
Micky Barnard (542 KP) rated Girls of Paper and Fire in Books
Jan 26, 2019
This is a tale of politics, war, oppression, slavery and fear. Lei embarks in a journey from fearful new paper girl to a young woman who has a streak of fearless bravery, almost foolish at times. The land of the Demon King was colourful and diverse, the descriptions were excellent and my mind supplied all the mental pictures that I needed. The characters were a range of sweet, fiery, plain mean and evil.
The diversity elements of this book were fabulous. I welcomed the relationship between Lei and Wren and yet sometimes I struggled to connect with their coupling because the chemistry lacked a little something. This being a first in the series, I am hoping for more of a a build in the relationship between these two. The sisterly relationships of the paper girls were almost like a high school corridor with the resident mean girl, Blue. In addition, I loved to hate the Demon King, he really was vile.
This had both a sense of completion and an “oh heck, what” moment at the end. I am definitely looking forward to catching up with these characters again and finding out what happens in this world.
I voluntarily read an early copy of this book.

Awix (3310 KP) rated War of the Worlds: Global Dispatches in Books
Feb 3, 2020
A bit of a mixed bag, to be honest: some of the stories just restage elements of Wells with a different backdrop, others treat the Martians as a backdrop for more introspective tales, still others indulge in literary pastiche. Unlikely juxtapositions and in-jokes abound - Rudyard Kipling meets Gandhi, Tolstoy meets Stalin, Samuel Clemens (d. 1910) makes reference to John Christopher (b. 1922). The best stories are mostly the ones which recognise the political/satirical subtext powering the Wells novel and attempt to do something similar - so Barbara Hambly's story concerns British imperialism in India, and the effect of the Martians on the situation there, while another looks at the consequences for pre-revolutionary Russia. That said, Connie Willis' Hugo-winning contribution sends the whole conceit of the novel up with a predictable mixture of tongue-in-cheek drollery and sheer absurd silliness, as the unlikely effect of a Martian encounter on the poetry of Emily Dickinson is revealed (especially considering Dickinson died twelve years before the coming of the Martians). The good stories are very good indeed, the less good ones merely a bit tedious. A worthy and worthwhile tribute to the original novel.

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