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Charlie Cobra Reviews (1840 KP) rated Godzilla: King of the Monsters (2019) in Movies
Jul 7, 2020
Hail To The King Baby
Godzilla: King of The Monsters is a 2019 monster movie directed by Michael Dougherty and written by Dougherty, Zach Shields, and Max Borenstein. It was produced by Legendary Pictures and distributed by Warner Bros. Pictures. The film was dedicated to the original Godzilla suit performer Haruo Nakajima and executive producer Yoshimitsu Banno. The movie stars Kyle Chandler, Vera Farmiga, Millie Bobby Brown, Ken Watanabe and Zhang Ziyi.
Working to track down and study Titans (giant-God like monsters) for the organization Monarch, Paleobiologist Emma Russell (Vera Farmiga) and her daughter Madison (Millie Bobby Brown) witness the birth of a giant larva monster named Mothra. The monster is hostile until Emma uses a device called "Orca", which only Titans can hear, to calm it down until eco-terrorists attack, led by Alan Jonah (Charles Dance) and kidnap both her and her daughter. Monarch scientists and soldiers approach Mark (Kyle Chandler), Emma's ex-husband, to track them down and soon they are headed towards Antarctica, where Jonah intends to free a Titan encased in ice called "Monster Zero".
This movie had classic Godzilla flick written all over it and it did not disappoint. The visual effects were awesome, from the way the monsters looked, to the blasts they utilized and even things like explosions were all top notch. The music was also outstanding, as many classic Godzilla themes made a comeback including Mothra's theme. The action sequences far exceeded those of it's predecessor Godzilla 2014, There was plenty of monster battles to make this a fan favorite for years to come. Now I do have to agree with some of the critics and say that the storyline was a little thin and predictable but that didn't stop the film from being enjoyable. And some critics complained about underdeveloped human characters, but in all honesty, the human characters are not why the fans are going to see this movie. I thought the main cast of characters had enough development, it's just that compared to a normal Godzilla film or even the last one, there were a lot of secondary characters or supporting cast. Which to me personally, made the film feel more full. This movie checked a lot of my boxes for what I've come to expect in a Godzilla/giant monster movie and made me happy when I watched it in theaters. It had its down time in certain parts and slow building scenes or moments where it seemed the audience in consensus chose to use that time to run to the restroom and back. But other than that and some predictable plot points and character actions this movie was great.
Working to track down and study Titans (giant-God like monsters) for the organization Monarch, Paleobiologist Emma Russell (Vera Farmiga) and her daughter Madison (Millie Bobby Brown) witness the birth of a giant larva monster named Mothra. The monster is hostile until Emma uses a device called "Orca", which only Titans can hear, to calm it down until eco-terrorists attack, led by Alan Jonah (Charles Dance) and kidnap both her and her daughter. Monarch scientists and soldiers approach Mark (Kyle Chandler), Emma's ex-husband, to track them down and soon they are headed towards Antarctica, where Jonah intends to free a Titan encased in ice called "Monster Zero".
This movie had classic Godzilla flick written all over it and it did not disappoint. The visual effects were awesome, from the way the monsters looked, to the blasts they utilized and even things like explosions were all top notch. The music was also outstanding, as many classic Godzilla themes made a comeback including Mothra's theme. The action sequences far exceeded those of it's predecessor Godzilla 2014, There was plenty of monster battles to make this a fan favorite for years to come. Now I do have to agree with some of the critics and say that the storyline was a little thin and predictable but that didn't stop the film from being enjoyable. And some critics complained about underdeveloped human characters, but in all honesty, the human characters are not why the fans are going to see this movie. I thought the main cast of characters had enough development, it's just that compared to a normal Godzilla film or even the last one, there were a lot of secondary characters or supporting cast. Which to me personally, made the film feel more full. This movie checked a lot of my boxes for what I've come to expect in a Godzilla/giant monster movie and made me happy when I watched it in theaters. It had its down time in certain parts and slow building scenes or moments where it seemed the audience in consensus chose to use that time to run to the restroom and back. But other than that and some predictable plot points and character actions this movie was great.
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tapestry100 (306 KP) rated Meddling Kids: A Novel in Books
Jul 26, 2017
Ever wonder what happened to the Scooby Doo gang when they grew up? It wasn't exactly a question I ever thought I needed an answer to until Edgar Cantero decided he needed to give his unique twist on what that adulthood could have looked like. In his beautifully bizarre (bizarrely beautiful?) novel, Cantero introduces us to the Blyton Summer Detective Club, a group of 4 teenagers and their dog who spend their summer vacations solving mysteries in idyllic Blyton Hills. We're familiar with the team: there's Peter, the jock; Nate, the nerdy outsider; Andy, the tomboy; Kerri, the smart one; and Sean, the faithful Weimaraner. After their final case in the summer of 77, involving a masked fortune hunter trying to find the buried treasure of Deboën Mansion, the kids suddenly hang up their spy gear and retire from mystery solving.
Jump ahead thirteen years, and those same crime solving sleuths of young are now disillusioned 20-somethings trying to make their way thru life, not really understanding where their lives went wrong. Peter is dead (even tho Nate still talks to him), Nate is institutionalized (he talks to a dead guy, after all), Andy is a wanderer with a somewhat criminal past, and Kerri is a bartender in a seedy bar, who is also taking care of Tim, Sean's descendant. There was something about that last case, the one they all can't stop thinking about, that wasn't quite right, that is at the root of their problems. When Andy finally decides that enough is enough and they need to go back to Blyton Hills to face these demons and reopen that last case, the group gets together one last time to try to bring sense and closure to that final, haunting case.
Of course, it's not as easy as just a guy in a mask, and as they face down eco-villainous corporations, primordial monsters, ecological disasters, and something that defies description, they begin to come to terms with what has been haunting them over the years. This sounds wildly simplistic as I type it out, and I'm leaving it that way. It's not simplistic in the slightest, but the joy in this book is in the details and following along with the BSDC as they uncover one clue after the next, taking them on a whirlwind ride that makes you unable to put the book down until the very last page.
Much like his previous novel The Supernatural Enhancements (which I am a huge fan of as well), Cantero takes his time with the story, creating a slow build that eventually spirals into this wild adventure, making unexpected twists and turns in the narrative so you never really are sure that you know what's going on. His characters are exactly who they appear to be, rifs of the Scooby gang, but he doesn't make clichés of them. These characters are all their own and as individual as can be. Eagle-eyed readers will also notice fun callbacks to the Scooby cartoons.
So, if you're looking for something with a little mystery, a little horror, with some supernatural hijinx thrown in for fun, you can't go wrong with Meddling Kids. And if you like this, be sure to check out Cantero's The Supernatural Enhancements as well.
Jump ahead thirteen years, and those same crime solving sleuths of young are now disillusioned 20-somethings trying to make their way thru life, not really understanding where their lives went wrong. Peter is dead (even tho Nate still talks to him), Nate is institutionalized (he talks to a dead guy, after all), Andy is a wanderer with a somewhat criminal past, and Kerri is a bartender in a seedy bar, who is also taking care of Tim, Sean's descendant. There was something about that last case, the one they all can't stop thinking about, that wasn't quite right, that is at the root of their problems. When Andy finally decides that enough is enough and they need to go back to Blyton Hills to face these demons and reopen that last case, the group gets together one last time to try to bring sense and closure to that final, haunting case.
Of course, it's not as easy as just a guy in a mask, and as they face down eco-villainous corporations, primordial monsters, ecological disasters, and something that defies description, they begin to come to terms with what has been haunting them over the years. This sounds wildly simplistic as I type it out, and I'm leaving it that way. It's not simplistic in the slightest, but the joy in this book is in the details and following along with the BSDC as they uncover one clue after the next, taking them on a whirlwind ride that makes you unable to put the book down until the very last page.
Much like his previous novel The Supernatural Enhancements (which I am a huge fan of as well), Cantero takes his time with the story, creating a slow build that eventually spirals into this wild adventure, making unexpected twists and turns in the narrative so you never really are sure that you know what's going on. His characters are exactly who they appear to be, rifs of the Scooby gang, but he doesn't make clichés of them. These characters are all their own and as individual as can be. Eagle-eyed readers will also notice fun callbacks to the Scooby cartoons.
So, if you're looking for something with a little mystery, a little horror, with some supernatural hijinx thrown in for fun, you can't go wrong with Meddling Kids. And if you like this, be sure to check out Cantero's The Supernatural Enhancements as well.
Gareth von Kallenbach (980 KP) rated WALL-E (2008) in Movies
Aug 14, 2019
To be honest, I didn’t put much faith in a movie about a robot who could only say, “Wa-AA-lleee….” Especially one that’s been by himself for 700 years. Then again, the last Pixar release of talking machines wasn’t exactly a stellar production, either. Give me talking rats or talking fish, at least they had personality. But talking cars? C’mon, now. But maybe Pixar learned from its mistake of verbosity in Cars and decided limited dialogue would bring back the luster of Pixar’s blinding three dimensional success. If that’s how WALL*E came about, then kudos to Pixar. WALL*E not only kept me fascinated, it made me giggle throughout and left me sighing.
In this new offering from the same team who brought you Finding Nemo, The Incredibles and Ratatouille, Earth is a virtual wasteland, and no longer inhabited by humans. The humans are all aboard a space colony called Axiom, pampered and waited on in robot-assisted existence. Left behind is WALL*E, a hardworking Waste Allocation Load Lifter – Earth class robot, has done what he was programmed to do, compact trash and stack it neatly, cleaning the planet one trash cube at a time. Apparently the passing of years all alone has given this clunky, rusty, dented and creaky machine, time to develop a sense of curiosity, a playful personality, and a love for “Hello, Dolly” showtunes and choreography. His best friend is a cockroach, he’s managed to amass a treasure trove of junk, is seemingly content, albeit lonely.
Then along came EVE. A sleek, state-of-the art egg-shaped robot deposited on earth by an Axiom spacecraft to scan its surroundings as an Extra-terrestrial Vegetation Evaluator. WALL*E is instantly enthralled and admires EVE’s speed, versatility and gracefulness from a tentative distance. She exudes efficiency and focus and comes with a laser she’s not afraid to use. EVE has a classified directive and WALL*E, after he’s overcome his fear of her laser, befriends her and inadvertently helps EVE achieve her goal. EVE has to return to the Axiom to report her findings, but WALL*E is desperate to build on this new found friendship. Who can blame him? If you’d been alone for 700 years, wouldn’t you be reluctant to say good bye to a new friend? So WALL*E becomes an accidental tourist of the galaxy, embarking on a thrilling adventure that makes him an anxious stowaway aboard a ship of advanced machines and lazy humans.
Under the direction of by Academy Award(r)-winning writer-director Andrew Stanton, the gifted storytellers and artists who brought charm and innovation to The Incredibles and Ratatouille, elevated their game by enabling WALL*E to convey in beeps and tones and soulful eyes a gamut of emotions that captivates the viewer. Limited dialogue was definitely on the menu, at least between robots. Which makes WALL-E all the more enchanting. It’s up to the viewer to draw on simple exchanges and the robots’ varying intonations of each other’s names to interpret their growing affection for one another.
With its breathtaking animation and deft rendering of heartwarming characters, CGI-animated features don’t get much better than this.
A fantastic voyage with an eco-friendly warning wrapped in a poignant love story, WALL*E restored my faith in Pixar’s well-deserved, acclaim.
In this new offering from the same team who brought you Finding Nemo, The Incredibles and Ratatouille, Earth is a virtual wasteland, and no longer inhabited by humans. The humans are all aboard a space colony called Axiom, pampered and waited on in robot-assisted existence. Left behind is WALL*E, a hardworking Waste Allocation Load Lifter – Earth class robot, has done what he was programmed to do, compact trash and stack it neatly, cleaning the planet one trash cube at a time. Apparently the passing of years all alone has given this clunky, rusty, dented and creaky machine, time to develop a sense of curiosity, a playful personality, and a love for “Hello, Dolly” showtunes and choreography. His best friend is a cockroach, he’s managed to amass a treasure trove of junk, is seemingly content, albeit lonely.
Then along came EVE. A sleek, state-of-the art egg-shaped robot deposited on earth by an Axiom spacecraft to scan its surroundings as an Extra-terrestrial Vegetation Evaluator. WALL*E is instantly enthralled and admires EVE’s speed, versatility and gracefulness from a tentative distance. She exudes efficiency and focus and comes with a laser she’s not afraid to use. EVE has a classified directive and WALL*E, after he’s overcome his fear of her laser, befriends her and inadvertently helps EVE achieve her goal. EVE has to return to the Axiom to report her findings, but WALL*E is desperate to build on this new found friendship. Who can blame him? If you’d been alone for 700 years, wouldn’t you be reluctant to say good bye to a new friend? So WALL*E becomes an accidental tourist of the galaxy, embarking on a thrilling adventure that makes him an anxious stowaway aboard a ship of advanced machines and lazy humans.
Under the direction of by Academy Award(r)-winning writer-director Andrew Stanton, the gifted storytellers and artists who brought charm and innovation to The Incredibles and Ratatouille, elevated their game by enabling WALL*E to convey in beeps and tones and soulful eyes a gamut of emotions that captivates the viewer. Limited dialogue was definitely on the menu, at least between robots. Which makes WALL-E all the more enchanting. It’s up to the viewer to draw on simple exchanges and the robots’ varying intonations of each other’s names to interpret their growing affection for one another.
With its breathtaking animation and deft rendering of heartwarming characters, CGI-animated features don’t get much better than this.
A fantastic voyage with an eco-friendly warning wrapped in a poignant love story, WALL*E restored my faith in Pixar’s well-deserved, acclaim.
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Debbiereadsbook (1801 KP) rated Billionaire's Muse (The Billionaire’s Playground #3) in Books
Jul 28, 2021
HIGH on the warm and fuzzy/too stinking cute scale!
Independent reviewer for Archaeolibarian, I was gifted my copy of this book.
I stand by what I said in my review for book 2. This is book 3 in the Billionaire's Playground but its not necessary to have read book one, Property of a Billionaire, nor book 2, Reluctant Billionaire before this one. However, those books are where we meet Nanna and you might want to get the full force of her nature :-)
Marcus is a photographer, dis-illusioned with his current career path. Taking pictures in war zones is eating away at his soul. Doing a favour for his best friend seems like just the distraction he needs. Until he meets Finlo. Now that man is a distraction to end ALL distraction and Marcus is smitten. Finlo is also smitten with the older man, but Marcus wouldn't want him, surely? Fin who has no mouth to brain filter? Who says whatever pops into his head? Fin, who is a skinny runt?? Surely not?
OH! This book? I loved this book! So much more than the other two books and I really enjoyed them! This book is so much more than them, and I will *attempt* to explain!
Mostly, I think it's Fin who makes this book. He's a character all right and I loved him. He has no filter, he says and sees things in black and white and he knows he not everyone cuppa tea, indeed, he thinks he is NO-ONE's cuppa tea, but Marcus is drawn to Fin in ways he never knew he could be drawn in. It's not just the beauty he sees when he looks at Fin through the camera lens, cos He can see that the man is stunning, even if Fin doesn't think so. No, it's what Marcus does when Fin starts rambling, and panicking about anything and everything: nothing. He lets Fin ramble, he lets Fin work his way through whatever is bothering him and he never once tries to shut him up, well. . .he DOES, but only in a way that Fin wants :-)
Nanna's meddling is there, as in the other books, but I found it to be a little on the low side, Marcus and Fin don't need much meddling, but a few little pushes, rather than a full scale assault is all they need, Fin, actually needs those pushes. And a shopping trip or two!
It's low on the angst, but high on the steam. But not explicit, just steamy enough.
Again, Marcus doesn't flaunt his wealth. He works HARD for his money, and he wants to share that wealth. And he does, in ways that surprises Fin. Marcus WILL spoil Fin, if he'll just let him. His mum was a surprise, especially after she meets Fin's eco-warrior, teepee-living mum. Those two were meant to be friends!
And when Marcus does what he does at the end?? Very fitting for these two, the way he does that, it really was!
I found this to be a beautiful read, that is high on the warm and fuzzies, and too stinking cute scale, and I loved it so much MORE than the other two!
So it can only get....
5 full and shiny stars!
**same worded review will appear elsewhere**
I stand by what I said in my review for book 2. This is book 3 in the Billionaire's Playground but its not necessary to have read book one, Property of a Billionaire, nor book 2, Reluctant Billionaire before this one. However, those books are where we meet Nanna and you might want to get the full force of her nature :-)
Marcus is a photographer, dis-illusioned with his current career path. Taking pictures in war zones is eating away at his soul. Doing a favour for his best friend seems like just the distraction he needs. Until he meets Finlo. Now that man is a distraction to end ALL distraction and Marcus is smitten. Finlo is also smitten with the older man, but Marcus wouldn't want him, surely? Fin who has no mouth to brain filter? Who says whatever pops into his head? Fin, who is a skinny runt?? Surely not?
OH! This book? I loved this book! So much more than the other two books and I really enjoyed them! This book is so much more than them, and I will *attempt* to explain!
Mostly, I think it's Fin who makes this book. He's a character all right and I loved him. He has no filter, he says and sees things in black and white and he knows he not everyone cuppa tea, indeed, he thinks he is NO-ONE's cuppa tea, but Marcus is drawn to Fin in ways he never knew he could be drawn in. It's not just the beauty he sees when he looks at Fin through the camera lens, cos He can see that the man is stunning, even if Fin doesn't think so. No, it's what Marcus does when Fin starts rambling, and panicking about anything and everything: nothing. He lets Fin ramble, he lets Fin work his way through whatever is bothering him and he never once tries to shut him up, well. . .he DOES, but only in a way that Fin wants :-)
Nanna's meddling is there, as in the other books, but I found it to be a little on the low side, Marcus and Fin don't need much meddling, but a few little pushes, rather than a full scale assault is all they need, Fin, actually needs those pushes. And a shopping trip or two!
It's low on the angst, but high on the steam. But not explicit, just steamy enough.
Again, Marcus doesn't flaunt his wealth. He works HARD for his money, and he wants to share that wealth. And he does, in ways that surprises Fin. Marcus WILL spoil Fin, if he'll just let him. His mum was a surprise, especially after she meets Fin's eco-warrior, teepee-living mum. Those two were meant to be friends!
And when Marcus does what he does at the end?? Very fitting for these two, the way he does that, it really was!
I found this to be a beautiful read, that is high on the warm and fuzzies, and too stinking cute scale, and I loved it so much MORE than the other two!
So it can only get....
5 full and shiny stars!
**same worded review will appear elsewhere**
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