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Bob Mann (459 KP) rated Bill & Ted Face the Music (2020) in Movies
Oct 7, 2020
And you thought Tenet's timey wimey stuff was confusing?
Thirty-One years after the first Bill and Ted movie, and 29 years after the slightly disappointing sequel, the dudes are back for a three-quel. Older... but not much wiser.
Bill (Alex Winter) and Ted (Keanu Reeves) are the only ones that can save reality. If they don't play the 'song that will unite humanity' at 7:17 at MP42 then the whole of time and space will unravel. It's already happening, with historical characters zapping here and there at random. There are only two problems: 1) they have no idea where MP42 is and; 2) the no-hoper wedding singers haven't written the song... yet.
Zipping forwards in time, they plan to steal the song from their future selves.
Meanwhile their daughters Thea (Samara Weaving) and Kelly (Kristen Schaal) travel backwards in time to assemble a world-class backing band. (As an aside, it is astonishing how much Weaving looks like Margot Robbie - never a bad thing in my book! If there is ever a biopic requiring a young and old version of her character, they will save a BOMB on the CGI bill!)
Meanwhile (meanwhile) Bill and Ted's princess brides (now Erinn Hayes as Elizabeth and Jayma Mays as Joanna) are unsettled with their marriages and are jumping from time to time to see if they can be happy with any version of Bill and Ted.
Death (William Sadler) quotes a Wyld Stallyns review as "A raging confused mess". And it really applies to this too! The screenplay, by original Bill and Ted writers Chris Matheson and Ed Solomon, is all over the place. With a scattergun approach to the comedy, some of the lines firmly stick to the wall - making me guffaw with laughter - and others are just plain duds.
Some of the scenes - a "couples therapy" session for example - seem to be desperately trying to be milked for all they're worth. Even the "monkey" after the end titles - with "old dudes" rocking out - isn't worth the wait.
But, contrary to that, it's also difficult not to be swept along with the anarchic joy of the concoction. The movie of course leans heavily on the nostalgic catchphrases and air guitar riffs of years gone by. But there's no shame in that. And there's a star quality cameo at one point that entertains.
Director Dean Parisot - most famous for the minor classic "Galaxy Quest" - manages to rustle all this diverse material into something that overall still manages to leave an overall stupid grin on your face. As a comedy it passes the '6-laugh' test, but - as someone who has never been a great "Bill and Ted" fan - it's not a classic. But I can see how "Bill and Ted" fans, like my daughter Jenn, would have loved it (and she did).
(For the graphical review, check out One Mann's Movies on t'internet here https://bob-the-movie-man.com/2020/10/06/bill-and-ted-party-on-til-we-drop-dudes/ . Thx.)
Bill (Alex Winter) and Ted (Keanu Reeves) are the only ones that can save reality. If they don't play the 'song that will unite humanity' at 7:17 at MP42 then the whole of time and space will unravel. It's already happening, with historical characters zapping here and there at random. There are only two problems: 1) they have no idea where MP42 is and; 2) the no-hoper wedding singers haven't written the song... yet.
Zipping forwards in time, they plan to steal the song from their future selves.
Meanwhile their daughters Thea (Samara Weaving) and Kelly (Kristen Schaal) travel backwards in time to assemble a world-class backing band. (As an aside, it is astonishing how much Weaving looks like Margot Robbie - never a bad thing in my book! If there is ever a biopic requiring a young and old version of her character, they will save a BOMB on the CGI bill!)
Meanwhile (meanwhile) Bill and Ted's princess brides (now Erinn Hayes as Elizabeth and Jayma Mays as Joanna) are unsettled with their marriages and are jumping from time to time to see if they can be happy with any version of Bill and Ted.
Death (William Sadler) quotes a Wyld Stallyns review as "A raging confused mess". And it really applies to this too! The screenplay, by original Bill and Ted writers Chris Matheson and Ed Solomon, is all over the place. With a scattergun approach to the comedy, some of the lines firmly stick to the wall - making me guffaw with laughter - and others are just plain duds.
Some of the scenes - a "couples therapy" session for example - seem to be desperately trying to be milked for all they're worth. Even the "monkey" after the end titles - with "old dudes" rocking out - isn't worth the wait.
But, contrary to that, it's also difficult not to be swept along with the anarchic joy of the concoction. The movie of course leans heavily on the nostalgic catchphrases and air guitar riffs of years gone by. But there's no shame in that. And there's a star quality cameo at one point that entertains.
Director Dean Parisot - most famous for the minor classic "Galaxy Quest" - manages to rustle all this diverse material into something that overall still manages to leave an overall stupid grin on your face. As a comedy it passes the '6-laugh' test, but - as someone who has never been a great "Bill and Ted" fan - it's not a classic. But I can see how "Bill and Ted" fans, like my daughter Jenn, would have loved it (and she did).
(For the graphical review, check out One Mann's Movies on t'internet here https://bob-the-movie-man.com/2020/10/06/bill-and-ted-party-on-til-we-drop-dudes/ . Thx.)
Kristy H (1252 KP) rated Detransition, Baby in Books
Jan 28, 2021
A meandering but insightful look into the lives of an interconnected trio
Reese and Amy nearly had it all--a loving relationship, an apartment, and safety in each other: something extremely difficult for trans women to find. But that all changes when Amy decides to detransition and become Ames. Now Reese feels lost and alone, turning to her old patterns of sleeping with men who treat her poorly. And Ames isn't particularly happy either, though he's found a sort of comfort in his relationship with his boss, Katrina. But when Katrina discovers she's pregnant--with Ames' child--Ames is forced to confront a lot of his fears about masculinity and fatherhood. He also wonders if it's a chance for family. Reese has always longed for a baby; could he, Reese, and Katrina raise this child together?
"Somewhere, somehow, Amy did the impossible. She got herself a baby."
I love that this diverse book was my 300th read for Netgalley. I love love love that there is a story about trans women being celebrated and heralded on "must read" lists. I enjoyed so much about this book. Reese and Amy are detailed and realistic characters who--to me at least--did not seem stereotypical or one-dimensional. I felt like I learned so much reading their raw, emotional, and lovely story.
The tale of Ames becoming a parent--and wanting to involve Reese--was an interesting and dynamic one for me. I could completely understand Reese's longing for motherhood and how she felt on the outside looking in. This part of the book was original and fascinating. Pieces of the story were utterly hilarious, despite some of the serious subject matter. There is a chapter where Reese attends an essential oils party with Katrina and other straight/cis women that made me laugh out loud. Peters captures her voice so perfectly. There's a vulnerability and realness to Reese that makes her a captivating character from the start.
"Reese had already diagnosed her own problem. She didn't know how to be alone. She fled from her own company, from her own solitude."
The hardest part for me about this book had nothing to do with its subject matter (if that's a problem for you, you're the problem), but the fact that it veers between the past and the present, going on tangents about Reese and Amy's past. Sometimes it seemed like it just needed a strong edit, with someone willing to strike about half of those passages. Or perhaps I just wanted to get on with the present, the impending baby, and Reese, Katrina, and Ames' story. I'm not sure. But I was nearly compelled to skim some of these long passages. It was just a lot. And then, after all that, the book just sort of ended, to me, without much resolution, and I felt a bit betrayed.
Still, do not get me wrong. This is an excellent and important story, and more such stories like this need to be told. I definitely recommend it, and I bet any forthcoming books from Peters will only get better and better. 3.5
Reese and Amy nearly had it all--a loving relationship, an apartment, and safety in each other: something extremely difficult for trans women to find. But that all changes when Amy decides to detransition and become Ames. Now Reese feels lost and alone, turning to her old patterns of sleeping with men who treat her poorly. And Ames isn't particularly happy either, though he's found a sort of comfort in his relationship with his boss, Katrina. But when Katrina discovers she's pregnant--with Ames' child--Ames is forced to confront a lot of his fears about masculinity and fatherhood. He also wonders if it's a chance for family. Reese has always longed for a baby; could he, Reese, and Katrina raise this child together?
"Somewhere, somehow, Amy did the impossible. She got herself a baby."
I love that this diverse book was my 300th read for Netgalley. I love love love that there is a story about trans women being celebrated and heralded on "must read" lists. I enjoyed so much about this book. Reese and Amy are detailed and realistic characters who--to me at least--did not seem stereotypical or one-dimensional. I felt like I learned so much reading their raw, emotional, and lovely story.
The tale of Ames becoming a parent--and wanting to involve Reese--was an interesting and dynamic one for me. I could completely understand Reese's longing for motherhood and how she felt on the outside looking in. This part of the book was original and fascinating. Pieces of the story were utterly hilarious, despite some of the serious subject matter. There is a chapter where Reese attends an essential oils party with Katrina and other straight/cis women that made me laugh out loud. Peters captures her voice so perfectly. There's a vulnerability and realness to Reese that makes her a captivating character from the start.
"Reese had already diagnosed her own problem. She didn't know how to be alone. She fled from her own company, from her own solitude."
The hardest part for me about this book had nothing to do with its subject matter (if that's a problem for you, you're the problem), but the fact that it veers between the past and the present, going on tangents about Reese and Amy's past. Sometimes it seemed like it just needed a strong edit, with someone willing to strike about half of those passages. Or perhaps I just wanted to get on with the present, the impending baby, and Reese, Katrina, and Ames' story. I'm not sure. But I was nearly compelled to skim some of these long passages. It was just a lot. And then, after all that, the book just sort of ended, to me, without much resolution, and I felt a bit betrayed.
Still, do not get me wrong. This is an excellent and important story, and more such stories like this need to be told. I definitely recommend it, and I bet any forthcoming books from Peters will only get better and better. 3.5
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Lindsay (1760 KP) rated Evergreen Forevermore in Books
Jun 16, 2024
Evergreen Forevermore is a captivating tale set in the picturesque hometown of Whitecap. It is a book brimming with mystery and intrigue. We are introduced to a young man named John Devore, who, driven by a deep sense of duty, becomes a paramedic to serve his community.
We are introduced to a judge who is a friend of John's. We meet a young woman named Katherine who needs to learn a few things about people. The story starts in a shelter in New York, where John volunteers and has met some friends along the way.
John and the Judge share a unique bond, a friendship that transcends their professional lives. The Judge, intrigued by John's tales of his hometown, expresses a desire to visit Whitecap. Will this wish be fulfilled? This book, with its rich tapestry of characters, holds the answer.
John sees a man working on the streets and wonders about him. His grandfather tells him his name is Fred Bates. John appears to start a conversation with Fred and introduces him. He also sees Fred Bates's interest in the new medic truck and wonders why. He finds a way to get Fred to work with him at the firehouse.
As the story goes on, there seems to be secrecy and mystery around every door. What are these mysteries, and will John be able to help? The story begins when the Judge has to sentence a woman he meets. Will a change of scenery and learning about others help the young woman? What about her father? There is more to the plot than just learning about expectations and how others feel. The young woman needs an attitude change or will be in much more trouble if she continues her path. Will her father understand that he needs to let his daughter learn the hard lessons and stand on her own to two feet?
Judge James Wilcox, a pivotal character, embarks on a journey with John to uncover long-awaited hidden secrets. Will his efforts lead to a long-overdue family reunion for Katherine and Fred? Will a sweet handyman, be haunted by the memory of his lost and beloved wife, find closure? Fred, a veteran, is finally recognized for his bravery. Will he be able to forgive himself for the past?
This book is heartwarming. I really enjoyed it. I love how this ends. The characters are my favorite. However, each main character's story is involved in the other's. It is more about a story about a town and town folk than just a personal story. TA Cline does a wonderfully good job on this. I recommend this book and these other two books as well. This one is a top favorite. I would like to know if this book can be beaten from the top of the list.
This book is a treasure trove for those who seek a rollercoaster of emotions. This book is a must-read if you are a fan of heartfelt stories, mysteries that keep you on the edge of your seat, and the complexities of family dynamics. It skillfully weaves together a diverse cast of characters, including a veteran, each adding a unique flavor to the narrative.
We are introduced to a judge who is a friend of John's. We meet a young woman named Katherine who needs to learn a few things about people. The story starts in a shelter in New York, where John volunteers and has met some friends along the way.
John and the Judge share a unique bond, a friendship that transcends their professional lives. The Judge, intrigued by John's tales of his hometown, expresses a desire to visit Whitecap. Will this wish be fulfilled? This book, with its rich tapestry of characters, holds the answer.
John sees a man working on the streets and wonders about him. His grandfather tells him his name is Fred Bates. John appears to start a conversation with Fred and introduces him. He also sees Fred Bates's interest in the new medic truck and wonders why. He finds a way to get Fred to work with him at the firehouse.
As the story goes on, there seems to be secrecy and mystery around every door. What are these mysteries, and will John be able to help? The story begins when the Judge has to sentence a woman he meets. Will a change of scenery and learning about others help the young woman? What about her father? There is more to the plot than just learning about expectations and how others feel. The young woman needs an attitude change or will be in much more trouble if she continues her path. Will her father understand that he needs to let his daughter learn the hard lessons and stand on her own to two feet?
Judge James Wilcox, a pivotal character, embarks on a journey with John to uncover long-awaited hidden secrets. Will his efforts lead to a long-overdue family reunion for Katherine and Fred? Will a sweet handyman, be haunted by the memory of his lost and beloved wife, find closure? Fred, a veteran, is finally recognized for his bravery. Will he be able to forgive himself for the past?
This book is heartwarming. I really enjoyed it. I love how this ends. The characters are my favorite. However, each main character's story is involved in the other's. It is more about a story about a town and town folk than just a personal story. TA Cline does a wonderfully good job on this. I recommend this book and these other two books as well. This one is a top favorite. I would like to know if this book can be beaten from the top of the list.
This book is a treasure trove for those who seek a rollercoaster of emotions. This book is a must-read if you are a fan of heartfelt stories, mysteries that keep you on the edge of your seat, and the complexities of family dynamics. It skillfully weaves together a diverse cast of characters, including a veteran, each adding a unique flavor to the narrative.