sam’s sister and her family, where a surprise birthday party brings together old friends and distant family. A chance to reminisce and take stock of what the future holds as Tusker continues to deteriorate. But a discovery during the party leads to some more serious discussions between Sam and Tusker, forcing them to acknowledge and attempt to come to terms with what lies ahead for them both.
Supernova didn’t head in the direction I expected it to, or deliver it in the way I envisioned from the trailer. For the most part, it’s just simple conversations between two lovers, sometimes playful, sometimes deadly serious. But it is delivered by two incredible actors, on peak-form and with such wonderful chemistry. And while it didn’t quite leave me feeling as emotional as it did for many others who watched it as part of the festival, it certainly managed to make a lasting impact.
“We’re not going back, you know,” Sam (Firth) says to husband Tusker (Tucci) as they head off in their campervan for a road trip. He’s referring to any items they might have needed for the trip which are left behind, but those words will prove to hold a much deeper meaning as their journey progresses. Tusker, a best-selling author, has deliberately left his medication at home, having decided that it is having no effect in his battle with dementia. When Sam leaves Tusker in the van to head into a supermarket for supplies, he returns to find Tusker missing - a frantic drive down nearby country lanes finds him standing alone, lost and confused. His mind is clearly beginning to fail him.
As they put the incident behind them and continue their journey, we get a real sense of the love and commitment they both share. As they travel through the beautiful scenery of the Lake District, they bicker and joke with each other, like a gay version of Steve Coogan and Rob Brydon series, The Trip. “It isn’t even satisfying half the time,” Tusker admits after teasing Sam. When asked why he bothers anymore, he just smiles and replies “Because of the other half.”
Tusker continues to work on a new novel, but is finding it increasingly difficult to write anymore and has instead become preoccupied with gazing at the night sky, fascinated with astronomy. Sam, a semi-retired concert pianist, has taken a break to join Tusker on one last road-trip, revisiting locations from their lives together. They stop off at the home of Sam’s sister and her family, where a surprise birthday party brings together old friends and distant family. A chance to reminisce and take stock of what the future holds as Tusker continues to deteriorate. But a discovery during the party leads to some more serious discussions between Sam and Tusker, forcing them to acknowledge and attempt to come to terms with what lies ahead for them both.
Supernova didn’t head in the direction I expected it to, or deliver it in the way I envisioned from the trailer. For the most part, it’s just simple conversations between two lovers, sometimes playful, sometimes deadly serious. But it is delivered by two incredible actors, on peak-form and with such wonderful chemistry. And while it didn’t quite leave me feeling as emotional as it did for many others who watched it as part of the festival, it certainly managed to make a lasting impact.