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Hadley (567 KP) rated Frankenstein in Books
Apr 30, 2019
Great main character (1 more)
Beautiful writing
Over usage of some words (1 more)
Secondary characters have hardly a back story
In the horror genre, I have very few favorite female writers, but Mary Shelley is one of them. The way she weaves environments with character defining scenes is beautifully done in 'Frankenstein.' At the tender age of 18, Shelley was able to convey grief and loss through a single story. She created a relatable 'creature' that many readers will have pity for, but also an obsessive young man that can hardly be hated. Some people may be intimidated by the more diverse English language from the early 1800's, but, in my opinion, the story would not have had the same impact if it had been written today.
Not just horror readers will enjoy 'Frankenstein,' but also those who like to read philosophy. Shelley brings up life discerning questions that even society meddles with today. It's amazing to think that a two century old book discusses problems we still deal with.
The book begins with a sea captain that picks up a stranger that was stranded on a raft of ice, and this man has a fascinating story to tell. The entire book is a letter written by the sea captain to his sister, which he details every bit of Victor Frankenstein's several year tale. Readers get to follow Frankenstein's life from the moment his 'creature' is made to the end of his days, which traverses the globe. When Shelley begins to lull over her love of environments, she quickly picks up with character or story development that keeps our attention from wandering.
'Frankenstein' focuses on the need to be loved and accepted to live a happy existence,as well as reaching our dreams, but Shelley shows how achieving such things can cause a crushing defeat in the latter pursuit: "Night was far advanced when I came to the halfway resting-place, and seated myself beside the fountain. The stars shone at intervals, as the clouds passed from over them; the dark pines rose before me, and every here and there a broken tree lay on the ground: it was a scene of wonderful solemnity, and stirred strange thoughts within me. I wept bitterly; and clasping my hands in agony, I exclaimed, 'Oh! stars, and clouds, and winds, ye are all about to mock me: if ye really pity me, crush sensation and memory; let me become as nought; but if not, depart, depart, and leave me in darkness.' "
There are other characters we read of, including Frankenstein's best friend, Henry, and his long time love interest, Elizabeth (both of who grew up with Frankenstein). Henry comes from a well-to-do merchant family, while Elizabeth was orphaned from a wealthy family, then adopted by the Frankensteins as a future wife for Victor. Unfortunately, we learn little about them or Victor's family, that when any of them do die, it's not felt personally by the reader. There are other characters that had major events in the story, but as with the friends, they weren't developed enough to bring up any emotion at their passing.
After Frankenstein sets out after his creation,we meet the 'creature' at the top of a mountain. He is devastated that his creator hates him, and that the other humans he has met also hated him. "I expected this reception,' said the demon. 'All men hate the wretched; how, then, must I be hated, who am miserable beyond all living things! Yet you, my creator, detest and spurn me, thy creature, to whom thou art bound by ties only dissoluble by the annihilation of one of us. You purpose to kill me. How dare you sport thus with life? Do your duty towards me, and I will do mine towards you and the rest of mankind. If you will comply with my conditions, I will leave them and you at peace; but if you refuse, I will glut the maw of death, until it be satiated with the blood of your remaining friends.' "
The 'creature' gives Frankenstein an ultimatum: he either makes him a female companion or he will kill everyone Frankenstein loves and adores." 'What I ask of you is reasonable and moderate; I demand a creature of another sex, but as hideous as myself; the gratification is small, but it is all that I can receive,and it shall content me.' " Although, by this time, the 'creature' has already murdered Frankenstein's youngest brother, Victor agrees to make him a companion, but with serious regret soon after.
The majority of the story concerns Frankenstein trying fool-hardly to protect all those he loves while the 'creature' murders them one by one. The most surprising of the murders is Henry's. After Frankenstein changes his mind on making another creation, the 'creature' quickly finds Henry and kills him, but Frankenstein is accused of the murder and spends quite some time in prison for it. "But I was doomed to live; and, in two months, found myself as awaking from a dream, in a prison, stretched on a wretched bed, surrounded by gaolers, turnkeys, bolts, and all the miserable apparatus of a dungeon. "
Frankenstein is eventually released from prison when the evidence doesn't add up, and witnesses come forward, claiming to have seen Victor elsewhere at the time of the murder. Frankenstein is, at this time, in a drowning melancholy and madness, but this doesn't stop him from marrying Elizabeth. The 'creature' foretold Frankenstein that he would be with him on his wedding night, and Victor uses this to his advantage - arming himself with pistols and knives on the honeymoon. Yet, to no avail, Frankenstein is unable to outlive or outsmart the 'creature' at any turn.
'Frankenstein' is a must-read for all readers. Although many horror stories today pertain to a creature killing it's master, none of them can reach the grief stricken peaks as Shelley has. Every passage in this book reads like poetry. Every interaction between Frankenstein and his 'creature' is fascinating to the reader. And, before Frankenstein dies, he leaves the sea captain with words of wisdom that even readers could benefit from: "Seek happiness in tranquillity and avoid ambition, even if it be only the apparently innocent one of distinguishing yourself in science and discoveries."
Highly recommend!
Not just horror readers will enjoy 'Frankenstein,' but also those who like to read philosophy. Shelley brings up life discerning questions that even society meddles with today. It's amazing to think that a two century old book discusses problems we still deal with.
The book begins with a sea captain that picks up a stranger that was stranded on a raft of ice, and this man has a fascinating story to tell. The entire book is a letter written by the sea captain to his sister, which he details every bit of Victor Frankenstein's several year tale. Readers get to follow Frankenstein's life from the moment his 'creature' is made to the end of his days, which traverses the globe. When Shelley begins to lull over her love of environments, she quickly picks up with character or story development that keeps our attention from wandering.
'Frankenstein' focuses on the need to be loved and accepted to live a happy existence,as well as reaching our dreams, but Shelley shows how achieving such things can cause a crushing defeat in the latter pursuit: "Night was far advanced when I came to the halfway resting-place, and seated myself beside the fountain. The stars shone at intervals, as the clouds passed from over them; the dark pines rose before me, and every here and there a broken tree lay on the ground: it was a scene of wonderful solemnity, and stirred strange thoughts within me. I wept bitterly; and clasping my hands in agony, I exclaimed, 'Oh! stars, and clouds, and winds, ye are all about to mock me: if ye really pity me, crush sensation and memory; let me become as nought; but if not, depart, depart, and leave me in darkness.' "
There are other characters we read of, including Frankenstein's best friend, Henry, and his long time love interest, Elizabeth (both of who grew up with Frankenstein). Henry comes from a well-to-do merchant family, while Elizabeth was orphaned from a wealthy family, then adopted by the Frankensteins as a future wife for Victor. Unfortunately, we learn little about them or Victor's family, that when any of them do die, it's not felt personally by the reader. There are other characters that had major events in the story, but as with the friends, they weren't developed enough to bring up any emotion at their passing.
After Frankenstein sets out after his creation,we meet the 'creature' at the top of a mountain. He is devastated that his creator hates him, and that the other humans he has met also hated him. "I expected this reception,' said the demon. 'All men hate the wretched; how, then, must I be hated, who am miserable beyond all living things! Yet you, my creator, detest and spurn me, thy creature, to whom thou art bound by ties only dissoluble by the annihilation of one of us. You purpose to kill me. How dare you sport thus with life? Do your duty towards me, and I will do mine towards you and the rest of mankind. If you will comply with my conditions, I will leave them and you at peace; but if you refuse, I will glut the maw of death, until it be satiated with the blood of your remaining friends.' "
The 'creature' gives Frankenstein an ultimatum: he either makes him a female companion or he will kill everyone Frankenstein loves and adores." 'What I ask of you is reasonable and moderate; I demand a creature of another sex, but as hideous as myself; the gratification is small, but it is all that I can receive,and it shall content me.' " Although, by this time, the 'creature' has already murdered Frankenstein's youngest brother, Victor agrees to make him a companion, but with serious regret soon after.
The majority of the story concerns Frankenstein trying fool-hardly to protect all those he loves while the 'creature' murders them one by one. The most surprising of the murders is Henry's. After Frankenstein changes his mind on making another creation, the 'creature' quickly finds Henry and kills him, but Frankenstein is accused of the murder and spends quite some time in prison for it. "But I was doomed to live; and, in two months, found myself as awaking from a dream, in a prison, stretched on a wretched bed, surrounded by gaolers, turnkeys, bolts, and all the miserable apparatus of a dungeon. "
Frankenstein is eventually released from prison when the evidence doesn't add up, and witnesses come forward, claiming to have seen Victor elsewhere at the time of the murder. Frankenstein is, at this time, in a drowning melancholy and madness, but this doesn't stop him from marrying Elizabeth. The 'creature' foretold Frankenstein that he would be with him on his wedding night, and Victor uses this to his advantage - arming himself with pistols and knives on the honeymoon. Yet, to no avail, Frankenstein is unable to outlive or outsmart the 'creature' at any turn.
'Frankenstein' is a must-read for all readers. Although many horror stories today pertain to a creature killing it's master, none of them can reach the grief stricken peaks as Shelley has. Every passage in this book reads like poetry. Every interaction between Frankenstein and his 'creature' is fascinating to the reader. And, before Frankenstein dies, he leaves the sea captain with words of wisdom that even readers could benefit from: "Seek happiness in tranquillity and avoid ambition, even if it be only the apparently innocent one of distinguishing yourself in science and discoveries."
Highly recommend!
Bob Mann (459 KP) rated They Shall Not Grow Old (2018) in Movies
Sep 28, 2021
We DO remember them.
“Trapped in a Charlie Chaplin World”. So says director Peter Jackson in a post-screening discussion with Mark Kermode, describing early black and white documentary footage. Whereas modern film runs at 24 fps, most of the old footage is hand cranked, with speeds as low as 12 fps which leads to its jerky nature. Jackson in this project with the Imperial War Museum took their WW1 footage and put it through a ‘pipeline process. This cleaned-up and restored the original footage; used clever computer interpolation to add in the missing 6 to 12 frames per second; and then colourised it.
The results are outstanding. Jackson wisely focuses the film on the specific slice of WW1 action from the trenches. And those anonymous figures become real, live, breathing humans on screen. It is obviously tragic that some (and as commented by Jackson, many in one scene) are not to be breathing humans for much longer.
These effects take a while to kick in. The early scenes in the documentary are in the original black and white, describing the recruitment process, and how many of the recruits were under-age. (To explain the varied comments in the film, they should have been 18, although officially shouldn’t have been sent overseas until 19).
It is when the troops arrive in France that we suddenly go from black-and-white to the fully restored and colourised footage, and it is a gasp-inducing moment.
Audio magic
All of the audio commentary is from original BBC recordings of war veterans recounting their actual experiences in the trench. Some sound like heroes; some sound like rogues; all came out changed men. Supporting music of WW1 ditties, including the incredibly rude “Mademoiselle from Armentières” over the end credits, is provided by Plan 9.
But equally impressive is the dubbing of the characters onscreen. Jackson employed forensic lip-readers to determine what the soldiers on-screen were saying, and reproduced the speech using appropriate regional accents for the regiments concerned. Jackson also recounts how the words associated with a “pep-talk” speech to troops by an officer he found on an original slip of paper within the regimental records: outstanding. Added sound effects include real-life shelling by the New Zealand army. It all adds to the overall atmosphere of the film.
3D = less
The film itself is a masterpiece of technical innovation that will change in the future the way in which we should be able to see this sort of early film footage forever. As a documentary it’s near-perfection. But if I have a criticism of the cinema showing I attended it is that the 3D tended to detract rather than add to the film. Perhaps this is just my eyesight, but 3D always tends to make images slightly more blurry. Where (like “Gravity”) there are great 3D effects to showcase, it’s worth the slight negative to get the massive positive. But here, there was no such benefit: 2D would have been better. For those in the UK (and possibly through other broadcasters worldwide) the film is being shown on BBC2 tonight (11/11/18) at 9:30: I will be watching it again to compare and contrast.
Final Thoughts
Jackson dedicated the film to his grandfather. And almost all of us Brits will have relatives affected by this “war to end all wars”. In my case, my grandfather was shot and severely wounded at Leuze Wood on the Somme, lying in the mud for four days and four nights before being recovered… by the Germans! Fortunately he was well-treated and, although dying young, recovered enough to father my father – else I wouldn’t be here today writing this. On this Rememberance Sunday, 100 years on, it is a time for us to truly remember the sacrifice these men and boys gave to what, all in the film agree, was a pretty obstinate and pointless conflict.
I’ll finish the review by reproducing one of the war poems of my wife’s Uncle Ivor (available in a collection here), written on 11/11/18 a hundred years ago:
Peace
At last O Lord the Day has come,
And hushed is now the noise of guns.
Peace is proclaimed over land and sea,
Our heartfelt thanks we give to Thee.
I thank thee Father for Thy care,
That thou hasn’t answered all my prayers.
This day I see in manhood’s strength,
The Peace we longed for, come at length.
O may my future actions be,
Worthy of all Thy care to me.
Let me forget not Thy Great Love,
Remembering chums who live Above.
I.G.H. 11/11/1918, France.
The results are outstanding. Jackson wisely focuses the film on the specific slice of WW1 action from the trenches. And those anonymous figures become real, live, breathing humans on screen. It is obviously tragic that some (and as commented by Jackson, many in one scene) are not to be breathing humans for much longer.
These effects take a while to kick in. The early scenes in the documentary are in the original black and white, describing the recruitment process, and how many of the recruits were under-age. (To explain the varied comments in the film, they should have been 18, although officially shouldn’t have been sent overseas until 19).
It is when the troops arrive in France that we suddenly go from black-and-white to the fully restored and colourised footage, and it is a gasp-inducing moment.
Audio magic
All of the audio commentary is from original BBC recordings of war veterans recounting their actual experiences in the trench. Some sound like heroes; some sound like rogues; all came out changed men. Supporting music of WW1 ditties, including the incredibly rude “Mademoiselle from Armentières” over the end credits, is provided by Plan 9.
But equally impressive is the dubbing of the characters onscreen. Jackson employed forensic lip-readers to determine what the soldiers on-screen were saying, and reproduced the speech using appropriate regional accents for the regiments concerned. Jackson also recounts how the words associated with a “pep-talk” speech to troops by an officer he found on an original slip of paper within the regimental records: outstanding. Added sound effects include real-life shelling by the New Zealand army. It all adds to the overall atmosphere of the film.
3D = less
The film itself is a masterpiece of technical innovation that will change in the future the way in which we should be able to see this sort of early film footage forever. As a documentary it’s near-perfection. But if I have a criticism of the cinema showing I attended it is that the 3D tended to detract rather than add to the film. Perhaps this is just my eyesight, but 3D always tends to make images slightly more blurry. Where (like “Gravity”) there are great 3D effects to showcase, it’s worth the slight negative to get the massive positive. But here, there was no such benefit: 2D would have been better. For those in the UK (and possibly through other broadcasters worldwide) the film is being shown on BBC2 tonight (11/11/18) at 9:30: I will be watching it again to compare and contrast.
Final Thoughts
Jackson dedicated the film to his grandfather. And almost all of us Brits will have relatives affected by this “war to end all wars”. In my case, my grandfather was shot and severely wounded at Leuze Wood on the Somme, lying in the mud for four days and four nights before being recovered… by the Germans! Fortunately he was well-treated and, although dying young, recovered enough to father my father – else I wouldn’t be here today writing this. On this Rememberance Sunday, 100 years on, it is a time for us to truly remember the sacrifice these men and boys gave to what, all in the film agree, was a pretty obstinate and pointless conflict.
I’ll finish the review by reproducing one of the war poems of my wife’s Uncle Ivor (available in a collection here), written on 11/11/18 a hundred years ago:
Peace
At last O Lord the Day has come,
And hushed is now the noise of guns.
Peace is proclaimed over land and sea,
Our heartfelt thanks we give to Thee.
I thank thee Father for Thy care,
That thou hasn’t answered all my prayers.
This day I see in manhood’s strength,
The Peace we longed for, come at length.
O may my future actions be,
Worthy of all Thy care to me.
Let me forget not Thy Great Love,
Remembering chums who live Above.
I.G.H. 11/11/1918, France.
Night Reader Reviews (683 KP) rated Outland Exile: Book 1 of Old Men and Infidels in Books
Jan 9, 2020
Honest Review for Free Copy of Book
Contains spoilers, click to show
Outland Exile Book 1: Old Men and Infidels by W. Clark Boutwell was very enjoyable to read after I got into it a bit. The book was somewhat confusing to start out but the author unfolds the story layer by layer to slowly explain the world that the main character lives in. The vocabulary in this book made me consult a dictionary a few different times to check words that were strange to me, an unusual occurrence for someone who reads frequently.
The main reason that it was hard for me to initially enjoy the book was because of the authors use of short phrases. These phrases made the reading feel choppy and prevented a nice even flow. I believe this was mainly a problem because it frequently took the immersion away from the story, and jarringly forced me back into the real world as I re-read a section to see if it made more sense. I feel that many readers enjoy the immersion in a fictional world when reading a good book, so this may be a bit of an issue for some.
W. Clark Boutwell also appears to have a very good education, possibly with a large focus on the English language. The reason that I think this might be the case is because of the vocabulary found in the book, some of which seemed unnecessary. Words such as “metaphoric” “adroitly” and “remonstrations” were used, much to my initial confusion. Then there was also “pantomimed”, “sere”, and “realpolitik” that had me searching for a dictionary. On top of the strange wording at times the author also used terms such as “snakelike” and “warlike” with frequency. The amount these words were used make them almost feel overused or like errors.
The amazing plot-line of the story also offers a few different lessons that many people will have to learn in their lives. The first of these lessons is the fact that not everyone, including the government, is not always operating in your best interest. It shows that often the people who are considered to be higher-ups are more worried about themselves and their advancement than the ‘little people’ that they hurt along the way. The book also shows that a simple life is often happier than a technology-filled one, proving that the technology that is supposed to be bringing us together is also causing us to lose touch with other people at the same time. Finally, it brings to light an idea that some might find difficult to accept. That fact would be that not everything you grow up believing is necessarily the truth and that history is almost always written by the winners and the loser’s voice gets lost.
During the course of the story Malila, a Lieutenant for the Unity is sent out to Sunprairie Station with a group of bodyguards in order to repair the station. She then finds herself in the hands of Jesse Johnstone and making her way to Kentucky and stopping at a village across the Ohio River. It is here that she starts to learn just how lacking her life in the Unity was. She also learns just how much of a captive she was in her “free” Unity and how much of her supposed life there was all just an illusion.
What I liked best was watching Malila expand and grow as an individual. The author’s writing made me feel like I actually knew the characters. When tragedy struck I felt real worry and concern for them and did not want to stop reading until I knew what happened to them. On the other side, I least liked the fact that I almost gave up on reading the book early because of how slow and choppy the writing felt. The use of the obscure words made me believe there were multiple misspellings only to find that the words were just typically unused.
The target readers for this story would be young adults, starting at about high school aged and older. Concepts of pleasure sex and a few mentions of rape make this book unsuitable for most younger readers. With all of this being said I would give this book the rating 3 out of 4 because even with it being hard to get into the story was very enjoyable. The plot-line is strong and the life lessons the Malila learns are things that most people should probably learn at some point in their lives. I look forward to reading the rest of the series as it comes out.
The main reason that it was hard for me to initially enjoy the book was because of the authors use of short phrases. These phrases made the reading feel choppy and prevented a nice even flow. I believe this was mainly a problem because it frequently took the immersion away from the story, and jarringly forced me back into the real world as I re-read a section to see if it made more sense. I feel that many readers enjoy the immersion in a fictional world when reading a good book, so this may be a bit of an issue for some.
W. Clark Boutwell also appears to have a very good education, possibly with a large focus on the English language. The reason that I think this might be the case is because of the vocabulary found in the book, some of which seemed unnecessary. Words such as “metaphoric” “adroitly” and “remonstrations” were used, much to my initial confusion. Then there was also “pantomimed”, “sere”, and “realpolitik” that had me searching for a dictionary. On top of the strange wording at times the author also used terms such as “snakelike” and “warlike” with frequency. The amount these words were used make them almost feel overused or like errors.
The amazing plot-line of the story also offers a few different lessons that many people will have to learn in their lives. The first of these lessons is the fact that not everyone, including the government, is not always operating in your best interest. It shows that often the people who are considered to be higher-ups are more worried about themselves and their advancement than the ‘little people’ that they hurt along the way. The book also shows that a simple life is often happier than a technology-filled one, proving that the technology that is supposed to be bringing us together is also causing us to lose touch with other people at the same time. Finally, it brings to light an idea that some might find difficult to accept. That fact would be that not everything you grow up believing is necessarily the truth and that history is almost always written by the winners and the loser’s voice gets lost.
During the course of the story Malila, a Lieutenant for the Unity is sent out to Sunprairie Station with a group of bodyguards in order to repair the station. She then finds herself in the hands of Jesse Johnstone and making her way to Kentucky and stopping at a village across the Ohio River. It is here that she starts to learn just how lacking her life in the Unity was. She also learns just how much of a captive she was in her “free” Unity and how much of her supposed life there was all just an illusion.
What I liked best was watching Malila expand and grow as an individual. The author’s writing made me feel like I actually knew the characters. When tragedy struck I felt real worry and concern for them and did not want to stop reading until I knew what happened to them. On the other side, I least liked the fact that I almost gave up on reading the book early because of how slow and choppy the writing felt. The use of the obscure words made me believe there were multiple misspellings only to find that the words were just typically unused.
The target readers for this story would be young adults, starting at about high school aged and older. Concepts of pleasure sex and a few mentions of rape make this book unsuitable for most younger readers. With all of this being said I would give this book the rating 3 out of 4 because even with it being hard to get into the story was very enjoyable. The plot-line is strong and the life lessons the Malila learns are things that most people should probably learn at some point in their lives. I look forward to reading the rest of the series as it comes out.
Night Reader Reviews (683 KP) rated Cave Man in Books
Jan 10, 2020
Honest Review for Free Copy of Book
Cave Man by Aedon Sayla is classified as an Erotic Christian Fiction. That being said this is not for anyone under 18 years old. Erotica and Christian Fiction are two genres that are not generally mixed. Readers should be aware that the events in this book are from biblical times and modern rules do not apply.
Alon is a captive of the King of Babel, Nimrod. He is set to be killed on the very next night when an angel shows up. The angel has come to save Alon before God comes down and destroys Babel. Alon escapes and goes to start a new civilization that honors God. Early on in his journey Alon comes across Ayangla who speaks a different language from him. Frustrated at not being able to speak to her the voice of God tells Alon that once his seed is deep in Ayangla she will begin to understand his language. He immediately takes her there on the ground and makes her travel with him as his wife. Over time Ayangla notices that Alon cares for her and comes to love him in return as he takes the time to pleasure her unlike those who had her while she was a slave under Nimrod’s rule.
During their journey, they meet up with Enais and his wife who had the same message about making a new civilization. The two couples decide to be a tribe and call themselves Alonai. The Alonai tribe ultimately end up in a land of plenty and set up a well-guarded home there for themselves and all of their children (there is a lot). The two men end up saving two women from a shipwreck one day while out fishing and bring them back to their home. Each man takes one of the two to become their second wives to share with the first and expand their families while making the new women a part of their struggle for survival. Through it all Alon constantly thanks The Creator for all of his blessings and all the things The Creator has worked for him and within him.
What I liked best was that the time and location of the story is well thought out. Taking place right after the fall of the tower of Babel was a great idea as many people are at least somewhat familiar with that story. The need for the main character to create a new civilization explained all the sex besides just plane lust. Being a modern woman there were multiple things that I did not like about the story. The first of which being Alon attacking and raping Ayangla, made all the worse by God indirectly suggesting it. Ayangla appears to have Stockholm syndrome as she falls in love with Alon who she calls master and husband interchangeably through the book. She seems to stay with him because she learns to enjoy the sex and because being with him helps ensure her survival. I also had a major problem with Alon purposely triggering Ayangla’s milk production for his enjoyment. This may be because I approve of public breastfeeding of children and seeing the production of breast-milk as a sexual act and a grown man breastfeeding from a woman as an orgasmic experience goes against the movement to normalize breastfeeding as a non-sexual act.
Target readers for this book are adults ages 18 and older. As this is considered erotic Christian fiction Christians may have more appreciation for this book than others. Readers should be ready for and expecting heavy sexual content. I ended up giving this book a rating of 2 out of 4. While trying to stay in the mindset of the target audience I still can not put aside my personal feelings about this book completely. It is not the rough sex scenes that was a problem as much as it was how they came about. If it wasn’t for taking the period the book was written in into consideration and how things would have been done then I would have failed this book completely. Content aside it was well written so an even half score of two is appropriate in my eyes.
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Alon is a captive of the King of Babel, Nimrod. He is set to be killed on the very next night when an angel shows up. The angel has come to save Alon before God comes down and destroys Babel. Alon escapes and goes to start a new civilization that honors God. Early on in his journey Alon comes across Ayangla who speaks a different language from him. Frustrated at not being able to speak to her the voice of God tells Alon that once his seed is deep in Ayangla she will begin to understand his language. He immediately takes her there on the ground and makes her travel with him as his wife. Over time Ayangla notices that Alon cares for her and comes to love him in return as he takes the time to pleasure her unlike those who had her while she was a slave under Nimrod’s rule.
During their journey, they meet up with Enais and his wife who had the same message about making a new civilization. The two couples decide to be a tribe and call themselves Alonai. The Alonai tribe ultimately end up in a land of plenty and set up a well-guarded home there for themselves and all of their children (there is a lot). The two men end up saving two women from a shipwreck one day while out fishing and bring them back to their home. Each man takes one of the two to become their second wives to share with the first and expand their families while making the new women a part of their struggle for survival. Through it all Alon constantly thanks The Creator for all of his blessings and all the things The Creator has worked for him and within him.
What I liked best was that the time and location of the story is well thought out. Taking place right after the fall of the tower of Babel was a great idea as many people are at least somewhat familiar with that story. The need for the main character to create a new civilization explained all the sex besides just plane lust. Being a modern woman there were multiple things that I did not like about the story. The first of which being Alon attacking and raping Ayangla, made all the worse by God indirectly suggesting it. Ayangla appears to have Stockholm syndrome as she falls in love with Alon who she calls master and husband interchangeably through the book. She seems to stay with him because she learns to enjoy the sex and because being with him helps ensure her survival. I also had a major problem with Alon purposely triggering Ayangla’s milk production for his enjoyment. This may be because I approve of public breastfeeding of children and seeing the production of breast-milk as a sexual act and a grown man breastfeeding from a woman as an orgasmic experience goes against the movement to normalize breastfeeding as a non-sexual act.
Target readers for this book are adults ages 18 and older. As this is considered erotic Christian fiction Christians may have more appreciation for this book than others. Readers should be ready for and expecting heavy sexual content. I ended up giving this book a rating of 2 out of 4. While trying to stay in the mindset of the target audience I still can not put aside my personal feelings about this book completely. It is not the rough sex scenes that was a problem as much as it was how they came about. If it wasn’t for taking the period the book was written in into consideration and how things would have been done then I would have failed this book completely. Content aside it was well written so an even half score of two is appropriate in my eyes.
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Hazel (1853 KP) rated These Shallow Graves in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Known for her young adult series about mermaids, Jennifer Donnelly also proves she is an excellent writer of historical murder mysteries. <i>These Shallow Graves</i> is set in the USA during the late 1800s where Josephine Montfort, a headstrong seventeen-year-old from a respectable family, is expected to marry well and produce a male heir. However, Jo’s innocent lifestyle is disrupted after her father’s mysterious death. With her passion for writing at the forefront of her mind, Jo rejects social etiquette and begins searching for answers.
Jo meets Eddie, a young, ambitious newspaper reporter who agrees to assist with her enquiries. However it is not as straightforward as Jo expects it to be. As the pair begin to uncover dangerous secrets, Jo is also witness to the injustices in the world. Life for the rich was a whole different world from that of the poor, but as Jo learns, that does not make anyone less worthy of being treated as a person.
<i>These Shallow Graves</i> is an exciting story that is gripping from beginning to end. Not only is there a crime to solve, Jo also ends up in a forbidden relationship that crosses the boundaries of her social status. From an historical point of view it is refreshing to read of a female challenging her position in society rather than being the naïve protagonist that many novels written during this time period contain. In some ways she is comparable to Jo March in <i>Little Women</i>, and not only because of their shared name.
Having read the first two books in the <i>Waterfire</i> saga, and been slightly disappointed with the writing style, I was a little apprehensive when beginning to read <i>These Shallow Graves</i>. I presumed I would get bored part way through, or find the narrative dreary, however I was pleasantly surprised. Donnelly is significantly better at historical fiction. The book was greatly researched thus the setting and dialogue were perfectly in keeping with the time period.
As with most murder mysteries the murderer is only revealed at the very end of the story. I guessed who it was fairly early on, however that is all it was, a guess. Most readers will be left hanging until the final chapters – will you work out who it was before then?
Known for her young adult series about mermaids, Jennifer Donnelly also proves she is an excellent writer of historical murder mysteries. <i>These Shallow Graves</i> is set in the USA during the late 1800s where Josephine Montfort, a headstrong seventeen-year-old from a respectable family, is expected to marry well and produce a male heir. However, Jo’s innocent lifestyle is disrupted after her father’s mysterious death. With her passion for writing at the forefront of her mind, Jo rejects social etiquette and begins searching for answers.
Jo meets Eddie, a young, ambitious newspaper reporter who agrees to assist with her enquiries. However it is not as straightforward as Jo expects it to be. As the pair begin to uncover dangerous secrets, Jo is also witness to the injustices in the world. Life for the rich was a whole different world from that of the poor, but as Jo learns, that does not make anyone less worthy of being treated as a person.
<i>These Shallow Graves</i> is an exciting story that is gripping from beginning to end. Not only is there a crime to solve, Jo also ends up in a forbidden relationship that crosses the boundaries of her social status. From an historical point of view it is refreshing to read of a female challenging her position in society rather than being the naïve protagonist that many novels written during this time period contain. In some ways she is comparable to Jo March in <i>Little Women</i>, and not only because of their shared name.
Having read the first two books in the <i>Waterfire</i> saga, and been slightly disappointed with the writing style, I was a little apprehensive when beginning to read <i>These Shallow Graves</i>. I presumed I would get bored part way through, or find the narrative dreary, however I was pleasantly surprised. Donnelly is significantly better at historical fiction. The book was greatly researched thus the setting and dialogue were perfectly in keeping with the time period.
As with most murder mysteries the murderer is only revealed at the very end of the story. I guessed who it was fairly early on, however that is all it was, a guess. Most readers will be left hanging until the final chapters – will you work out who it was before then?
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