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BankofMarquis (1832 KP) rated Beast (2022) in Movies
Sep 24, 2022
More Tension Than I Anticipate
We are witnessing the after-effects of the COVID PANDEMIC shutdown in 2020 as the films that are being released at the tail end of summer/early fall of 2022 are not the most scintillating of efforts and thus, one must lower their expectations to have a good time at the Cineplex.
Such is the case with the “Cujo in Africa” killer lion saga BEAST starring Idris Elba as a widowed father of two teenage girls. The threesome head back to the African Village where the deceased mother was born and raised - to connect to their roots - unaware that poachers have unwittingly created a rogue, killer lion who is feasting on the humans in the area.
Directed by Batasar Kormakur (2 GUNS) and written, perfunctorily, by Ryan Engle (RAMPAGE) BEAST is a pretty by-the-book “wild animal goes after human” story with the first 1/3 of this 90 minute epic being the setup (in this case, clumsily setting up the daughter’s anger at their father who “was not there” as their mother was dying). Do you think the upcoming adventure is going to bring these 3 closer?
The middle third of the film is the hook where we put these 3 (and their friend, played by Sharlto Copley - DISTRICT 9) into harm’s way in such a way that they are trapped and must contend with the BEAST. And the final 1/3 is the payoff - how does this group conquer the BEAST?
Pretty mechanical, right?
Well…a funny thing happened while watching this film… I found myself invested in these characters, well…at least some of them, and I was genuinely interested and intrigued and (at times) a little on the edge of my seat as I watched them attempt to get out of their predicament.
Credit for this has to go to Director Kormakur who uses his camera to beautifully capture the Africa landscape that these folks are trapped in. It is a loving picture of Africa that Kormakur has drawn and it made the slow parts of this film (and there are plenty) bearable just by being able to look at the background.
Also helping this film is the friendship and camaraderie shown between Elba’s character and Copley’s character. These are 2 good actors looking like they actually are enjoying their time together and their actions on screen mirror their personalities that are drawn thinly and quickly during the first part of the film.
Fairing less well are the 2 daughters, played by Leah Jeffries and Iyana Halley. They are, for the most part, 1 dimensional “typical teenagers” who have a bone to pick with their father and don’t shy away from picking at that bone - and each other - throughout the course of this film.
But, enough about all of that, what one goes to see in these types of films is the animal attacks and Director Kormakur traps our foursome in and around a jeep while the BEAST attacks and attacks and attacks - and these scenes are shot very professionally and actually manage to ratchet up the tension as the CGI Lion goes after it’s victims.
There are enough plot holes to drive the aforementioned Jeep through in this film and sometimes the characters - especially the 2 teenage girls - make VERY dumb decisions, but the tension of the attack scenes and the work of Elba and Copley makes this film a decent (enough) viewing experience.
Letter Grade: B-
6 stars out of 10 and you can take that to the Bank(ofMarquis)
Such is the case with the “Cujo in Africa” killer lion saga BEAST starring Idris Elba as a widowed father of two teenage girls. The threesome head back to the African Village where the deceased mother was born and raised - to connect to their roots - unaware that poachers have unwittingly created a rogue, killer lion who is feasting on the humans in the area.
Directed by Batasar Kormakur (2 GUNS) and written, perfunctorily, by Ryan Engle (RAMPAGE) BEAST is a pretty by-the-book “wild animal goes after human” story with the first 1/3 of this 90 minute epic being the setup (in this case, clumsily setting up the daughter’s anger at their father who “was not there” as their mother was dying). Do you think the upcoming adventure is going to bring these 3 closer?
The middle third of the film is the hook where we put these 3 (and their friend, played by Sharlto Copley - DISTRICT 9) into harm’s way in such a way that they are trapped and must contend with the BEAST. And the final 1/3 is the payoff - how does this group conquer the BEAST?
Pretty mechanical, right?
Well…a funny thing happened while watching this film… I found myself invested in these characters, well…at least some of them, and I was genuinely interested and intrigued and (at times) a little on the edge of my seat as I watched them attempt to get out of their predicament.
Credit for this has to go to Director Kormakur who uses his camera to beautifully capture the Africa landscape that these folks are trapped in. It is a loving picture of Africa that Kormakur has drawn and it made the slow parts of this film (and there are plenty) bearable just by being able to look at the background.
Also helping this film is the friendship and camaraderie shown between Elba’s character and Copley’s character. These are 2 good actors looking like they actually are enjoying their time together and their actions on screen mirror their personalities that are drawn thinly and quickly during the first part of the film.
Fairing less well are the 2 daughters, played by Leah Jeffries and Iyana Halley. They are, for the most part, 1 dimensional “typical teenagers” who have a bone to pick with their father and don’t shy away from picking at that bone - and each other - throughout the course of this film.
But, enough about all of that, what one goes to see in these types of films is the animal attacks and Director Kormakur traps our foursome in and around a jeep while the BEAST attacks and attacks and attacks - and these scenes are shot very professionally and actually manage to ratchet up the tension as the CGI Lion goes after it’s victims.
There are enough plot holes to drive the aforementioned Jeep through in this film and sometimes the characters - especially the 2 teenage girls - make VERY dumb decisions, but the tension of the attack scenes and the work of Elba and Copley makes this film a decent (enough) viewing experience.
Letter Grade: B-
6 stars out of 10 and you can take that to the Bank(ofMarquis)
Ross (3284 KP) rated Bird Box (2018) in Movies
Jan 14, 2019 (Updated Jan 14, 2019)
Slightly flawed premise for a film
Contains spoilers, click to show
The premise of the film, that there are mysterious beings that, once seen, will drive sane people to suicide and insane people to do their bidding is intriguing. That is, until you realise that this means a film where people are either stuck inside, afraid of those mad "helpers" knocking on their door, or people wandering blindfolded around looking for food, water and shelter. Neither of these for me make for a particularly compelling watch. This film is split between the two.
The former aspects of the film are by far the best, people locked in a house together, running out of food (but somehow with plenty of electricity and running water) and considering venturing outside. However, with only those insane helpers likely to come to the door, we don't have the same level of jeopardy as your normal zombie/apocalypse film.
The latter aspects, people wandering around blindfolder, are just a nonsense. People driving in a car with blacked out windows and barely bumping into anything and sat-nav somehow getting them right to the front door (and the people know they are at the front door) was just totally unbelievable. Sat-nav frequently tells me I am in the sea when driving anywhere near the coast, so the chances of it accurately delivering me to the front door of a shop I programmed it for are minimal. Similarly when people are wandering around, they rarely bump into anything at all, and when they do it is always a trip (which would be easily avoided).
And finally the premise - the mysterious beings were not explored at all. While I am happy to have some mystery around the likes of this and actually hate it when they attempt to explain circumstances and fail, I felt this was just omitted completely. There is no real rhyme or reason for what happens in the film and I didn't like that. Its really just 2 hours of people afraid of some leaves.
The rating of this was for the suspense of the film and the acting within the house section, and for the epic opening sequences where the cataclysm unfolds, despite the glaring flaws in the premise and people miraculously getting around without concussion.
The former aspects of the film are by far the best, people locked in a house together, running out of food (but somehow with plenty of electricity and running water) and considering venturing outside. However, with only those insane helpers likely to come to the door, we don't have the same level of jeopardy as your normal zombie/apocalypse film.
The latter aspects, people wandering around blindfolder, are just a nonsense. People driving in a car with blacked out windows and barely bumping into anything and sat-nav somehow getting them right to the front door (and the people know they are at the front door) was just totally unbelievable. Sat-nav frequently tells me I am in the sea when driving anywhere near the coast, so the chances of it accurately delivering me to the front door of a shop I programmed it for are minimal. Similarly when people are wandering around, they rarely bump into anything at all, and when they do it is always a trip (which would be easily avoided).
And finally the premise - the mysterious beings were not explored at all. While I am happy to have some mystery around the likes of this and actually hate it when they attempt to explain circumstances and fail, I felt this was just omitted completely. There is no real rhyme or reason for what happens in the film and I didn't like that. Its really just 2 hours of people afraid of some leaves.
The rating of this was for the suspense of the film and the acting within the house section, and for the epic opening sequences where the cataclysm unfolds, despite the glaring flaws in the premise and people miraculously getting around without concussion.
Phil Leader (619 KP) rated The Skull Throne in Books
Nov 25, 2019
The fourth installment of Brett's impressive Demonwar books takes up exactly where the last book, The Daylight War, finished. With Jardir and Arlen last seen falling from a high cliff during a fight to the death, each side must manage without their Deliverer to battle the threat from the demons - and each other.
With Jardir gone, Inevera and Abban face a struggle for survival as his sons try to position themselves so they can take the Skull Throne and continue the daylight war against the Thesans seeking to unite all of mankind against the demon threat by force and subjugation.
Meanwhile the leaders of Hollow County are embroiled in political intrigue over the failure of the Duke of Angiers to produce an heir and questions about the rise of the Hollow as a power that could rival the Duke. Any actions by either side now could put the whole fate of the world at risk.
This is undoubtedly the best in the series to so far. All the characters and plot strands from the previous books are woven into a taut tale that drives forward with each page. Where previous installments have been mostly dialogue, this book moves neatly from one set piece to another, from battles against demons to assassination attempts stirred by old rivalries this books has it all.
Once again it is the characters that drive the book; without Brett's fine eye for detail the reader wouldn't care so much about the characters and it's a rare trick that the reader is able to support characters on both sides of the conflicts and arguments.
The momentum builds throughout to a final few chapters that are simply jaw dropping in terms of storyline, pace and scope. The next installment simply cannot come fast enough.
I'm also glad I read the UK hardback edition with the fantastic picture of Rojer looking very mean on the cover. From being my least favourite character he is definitely the stand out in this book.
Entirely recommended. It's a big book (the story ended on page 737) but well worth the read. However if you have not read the previous books in the series you will need to start at The Painted Man as previous knowledge of the characters and situations is assumed. But you will not regret it, Brett's world of demons is one of the best fantasy concepts out there.
Rated: Violent scenes and some sexual references
With Jardir gone, Inevera and Abban face a struggle for survival as his sons try to position themselves so they can take the Skull Throne and continue the daylight war against the Thesans seeking to unite all of mankind against the demon threat by force and subjugation.
Meanwhile the leaders of Hollow County are embroiled in political intrigue over the failure of the Duke of Angiers to produce an heir and questions about the rise of the Hollow as a power that could rival the Duke. Any actions by either side now could put the whole fate of the world at risk.
This is undoubtedly the best in the series to so far. All the characters and plot strands from the previous books are woven into a taut tale that drives forward with each page. Where previous installments have been mostly dialogue, this book moves neatly from one set piece to another, from battles against demons to assassination attempts stirred by old rivalries this books has it all.
Once again it is the characters that drive the book; without Brett's fine eye for detail the reader wouldn't care so much about the characters and it's a rare trick that the reader is able to support characters on both sides of the conflicts and arguments.
The momentum builds throughout to a final few chapters that are simply jaw dropping in terms of storyline, pace and scope. The next installment simply cannot come fast enough.
I'm also glad I read the UK hardback edition with the fantastic picture of Rojer looking very mean on the cover. From being my least favourite character he is definitely the stand out in this book.
Entirely recommended. It's a big book (the story ended on page 737) but well worth the read. However if you have not read the previous books in the series you will need to start at The Painted Man as previous knowledge of the characters and situations is assumed. But you will not regret it, Brett's world of demons is one of the best fantasy concepts out there.
Rated: Violent scenes and some sexual references
Jamie Towell Cook (13 KP) rated the PlayStation 4 version of Sonic Mania Plus in Video Games
Apr 6, 2020
Finally a Sonic game that lives up to the reputation that the mega drive days left us all begging for.
Sonic Mania sees you take control of Sonic and his team mates, Tails and Knuckles as you revisit some very familiar stages from Sonics past to take on Dr. Eggman (or Robotnik if your old school) and his latest creations. In a race to collect the seven chaos emeralds and save the day.
Mania Plus also sees the return of two characters that have been locked away in the vaults for some time now. Mighty The Armadillo & Ray The Flying (Gliding) Squirrel. All characters are equipped with their own unique skill set to help you traverse the levels and discover new areas and secrets.
Mania ditches all the gimmicks that have been the sonic series' shortcomings and returns to simpler times of side scrolling fast paced action that are plucked straight from the early 90's. Familiar levels to any fan of the golden era and even more familiar soundtrack. This also brings back the dread of the underwater level and that inevitable countdown sound that has haunted your childhood dreams and will do once again.
The game isn't just for single players though, the main story is as much fun now with sonic and tails as it was for sonic 2 & 3. Where you will be constantly shouting at the player controlling sonic that they've left you behind and then using Tails as a meat shield to defeat the end of level bosses. There is a race mode for other players to join in on, time attack mode to keep besting your own personal score. An endless supply of blue sphere stages to unlock and even the return of Dr. Robotnik's Mean Bean Machine. There is plenty in this game to keep you entertained for a very long time.
Heres hoping that Mania 2 isn't too far away. Hopefully with even more character selection redeeming all those newer characters that have been unfortunate enough to be featured on some of the more questionable sonic titles. I personally would love to see Team Chaotix, Amy Rose, Cream & Chao, Big, Rouge, Shadow, Blaze and maybe even the babylon rogues. Maybe even a few blasts from the past like Johnny Lightfoot, Porker Lewis and Shortfuse from the sonic the comics.
All in all, a much better addition to the wounded Sonic series.
Sonic Mania sees you take control of Sonic and his team mates, Tails and Knuckles as you revisit some very familiar stages from Sonics past to take on Dr. Eggman (or Robotnik if your old school) and his latest creations. In a race to collect the seven chaos emeralds and save the day.
Mania Plus also sees the return of two characters that have been locked away in the vaults for some time now. Mighty The Armadillo & Ray The Flying (Gliding) Squirrel. All characters are equipped with their own unique skill set to help you traverse the levels and discover new areas and secrets.
Mania ditches all the gimmicks that have been the sonic series' shortcomings and returns to simpler times of side scrolling fast paced action that are plucked straight from the early 90's. Familiar levels to any fan of the golden era and even more familiar soundtrack. This also brings back the dread of the underwater level and that inevitable countdown sound that has haunted your childhood dreams and will do once again.
The game isn't just for single players though, the main story is as much fun now with sonic and tails as it was for sonic 2 & 3. Where you will be constantly shouting at the player controlling sonic that they've left you behind and then using Tails as a meat shield to defeat the end of level bosses. There is a race mode for other players to join in on, time attack mode to keep besting your own personal score. An endless supply of blue sphere stages to unlock and even the return of Dr. Robotnik's Mean Bean Machine. There is plenty in this game to keep you entertained for a very long time.
Heres hoping that Mania 2 isn't too far away. Hopefully with even more character selection redeeming all those newer characters that have been unfortunate enough to be featured on some of the more questionable sonic titles. I personally would love to see Team Chaotix, Amy Rose, Cream & Chao, Big, Rouge, Shadow, Blaze and maybe even the babylon rogues. Maybe even a few blasts from the past like Johnny Lightfoot, Porker Lewis and Shortfuse from the sonic the comics.
All in all, a much better addition to the wounded Sonic series.
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Kristy H (1252 KP) rated The Stranger Behind You in Books
Jul 15, 2021
An atmospheric and twisty thriller
Reporter Joan Lurie becomes famous when her story in Manhatta exposes Globe owner Caspar Osgood as a sexual harasser. But as she returns home the night of the publication, she's attacked in her apartment. Terrified and feeling ill from a severe blow to the head, she moves to a super secure building in Manhattan, called the Refuge, to write a book that further details what she's discovered about Casper. At the Refuge, she meets her elderly neighbor, Lillian, who has lived there since it was the Magdalen Laundry and Refuge for Fallen Women in the 1940s. She becomes sucked into Lillian's stories, which often remind Joan of her own life. Meanwhile, Caspar's wife Melissa must deal with the aftermath of learning her husband is sexual predator. Soon, these women's lives will intertwine: in potentially dangerous ways.
"I'm here because four weeks ago someone tried to kill me."
This was an often confusing but incredibly intriguing book that combines the #MeToo movement with a story about wayward girls. You're never quite sure what's going on, as Joan can be an unreliable narrator (head injury + fear, anyone?), leaving one feeling very off balance for the entire book. There's a story within a story here, as Joan goes after Caspar and his transgressions, combined with Lillian's story and her past.
"What kind of person is more concerned about their hard drive than their body?"
I loved the 1940s piece, learning about Lily, the Magdalen laundry, and the Refuge when it was a home for girls. It's fascinating even while being quite sad. Joan could be a very frustrating character (just go to the doctor for your head injury and stop drinking already), but you cannot fault her reporting skills. Caspar's wife Melissa adds a certain depth to the tale, as she wrestles with what her husband has done. Telling the story from Joan and Melissa's point of view really expands what we learn. This is also an atmospheric read, with the Refuge becoming its own character, especially as we learn about its history from the 1940s on. Goodman is always excellent at setting the scene.
While I sometimes found this book frustrating, it was also a page-turner, with compelling characters and an interesting story with some great twists. 4 stars.
"I'm here because four weeks ago someone tried to kill me."
This was an often confusing but incredibly intriguing book that combines the #MeToo movement with a story about wayward girls. You're never quite sure what's going on, as Joan can be an unreliable narrator (head injury + fear, anyone?), leaving one feeling very off balance for the entire book. There's a story within a story here, as Joan goes after Caspar and his transgressions, combined with Lillian's story and her past.
"What kind of person is more concerned about their hard drive than their body?"
I loved the 1940s piece, learning about Lily, the Magdalen laundry, and the Refuge when it was a home for girls. It's fascinating even while being quite sad. Joan could be a very frustrating character (just go to the doctor for your head injury and stop drinking already), but you cannot fault her reporting skills. Caspar's wife Melissa adds a certain depth to the tale, as she wrestles with what her husband has done. Telling the story from Joan and Melissa's point of view really expands what we learn. This is also an atmospheric read, with the Refuge becoming its own character, especially as we learn about its history from the 1940s on. Goodman is always excellent at setting the scene.
While I sometimes found this book frustrating, it was also a page-turner, with compelling characters and an interesting story with some great twists. 4 stars.
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