"Donald Sutherland and Julie Christie both look amazing in this film. It’s also a brilliant document of Venice in the early ’70s. It’s a stunning-looking film. And interestingly, Geoff’s father-in-law was the main cameraman! The scene at the top of the bell tower in St. Mark’s Square, where Donald Sutherland’s legs are dangling—they’re Geoff’s father-in-law’s legs! I don’t think Donald fancied the climb?!! It’s also the best horror ending ever, without a doubt. —Billy Fuller"

"I think it’s one of the great comedies. It’s incredibly dark, and on a character side, Donald Sutherland and Elliott Gould, their characters are just so believable, and I think it’s the first bromance film, I just love it. I love the relationship between those two guys, so M*A*S*H is up there too."

"MASH. To me, MASH is the superb realization of [Robert] Altman. Amazing. Whether it’s the improvisational nature, the way he layers dialogue, the way that he has scenes that are alive on every level. The rebelliousness, the anarchy, the humor. You know, Donald Sutherland and Elliot Gould were just [great]. To me, it was sort of like the perfect realization of what he does, although McCabe & Mrs. Miller is another favorite."

"To Kill a Mockingbird is way up there, but that’s also like an On the Waterfront kind of classic movie, also with a personal journey set against a bigger social issue — racism — but I’m going to go instead with Ordinary People, directed by Robert Redford with Mary Tyler Moore, Timothy Hutton who won an Oscar — one of the youngest Oscar winners I think — Donald Sutherland, and Judd Hirsch playing the psychiatrist."