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Cats (2019)
Cats (2019)
2019 | Musical
Cut what worked in the musical and left in what didn't
I had heard that the movie version of the mega-Broadway hit musical CATS was a "total trainwreck" with bizarre performances and CGI that was incomplete and/or incompetently done making these CATS look more like FREAKS, so I was looking forward to a "so bad it's good" experience at the film. But, instead of being horrified or bemused, I felt another emotion while watching this...

BOREDOM.

I've never been a real fan of the Broadway production - I witnessed the original cast back in the early 1980's and had a follow-up viewing of the show on Broadway in the mid-to-late '90's when 2 people I know were in the cast and both times I enjoyed the music (for the most part) and the dancing was SUPERB, but I was left disappointed by the characters and the plot (or lack thereof) of this show.

And...that's the biggest problem with the film version of CATS, Director Tom Hooper (LES MISERABLES) decided to focus this film ON the characters and the performances - headlined by such stalwarts as Dame Judy Dench, Sir Ian McKellen, Idris, Elba, Ray Winstone, Jennifer Hudson, James Cordon and Rebel Wilson - and ignore the spectacle of the musical numbers and, most heinously, ignoring the dancing aspect of this musical. This approach, quite frankly, just did not work.

Now...add onto this questionable CGI (I'm being kind), a languid pace (I'm being kind) and performers who were miscast (I'm looking at you Idris Elba, Rebel Wilson, Ray Winstone and...if I'm being honest...Ian McKellan and Judy Dench), and don't get me started on Jason Derullo's RumTum Tugger and Taylor Swift's Bumbalurna (really?) - they were just plain awful. Derullo, especially, turned a fun, energizing driving character into a boring embodiment of all that is wrong with this film (okay...Rebel Wilson was worse, but still....) the only players in this film that kept my attention were stage performers like Robbie Fairchild (Munkustrap) and Francesca Hayward (Victoria) and they were sidelined for the most part by the bigger names and had their dance numbers eliminated and/or truncated.

I wish they would have gone for the campy "so bad, it's good" style of filmmaking - it, at least, would have kept my interest, but the movie as it is, did not. I was happy when the "Jellicle Cat" was selected at the end - I knew this experience would be over soon.

Letter Grade D

2 stars (out of 10) and you can take that to the Bank(OfMarquis)
  
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Mark Arm recommended Hendrix In The West by Jimi Hendrix in Music (curated)

 
Hendrix In The West by Jimi Hendrix
Hendrix In The West by Jimi Hendrix
1972 | Blues, Psychedelic, Rock
(0 Ratings)
Album Favorite

"I picked this mainly because most people are probably familiar with the regular three studio records that came out. I would hope they are. This record, Hendrix In The West, is a compilation of live versions. I think four songs are from this San Diego show in 1969 and shortly after that tour Noel Redding was out of the band so it was the last part of the Experience. There's a version of 'Spanish Castle Magic' on the record that is just so incredible, and the bass is distorted and driving. That song alone is worth the whole record. And if you can get your hands on it, there's actually a bootleg of that whole San Diego show and I recommend that, but Hendrix In The West is a little more accessible. My friend Darren who was the drummer in Mr. Epp, we were in high school and he had one of those portable eight-track players. I think he pretty much only had three eight-tracks I can remember, and one was Jimi Hendrix's Smash Hits and another was The Who: Live At Leeds and we would play those constantly. I've always been really impressed by Mitch Mitchell's drumming. It spoke to me. I think he's maybe the best drummer in rock & roll. I just love that kind of loose, fluid feel. It's not stiff, there's sort of a jazz thing going through it. It's really propulsive. Have you ever seen 'Message To Love', the Isle of Wight set that Hendrix plays? It's weird what happened to Mitch Mitchell over the years he was playing with Hendrix. In the early days he's sitting upright and playing like he does on the records but by that almost last performance he's got a double kick drum which he's just slumped over and his back is hunched and he's really low. It's like he isn't playing the beats at all, he's just playing around it. It's like he's become a rock version of Elvin Jones - it's crazy. Rock & roll has taken its toll on a lot of people. There's a bit in the Isle of Wight thing where a couple of songs in, Hendrix just goes behind the speakers and you can hear his guitar hitting shit. And he comes back out and he's on fire. The song ends and he says "I just woke up two minutes ago!" I was like: "Gee, I wonder what he was doing back there?""

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The King of Staten Island (2020)
The King of Staten Island (2020)
2020 | Comedy, Drama
Incredible
An amateur tattoo artist is forced to grow up when his mom (who he is living with) falls in love with a new boo.

Acting: 10

Beginning: 7
The very first few moments sees main character Scott Carlin (Pete Davidson) driving on the highway with his eyes closed, seemingly trying to off himself. It’s a powerful scene followed quickly by Scott and his friends tripping out with the typical hilarious banter you find in a Judd Apatow movie. While both great scenes, you still don’t get a full sense of where the story is going after the first ten minutes hence the score.

Characters: 10

Cinematography/Visuals: 9
Shot in a memorable style that brings out the best and worst of Staten Island at the same time. Director Apatow has a knack for capturing extremely impactful moments, especially the awkward ones. Every scene, no matter how short makes the most of its time and tells its own story. It’s such a hard thing to do yet Apatow finds a way to do it repeatedly.

Conflict: 10
It’s funny, I can’t look at Scott’s character without thinking about my 16-year-old son. He’s kind of drifting about in the same aimless way and, like Scott, doesn’t seem to understand how his now actions will affect his later. The beauty of having a character like this is the ability to be able to drive external conflict through Scott’s internal growth. He is struggling for selfish reasons. He wants his mom to be happy, but not at his expense. The dynamic of conflict is perfect.

Entertainment Value: 9

Memorability: 10

Pace: 8
The story flows along pretty smoothly, although I wasn’t happy with the 147-minute runtime. That’s a bit extensive for a comedy in my opinion. Again, I was impressed about how time was maximized for the most part, but there were a few spots where I felt things could have been trimmed.

Plot: 7
The movie does cheat to meet its end, but I was ultimately ok with it because the rest of the story was pretty incredible. The cheat is a blip on an otherwise quality story that really enhances the growth of the characters. Every scene really does come together well to tell a great story.

Resolution: 10

Overall: 90
From jump, The King of Staten Island hits you in the mouth and keeps you entertained. I enjoyed this movie for multiple reasons, but mostly because it checks all the boxes. Even the things it falls short on is just slightly missing the mark. Highly recommended.