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Ross (3284 KP) rated Sandinista! by The Clash in Music

May 11, 2020  
Sandinista! by The Clash
Sandinista! by The Clash
1980 | Rock
7
8.0 (2 Ratings)
Album Rating
Rolling Stone's 407th greatest album of all time
When you compare the tracklisting of this triple-album to that of the Story of the Clash, it is clear this is not their best material. A triple-album is a brave move and has to be backed up with quality throughout. Sadly that isn't the case here. While it is a good enough listen, there is not a lot that stands out (mainly Magnificent Seven). For fans of dub and white men doing reggae. The version of Somebody Got Murdered is a travesty.
  
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Darren Fisher (2454 KP) rated Sandinista! by The Clash in Music

Dec 11, 2020 (Updated Jan 15, 2021)  
Sandinista! by The Clash
Sandinista! by The Clash
1980 | Rock
9
8.0 (2 Ratings)
Album Rating
'Music For People Who Work On For Oil Rigs'
At a time when only prog-rock groups released triple albums, The Clash went out on a limb, providing a multicultural mish-mash of musical styles. Ranging from dub reggae, funk, jazz, disco, rap and even gospel, this 36 track sprawling epic covered all the musical bases. Often compared as their equivalent of The Beatles 'White' album, Sandinista! finds The Clash at their most experimental. Featuring a vast range of guest artists from dub maestro Mikey Dread, Ellen Foley and various members of The 101ers, The Blockheads, Eddie & The Hot Rods, The Voidoids and Darts(!?!) this really is a melting pot of ideas and influences.
Sandinista! can be a tough call if you decide to listen to it from start to finish, clocking in at around the 2hr 20mins mark, but I would recommend doing this on the first listen. It sets a trippy, mesmerising, and (albeit) uneven journey of a group realising there is a much bigger world out there than just London.
One critic described the album as 'music for people who work on oil rigs'. I like that...

Album highlights:
The Magnificent Seven
Look Here
The Street Parade
  
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Karl Hyde recommended Low by David Bowie in Music (curated)

 
Low by David Bowie
Low by David Bowie
1977 | Rock
9.3 (4 Ratings)
Album Favorite

"Me and Rick were living in a terraced house in Splott in Cardiff, near Tiger Bay. That’s where we formed our first band, Freur. We were making dub electronics and listening to dub reggae and Kraftwerk’s Computer World and Bowie’s Low. What blew us away was Brian’s (Eno) analogue electronic sound – that kind of degraded sound that he was making – and the fact that this great icon, a hugely famous singer and frontman, had chosen not to sing for half an album. What guts and courage that seemed to take. Years later you read that it ended up like that because he wasn’t around and that Brian experimented in his absence. But it takes great foresight and courage for David to come back and hear that and say, "yep, that’s the album." And not to think that because he’s a singer he has to blast away over the top of it. So that became a part of the blueprint for Underworld – that the singer doesn’t have to be the dominant force. He can play a supporting role. That Berlin period – the three Bowie albums and the Iggy Pop record – deepened the mythology of what I love about Berlin. The idea of going to a place and locking yourself away and making quite an extreme record in a different environment"

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Andy Gill recommended Two Sevens Clash by Culture in Music (curated)

 
Two Sevens Clash by Culture
Two Sevens Clash by Culture
1978 | Reggae, Rock
7.0 (1 Ratings)
Album Favorite

"I saw Culture live. Dub reggae was one of the main things I would listen to, so seeing them live was great! We may have been on the bill with them or something, I can't remember. I think we might have done a big Rock Against Racism gig in Finsbury Park at the Rainbow. And Culture played at that. There was a band called… I know The Jam came and did a few numbers before Gang Of Four. It's all a vague. I think we took the rhythmic nature of the lyrics and the way they fitted around the music was very key, very influential."

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Demons (1985)
Demons (1985)
1985 | Horror
8
7.2 (9 Ratings)
Movie Rating
In short, Demoni AKA Demons, is fucking wild.
For the most part, it's masquerading as a serious horror trip, with the odd burst of humour, and occasional 80s rock anthem thrown in. It subjects the viewer to nasty gore, disturbing practical effects, trippy cinematography, it's overall strangeness complimented by its slightly off dub work. It's uncomfortable in parts, certainly hypnotic in its execution.
All of this, before diving headfirst into schlock territory where a dude slaughters hordes of monsters with a katana whilst riding a motorcycle, as an Accept song blasts in the background. Pretty damn wonderful.

Rightly considered an essential 80s horror, Demons is still an effective movie today. Well worth any horror fan's time.