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Santa Claus (aka Santa vs. the Devil) (1959)
Santa Claus (aka Santa vs. the Devil) (1959)
1959 | Comedy, Family, Fantasy
9
9.0 (1 Ratings)
Movie Rating
Holiday Hijinx! (2 more)
Still a heartwarming ending
Super amusing take on characters
Terribly Dubbed (2 more)
Super cheesy
Not exactly politically correct. Lots of stuff would not go over well in this day and age
The epitomy of "so bad, it's great!"
One of my local independent theaters advertised this and I knew instantaneously: This movie was going to be so terrible, I would love it. It did not disappoint. A great trip back in time to before movies fit neatly into one of two categories: A) takes itself too seriously, or B) Superhero movie. This Santa still knows if you've been naughty or nice, but it's only because he eavesdrops on your conversations and watches your dreams. He lives in a castle in the sky, and can only visit Earth on Dec. 24th of every year. When he does, hilarity ensues as he constantly foils the Devil's plans to put each and every kid on the naughty list. If you're a fan of terrible B movies that just let go and keep you laughing, definitely check this out. Definitely some shallow stereotypes played up for laughs. Not for the easily offended.
  
4G
7
7.0 (1 Ratings)
Book Rating
187 of 235
Kindle
44 Gilmore Street ( Psychic Surveys 3)
By Shani Struthers
⭐️⭐️⭐️⭐️

Psychic Surveys - specialists in domestic spiritual clearance - have never been busier. Although exhausted, Ruby is pleased. Her track record as well as her down-to-earth, no-nonsense approach inspires faith in the haunted, who willingly call on her high street consultancy when the supernatural takes hold.

But that's all about to change.

Two cases prove trying: 44 Gilmore Street, home to a particularly violent spirit, and the reincarnation case of Elisha Grey. When Gilmore Street attracts press attention, matters quickly deteriorate. Dubbed the 'New Enfield', the 'Ghost of Gilmore Street' inflames public imagination, but as Ruby and the team fail repeatedly to evict the entity, faith in them wavers.

Dealing with negative press, the strangeness surrounding Elisha, and a spirit that's becoming increasingly territorial, Ruby's at breaking point. So much is pushing her towards the abyss, not least her own past. It seems some demons just won't let go...

I really enjoyed this I really like this series it’s proper ghost hunting. His was a sad and dark story an so interesting.
  
40x40

Martin Scorsese recommended The Leopard (1963) in Movies (curated)

 
The Leopard (1963)
The Leopard (1963)
1963 | International, Classics, Drama
(0 Ratings)
Movie Favorite

"Another masterpiece about Sicily, another meditation on eternity, and an endlessly rich historical tapestry, meticulously composed in color and on 70 mm. Luchino Visconti based the picture on the Count Giuseppe Tomasi di Lampedusa’s posthumously published novel, about a Sicilian prince at the time of the Italian unification, or Risorgimento, who steps away from power and influence because he realizes that the life he and his family have led is coming to an end, that he has to get out of the way for younger and more ambitious men like his nephew Tancredi. Visconti and his fellow screenwriters (there were four of them, including his frequent collaborators Suso Cecchi D’Amico and Enrico Medioli) took Lampedusa’s novel and fashioned a whole new work on a grand scale, an epic but of a very unusual type. Time itself is the protagonist of The Leopard: the cosmic scale of time, of centuries and epochs, on which the prince muses; Sicilian time, in which days and nights stretch to infinity; and aristocratic time, in which nothing is ever rushed and everything happens just as it should happen, as it has always happened. The landscapes, the extraordinary settings with their painstakingly selected objects and designs, the costumes, the ceremonies and rituals—it’s all at the service of deepening our sense of time and large-scale change, and the entire picture culminates in an hour-long sequence at a ball in which you can feel, through the eyes of the prince, an entire way of life (one that Visconti himself knew quite well) in the process of fading away. Like Contempt, The Leopard was initially overshadowed by the circumstances around it, namely, the casting of Burt Lancaster as the prince. Here in America, we saw the picture in a shortened and dubbed version (Lancaster was speaking English) that was a little unsatisfying: you could clearly see that the movie Visconti had intended wasn’t quite all there, and it was jarring to watch Lancaster speaking in his normal voice surrounded by Alain Delon and Claudia Cardinale and Paolo Stoppa dubbed into American English. When I got to see the whole thing, I was astonished by the picture and by Lancaster, who gives all of himself to the role and to the world of the film. Visconti had wanted Laurence Olivier, and he was initially very curt with Lancaster, but the actor won him over and they became lifelong friends. I could go on and on about The Leopard. It’s a film that has become more and more important to me as the years have gone by."

Source
  
Scream (1996)
Scream (1996)
1996 | Horror, Mystery, Thriller
Labeled a classic and dubbed as a mystery/slasher film, Scream is a film you can turn to for years to come when you’re in need of a blood bath. If you’re a 90s baby like me, then you probably have. I wouldn’t go so far as to say I consider it a favorite, but it is definitely a movie I like to watch when I need to relax.

One of the things that I really like about Scream is the fact that it serves a dual purpose: it sates my thirst for blood while simultaneously making a mockery of itself. If you’re new to the horror genre, then it’s an easy and entertaining way to learn the “rules” of horror movies – and then watch as the cast adheres to them without failure. Of course, these aren’t real rules in as much as they are unspoken. For prime examples of movies that highlight these rules, I point you to Halloween, The Nightmare on Elm Street, and Friday the 13th.

Scream is one of those films that is more likely to draw a bit of laughter from me than it is likely to scare me. To some degree, this is because I’ve seen it so many times. To another… it’s honestly hilarious.
  
The Ancient Magus' Bride (2017)
The Ancient Magus' Bride (2017)
2017 | Animation, Fantasy, Romance
10
5.5 (6 Ratings)
Movie Rating
Beautiful Animation (5 more)
Beautiful soundtrack
Well chosen cast
Emotional storyline
Fantasy/horror/action/comedy/drama
Excellent adaptation from the manga
Dubbed voices are awful (0 more)
What makes us....us?
I've never been a religious follower of anime in the past. I've delved into it, mostly Studio Ghibli's work and a few others but I never really found a reason to regularly want to tune in and watch an Anime every week. Until Magus' Bride.

From the time of writing this, there have been 14 episodes and every single one has retained consistent high quality of voice acting, storyline and musical score. Not once can I ever say I have been bored or impatient with an episode. Each one will have you questioning your own humanity as you question theirs. You can't help but become attached emotionally to all the characters as they each progress through their own heartbreaking lifelines and each episode brings new and riveting challenges. All the while you're accompanied by amazing scores and haunting singing which strays from the usual cringe-worthy singing in a lot of anime, and stunningly drawn animation.

I could not recommend this any higher. It deserves a 10 and I have no shame giving it that.