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When it comes to books, non-fiction typically isn't something I'm interested in. Lately though, I've found a few from that genre that have piqued my interest, most notably former FBI Agent Joe Navarro's Three Minutes to Doomsday, Andrew Leatherbarrow's Chernobyl: 01:23:40, and another upcoming novel entitled The Radium Girls by Kate Moore. The latter two of these books I'll discuss at another time, because this review is about Navarro's latest book, detailing the final moments of the Cold War and the arrests of Clyde Conrad and Rod Ramsey.
I was born in the late 90s, so this particular espionage case is not something I had any knowledge about prior to opening Navarro's book. All I knew was that it took place shortly before I was born and had extremely high risks associated with it. Given my tastes in crime, movies, and most fiction, this seemed to be something that would appeal to my interests and I was not wrong. In this account of Joe Navarro's pursuit of Rod Ramsey against attempts at hampering the investigation by the FBIHQ and Washington Field Office, readers discover just how terrifying close we came to a crushing defeat with the information sold by Conrad and Ramsey.
The build-up to Ramsey's arrest, trial, and conviction is agonizingly slow, which is quite suiting given that the process itself was not only flawed by those higher up in rank than Navarro, but nearly crippled by inaction. It was easy to feel Navarro's tension and frustration, while simultaneously granting readers that may prefer fiction over non-fiction a very human-like perspective of an account that might have seemed uninteresting.
The only nitpick I truly have is how unclear the passage of time is. Whether or not this was intentional, I do not know. I just know that I prefer clear indications of time's passing. Other than that, it is clear from his style of writing that Former Agent Navarro is, first and foremost, a gentleman in every aspect of the word.
Joe Navarro's memoir of this espionage case is mind-numbing and terrifyingly well-written and I would like to thank NetGalley, Scribner, and Joe Navarro for this advanced copy for the purpose of review. Not only that, I would like to thank Former Agent Joe Navarro especially for his service to our country, and his drive to fulfill his duty to his fellow Americans first and foremost.
I was born in the late 90s, so this particular espionage case is not something I had any knowledge about prior to opening Navarro's book. All I knew was that it took place shortly before I was born and had extremely high risks associated with it. Given my tastes in crime, movies, and most fiction, this seemed to be something that would appeal to my interests and I was not wrong. In this account of Joe Navarro's pursuit of Rod Ramsey against attempts at hampering the investigation by the FBIHQ and Washington Field Office, readers discover just how terrifying close we came to a crushing defeat with the information sold by Conrad and Ramsey.
The build-up to Ramsey's arrest, trial, and conviction is agonizingly slow, which is quite suiting given that the process itself was not only flawed by those higher up in rank than Navarro, but nearly crippled by inaction. It was easy to feel Navarro's tension and frustration, while simultaneously granting readers that may prefer fiction over non-fiction a very human-like perspective of an account that might have seemed uninteresting.
The only nitpick I truly have is how unclear the passage of time is. Whether or not this was intentional, I do not know. I just know that I prefer clear indications of time's passing. Other than that, it is clear from his style of writing that Former Agent Navarro is, first and foremost, a gentleman in every aspect of the word.
Joe Navarro's memoir of this espionage case is mind-numbing and terrifyingly well-written and I would like to thank NetGalley, Scribner, and Joe Navarro for this advanced copy for the purpose of review. Not only that, I would like to thank Former Agent Joe Navarro especially for his service to our country, and his drive to fulfill his duty to his fellow Americans first and foremost.
Phillip McSween (751 KP) rated Burlesque (2010) in Movies
Feb 17, 2019
Could Have Been Better
When Ali (Christina Aguilera) moves to LA to make it big, she decides to settle for working in a burlesque house instead. Oh my God, here we go…
Acting: 7
Beginning: 8
Characters: 10
Cinematography/Visuals: 2
I guess this is as good a place to start as any. While there were some decent shots within the burlesque club itself, the film pretty much centers around this one location so there’s not a whole lot of room for expansion. Your eyes are supposed to be set on stage which would work if this were a play. I also thought they failed in capturing the sensuality of the burlesque genre. It felt extremely flat to say the least and I almost wish they had changed the title of the film to something else more relevant like, I don’t know, Pretty People Lip-Syncing? Huge fail here.
Conflict: 1
Much ado about nothing here as get a feel for exactly where the story is heading the entire time. The obstacles Ali experienced seemed staged, never natural, as if they were putting something in her way for the sake of it continuing the awful story. In the end, the film could never decide on where it wanted to create the conflict. Whether it was the club closing, someone wanting to take over the club, an awkward relationship triangle, or trouble on the big stage, Burlesque was all over the damn place.
Genre: 6
Memorability: 6
Pace: 4
Plot: 6
If I’m being honest, Ali’s drive was the only thing that kept me motivated to watch the movie the rest of the way. Her story is touching and, despite the Hallmark feel of it all, you want her to succeed. Other than that, I really couldn’t make heads or tails of much else. This movie is like a tree with crazy branches sprouting off into a bunch of different directions…but never really going anywhere important.
Resolution: 6
Overall: 56
Burlesque is the first film attacked in a podcast called “How Did This Get Made?”, a show that takes awful movies and rips them apart in deserved fashion. I started the movie thinking to myself, “Well, this isn’t so bad…” which became “Ok, what’s going on here?” which finally became, “Dear God, this needs to end!” Steer clear. You have been warned.
Acting: 7
Beginning: 8
Characters: 10
Cinematography/Visuals: 2
I guess this is as good a place to start as any. While there were some decent shots within the burlesque club itself, the film pretty much centers around this one location so there’s not a whole lot of room for expansion. Your eyes are supposed to be set on stage which would work if this were a play. I also thought they failed in capturing the sensuality of the burlesque genre. It felt extremely flat to say the least and I almost wish they had changed the title of the film to something else more relevant like, I don’t know, Pretty People Lip-Syncing? Huge fail here.
Conflict: 1
Much ado about nothing here as get a feel for exactly where the story is heading the entire time. The obstacles Ali experienced seemed staged, never natural, as if they were putting something in her way for the sake of it continuing the awful story. In the end, the film could never decide on where it wanted to create the conflict. Whether it was the club closing, someone wanting to take over the club, an awkward relationship triangle, or trouble on the big stage, Burlesque was all over the damn place.
Genre: 6
Memorability: 6
Pace: 4
Plot: 6
If I’m being honest, Ali’s drive was the only thing that kept me motivated to watch the movie the rest of the way. Her story is touching and, despite the Hallmark feel of it all, you want her to succeed. Other than that, I really couldn’t make heads or tails of much else. This movie is like a tree with crazy branches sprouting off into a bunch of different directions…but never really going anywhere important.
Resolution: 6
Overall: 56
Burlesque is the first film attacked in a podcast called “How Did This Get Made?”, a show that takes awful movies and rips them apart in deserved fashion. I started the movie thinking to myself, “Well, this isn’t so bad…” which became “Ok, what’s going on here?” which finally became, “Dear God, this needs to end!” Steer clear. You have been warned.
Neon's Nerd Nexus (360 KP) rated Bohemian Rhapsody (2018) in Movies
May 13, 2019
Killer queen
#BohemianRhapsody while maybe not the moast truthful #queen film still manages to be an extremely well made/incredibly entertaining & at times quite an #emotionally powerful film. Just like #thegreatestshowman this film has been panned by critics & for the first 30 minutes I was worried. With a run time of over 2 hours I felt a little disoriented at the start by its seemingly abrupt pacing, wishing the #film would #chill out for a bit with its characters instead of skipping through time & the forming of the #band. Thankfully just after this the film flips when we hit the #heart of the story slowing down & we really get to see the real #Freddiemercury the things that drive him & the torments in his mind. #ramimalek is the clear star of the #show here, he doesn't just play freddie he actually has become him in a performance so mesmerising, fascinating & remarkable he really does deserve an award for what he has achived here. Every scene with him in is entrancing to watch & I found myself getting lost in the film by his performance alone. Make no mistake about it the film doesnt do much different to other films in this genre but having a film be about a mainstream #band that can unite the world with their #music there was that extra level of impact, connection & #heart to the story. Maybe I enjoyed it so much because its a story is so relatable too, playing out almost like a failed #relationship with someone you love starting in the #happy phase then moving gradually right through to the break up & then onto the struggle after it & I won't lie when I say it got to me a bit (I could also hear other people #crying too). Visualy there are some very #creative shots/great cinematography to & the #concert scenes felt so real & well constructed that I felt like I was there at one point clapping away. While it may bend the truth, sugar coat what actually happened & probably wouldnt be the same without such an incredible lead performance carrying it my god is it a good time & for me anyway quite though provoking & moving too. A must see on the big screen. #odeonlimitless #odeon #filmcritic #filmbuff #fridayfeeling #weekend #famous #rockandroll #disco #love #wewillrockyou
Bookapotamus (289 KP) rated Ghosted in Books
Jun 27, 2018
Great Story - Awesome Blindsides
This book had some serious 'holy-crap' shockers! I was riveted from start to finish, gobbled up every word, and felt like I got smacked in the face several times with total blindsiding plot twists!
Sarah's been ghosted. If you don't know what that means - well... she literally fell in love with Eddie after ONE WEEK. They meet, by chance, spend an entire week with no-one but each other, the connection is insane, they are meant for each other, they both seem to be in love - it's that much of a connection. He leaves to go on an already planned holiday, with promises to call, to stay in touch, to possibly start lives together afterwards... aaaaaaand GHOSTED. Eddie is gone. He doesn't call or email, he hasn't been on Facebook, her texts go unanswered. He's just GONE.
Weeks go by and Sarah is a HOT MESS. She knows Eddie was THE ONE. She knows he felt the same, but Where. The heck. Did he go?
Her friends think she's losing her mind. It was one week! You are barely divorced! Guys suck! Get over it! But Sarah knows in her bones that something is wrong. Something happened to Eddie and she won't give up until he is back in her life and found safe and sound.
But seriously Sarah, Get a grip. This chick is going looney tunes. She's obsessed with this guy and it's getting a bit weird. It's just about the only problem I had with the book. Tone it down Sarah! For goodness sake - it was a WEEK! The obsession and neurosis she goes through is a bit embarrassing! Yikes!
But then, things start happening: Clues. Messages. Strange people watching her. And really old wounds are opened. Who is Eddie and why did he disappear??
I really really really enjoyed this (as much as I wanted to smack the living daylights out of Sarah and tell her to "stop it! he's just a dude! dudes do this sort of thing ALL the time!) but I really did have a great time with this book! It's interspersed with texts, and letters and flips between characters really seamlessly and it's worth a read just for the really shocking and fun blindsides. Definitely recommend!!
Thanks to Penguin Random House for the advanced copy to read and review!
Sarah's been ghosted. If you don't know what that means - well... she literally fell in love with Eddie after ONE WEEK. They meet, by chance, spend an entire week with no-one but each other, the connection is insane, they are meant for each other, they both seem to be in love - it's that much of a connection. He leaves to go on an already planned holiday, with promises to call, to stay in touch, to possibly start lives together afterwards... aaaaaaand GHOSTED. Eddie is gone. He doesn't call or email, he hasn't been on Facebook, her texts go unanswered. He's just GONE.
Weeks go by and Sarah is a HOT MESS. She knows Eddie was THE ONE. She knows he felt the same, but Where. The heck. Did he go?
Her friends think she's losing her mind. It was one week! You are barely divorced! Guys suck! Get over it! But Sarah knows in her bones that something is wrong. Something happened to Eddie and she won't give up until he is back in her life and found safe and sound.
But seriously Sarah, Get a grip. This chick is going looney tunes. She's obsessed with this guy and it's getting a bit weird. It's just about the only problem I had with the book. Tone it down Sarah! For goodness sake - it was a WEEK! The obsession and neurosis she goes through is a bit embarrassing! Yikes!
But then, things start happening: Clues. Messages. Strange people watching her. And really old wounds are opened. Who is Eddie and why did he disappear??
I really really really enjoyed this (as much as I wanted to smack the living daylights out of Sarah and tell her to "stop it! he's just a dude! dudes do this sort of thing ALL the time!) but I really did have a great time with this book! It's interspersed with texts, and letters and flips between characters really seamlessly and it's worth a read just for the really shocking and fun blindsides. Definitely recommend!!
Thanks to Penguin Random House for the advanced copy to read and review!
Scott Tostik (389 KP) rated He's Out There (2018) in Movies
Aug 16, 2019
The mask... Wicked (1 more)
One helluva great build up
Slow burn that heats up well
Contains spoilers, click to show
Woman takes kids to weekend home in the woods. Husband to meet up with them later that night. What could possibly go wrong?
Well... Lemme tell you.... Your whole fuckin day just got ruined by some psycho in a mask who starts of small... Banging on windows... Moving things around the yard... Typical teenage prank type stuff...
As the fear builds, his sadistic nature come to the surface... He intercepts the husband on his way through the darkened goat path of a road and proceeds to carve out his eyeballs and leave his corpse on the front step... Like some cat leaving his master a dead rat or bird... Seeking approval
There's a scene near the end of the film that I found kind of brilliant.
The killer hangs three life sized dolls, representing the mother and her children, for the three to find when they try to run... Stopping them in their tracks... Then... As if they were kids playing a game, he begins pelting them with paintballs to drive them back into the house... Giving himself total control over the situation. The killer has made it impossible for the victims to leave... Thinking the car is a good idea... Mommy hides her children in the closet... Telling them how brave they are and giving them a watch to time 20 seconds before they make a break for it to meet their mother at the car... Mom takes the keys from her dead husbands pocket and start a the car. She then grabs the kids from the closet and is immediately trapped in a room by Mr. Madman.
A neighbor comes over and sees the carnage that is the yard, smashed up SUV, deadman on the steps and tries to help... His fate is sealed by an axe to the head...
The killers total control of everything is what makes me like this movie... Reminds me of The Collector in so many ways... Total control...
Its worth a watch or two... When the climax of the film finally comes a long... Its kind of a let down... But the build up was nice and impressive... If you're looking to get blue balled by a movie... Its a great pick :)
Well... Lemme tell you.... Your whole fuckin day just got ruined by some psycho in a mask who starts of small... Banging on windows... Moving things around the yard... Typical teenage prank type stuff...
As the fear builds, his sadistic nature come to the surface... He intercepts the husband on his way through the darkened goat path of a road and proceeds to carve out his eyeballs and leave his corpse on the front step... Like some cat leaving his master a dead rat or bird... Seeking approval
There's a scene near the end of the film that I found kind of brilliant.
The killer hangs three life sized dolls, representing the mother and her children, for the three to find when they try to run... Stopping them in their tracks... Then... As if they were kids playing a game, he begins pelting them with paintballs to drive them back into the house... Giving himself total control over the situation. The killer has made it impossible for the victims to leave... Thinking the car is a good idea... Mommy hides her children in the closet... Telling them how brave they are and giving them a watch to time 20 seconds before they make a break for it to meet their mother at the car... Mom takes the keys from her dead husbands pocket and start a the car. She then grabs the kids from the closet and is immediately trapped in a room by Mr. Madman.
A neighbor comes over and sees the carnage that is the yard, smashed up SUV, deadman on the steps and tries to help... His fate is sealed by an axe to the head...
The killers total control of everything is what makes me like this movie... Reminds me of The Collector in so many ways... Total control...
Its worth a watch or two... When the climax of the film finally comes a long... Its kind of a let down... But the build up was nice and impressive... If you're looking to get blue balled by a movie... Its a great pick :)
Story: P2 starts as businesswoman Angela (Nichols) starts running late to her family’s Christmas party after her work party, gets trapped inside her work structure after her car fails to start, leaving her at the hands of security guard Thomas (Bentley).
As the night unfolds Thomas puts Angela through a string off tests, before she tries to figure out a way to escape this psychopath.
Thoughts on P2
Characters – Angela is a businesswoman that finds herself working late too often becoming more distant from her family, while not starting her own. When another late night finds her car breaking down and missing her taxi, she finds herself locked in the parking structure being chased down by the crazed security guard. Thomas is the security guard that has his own plan for Christmas, to keep Angela locked inside completing his twisted ideas.
Performances – A crazy Wes Bentley is always something we like to see, but even he doesn’t reach the levels we would like to see him get too. Rachel Nichols is fine in the leading role as the damsel in distress, trying to fight back.
Story – The story is very simple, crazed man prevents girl from escaping her parking lot only to want to get involved in a game to se how far he can push her. There isn’t much more to this story, we get glimpses into the idea that he is doing this to protect her against men that have done wrong, but otherwise, it is a cut and dry story with little in the way of twists along the way.
Crime/Horror – The crime comes from what Thomas does, which works for the film, the horror never reaches the levels he could do for where the film tries to go.
Settings – The film is set inside the parking lot which does make for a good setting with no escape once locked in.
Special Effects – The effects are used when needed, the film doesn’t rely on them, when it could easily do so.
Scene of the Movie – Merry Christmas Thomas.
That Moment That Annoyed Me – She would know how to drive a car.
Final Thoughts – This is a crime horror that grabs the basic ingredients and does nothing interesting with the story to make it a stand out.
Overall: Not worth the time it takes.
As the night unfolds Thomas puts Angela through a string off tests, before she tries to figure out a way to escape this psychopath.
Thoughts on P2
Characters – Angela is a businesswoman that finds herself working late too often becoming more distant from her family, while not starting her own. When another late night finds her car breaking down and missing her taxi, she finds herself locked in the parking structure being chased down by the crazed security guard. Thomas is the security guard that has his own plan for Christmas, to keep Angela locked inside completing his twisted ideas.
Performances – A crazy Wes Bentley is always something we like to see, but even he doesn’t reach the levels we would like to see him get too. Rachel Nichols is fine in the leading role as the damsel in distress, trying to fight back.
Story – The story is very simple, crazed man prevents girl from escaping her parking lot only to want to get involved in a game to se how far he can push her. There isn’t much more to this story, we get glimpses into the idea that he is doing this to protect her against men that have done wrong, but otherwise, it is a cut and dry story with little in the way of twists along the way.
Crime/Horror – The crime comes from what Thomas does, which works for the film, the horror never reaches the levels he could do for where the film tries to go.
Settings – The film is set inside the parking lot which does make for a good setting with no escape once locked in.
Special Effects – The effects are used when needed, the film doesn’t rely on them, when it could easily do so.
Scene of the Movie – Merry Christmas Thomas.
That Moment That Annoyed Me – She would know how to drive a car.
Final Thoughts – This is a crime horror that grabs the basic ingredients and does nothing interesting with the story to make it a stand out.
Overall: Not worth the time it takes.
Neon's Nerd Nexus (360 KP) rated Frozen II (2019) in Movies
Dec 2, 2019 (Updated Dec 2, 2019)
The Cucumber
Frozen 2 is not only better than Frozen but it also manages to develop its characters futher, delves deeper into its lore and overall tells a tale thats much darker and way more mature. Its apparent from the start of the movie that this sequel has more to say than just being a cheap cash in and as we check in on Elsa we see that although at first everything might seem happy it becomes aparent shes still struggling with demons and troubled on the inside. They clearly are not children anymore and thus dealing with the loss of both their parents is really starting to hit home as they enter the grieving process. This seems to effect Elsa in more ways than she can begin to process and as she struggles to tame her depression and get a hold on her mental health she closes up and alienates the people that are close to her. Its all incredibly dark stuff and at times it became so bleak that it had both adults and children in our screening breaking out in tears. Olaf does lighten things up occasionally however with some genuinely funny comedy, silly facts and some nice philosophy too with a role that feels important this time rather than there for comic relief. Pact with cool mythology and stuning visuals the film also manages to create not only a great coldness but an incredible warmth to really drive home its message of the importance of family and heritage. Elemental effects are extremely impressive too as is the improved animation quality and while the songs arnt as catchy this time they flow with more heart/meaning and with way more creativity visually too. Frozen 2 might not be perfect but as an adult it spoke to me more than the last one did and seeing it have the guts to mature and progress rather than replicate is a bold move I really respected. A truly magical fable full to the brim with lore and mythology that deals with such grown up isuess so respectfully and realistically that it will speak way more this time to adults than it does kids. Frozen 2 successfully teaches us all the message that we dont have to 'let It Go' or deal with our problems alone and by remembering and talking about those that are gone warms the heart and keeps them alive in us.
JT (287 KP) rated Only God Forgives (2013) in Movies
Mar 10, 2020
Now here is a film that completely split critics. It’s not going to be everyone’s cup of tea and it’s clear to see why. Anyone expecting a well constructed follow up to Winding Refn’s hit Drive are going to be sorely disappointed, as Only God Forgives serves up a mix of beautiful neon visuals, character dreamscapes and minimal dialogue.
Julian (Ryan Gosling) runs a Thai boxing club deep in the heart of Bangkok using it as front for a drug smuggling ring with his brother. Events take a horrific turn when his brother rapes and murders an underage prostitute. Enter retired cop Chang (Vithaya Pansringarm), more well known as the ‘Angel of Vengeance’ who has a unique and almost godlike way of handing out retribution to those who cross his path.
When he allows Julian’s brother to be murdered by the father of the girl he killed, Julian’s mother Crystal and family matriarch heads out to demand that Julian take revenge for his brothers death.
Only God Forgives is a film doused in deep colours that awash the actors on screen and cast them in a variety of different lights. It feels a bit art house and at times arrogant. This must have been the easiest pay cheque that Gosling has ever picked up. He barely speaks and stamps any authority on screen by long drawn out stares of which he is the master.
Scott Thomas is not the mother figure that you would expect to have. Goading Julian into submission in a vile and disgusting manner she belittles him, prompting the question that he is half the man his brother is. She is one of the few standouts. All blonde hair and jewellery along with a arsenal of foul language. However, it will be Chang that leaves the afterthought, as he glides about unleashing his sword on those who stand in his way.
Only God Forgives is violent, and it is certainly not for the faint-hearted, the spilling of blood (particularly one hard to watch scene) is in keeping with the tonal colour of the setting. It doesn’t have Drive’s slickness but does come with an equally pulsating sound track.
There is no arguing that from a cinematography point of view this film his head and shoulders above others. But there is the odd occasion when you really have to question the director and what it was that he set out to achieve?
Julian (Ryan Gosling) runs a Thai boxing club deep in the heart of Bangkok using it as front for a drug smuggling ring with his brother. Events take a horrific turn when his brother rapes and murders an underage prostitute. Enter retired cop Chang (Vithaya Pansringarm), more well known as the ‘Angel of Vengeance’ who has a unique and almost godlike way of handing out retribution to those who cross his path.
When he allows Julian’s brother to be murdered by the father of the girl he killed, Julian’s mother Crystal and family matriarch heads out to demand that Julian take revenge for his brothers death.
Only God Forgives is a film doused in deep colours that awash the actors on screen and cast them in a variety of different lights. It feels a bit art house and at times arrogant. This must have been the easiest pay cheque that Gosling has ever picked up. He barely speaks and stamps any authority on screen by long drawn out stares of which he is the master.
Scott Thomas is not the mother figure that you would expect to have. Goading Julian into submission in a vile and disgusting manner she belittles him, prompting the question that he is half the man his brother is. She is one of the few standouts. All blonde hair and jewellery along with a arsenal of foul language. However, it will be Chang that leaves the afterthought, as he glides about unleashing his sword on those who stand in his way.
Only God Forgives is violent, and it is certainly not for the faint-hearted, the spilling of blood (particularly one hard to watch scene) is in keeping with the tonal colour of the setting. It doesn’t have Drive’s slickness but does come with an equally pulsating sound track.
There is no arguing that from a cinematography point of view this film his head and shoulders above others. But there is the odd occasion when you really have to question the director and what it was that he set out to achieve?
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