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Gareth von Kallenbach (980 KP) rated The Hangover (2009) in Movies
Aug 9, 2019
The road trip gone awry has been a staple of Hollywood comedies for years. Bing Crosby and Bob Hope provided tons of laughs with their “Road To” films which have continued with films ranging from “Road Trip” to the Chevy Chase “Vacation” film series. In the new movie “The Hangover”, Director Todd Phillips follows upon his many successes which include “Old School”, and “Starsky and Hutch” to create one of the funniest films in recent memory.
When Doug (Justin Bartha) is about to be married, his friends Stu (Ed Helms) and Phil (Bradley Cooper) decide to give Doug a bachelor party. With his eccentric future brother-in-law Alan (Zach Galifinakis) in tow, the guys hit the town for a night to remember. Or maybe not.
After a rooftop toast overlooking the scenic Las Vegas strip, Stu, Phil, and Alan awaken to find their lavish suite at Ceasar’s Palace destroyed and everything from a tiger to a chicken sharing their room. Henpecked Stu panics, having told his girlfriend they were going to wine country and is at a loss to explain the state of the room as well as his missing tooth. With all three men nursing a severe hangover and Doug nowhere to be found, things take a turn for the worse when a baby is discovered in the closet of their suite. Desperate to get to the bottom of the previous night and locate Doug, the guys try to piece together their lost night.
As the plot unfolds, the guys go from a wedding chapel to a hospital and police station, and trying to stay ahead of new threats and complications that arise. With Doug’s wedding looming in a few hours, the group takes extreme measures to find their friend and get him to the alter on time.
What follows is a hysterical and highly enjoyable comedy that rarely lets up long enough for you to stop laughing before unleashing even more comedy. The ensemble cast is strong and have great camaraderie and chemistry. The film loses some momentum in the final act but rebounds nicely with the final segments. Make sure you stay for the credits for some hysterical stuff and some great celebrity cameos. While some may find the humor crude and sophomoric, if you are not easily offended, you will laugh loud and often at this comedic delight.
When Doug (Justin Bartha) is about to be married, his friends Stu (Ed Helms) and Phil (Bradley Cooper) decide to give Doug a bachelor party. With his eccentric future brother-in-law Alan (Zach Galifinakis) in tow, the guys hit the town for a night to remember. Or maybe not.
After a rooftop toast overlooking the scenic Las Vegas strip, Stu, Phil, and Alan awaken to find their lavish suite at Ceasar’s Palace destroyed and everything from a tiger to a chicken sharing their room. Henpecked Stu panics, having told his girlfriend they were going to wine country and is at a loss to explain the state of the room as well as his missing tooth. With all three men nursing a severe hangover and Doug nowhere to be found, things take a turn for the worse when a baby is discovered in the closet of their suite. Desperate to get to the bottom of the previous night and locate Doug, the guys try to piece together their lost night.
As the plot unfolds, the guys go from a wedding chapel to a hospital and police station, and trying to stay ahead of new threats and complications that arise. With Doug’s wedding looming in a few hours, the group takes extreme measures to find their friend and get him to the alter on time.
What follows is a hysterical and highly enjoyable comedy that rarely lets up long enough for you to stop laughing before unleashing even more comedy. The ensemble cast is strong and have great camaraderie and chemistry. The film loses some momentum in the final act but rebounds nicely with the final segments. Make sure you stay for the credits for some hysterical stuff and some great celebrity cameos. While some may find the humor crude and sophomoric, if you are not easily offended, you will laugh loud and often at this comedic delight.
Gareth von Kallenbach (980 KP) rated The Hangover Part III (2013) in Movies
Jun 19, 2019
When “The Hangover” came out in 2009 it did so with modest expectations. Few critics expected it to become a box office smash much less the highest grossing R rated comedy of its time. Naturally a sequel followed and despite mixed reviews, “The Hangover 2” reaped in millions and vaulted over the original in terms of earnings. So, it was no surprise when “The Hangover 3” was announced and that the cast and writer/director Todd Phillips would be back again for the further adventures of The Wolfpack.
The films starts with dysfunctional Alan (Zach Galifianakis), creating a spectacular mess and being his usual spoiled and oblivious self though the consequences which have tragic ramifications. His friends Stu (Ed Helms), Phil (Bradley Cooper), and Doug (Justin Bartha), decide that an intervention is needed and convince a reluctant Alan to get some help from a clinic in Arizona.
En route, the group is run off the road which results in Doug being held hostage by a criminal (John Goodman) who wants to use the group to bring in insane criminal Leslie Chow (ken Jeong). The group is told they have three days to find Chow and save Doug. It turns out Alan is the only one to have any contact with Chow since he was incarcerated. The guys soon find themselves in Tijuana hatching a desperate attempt to capture and return the demented Chow.
Naturally things do not go as planned and despite their best intentions the group only makes matters worse and sets a chain of events into action which bring them full circle in a race against time to save Doug.
This time out the film has ramped down the gross out humor of the first films aside for one epic scene following the credits. The film has some chuckles along the way but lacks the jaw dropping shock humor that defined the previous films. I spent the majority of the film enjoying the cast but waiting for the big comedic payoff to arrive which sadly did not come until the after-credits scene.
The cast works well with the material but it does seem like they have run out of ideas and are going through the motions. The addition of Melissa McCarthy does add some nice moments to the film and does leave open some ideas should they decide to continue the series despite promising that this is the conclusion. In the end it is a nice enough diversion but for me was neither as enjoyable nor memorable as the previous efforts.
http://sknr.net/2013/05/24/the-hangover-iii/
The films starts with dysfunctional Alan (Zach Galifianakis), creating a spectacular mess and being his usual spoiled and oblivious self though the consequences which have tragic ramifications. His friends Stu (Ed Helms), Phil (Bradley Cooper), and Doug (Justin Bartha), decide that an intervention is needed and convince a reluctant Alan to get some help from a clinic in Arizona.
En route, the group is run off the road which results in Doug being held hostage by a criminal (John Goodman) who wants to use the group to bring in insane criminal Leslie Chow (ken Jeong). The group is told they have three days to find Chow and save Doug. It turns out Alan is the only one to have any contact with Chow since he was incarcerated. The guys soon find themselves in Tijuana hatching a desperate attempt to capture and return the demented Chow.
Naturally things do not go as planned and despite their best intentions the group only makes matters worse and sets a chain of events into action which bring them full circle in a race against time to save Doug.
This time out the film has ramped down the gross out humor of the first films aside for one epic scene following the credits. The film has some chuckles along the way but lacks the jaw dropping shock humor that defined the previous films. I spent the majority of the film enjoying the cast but waiting for the big comedic payoff to arrive which sadly did not come until the after-credits scene.
The cast works well with the material but it does seem like they have run out of ideas and are going through the motions. The addition of Melissa McCarthy does add some nice moments to the film and does leave open some ideas should they decide to continue the series despite promising that this is the conclusion. In the end it is a nice enough diversion but for me was neither as enjoyable nor memorable as the previous efforts.
http://sknr.net/2013/05/24/the-hangover-iii/
Matthew Krueger (10051 KP) rated In Search of Darkness (2019) in Movies
Aug 19, 2020
The 80's Were The Best
In Search of Darkness- is a excellent horror documentary that goes through the 80's and takes about horror movies that were released each year and how their impacted today's horror. In this 4hr and 30min documentary it takes its time which each year and the movies that their talked about. I got to mention the interviews. Horror Icons like: Tom Atkins, John Carpenter, Doug Bradley, Jeffrey Combs, Joe Dante, Kane Hodder, Tom Holland, Heather Langenkamp, Don Mancini, Bill Moseley and more. I love the interviews and the movies that their talk about, their have the love for them, even though some were bad their still liked them. Thanks to these horror movies we have these modern horror movies. The 80's inspered these modern horror films. And you can tell by just watching a mordern horror film. The 80's were the best times for horror films. Their was so much that came out in 80's. I highly recordmend watching this documentary.
Steve Fearon (84 KP) rated Hellraiser (1987) in Movies
Sep 14, 2018
A wonderfully imaginative and creepy Mythos (1 more)
Doug Bradley becomes a horror icon
The Special Effects are a little dated (1 more)
Sometimes seems confused about what sort of film it is...
We have such Cenobites to show you...
Hellraiser is arguably the finest in the series, creating horror icons in Pinhead, Kirsty, Frank and Julia, whilst giving the viewer some of the most extreme horror scenes ever seen.
The mythos of Clive Barker's Hellraiser series is fascinating, and hints at underworlds, other dimensions, hell and all sorts of demonic entities, and although this first entry is mostly set in an indistinct U.S town, the feeling that hell is just under the surface haunts the movie.
What follows is a tale of morality, lust, love and judgement as our characters seek to fulfill their heart's desires, all whilst trying to make sense of the dark forces that seek to envelope their new home.
Our Heroine, Kirtsy, is played by Ashley Laurence, who has more than a dash of Ripley about her at times, as she snarls and fights the forces of evil, showing more courage than most of us watching the film I am sure.
Pinhead (as he was dubbed by fans) is a fairly minor role in the film, and yet Doug Bradley's ominous delivery lingers long on the memory, giving us lines that echo long after the film has finished.
All in all, Hellraiser is a flawed, but imaginative horror tale, that threatens the viewer with a fantastically demonic realm filled with violence, gore and underdogs, and a plot that is easy to follow, but still feels new.
Sadly, like the Cenobites, the following movies would often fall prey to their mantra of pain & pleasure, but certainly this and the immediate sequel should be considered must-see for fans of physical effects and slow burning horror.
The mythos of Clive Barker's Hellraiser series is fascinating, and hints at underworlds, other dimensions, hell and all sorts of demonic entities, and although this first entry is mostly set in an indistinct U.S town, the feeling that hell is just under the surface haunts the movie.
What follows is a tale of morality, lust, love and judgement as our characters seek to fulfill their heart's desires, all whilst trying to make sense of the dark forces that seek to envelope their new home.
Our Heroine, Kirtsy, is played by Ashley Laurence, who has more than a dash of Ripley about her at times, as she snarls and fights the forces of evil, showing more courage than most of us watching the film I am sure.
Pinhead (as he was dubbed by fans) is a fairly minor role in the film, and yet Doug Bradley's ominous delivery lingers long on the memory, giving us lines that echo long after the film has finished.
All in all, Hellraiser is a flawed, but imaginative horror tale, that threatens the viewer with a fantastically demonic realm filled with violence, gore and underdogs, and a plot that is easy to follow, but still feels new.
Sadly, like the Cenobites, the following movies would often fall prey to their mantra of pain & pleasure, but certainly this and the immediate sequel should be considered must-see for fans of physical effects and slow burning horror.
Awix (3310 KP) rated Hellraiser III: Hell on Earth (1992) in Movies
May 27, 2020 (Updated Aug 2, 2020)
Second Hellraiser sequel and the first no-two-ways-about-it lousy one. Chief bondage demon Pinhead has been stripped of the limitations constraining his unpleasant recreational activities, which he likes, but also turned into a piece of interior decoration, which he doesn't. He endeavours to get himself released while a plucky young journalist tries to figure out why people keep turning up skinned or lacerated by flying chains.
A Hellraiser movie made with an American sensibility and for a mainstream American audience - one almost gets the sense the writers think they're making a Nightmare on Elm Street movie. The first half, with Pinhead stuck in a pillar, is not too bad, but they have to let him out eventually at which point the film's IQ and sense of restraint both vanish. Too much lazy gore and silly action (rubbish Cenobites wandering around New York City fighting the police). Doug Bradley just about saves the movie from being completely worthless, as he manages to chew the scenery even while being part of it; Terry Farrell was better in Star Trek. The occasional interesting idea or image but the film's main achievement is making the first two look better than they actually are.
A Hellraiser movie made with an American sensibility and for a mainstream American audience - one almost gets the sense the writers think they're making a Nightmare on Elm Street movie. The first half, with Pinhead stuck in a pillar, is not too bad, but they have to let him out eventually at which point the film's IQ and sense of restraint both vanish. Too much lazy gore and silly action (rubbish Cenobites wandering around New York City fighting the police). Doug Bradley just about saves the movie from being completely worthless, as he manages to chew the scenery even while being part of it; Terry Farrell was better in Star Trek. The occasional interesting idea or image but the film's main achievement is making the first two look better than they actually are.
Andrew Kennedy (199 KP) rated Hellraiser: Judgment (2017) in Movies
May 30, 2019
I like the kills (1 more)
Should get a sequel
No Doug Bradley (2 more)
Detective bits drag
Dimension still only put a film out to keep the rights.
Time to deliver judgement on the new Hellraiser.
Just finished watching this and i have to say while its not perfect, its leaps and bounds ahead of Revelations.
The main crux of the story is the hunt for a killer called "The Preceptor" who is killing his victims in line with the 10 commandments. A pair of detective brothers are trying to crack the case and are assigned a new female partner.
The Cenobites are again things macrabe beauty. The Auditor is superb and played by director Gary Tunnicliffe. The Butcher and The Surgeon deliver a wonderful kill early on. Finally theres Pinhead, he looks amazing and Paul T Taylor gives a rousing performance throughout.
The theme of judgement is carried through with an assesor and a jury. The guilty cleaned.
The detective bits drag a bit and really slow the film down. The kills are delivered with gore and gutso and this feels like a new start for the franchise.
So in final Judgement, this new outing for Pinhead should see more sequels to come but if the quality of the Cenobites in this film is maintained then we have such sights to look forward to.
Just finished watching this and i have to say while its not perfect, its leaps and bounds ahead of Revelations.
The main crux of the story is the hunt for a killer called "The Preceptor" who is killing his victims in line with the 10 commandments. A pair of detective brothers are trying to crack the case and are assigned a new female partner.
The Cenobites are again things macrabe beauty. The Auditor is superb and played by director Gary Tunnicliffe. The Butcher and The Surgeon deliver a wonderful kill early on. Finally theres Pinhead, he looks amazing and Paul T Taylor gives a rousing performance throughout.
The theme of judgement is carried through with an assesor and a jury. The guilty cleaned.
The detective bits drag a bit and really slow the film down. The kills are delivered with gore and gutso and this feels like a new start for the franchise.
So in final Judgement, this new outing for Pinhead should see more sequels to come but if the quality of the Cenobites in this film is maintained then we have such sights to look forward to.
LeftSideCut (3778 KP) rated In Search of Darkness (2019) in Movies
Aug 12, 2020
In short, In Search of Darkness is a must watch for any horror fan.
It's 4+ hour runtime is a gushing love letter to 80s horror, covering the decade year by year, with interviews from an impressive cast of genre icons - John Carpenter, Larry Cohen, Joe Dante, Barbara Crampton, Doug Bradley, Tom Atkins, Lori Cardille, Nick Castle, Jeffrey Combs, Kane Hodder, Tom Holland, Heather Langenkamp, Don Mancini, Cassandra Peterson, Caroline Williams, Brian Yuzner, and many more!
The documentary doesn't break any new ground, truth be told, but it's hard to not to appreciate all of these films being covered in one place. The sheer amount of titles discussed is pretty vast.
It's put together nicely as well. Old grainy film trailers tend to set the tone of each entry, but all of the footage shown is crystal clear and HD. The graphics are eye catching, with classic one sheets on display throughout, and it's all set too a great synth soundtrack courtesy of Weary Pines.
Really worth checking out - I split my viewing over a few nights and was honestly gutted when I had none left to watch. Director David A. Weiner did a great job with this documentary, and has a second one coming next year entitled In Search of Tomorrow, focusing on the Sci-Fi films of the 80s, and I can't wait to see it!
It's 4+ hour runtime is a gushing love letter to 80s horror, covering the decade year by year, with interviews from an impressive cast of genre icons - John Carpenter, Larry Cohen, Joe Dante, Barbara Crampton, Doug Bradley, Tom Atkins, Lori Cardille, Nick Castle, Jeffrey Combs, Kane Hodder, Tom Holland, Heather Langenkamp, Don Mancini, Cassandra Peterson, Caroline Williams, Brian Yuzner, and many more!
The documentary doesn't break any new ground, truth be told, but it's hard to not to appreciate all of these films being covered in one place. The sheer amount of titles discussed is pretty vast.
It's put together nicely as well. Old grainy film trailers tend to set the tone of each entry, but all of the footage shown is crystal clear and HD. The graphics are eye catching, with classic one sheets on display throughout, and it's all set too a great synth soundtrack courtesy of Weary Pines.
Really worth checking out - I split my viewing over a few nights and was honestly gutted when I had none left to watch. Director David A. Weiner did a great job with this documentary, and has a second one coming next year entitled In Search of Tomorrow, focusing on the Sci-Fi films of the 80s, and I can't wait to see it!
LeftSideCut (3778 KP) rated Hellraiser: Bloodline (1996) in Movies
Mar 22, 2022
Honestly, I can't help but admire just how much batshit-crazy content is crammed into this film. The established lore from the first two movies is more or less out of the window by now, with the narrative concentrating on the guy who originally invented the lament configuration in the 1700s, and then subsequent members of his bloodline trying to stop hell on earth once in 1996, and then again in the distant future aboard a space station. Like I said, batshit.
It also happens to be stupidly entertaining. It never threatens to get boring at any point. Pinhead has been scaled back once again to a more menacing presence as opposed to his pantomime villain from Hellraiser III, and the new cenobites looks suitably evil and gross. Angelique (Valentina Vargas) is a great new villain to stand alongside Doug Bradley, and goes someway to making sure Bloodlines has its own identity. Hats off to Bruce Ramsay as well for effectively playing three separate characters. There's liberal splashings of decent and practically done gore, and the CG effects for the space station still hold up for the most part. There's really not a huge amount to complain about in my opinion, and I can't quite comprehend where the general disdain comes from.
Hellraiser IV is certainly not a perfect movie, and doesn't reach the lofty heights of the first two, but it does enough different to ensure its a memorable entry into the franchise.
It also happens to be stupidly entertaining. It never threatens to get boring at any point. Pinhead has been scaled back once again to a more menacing presence as opposed to his pantomime villain from Hellraiser III, and the new cenobites looks suitably evil and gross. Angelique (Valentina Vargas) is a great new villain to stand alongside Doug Bradley, and goes someway to making sure Bloodlines has its own identity. Hats off to Bruce Ramsay as well for effectively playing three separate characters. There's liberal splashings of decent and practically done gore, and the CG effects for the space station still hold up for the most part. There's really not a huge amount to complain about in my opinion, and I can't quite comprehend where the general disdain comes from.
Hellraiser IV is certainly not a perfect movie, and doesn't reach the lofty heights of the first two, but it does enough different to ensure its a memorable entry into the franchise.
LeftSideCut (3778 KP) rated Hellraiser: Hellworld (2005) in Movies
Apr 27, 2022
The Hellraiser franchise has certainly hit some low notes by the eight entry in the series, but you know what? Hellworld ain't one of those low notes, and this a hill I am willing to die on.
It's without a doubt, the cheesiest Hellraiser thus far, and the first one to really lean into the dumb, sex-crazed teenager horror usually associated with slashers. It kind of works. There's a bit of an identity crisis going on. It's part slasher (complete with an I Know What You Did Last Summer set up), part typical Hellraiser, part Saw (this was the mid 00s after all), part haunted house horror. Suffice to say, there's a lot going on, and the plot even manages a semi decent twist during the climax which is a rarity with these later entries. It sometimes feels a bit muddled but most importantly, it's something different at this point! 5-7 all feel VERY similar so I can respect the fresh angle Hellworld was aiming for. Throw Lance Henriksen into the mix, alongside a returning Doug Bradley (unfortunately with little screentime yet again), and some early roles from Henry Cavill, Katheryn Winnick, and Khary Payton, and you have a pretty solid cast doing their best to traverse a typical low budget horror script. When all is said and done, it ain't too shabby, and even has the courtesy to include some memorable gore, and brings back the much loved Chatterer.
Hellworld is way more entertaining than it has any right to be, and is easily the best of the Rick Bota trilogy, which isn't exactly a high bar to clear, granted. Either way, it deserves more love!
It's without a doubt, the cheesiest Hellraiser thus far, and the first one to really lean into the dumb, sex-crazed teenager horror usually associated with slashers. It kind of works. There's a bit of an identity crisis going on. It's part slasher (complete with an I Know What You Did Last Summer set up), part typical Hellraiser, part Saw (this was the mid 00s after all), part haunted house horror. Suffice to say, there's a lot going on, and the plot even manages a semi decent twist during the climax which is a rarity with these later entries. It sometimes feels a bit muddled but most importantly, it's something different at this point! 5-7 all feel VERY similar so I can respect the fresh angle Hellworld was aiming for. Throw Lance Henriksen into the mix, alongside a returning Doug Bradley (unfortunately with little screentime yet again), and some early roles from Henry Cavill, Katheryn Winnick, and Khary Payton, and you have a pretty solid cast doing their best to traverse a typical low budget horror script. When all is said and done, it ain't too shabby, and even has the courtesy to include some memorable gore, and brings back the much loved Chatterer.
Hellworld is way more entertaining than it has any right to be, and is easily the best of the Rick Bota trilogy, which isn't exactly a high bar to clear, granted. Either way, it deserves more love!
LeftSideCut (3778 KP) rated Hellraiser (1987) in Movies
Nov 14, 2021
All these years later, and Hellraiser is still a treat. I've always had respect for Clive Barker's directorial debut. It came out in a decade where the genre had become more schlocky and less serious with each passing year, and dared to go for the jugular with its straight shooting, no nonsense brand of horror.
It has an engaging plot, focusing primarily on a forbidden love between Julia, and her husband's brother Frank. When Frank is quite literally torn apart after messing with an ancient puzzle box, it quickly becomes apparent that he can return to the land of the living through blood sacrifice, resulting in Julia luring unsuspecting victims to their doom in order to be with Frank once again. It's a twisted love story, effectively making Hellraiser a romance-horror, centering around a toxic relationship. The cast performances are varied for sure, but of course Clare Higgins is a stand out. Her portrayal of Julia is sympathetic as she is quite clearly besotted with and somewhat scared of Frank, whilst also managing to be a confident and calculating villain.
Then there is the iconic Pinhead, one of several cenobites that are summoned when the puzzle box is completed, and a horror antagonist that stands shoulder to shoulder with the likes of Michael Myers and Freddy Krueger. His presence here is effective in the way that it's seldom. When he does appear, Doug Bradley delivers every line with terrifying conviction, with some hugely memorable dialogue.
The practical effects on display are fantastic as well. Frank's ressurection scene in particular is striking, and one of the finest examples of practical horror effects out there. The cenobites themselves boast some memorable designs, and looks suitably unsettling. It also has a haunting and beautiful music score, courtesy of Christopher Young, that really ties everything together nicely.
Hellraiser is an all timer. A film that deserves its place in the horror hall of fame without question.
It has an engaging plot, focusing primarily on a forbidden love between Julia, and her husband's brother Frank. When Frank is quite literally torn apart after messing with an ancient puzzle box, it quickly becomes apparent that he can return to the land of the living through blood sacrifice, resulting in Julia luring unsuspecting victims to their doom in order to be with Frank once again. It's a twisted love story, effectively making Hellraiser a romance-horror, centering around a toxic relationship. The cast performances are varied for sure, but of course Clare Higgins is a stand out. Her portrayal of Julia is sympathetic as she is quite clearly besotted with and somewhat scared of Frank, whilst also managing to be a confident and calculating villain.
Then there is the iconic Pinhead, one of several cenobites that are summoned when the puzzle box is completed, and a horror antagonist that stands shoulder to shoulder with the likes of Michael Myers and Freddy Krueger. His presence here is effective in the way that it's seldom. When he does appear, Doug Bradley delivers every line with terrifying conviction, with some hugely memorable dialogue.
The practical effects on display are fantastic as well. Frank's ressurection scene in particular is striking, and one of the finest examples of practical horror effects out there. The cenobites themselves boast some memorable designs, and looks suitably unsettling. It also has a haunting and beautiful music score, courtesy of Christopher Young, that really ties everything together nicely.
Hellraiser is an all timer. A film that deserves its place in the horror hall of fame without question.