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A Study in Honor: A Novel
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Paste Magazine’s Most Anticipated 25 books of 2018 Medium’s Books We Can’t Wait to Read in...
Love in the Time of Cholera
7.7
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A poignant meditation on the nature of desire, and the enduring power of love, Gabriel Garcia...
Intuition on Demand: A Step-by-Step Guide to Powerful Intuition You Can Trust
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* Has your intuition been giving you messages but you don't know what they mean? * Do you find it...
LeftSideCut (3776 KP) rated Thor: Ragnarok (2017) in Movies
Mar 5, 2021
I've got a lot a love for the first Thor movie, but like many others, the second one is probably my least favourite of the whole franchise. So, when one of the mightiest Avengers threatens to become stale, what is the solution? Taika fucking Waititi is the solution.
One of my favourite working directors helming an MCU film is exciting indeed, and manages to deliver a film that injects new life into the Thor series, manages to fit in with other chapters of the franchise without feeling too alien, but still has liberal splashings of Waititi's trademark wit throughout.
The comedy in this entry is thick and fast, but everything lands just right. It's fair to say that it's taken a leaf out the Guardians of the Galaxy playbook, but manages to come across smoother and feel more refined in it's humour than Vol. 2.
Chris Hemsworth, Tom Hiddleston, Anthony Hopkins, Mark Ruffalo and Idris Elba are back and as good as ever with MCU newcomers Cate Blanchett, carving a memorable figure as this movies big bad Hela (who I really hope we see again at somepoint), Tessa Thompson as the badass Valkyrie, a wonderful Jeff Goldblum as secondary villain Grandmaster (another that I hope we see again), and Karl Urban as The Executioner. It's a well put together cast.
It's packed full of comic shit too, with references to Man Thing, Beta Ray Bill, and Bi Beast, a tie in appearance from Doctor Strange, the first appearance of Surtur, and Hulk rampaging through Asgard. It has relentlessly entertaining set pieces and an 80s synth style soundtrack that tops everything wonderfully.
Not much to complain about here - easily the best of the Thor trilogy and a solid entry into the wider MCU.
One of my favourite working directors helming an MCU film is exciting indeed, and manages to deliver a film that injects new life into the Thor series, manages to fit in with other chapters of the franchise without feeling too alien, but still has liberal splashings of Waititi's trademark wit throughout.
The comedy in this entry is thick and fast, but everything lands just right. It's fair to say that it's taken a leaf out the Guardians of the Galaxy playbook, but manages to come across smoother and feel more refined in it's humour than Vol. 2.
Chris Hemsworth, Tom Hiddleston, Anthony Hopkins, Mark Ruffalo and Idris Elba are back and as good as ever with MCU newcomers Cate Blanchett, carving a memorable figure as this movies big bad Hela (who I really hope we see again at somepoint), Tessa Thompson as the badass Valkyrie, a wonderful Jeff Goldblum as secondary villain Grandmaster (another that I hope we see again), and Karl Urban as The Executioner. It's a well put together cast.
It's packed full of comic shit too, with references to Man Thing, Beta Ray Bill, and Bi Beast, a tie in appearance from Doctor Strange, the first appearance of Surtur, and Hulk rampaging through Asgard. It has relentlessly entertaining set pieces and an 80s synth style soundtrack that tops everything wonderfully.
Not much to complain about here - easily the best of the Thor trilogy and a solid entry into the wider MCU.
Kirk Bage (1775 KP) rated Alphaville (1965) in Movies
Jan 28, 2021
This is one of the best bad films I have ever seen. It looks cheap (at one point the camera-man is clearly entirely visible in a mirror), the story is preposterous, the dialogue is insane, the characters behave like no one in reality ever, and it is sci-fi in name only, as no attempt whatsoever has been made to stretch the budget to anything remotely futuristic – and yet, I loved it! Perhaps it reminded me of Blake’s 7 and Doctor Who, and therefore my happy childhood relationship with cheap sci-fi? Or it could have been that there are so many essential ideas and tropes that exist in my favourite big budget sci-fi films, such as Blade Runner (for which it is an obvious influence), that it felt familiar and friendly from the start. Part hard boiled detective story and part pulp fiction fantasy, as with most Godard, I am discovering, it is all about mood and chic, not remotely about the plot.
Eddie Constantine is awful as an actor, but he looks and feels perfect here. And Anna Karina is entirely lovely, oozing intelligent sexuality and seductive vibes in every scene. Not a heroine that needs the man to save her, but a strong and independent woman as much the hero of the story as the trenchcoated lead. Every noir stereotype is adhered to without fail, punctuated with the bizarre and the incongruous whenever possible. Without this film existing there would be so many good things from The Prisoner to Predestination that wouldn’t have been the same. Groundbreaking and charming without even trying. It grows in my imagination as a cult entity by the week – I can’t wait to watch it again fairly soon.
Eddie Constantine is awful as an actor, but he looks and feels perfect here. And Anna Karina is entirely lovely, oozing intelligent sexuality and seductive vibes in every scene. Not a heroine that needs the man to save her, but a strong and independent woman as much the hero of the story as the trenchcoated lead. Every noir stereotype is adhered to without fail, punctuated with the bizarre and the incongruous whenever possible. Without this film existing there would be so many good things from The Prisoner to Predestination that wouldn’t have been the same. Groundbreaking and charming without even trying. It grows in my imagination as a cult entity by the week – I can’t wait to watch it again fairly soon.
E-standards
Health & Fitness and Medical
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You will find E-Standards of EU - food supplements labeled with numbers that are tested for safety...
Anti Stress and Anxiety Hypnosis
Health & Fitness
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Stress is a feeling of emotional or physical tension. It can come from any event or thought that...
LeftSideCut (3776 KP) rated Re-Animator (1985) in Movies
Aug 29, 2020
Straight up, Re-Animator is one of my favourite horror movies of all time - there is just so much to love about this bonafide classic.
Based on an H.P. Lovecraft story, the plot revolves around trainee doctor Dan Cain, who's world is turned upside down when he crosses paths with Herbert West, a fellow trainee who has developed a serum that has the ability to reverse brain death. With some serious trial and error, it's not long before all hell breaks loose, and Dan is roped into Herbert's crazy schemes.
This film is a shining example of schlocky 80s horror done right and ticks all the right boxes. The dialogue may come across a bit B-Movie-ish at times, but that's hardly a problem with the strong cast involved.
Jeffrey Combs dominates every second he's on screen as Herbert West, giving us a truly iconic Mad Scientist of cinema. Same goes for David Gale as primary antagonist Dr. Carl Hill. God, I hate that character - a trait that makes him an excellent horror villain.
Bruce Abbot plays Dan, and his performance has you on his side for the whole runtime, even when he's reluctantly helping West in his unethical experiments. This was also a break out film for horror icon Barbara Crampton. I can't help but love her in anything she's in.
Another fantastic aspect about Re-Animator is the practical effects, which are truly incredible. It's such a visceral experience, so over the top, and just plain gross, everything you want from a gory horror flick. This all culminates in one of the most absurd final sequences in 80s horror, and that's saying something!
Re-Animator is both charming and disgusting, and manages to be funny as well. A true horror gem that should be seen by any fan of the genre.
Based on an H.P. Lovecraft story, the plot revolves around trainee doctor Dan Cain, who's world is turned upside down when he crosses paths with Herbert West, a fellow trainee who has developed a serum that has the ability to reverse brain death. With some serious trial and error, it's not long before all hell breaks loose, and Dan is roped into Herbert's crazy schemes.
This film is a shining example of schlocky 80s horror done right and ticks all the right boxes. The dialogue may come across a bit B-Movie-ish at times, but that's hardly a problem with the strong cast involved.
Jeffrey Combs dominates every second he's on screen as Herbert West, giving us a truly iconic Mad Scientist of cinema. Same goes for David Gale as primary antagonist Dr. Carl Hill. God, I hate that character - a trait that makes him an excellent horror villain.
Bruce Abbot plays Dan, and his performance has you on his side for the whole runtime, even when he's reluctantly helping West in his unethical experiments. This was also a break out film for horror icon Barbara Crampton. I can't help but love her in anything she's in.
Another fantastic aspect about Re-Animator is the practical effects, which are truly incredible. It's such a visceral experience, so over the top, and just plain gross, everything you want from a gory horror flick. This all culminates in one of the most absurd final sequences in 80s horror, and that's saying something!
Re-Animator is both charming and disgusting, and manages to be funny as well. A true horror gem that should be seen by any fan of the genre.
ClareR (6106 KP) rated A Spell of Good Things in Books
Mar 31, 2023
A Spell of Good Things by Ayòbámi Adébáyò is a book that looks unflinchingly at the have’s and have not’s in Nigeria. The two main characters come from two very different backgrounds.
Eniola is a boy who looks like a man. His schoolteacher father loses his job due to a shakeup in the education system, and falls into a deep depression. This leaves Eniola working as an errand boy for the local tailor, collecting newspapers and begging (much against his will). He wants so much more for his life, though…
Wuraola is from a wealthy family. Her parents are proud of her succeeding in her aim to be a doctor - and now they expect her to marry. And Kunle is the son of friends that they favour. But he’s volatile in private (to say the least).
We follow the stories of Eniola and Wuraola and the differences in their lives are stark. Eniola goes to school hungry, he’s beaten by the teachers because his parents pay their school fees late (if at all). And finally, he thinks he has found a way out of his poverty - when in fact it’s something far worse.
Wuraola’s life is difficult in a different way: she has a well-paid, well-respected job, but the Nigerian health system is overstretched, underfunded and doesn’t have enough doctors. But she believes in doing her duty, so she works hard, and says yes when Kunle proposes.
Wuraola’s and Eniola’s lives are on a collision course though.
I inhaled this book. It’s gritty and doesn’t hold back in any way. It’s an insight into lives I’ve never experienced and so powerfully told. The themes of domestic abuse, poverty, access to education and political corruption make for a heartbreaking read.
Recommended.
Eniola is a boy who looks like a man. His schoolteacher father loses his job due to a shakeup in the education system, and falls into a deep depression. This leaves Eniola working as an errand boy for the local tailor, collecting newspapers and begging (much against his will). He wants so much more for his life, though…
Wuraola is from a wealthy family. Her parents are proud of her succeeding in her aim to be a doctor - and now they expect her to marry. And Kunle is the son of friends that they favour. But he’s volatile in private (to say the least).
We follow the stories of Eniola and Wuraola and the differences in their lives are stark. Eniola goes to school hungry, he’s beaten by the teachers because his parents pay their school fees late (if at all). And finally, he thinks he has found a way out of his poverty - when in fact it’s something far worse.
Wuraola’s life is difficult in a different way: she has a well-paid, well-respected job, but the Nigerian health system is overstretched, underfunded and doesn’t have enough doctors. But she believes in doing her duty, so she works hard, and says yes when Kunle proposes.
Wuraola’s and Eniola’s lives are on a collision course though.
I inhaled this book. It’s gritty and doesn’t hold back in any way. It’s an insight into lives I’ve never experienced and so powerfully told. The themes of domestic abuse, poverty, access to education and political corruption make for a heartbreaking read.
Recommended.
The Polish Wife (The Secret Resistance Series)
8.0
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Germany, 1934. Surrounded by beautiful wedding china, we share our first dinner alone as husband and...