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Inspired by Bell Witch, this month Pitchfork has delved into the best recent doom metal releases.


Wizard Bloody Wizard by Electric Wizard

Wizard Bloody Wizard by Electric Wizard

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“21st Century Funeral Boogie” This is ELECTRIC WIZARD’s long anticipated ninth LP, ominously...


Metal
Curse of Conception by Spirit Adrift

Curse of Conception by Spirit Adrift

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While many took notice of their debut album Chained To Oblivion, Curse Of Conception, Spirit...


metal
The Crowning of the Fire King by Sorcerer

The Crowning of the Fire King by Sorcerer

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Sorcerer was formed in Stockholm, Sweden in 1988 by Johnny Hagel (Tiamat, Sundown, Lithium), Tommy...


metal
Caustic by Primitive Man

Caustic by Primitive Man

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Denver’s PRIMITIVE MAN​’s ​music matches its name: a savage, sparse mix of death metal,...


metal
Eroded Corridors of Unbeing by Spectral Voice

Eroded Corridors of Unbeing by Spectral Voice

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After no less than five demos/rehearsals and two splits, Colorado’s SPECTRAL VOICE are finally...


metal
and 1 other item
     
Relentless by Pentagram
Relentless by Pentagram
1985 | Metal
9
9.0 (1 Ratings)
Album Rating
A heavy, colossal slab of doom metal from the States, Relentless is on regular rotation, for me.
  
Rolling Stone's editors pick this week's best new releases on streaming services, including a doom metal album, world music and some big names releasing their debut albums.

Margo Price's honky-tonk manifesto, Niall Horan's personal pop, Frank Zappa's Halloween freakout and more albums to stream this week.


Mirror Reaper by Bell Witch

Mirror Reaper by Bell Witch

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The new BELL WITCH full length - Mirror Reaper - will be the doom metal album to push all boundaries...


metal doom metal
Last Band Standing by Orchestre Les Mangelepa

Last Band Standing by Orchestre Les Mangelepa

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Strut present the first ever new international studio album by one of the all-time great African big...


pop world
Value by Visionist

Value by Visionist

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Visionist returns with his second album “Value”, a precise body of work which across its 10...


dance electronic pop world
Letters Never Read by Dori Freeman

Letters Never Read by Dori Freeman

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A gifted singer and songwriter whose music puts a contemporary spin on classic folk and country...


pop folk
Tegan and Sara Present The Con X: Covers by Various Artists

Tegan and Sara Present The Con X: Covers by Various Artists

8.5 (2 Ratings) Rate It

Album Watch

2017 release. To commemorate the 10th anniversary of Tegan and Sara's classic 2007 album, The Con,...


indie alternative compilation
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Video

CONAN - Gravity Chasm (Studio Demo 2012) | Napalm Records

Britain's dirtiest doom metal-band CONAN provide insights into a secret world! "Man Is Myth - Early Demos" are unheard beasts out of their rehearsal room and studio.

  
Alice In Chains by Alice In Chains
Alice In Chains by Alice In Chains
1995 | Rock
(0 Ratings)
Album Favorite

"Now the heaviness comes! It's up there with Sehnsucht by Rammstein: just pure molten lava, classic metal. Alice In Chains were such a weird band: losing their singer, when he had gangrene and was addicted, and they went and did a record with fucking Elton John… just a truly bizarre band! Jerry Cantrell was the guitarist, and Layne Staley was the singer who sadly passed away. If you look at old footage of Layne Staley, he really was one of the most doom-laden, foreboding metal presences you could ever wish to see. Look at old footage of him and he'll just stand there, stock still, with his glasses on and he always had his arms covered because there was always something bad going on with him, but his voice just came out of him like the eternal cracking of the oldest oak in the mythical forest. His voice was just wipeout, it was so low and had so much meaning. And Jerry Cantrell was such a pointed, furious, lumpen but spry guitarist, and there hasn't been a classic metal album for a long time I think. This is a bit of a shit muso point, but I think a lot of that is down to modern day metal musicians tuning down. They do this drop, this detuning where everything is just 'du-doom du-doom du-doom'. That's why you don't get this kind of music anymore, because all the guitars are tuned too low. But Jerry Cantrell obviously has a classicist's mind when it comes to metal, and the song 'Them Bones'... it's a simple rudimentary chord, but as soon as it comes on there's a spectral, dying scream in the background, four chords going up in semitones, and it's just like, "Fuck me… how do people find this erudition out of simplicity?" That's when rock & roll is at its best, when it finds that complexity in simplicity, and power in loss or whatever you want to call it."

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Master of Reality by Black Sabbath
Master of Reality by Black Sabbath
1971 | Rock
9
8.6 (7 Ratings)
Album Rating
Rolling Stone's 300th greatest album of all time
Great album by the grandfathers of metal. Kicking off with the coughing fit at the start of Sweet Leaf and its slow doom-laden pace. While Ozzy isn't the greatest singer, the rest of the band more than make up for it, with superb guitar and bass and fairly intricate, almost jazz-like drumming (which would become unusual for a heavy metal band). Sweet Leaf and Children of the Grave are superb, but the rest of the album is also really good and merits another listen (I usually stick to the We Sold Our Souls for Rock and Roll collection).
  
Lords of Chaos (2018)
Lords of Chaos (2018)
2018 | Drama
This Was a Miss For Me
Lords of Chaos is the tragic story of a teenager trying to bring Black Metal to Norway. Let’s get this out of the way now: The movie is a mess. I didn’t feel enriched after watching it in any shape, form, or fashion. Instead, I left with a very bad taste in my mouth and a desire to cut on a comedy after watching something so morbidly depressing.

Acting: 10

Beginning: 2
”What are you watching?” my wife asked from the other room. “Sounds awful!” She wasn’t wrong as the beginning attempts to explain all the W’s to the backdrop of hardcore, in-your-face metal. The music isn’t the problem, but I feel like they should have chosen one or the other: Either jump right into the metal music and set the tone or narrate the backstory first. Both made for a horrible mix.

Characters: 10

Cinematography/Visuals: 4

Conflict: 5

Genre: 3

Memorability: 4

Pace: 1
Show a gruesome suicide. Burn 100 churches. Stab a man in the woods. There was nothing that could be done to really get me interested in this movie. A lot of the film felt like shock value which diminished my interest in what was happening. My eyes spent more time running from what was happening than being engrossed in it. Pacing is one of the most important parts of a movie. You screw that up and it spells doom for the rest of the movie.

Plot: 7

Resolution: 3
One of the worst endings I’ve seen in movies. The worst part is you absolutely know it’s coming, but director Jonas Akerlund decides to make you sit through it anyway. After it was over, I felt like I had been skunked.

Overall: 49
There are some things that this movie did well. As you watch these characters go off the deep end, it definitely feels genuine and real. Unfortunately, for every one good thing I can name about Lords of Chaos, I can think of ten bad. This was a miss for me.
  
Creepshow (1982)
Creepshow (1982)
1982 | Horror
Scary Stories To Tell In The Dark
Creepshow- is a very great movie, with its five short stories that are really horrorfyed and terrorfyed. Each one of them are scary.

The Plot: A compendium of five short but terrifying tales contained within a single full-length feature, this film conjures scares from traditional bogeymen and portents of doom. In one story, a monster escapes from its holding cell. Another focuses on a husband (Leslie Nielsen) with a creative way of getting back at his cheating wife. Other stories concern a rural man (Stephen King) and a visitor from outer space, and a homeowner (E.G. Marshall) with huge bug problems and a boozing corpse.

The film consists of five short stories: "Father's Day", "The Lonesome Death of Jordy Verrill", "Something to Tide You Over", "The Crate" and "They're Creeping Up on You!" Two of these stories were adapted from King's short stories, with the film bookended by prologue and epilogue scenes featuring a young boy named Billy (played by King's son, Joe), who is punished by his father for reading horror comics.

The film was adapted into an actual comic book of the same name soon after the film's release, illustrated by Bernie Wrightson, (of Heavy Metal and Warren magazines fame), an artist fittingly influenced by the 1950s E.C. Comics.

It is a very great movie and i would highly reccordmend it.
  
40x40

Andy K (10821 KP) Sep 27, 2019

One of my favorite 80s cheesy horror flicks!