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Gareth von Kallenbach (977 KP) rated The Girl in the Spider's Web (2018) in Movies
Jul 2, 2019
There has definitely been a shift in the characters that women are portraying in the movies. No longer happy to be relegated to the damsel in distress who is looking for their Prince Charming to rescue them, they become bad-ass avengers who aren’t afraid to kick-butt and take names. There is no better example of this than Lisbeth Salander, everyone’s favorite goth super-hacker and vigilante. In The Girl in the Spider’s Web, based on the best-selling novel of the same name, we see Lisbeth at her finest and it is an action packed, butt kicking good time.
Lisbeth (Claire Foy) leads a life as a vigilante who targets men that abuse woman ensuring they pay for their evil deeds. She’s not afraid to play hardball and threaten their very existence to ensure that justice is served. In the middle of punishing all the right people, Lisbeth receives a hacking opportunity that she can’t refuse, involving an application where simply logging in allows you to take over the world’s nuclear weapons. This super application was originally created and sold to the NSA in Washington and Lisbeth is tasked with stealing it back and returning it to the original creator so that it can be properly destroyed. Lisbeth successfully steals the application but that then makes her the target of not only the NSA whom she had stolen it from originally, but also another secretive group who has their own nefarious plans.
The film quickly goes from Lisbeth and her “simple” vigilante ways to becoming a global thriller that spans multiple countries and agencies. Not only does the plot change quickly but Lisbeth’s character also morph’s from being a Black Canary type vigilante to becoming a female version of Mission Impossible’s Ethan Hunt. Even though playing a female Ethan Hunt is different from Lisbeth’s usual trope her skills fit nicely into her new role. Her ability to hack into any computer system comes in handy quite a few times and lets us have a tie to the Lisbeth we know and love, but we also get to see her flex her wits and general bad-assery a bit deeper during her “impossible mission”. The film was definitely not what I expected but I was still pleasantly surprised.
The Swedish setting where the movie takes place was gorgeous and varies from desolate abandoned buildings to chases in the middle of sprawling cities. It utilizes the snow-covered landscape and decrepit buildings to create a sense of isolation, even when the streets themselves are packed with cars. Along with the isolation from the setting we also see the use of both old and new technology, which gives a low-tech feel to what is an otherwise a high stakes mission. Both the setting and the technology allows us to see that Lisbeth is a force to be reckoned with no matter what type of adversity she faces.
Which brings me to the one of the best parts of the movie and that is Claire Foy’s absolutely amazing portrayal of Lisbeth. We already knew she did a great job playing a royal in The Crown and as the wife of astronaut Neil Armstrong in First Man but relinquishing her usual elegant and classy portrayals to spectacularly play one of the biggest, baddest female characters around shows the true depth of her talent. She is definitely the star of the show and now I am an even bigger fan of hers than I already was. I was also impressed with the other main characters, including investigative journalist Mikael Blomkvist (Sverrir Gudnason), who plays less of role than in the original The Girl with the Dragon Tattoo but does a great job nonetheless, and the young boy, August Balder (Christopher Convery) that holds the key to the entire mission excellently played by Christopher Convery. The trio make an unusual team, but how the characters (and actors) play on each other’s strengths and weaknesses to complement each other brings heart to a movie that could have easily been 100% an action adventure.
The one aspect I feel could (and should) have been fleshed out more, was Lisbeth’s character as a battered woman’s vigilante. The movie started off with a very strong vigilante scene, but the vigilante theme is quickly forgotten until the very end of the film where we find out it was the sole catalyst of the main adversary. This oversight sadly turned what could have been a woman’s justice vigilante movie into a more run-of-the-mill super spy movie. That’s not necessarily bad, it is still action packed and full of twists and turns, but it’s definitely a missed opportunity to show more of who Lisbeth is.
The Girl in the Spider’s Web is filled with action, gadgets, and car chases though beautiful scenery and it is an excellent movie to see if you are looking for something different than green grinches and Nazi zombies. It’s not the movie I went in expecting to see, but I’m not complaining as it is still a solid film. Even though it diverts away from the more artistic The Girl with the Dragon Tattoo it is a very good action-packed thriller that would stack up nicely next to the Mission Impossible movies it is reminiscent of. It’s definitely a movie I recommend to action movie fans everywhere.
Lisbeth (Claire Foy) leads a life as a vigilante who targets men that abuse woman ensuring they pay for their evil deeds. She’s not afraid to play hardball and threaten their very existence to ensure that justice is served. In the middle of punishing all the right people, Lisbeth receives a hacking opportunity that she can’t refuse, involving an application where simply logging in allows you to take over the world’s nuclear weapons. This super application was originally created and sold to the NSA in Washington and Lisbeth is tasked with stealing it back and returning it to the original creator so that it can be properly destroyed. Lisbeth successfully steals the application but that then makes her the target of not only the NSA whom she had stolen it from originally, but also another secretive group who has their own nefarious plans.
The film quickly goes from Lisbeth and her “simple” vigilante ways to becoming a global thriller that spans multiple countries and agencies. Not only does the plot change quickly but Lisbeth’s character also morph’s from being a Black Canary type vigilante to becoming a female version of Mission Impossible’s Ethan Hunt. Even though playing a female Ethan Hunt is different from Lisbeth’s usual trope her skills fit nicely into her new role. Her ability to hack into any computer system comes in handy quite a few times and lets us have a tie to the Lisbeth we know and love, but we also get to see her flex her wits and general bad-assery a bit deeper during her “impossible mission”. The film was definitely not what I expected but I was still pleasantly surprised.
The Swedish setting where the movie takes place was gorgeous and varies from desolate abandoned buildings to chases in the middle of sprawling cities. It utilizes the snow-covered landscape and decrepit buildings to create a sense of isolation, even when the streets themselves are packed with cars. Along with the isolation from the setting we also see the use of both old and new technology, which gives a low-tech feel to what is an otherwise a high stakes mission. Both the setting and the technology allows us to see that Lisbeth is a force to be reckoned with no matter what type of adversity she faces.
Which brings me to the one of the best parts of the movie and that is Claire Foy’s absolutely amazing portrayal of Lisbeth. We already knew she did a great job playing a royal in The Crown and as the wife of astronaut Neil Armstrong in First Man but relinquishing her usual elegant and classy portrayals to spectacularly play one of the biggest, baddest female characters around shows the true depth of her talent. She is definitely the star of the show and now I am an even bigger fan of hers than I already was. I was also impressed with the other main characters, including investigative journalist Mikael Blomkvist (Sverrir Gudnason), who plays less of role than in the original The Girl with the Dragon Tattoo but does a great job nonetheless, and the young boy, August Balder (Christopher Convery) that holds the key to the entire mission excellently played by Christopher Convery. The trio make an unusual team, but how the characters (and actors) play on each other’s strengths and weaknesses to complement each other brings heart to a movie that could have easily been 100% an action adventure.
The one aspect I feel could (and should) have been fleshed out more, was Lisbeth’s character as a battered woman’s vigilante. The movie started off with a very strong vigilante scene, but the vigilante theme is quickly forgotten until the very end of the film where we find out it was the sole catalyst of the main adversary. This oversight sadly turned what could have been a woman’s justice vigilante movie into a more run-of-the-mill super spy movie. That’s not necessarily bad, it is still action packed and full of twists and turns, but it’s definitely a missed opportunity to show more of who Lisbeth is.
The Girl in the Spider’s Web is filled with action, gadgets, and car chases though beautiful scenery and it is an excellent movie to see if you are looking for something different than green grinches and Nazi zombies. It’s not the movie I went in expecting to see, but I’m not complaining as it is still a solid film. Even though it diverts away from the more artistic The Girl with the Dragon Tattoo it is a very good action-packed thriller that would stack up nicely next to the Mission Impossible movies it is reminiscent of. It’s definitely a movie I recommend to action movie fans everywhere.
Rachel King (13 KP) rated Veiled Rose (Tales of Goldstone Wood, #2) in Books
Feb 11, 2019
I am always a fan of fairy re-tellings, even if it is for a fairy tale I am not actually familiar with, as that of Rose Red. It took me awhile, but I also gathered that the book is a kind of Christian allegory, and parts remind me of Pilgrim's Progress by John Bunyan.
Rose Red is by far the most intriguing character, as her birth is shrouded in mystery, her friends are animals with voices, and she cloaks herself in veils and layers to hide even the smallest scrap of skin from any prying eyes - including her own. The shame she bears for her own appearance is so great that her very existence is surrounded by grand tales of monsters and demons told by all of the local villagers, yet she bears a strength much greater than she appears to possess and she has a kind of magic that allows her to walk the secret Paths and face down death in all its forms. Even at the end of the book, I could not fully grasp who or what she is.
Leo manages to find and befriend Rose Red in boyhood, but he has a burden of his own as Prince Lionheart of Southlands, destined to become King. Leo knows his responsibilities, but he secretly just wants a friend and to make people laugh as a court jester. These polar opposites manage to pull him across the world again and again as he struggles with the simple question, "What do you want?"
Many other characters litter the pages of the book, which was at times confusing as I attempted to deduce which creature or character was on the side of good or evil, such as the Dragon - which became apparent at its occupation of Southlands. As an allegory for Christianity, some characters were clear - such as the Prince, but others were murkier, such as the Lady.
The structure of the book itself was off-putting for me. The book is divided into five parts, with chapters in each part, but in between each part a vague sense of time has passed, so that the reader cannot pick up where the last chapter left off. At each break, I would get the feeling that the plot was picking up, only to be let down that the climactic moments have been glossed over. I also really disliked the ending. Certain things are expected of classic fairy tales, and none of this was included in the ending of this book. Perhaps the author was aiming for something more "realistic" or to simply get the reader to continue the series, but loose endings this big make me feel like I wasted my time reading the book, only to get no satisfaction at the finale.
Rose Red is by far the most intriguing character, as her birth is shrouded in mystery, her friends are animals with voices, and she cloaks herself in veils and layers to hide even the smallest scrap of skin from any prying eyes - including her own. The shame she bears for her own appearance is so great that her very existence is surrounded by grand tales of monsters and demons told by all of the local villagers, yet she bears a strength much greater than she appears to possess and she has a kind of magic that allows her to walk the secret Paths and face down death in all its forms. Even at the end of the book, I could not fully grasp who or what she is.
Leo manages to find and befriend Rose Red in boyhood, but he has a burden of his own as Prince Lionheart of Southlands, destined to become King. Leo knows his responsibilities, but he secretly just wants a friend and to make people laugh as a court jester. These polar opposites manage to pull him across the world again and again as he struggles with the simple question, "What do you want?"
Many other characters litter the pages of the book, which was at times confusing as I attempted to deduce which creature or character was on the side of good or evil, such as the Dragon - which became apparent at its occupation of Southlands. As an allegory for Christianity, some characters were clear - such as the Prince, but others were murkier, such as the Lady.
The structure of the book itself was off-putting for me. The book is divided into five parts, with chapters in each part, but in between each part a vague sense of time has passed, so that the reader cannot pick up where the last chapter left off. At each break, I would get the feeling that the plot was picking up, only to be let down that the climactic moments have been glossed over. I also really disliked the ending. Certain things are expected of classic fairy tales, and none of this was included in the ending of this book. Perhaps the author was aiming for something more "realistic" or to simply get the reader to continue the series, but loose endings this big make me feel like I wasted my time reading the book, only to get no satisfaction at the finale.
Ross (3284 KP) rated Perfect Crime in Books
Feb 19, 2019 (Updated Feb 19, 2019)
More tense, gripping crime set in Edinburgh
*** Disclosure - I received a free advance copy of this book from the publishers and NetGalley in exchange for an honest review ***
The 5th book in the increasingly badly titled "DI Luc Callanach" series (he is hardly in this one!) follows much the same template as the other 4 books. A body is found in mysterious circumstances, here it is the body of a young man who appears to have thrown himself from the top of a tower in East Lothian. Soon thereafter, other bodies start to turn up, all looking like suicides or are people who had previously tried to commit suicide. At the same time, another body turns up, this time with a personal connection to one DI Callanach. So again we have the two investigations running in parallel. Though because of the apparent connection, the eponymous DI Callanach is taken off active duty and is largely absent for the second half of the book.
The main investigation is interesting: someone taking against those who do not value their life and have tried to end it in the past, and he decides to end it for them. However, there is a twist along the way that just did not feel right. For this murderer to suddenly become a Red Dragon-style character was somewhat at odds with the story at that point.
The lesser investigation was more interesting as there was so much evidence suggesting Callanach committed the murder, though we believed he hadn't.
As with previous books, a story written in Edinburgh (or other cities with an identity) by someone who doesn't live there has a good chance of missing the mark with the dialogue. People we are led to believe are proper sumbags do not come across as that, their phrasing is just so wrong. I had found this in the previous books, where incidental characters had no discernible voice or characteristics and were just vanilla plot devices.
Similarly, the murderer at one point uses a phrase no Scotsman has ever uttered and that took me right out of the book.
The plot is more or less faultless, with all events and motives seeming plausible, except one issue right at the end where an item of evidence was so mis-handled as to be laughable, but served the plot perfectly.
On the whole, this was a good enjoyable read, but I had guessed the identities of the murderers quite early on. Far from original and moments that just felt like clangers.
I am guessing this is almost the last we'll see of Luc Callanach, who has (rightly) been relegated to support cast from book 2, in favour of the strong, better-defined, female character.
The 5th book in the increasingly badly titled "DI Luc Callanach" series (he is hardly in this one!) follows much the same template as the other 4 books. A body is found in mysterious circumstances, here it is the body of a young man who appears to have thrown himself from the top of a tower in East Lothian. Soon thereafter, other bodies start to turn up, all looking like suicides or are people who had previously tried to commit suicide. At the same time, another body turns up, this time with a personal connection to one DI Callanach. So again we have the two investigations running in parallel. Though because of the apparent connection, the eponymous DI Callanach is taken off active duty and is largely absent for the second half of the book.
The main investigation is interesting: someone taking against those who do not value their life and have tried to end it in the past, and he decides to end it for them. However, there is a twist along the way that just did not feel right. For this murderer to suddenly become a Red Dragon-style character was somewhat at odds with the story at that point.
The lesser investigation was more interesting as there was so much evidence suggesting Callanach committed the murder, though we believed he hadn't.
As with previous books, a story written in Edinburgh (or other cities with an identity) by someone who doesn't live there has a good chance of missing the mark with the dialogue. People we are led to believe are proper sumbags do not come across as that, their phrasing is just so wrong. I had found this in the previous books, where incidental characters had no discernible voice or characteristics and were just vanilla plot devices.
Similarly, the murderer at one point uses a phrase no Scotsman has ever uttered and that took me right out of the book.
The plot is more or less faultless, with all events and motives seeming plausible, except one issue right at the end where an item of evidence was so mis-handled as to be laughable, but served the plot perfectly.
On the whole, this was a good enjoyable read, but I had guessed the identities of the murderers quite early on. Far from original and moments that just felt like clangers.
I am guessing this is almost the last we'll see of Luc Callanach, who has (rightly) been relegated to support cast from book 2, in favour of the strong, better-defined, female character.
Goddess in the Stacks (553 KP) rated The Girl Who Drank the Moon in Books
Sep 12, 2018
I adore this cover. It was what first caught my eye when people started talking about this book, and then to find out it was a fairytale about a girl, a witch, and a dragon? I was sold. The trouble was getting my hands on it! But it has finally worked its way through the long line of other people who wanted to read it at my library, and I got to check it out. I've labeled it YA Fantasy, but it's actually pretty close to middle-grade Fantasy. Definitely something younger readers could understand, but enough meat in it for older readers who like fairy tales to enjoy it as well.
I would argue that the main character is not, in fact, the titular one, but the forest witch, Xan. Xan has been rescuing the babies left outside the Protectorate for many, many years, thinking the parents were abandoning them willfully, not that they were bullied into "sacrificing" wanted children. She'd cluck, take the babies, and deliver them to towns on the other side of the forest, where the villagers knew and loved her and cherished the children, calling them blessed and Star-Children. Meanwhile, the people of the Protectorate lived their days under a gray haze of misery, ruled by a Council who cared only for themselves and used Xan and the forest as a scare tactic.
Into this world Luna is born, and her mother refuses to give her up to be sacrificed, and goes "mad" when she is forced to. She is imprisoned in a tower, watched by fearsome nuns, while the oblivious Xan spirits her daughter away. On the journey, Xan winds up wandering instead of going straight to a village, and accidentally feeds Luna moonlight instead of starlight. Realizing the girl would be too much for a normal family to raise, she takes her home. (She also can't bear the thought of giving this particular child up.) She raises Luna as a granddaughter.
But Luna's mother wants her back, and some of the people of the Protectorate have started to wise up to the Council's games, and the plot really begins.
I really enjoyed this book - the characters were fun, the emotional conflicts were realistic, and the world-building was cute. This would actually be an excellent book to read to a child as a bedtime story, one chapter a night. (My parents read to us that way, working through Laura Ingalls Wilder, The Chronicles of Narnia, Tolkien, and Anne of Green Gables.) Adorable book, gorgeous cover. Slightly simplistic, but it strikes a perfect balance between a middle-grade read and something adults will still enjoy.
You can find all my reviews at http://goddessinthestacks.com
I would argue that the main character is not, in fact, the titular one, but the forest witch, Xan. Xan has been rescuing the babies left outside the Protectorate for many, many years, thinking the parents were abandoning them willfully, not that they were bullied into "sacrificing" wanted children. She'd cluck, take the babies, and deliver them to towns on the other side of the forest, where the villagers knew and loved her and cherished the children, calling them blessed and Star-Children. Meanwhile, the people of the Protectorate lived their days under a gray haze of misery, ruled by a Council who cared only for themselves and used Xan and the forest as a scare tactic.
Into this world Luna is born, and her mother refuses to give her up to be sacrificed, and goes "mad" when she is forced to. She is imprisoned in a tower, watched by fearsome nuns, while the oblivious Xan spirits her daughter away. On the journey, Xan winds up wandering instead of going straight to a village, and accidentally feeds Luna moonlight instead of starlight. Realizing the girl would be too much for a normal family to raise, she takes her home. (She also can't bear the thought of giving this particular child up.) She raises Luna as a granddaughter.
But Luna's mother wants her back, and some of the people of the Protectorate have started to wise up to the Council's games, and the plot really begins.
I really enjoyed this book - the characters were fun, the emotional conflicts were realistic, and the world-building was cute. This would actually be an excellent book to read to a child as a bedtime story, one chapter a night. (My parents read to us that way, working through Laura Ingalls Wilder, The Chronicles of Narnia, Tolkien, and Anne of Green Gables.) Adorable book, gorgeous cover. Slightly simplistic, but it strikes a perfect balance between a middle-grade read and something adults will still enjoy.
You can find all my reviews at http://goddessinthestacks.com
Gareth von Kallenbach (977 KP) rated Side Effects (2013) in Movies
Aug 7, 2019
Steven Soderbergh has been toying with the notion of retirement for a couple of years now, and has said that “Side Effects” will be his final film. I certainly hope not.
As its title intones, “Side Effects” is a movie about what can happen when prescription medications, such as anti-depressants, can do at their worst, leading to anyone who taking them wishing they weren’t. The movie certainly starts out looking like a propaganda-film about how Doctor’s push these drugs onto patients as they are paid by pharmaceutical representatives to test their drugs. It seems that everyone in the film is taking meds of some form or another. The cast for the film should be a recipe for success: Jude Law, Rooney Mara, Catherine Zeta-Jones and Channing Tatum. But because of this perception, the first two-thirds of the film nearly put me to sleep. And then a twist happened that the made the plot extremely complex and worth watching. In many ways, the less said about “Side Effects,” the better. This may produce a better experience for you than I had. But here’s the basic idea of the movie:
Emily Taylor, played by Rooney Mara, is introduced when she is visiting her husband Martin (Tatum), a man convicted of insider trading who is about to be released after four years behind bars. Martin’s discharge happens uneventfully, but adjusting to the new life of poverty rehashes the depression that first plagued Emily when her husband’s prison term started. This leads to Emily crashing her car head-on into the wall of the garage in her apartment building. While in the hospital, rules force her to see psychiatrist Jonathan Banks (Law).
Up until this point, I had trouble connecting with Mara’s character. While it is revealed that she had mental problems prior to this episode, you don’t really completely grasp what it is until later in the movie. Mara seemed to be very stiff, and way too much like her emotionless character from “The Girl with the Dragon Tattoo.” But then we enter Jude Law. Law’s character, Banks, is friendly, approachable and caring. He is what first drew me deeper into the movie. Though, you soon discover that he is a doctor who believes in the power of drugs. This character kept me interested because I couldn’t quite nail if he was going to be an antagonist or protagonist.
Of course our dear Dr. Banks prescribes some medications to Emily and she begins showing some disturbing side effects and… The side effects lead to really terrible, bloody things which ruins careers, lives, and even drive people to madness. Or does it?
As its title intones, “Side Effects” is a movie about what can happen when prescription medications, such as anti-depressants, can do at their worst, leading to anyone who taking them wishing they weren’t. The movie certainly starts out looking like a propaganda-film about how Doctor’s push these drugs onto patients as they are paid by pharmaceutical representatives to test their drugs. It seems that everyone in the film is taking meds of some form or another. The cast for the film should be a recipe for success: Jude Law, Rooney Mara, Catherine Zeta-Jones and Channing Tatum. But because of this perception, the first two-thirds of the film nearly put me to sleep. And then a twist happened that the made the plot extremely complex and worth watching. In many ways, the less said about “Side Effects,” the better. This may produce a better experience for you than I had. But here’s the basic idea of the movie:
Emily Taylor, played by Rooney Mara, is introduced when she is visiting her husband Martin (Tatum), a man convicted of insider trading who is about to be released after four years behind bars. Martin’s discharge happens uneventfully, but adjusting to the new life of poverty rehashes the depression that first plagued Emily when her husband’s prison term started. This leads to Emily crashing her car head-on into the wall of the garage in her apartment building. While in the hospital, rules force her to see psychiatrist Jonathan Banks (Law).
Up until this point, I had trouble connecting with Mara’s character. While it is revealed that she had mental problems prior to this episode, you don’t really completely grasp what it is until later in the movie. Mara seemed to be very stiff, and way too much like her emotionless character from “The Girl with the Dragon Tattoo.” But then we enter Jude Law. Law’s character, Banks, is friendly, approachable and caring. He is what first drew me deeper into the movie. Though, you soon discover that he is a doctor who believes in the power of drugs. This character kept me interested because I couldn’t quite nail if he was going to be an antagonist or protagonist.
Of course our dear Dr. Banks prescribes some medications to Emily and she begins showing some disturbing side effects and… The side effects lead to really terrible, bloody things which ruins careers, lives, and even drive people to madness. Or does it?
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