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Merissa (13619 KP) rated Healing Kiss in Books
Jun 5, 2023
HEALING KISS is a contemporary romance with paranormal elements. Lilian is able to store energy and use it to heal others, especially those who are quite literally on the same wavelength as her. It is not a finite source though and does have an impact. She returns to Cleveland to save her sister from dying. She has been on the run for the past two years from a dodgy company that wants to use her talents against her will. Tristan is a billionaire with trust issues and a mother who is dying. When these two bump into each other, it sets off events that neither of them could have foreseen.
This was a slow starter for me but once I got into the groove, the rest of the book flew by. There is quite a bit of angst, both in general and between our two main characters. Angelina was made into too big a deal for my liking and I found myself skipping over the scenes with her in them, which is a shame as they help to move the story forwards, but I just found I couldn't help myself!
The build-up to the end and the epilogue were fantastic and I really hope to read Hannah's story. This was a thoroughly enjoyable story with a fresh look at talents and how they work. Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 5, 2023
This was a slow starter for me but once I got into the groove, the rest of the book flew by. There is quite a bit of angst, both in general and between our two main characters. Angelina was made into too big a deal for my liking and I found myself skipping over the scenes with her in them, which is a shame as they help to move the story forwards, but I just found I couldn't help myself!
The build-up to the end and the epilogue were fantastic and I really hope to read Hannah's story. This was a thoroughly enjoyable story with a fresh look at talents and how they work. Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 5, 2023
Forewarned: A Daphne Ann Post Novel
Book
For 15-year-old Daphne Ann Post, the summer of 1976 at Lake Carlson should be filled with new...
Young Adult Supernatural Mystery Suspense
IT… didn’t really float my boat.
IT is based on the Stephen King novel, and tells the disturbing recurring events that happen within the town of Derry in Maine. Kids keep disappearing and sightings of a spooky clown, other visitations and red balloons occur. A group of bullied high school kids – one directly impacted by the disappearances – work to get to the bottom of the supernatural goings on. (Fortunately they don’t have a dog called Scooby).
I had in mind that with the disturbing and dangerous “clowning around” that happened in the summer of 2016 that this film had been shot a while ago and the release delayed until now for fear of adding ‘clown-flavoured fuel’ to the fire. But it appears that filming only completed in September of last year, so that appears not to be the case.
The film starts memorably and brutally with the “drain scene” from the trailer. And very effective it is too. “Great!” you think… this is a spookfest that has legs! Unfortunately, for me at least, it all went downhill from there. The film really doesn’t seem to know WHAT it’s trying to be. There are elements of “Stand By Me”; elements of “Alien”; elements of “The Conjuring”, all thrown into a cinematic blender and pulsed well.
The most endearing aspects of the movie are the interactions of the small-town kids, with this aspect of the film bearing the closest comparison with J.J. Abrams’ “Super 8”. This is carried by the great performances of the young actors involved, with Jaeden Lieberher (so memorable in “Midnight Special”) as Bill; Jeremy Ray Taylor (“Ant Man”) as Ben (‘the chubby one’); and Finn Wolfhard, in his big-screen premiere and sporting an absurd set of glasses, as the wise-cracking Ritchie.
Standout for my though was the then 14-year old Sophia Lillis as Beverly (the nearest equivalent to the Elle Fanning role in “Super 8”). This young lady has SUCH screen presence, reminiscent of Emma Watson in the Harry Potter films. I think she is a name to watch!
While commenting on the acting I do need to acknowledge Bill Skarsgård (“Atomic Blonde” and son of Stellan Skarsgård) who is creepily effective as Pennywise the clown.
Having a film that just centred on the pubescent interplay between the youngsters and their battles against the near-psychopathic school bully Bowers (Nicholas Hamilton, “Captain Fantastic”) would have kept me well-entertained for two hours. However, in the same way that the hugely over-inflated Sci-Fi ending of “Super 8” rather detracted from that film, so the clown-related story popping up all the time just irritated me to distraction. (“WILL YOU JUST FECK OFF AND LEAVE US TO FIND OUT WHO BEVERLY GETS OFF WITH???!!”)
While the film has a number of good jump-scares, a lot of them – especially those with excessive use of CGI – just don’t really work. There are normally no “outcomes” from the scares. It’s all a bit like a ghost train where the carriage rounds a corner, something jumps out, and then the carriage moves on round the corner again! What makes a great horror film is where the “science” of the horror is well thought through. “Alien” was an exceptional example of that, where the science wasn’t just “physics” but also “biology”. Here (and I’m not sure whether this is true to the book… this is one of Stephen King’s I haven’t read) there seems to be no rules involved at all. Things happen fairly randomly: shape-shifting and effects on physical objects happen with no rational explanation; the kids can see things adults can’t see. (Why?). In fact the “adults” – the usual mix of Stephen King dysfunctional small-town crazies – seem to have no significant part in the story at all. It’s all like some lame teenage fantasy where actions (a number of individuals in the story meet their demise) seem to carry no legal consequences whatsoever. I half expected Bill to wake up – Dallas style – at the end and realise it had all been an “awful dream”!
In particular, the denouement is highly dissatisfying. An opportunity for a (very black) twist in the plot is discarded. Pennywise the clown’s departure is both lame and unconvincing. And there are numerous loose ends that are never properly tied down (what was that “floaters descending” dialogue about?…. it was just never followed through!).
It’s not all bad though. The location shoots in Bangor, Maine and the Ontario countryside are all beautifully rendered by cinematographer Chung-hoon Chung (“Stoker”) and where the film clicks with the young cast it clicks well and enjoyably. I just wish that the overall film wasn’t just such a jumbled-up mess. Blame for that must lie with the screenwriting team and director Andy Muschietti (“Mama”). I’m going to give it a kicking in my rating, since with all the marketing build-up it was certainly a disappointment. I see though that at the time of writing that this film sports an unfathomably high imdb rating of 8.0/10 so I’ll acknowledge that somebody must have seen something more in this than I did!!
I had in mind that with the disturbing and dangerous “clowning around” that happened in the summer of 2016 that this film had been shot a while ago and the release delayed until now for fear of adding ‘clown-flavoured fuel’ to the fire. But it appears that filming only completed in September of last year, so that appears not to be the case.
The film starts memorably and brutally with the “drain scene” from the trailer. And very effective it is too. “Great!” you think… this is a spookfest that has legs! Unfortunately, for me at least, it all went downhill from there. The film really doesn’t seem to know WHAT it’s trying to be. There are elements of “Stand By Me”; elements of “Alien”; elements of “The Conjuring”, all thrown into a cinematic blender and pulsed well.
The most endearing aspects of the movie are the interactions of the small-town kids, with this aspect of the film bearing the closest comparison with J.J. Abrams’ “Super 8”. This is carried by the great performances of the young actors involved, with Jaeden Lieberher (so memorable in “Midnight Special”) as Bill; Jeremy Ray Taylor (“Ant Man”) as Ben (‘the chubby one’); and Finn Wolfhard, in his big-screen premiere and sporting an absurd set of glasses, as the wise-cracking Ritchie.
Standout for my though was the then 14-year old Sophia Lillis as Beverly (the nearest equivalent to the Elle Fanning role in “Super 8”). This young lady has SUCH screen presence, reminiscent of Emma Watson in the Harry Potter films. I think she is a name to watch!
While commenting on the acting I do need to acknowledge Bill Skarsgård (“Atomic Blonde” and son of Stellan Skarsgård) who is creepily effective as Pennywise the clown.
Having a film that just centred on the pubescent interplay between the youngsters and their battles against the near-psychopathic school bully Bowers (Nicholas Hamilton, “Captain Fantastic”) would have kept me well-entertained for two hours. However, in the same way that the hugely over-inflated Sci-Fi ending of “Super 8” rather detracted from that film, so the clown-related story popping up all the time just irritated me to distraction. (“WILL YOU JUST FECK OFF AND LEAVE US TO FIND OUT WHO BEVERLY GETS OFF WITH???!!”)
While the film has a number of good jump-scares, a lot of them – especially those with excessive use of CGI – just don’t really work. There are normally no “outcomes” from the scares. It’s all a bit like a ghost train where the carriage rounds a corner, something jumps out, and then the carriage moves on round the corner again! What makes a great horror film is where the “science” of the horror is well thought through. “Alien” was an exceptional example of that, where the science wasn’t just “physics” but also “biology”. Here (and I’m not sure whether this is true to the book… this is one of Stephen King’s I haven’t read) there seems to be no rules involved at all. Things happen fairly randomly: shape-shifting and effects on physical objects happen with no rational explanation; the kids can see things adults can’t see. (Why?). In fact the “adults” – the usual mix of Stephen King dysfunctional small-town crazies – seem to have no significant part in the story at all. It’s all like some lame teenage fantasy where actions (a number of individuals in the story meet their demise) seem to carry no legal consequences whatsoever. I half expected Bill to wake up – Dallas style – at the end and realise it had all been an “awful dream”!
In particular, the denouement is highly dissatisfying. An opportunity for a (very black) twist in the plot is discarded. Pennywise the clown’s departure is both lame and unconvincing. And there are numerous loose ends that are never properly tied down (what was that “floaters descending” dialogue about?…. it was just never followed through!).
It’s not all bad though. The location shoots in Bangor, Maine and the Ontario countryside are all beautifully rendered by cinematographer Chung-hoon Chung (“Stoker”) and where the film clicks with the young cast it clicks well and enjoyably. I just wish that the overall film wasn’t just such a jumbled-up mess. Blame for that must lie with the screenwriting team and director Andy Muschietti (“Mama”). I’m going to give it a kicking in my rating, since with all the marketing build-up it was certainly a disappointment. I see though that at the time of writing that this film sports an unfathomably high imdb rating of 8.0/10 so I’ll acknowledge that somebody must have seen something more in this than I did!!
Mekkin B. (122 KP) rated The Dark Tower (2017) in Movies
Oct 9, 2017
Boring male power fantasy with little to no character development
It's hard to tell who is meant to be the protagonist of this film, the young boy, Jake, or the Gunslinger. Sure, we're introduced to Jake first, and only really meet the Gunslinger towards the end of Act 1, which should signal that it's Jake.
But Jake is boring. SO BORING. He doesn't really have any character flaws. Oh sure, he has problems, expositionally convenient plot device "visions", but no real, tangible character elements. He reacts violently towards another kid at school, but this isn't treated as a flaw and this isn't a movie where Jake is going to learn that there's a better solution than violence. At best he's going to learn that it's bad to use your fists to solve problems - guns are much more efficient.
The Gunslinger is presented with all the hallmarks of a protagonist. He's got a defined past and a defined character flaw. He's consumed with thoughts of revenge and will let the world burn around him to get it. The problem is, the story never gives him a point where he actually has to make a choice between revenge and something better.
The villain, while fun, seems to have no internal motivation whatsoever. Why does he want to destroy the universe? Because that's what semi-omnipotent bad guys want to do, I guess.
And I get it, he's called the Gunslinger, he shoots guns. It's all very straightforward. But that doesn't mean it's not still kind of boring to watch EVERY problem they encounter get solved by just shooting at it enough while every single woman in the movie exists to be murdered, assaulted, and grossly sexualized by the villain.
It used every trope in the book, it used them badly, and the script was just...not good.
But Jake is boring. SO BORING. He doesn't really have any character flaws. Oh sure, he has problems, expositionally convenient plot device "visions", but no real, tangible character elements. He reacts violently towards another kid at school, but this isn't treated as a flaw and this isn't a movie where Jake is going to learn that there's a better solution than violence. At best he's going to learn that it's bad to use your fists to solve problems - guns are much more efficient.
The Gunslinger is presented with all the hallmarks of a protagonist. He's got a defined past and a defined character flaw. He's consumed with thoughts of revenge and will let the world burn around him to get it. The problem is, the story never gives him a point where he actually has to make a choice between revenge and something better.
The villain, while fun, seems to have no internal motivation whatsoever. Why does he want to destroy the universe? Because that's what semi-omnipotent bad guys want to do, I guess.
And I get it, he's called the Gunslinger, he shoots guns. It's all very straightforward. But that doesn't mean it's not still kind of boring to watch EVERY problem they encounter get solved by just shooting at it enough while every single woman in the movie exists to be murdered, assaulted, and grossly sexualized by the villain.
It used every trope in the book, it used them badly, and the script was just...not good.
Beckie Shelton (40 KP) rated The Good Daughter in Books
Jun 22, 2017
The Good Daughter a big thumbs up,
Now, this was the first book I have read by Karin Slaughter and it was also a very enjoyable experience.
first I will say that The Good Daughter was totally different to what I was expecting but this was so not a bad thing for me.
I'm a sucker for a good psychological thriller, but I also love the drama that comes with a good ole family saga, This story brilliantly combined these two elements giving us an insight into the fallout that comes when horrific tragedy strikes an ordinary family and how these dynamics can spiral, taking on a life of their own through miscommunication and prideful behaviour.
The outcome of this incident echoing down the unfolding decades.
This story describes the events that occur to the Quinn family, resulting in a death and two young teenagers with scars both physically and figuratively for life.
Samantha and Charlotte's lives are about to come full circle when events in their home town bring them along with their father together again.
This was a very easy read, that kept you guessing until the end, the graphic descriptions both pulled you in while equally repelling you with the realness behind the visuals provided.
I'm not easily grossed out but MAN!!! it was way EWW!!! in places.
So, in conclusion, I would definitely give The Good Daughter a big thumbs up, a very intriguing read.
Thank you to the publisher and NetGalley for providing me with an advanced reader copy it was thoroughly devoured by me, this is my own personal opinion of this book.
Arc Reviewed By BeckieBookworm
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
https://www.goodreads.com/user/show/9460945-bex-beckie-bookworm
first I will say that The Good Daughter was totally different to what I was expecting but this was so not a bad thing for me.
I'm a sucker for a good psychological thriller, but I also love the drama that comes with a good ole family saga, This story brilliantly combined these two elements giving us an insight into the fallout that comes when horrific tragedy strikes an ordinary family and how these dynamics can spiral, taking on a life of their own through miscommunication and prideful behaviour.
The outcome of this incident echoing down the unfolding decades.
This story describes the events that occur to the Quinn family, resulting in a death and two young teenagers with scars both physically and figuratively for life.
Samantha and Charlotte's lives are about to come full circle when events in their home town bring them along with their father together again.
This was a very easy read, that kept you guessing until the end, the graphic descriptions both pulled you in while equally repelling you with the realness behind the visuals provided.
I'm not easily grossed out but MAN!!! it was way EWW!!! in places.
So, in conclusion, I would definitely give The Good Daughter a big thumbs up, a very intriguing read.
Thank you to the publisher and NetGalley for providing me with an advanced reader copy it was thoroughly devoured by me, this is my own personal opinion of this book.
Arc Reviewed By BeckieBookworm
https://www.beckiebookworm.com/
https://www.facebook.com/beckiebookworm/
https://www.goodreads.com/user/show/9460945-bex-beckie-bookworm
Merissa (13619 KP) rated Kindred Spirits (Spirits of Nature #2) in Books
Sep 8, 2017
Kindred Spirits (Spirits of Nature #2) by Michelle Post
Kindred Spirits is the second book in the Spirits of Nature series, and I couldn't wait to read it as I had loved the first book. Now, due to the ending of the first book, I knew that this book would be about different characters, but I was also hoping that The Mourning Dove and Running Wolf would also pay a visit. Is this cryptic enough for you? I certainly hope so, because these two books are simply amazing.
Kindred Spirits is about the children and grandchildren of The Mourning Dove and Running Wolf, with some hard-hitting history thrown in too. There is nothing 'soft' about this book, it paints a harsh reality. At times, you will be gasping for breath amidst the sorrow as the story unfolds. And yet..., there is still hope. There are characters that still have a part to play. There is love so deep, so pure, it transcends death. And yet, not everyone gets a guaranteed HEA. This may be a fictional story, but there are so many elements of truth in it, it may just break your heart before it slowly stitches it back together again.
There were no editing or grammatical errors that disrupted my reading flow. The pace is gentle and smooth where necessary, with a brilliant story that tells its own tale at its own speed. The only thing I would say, which isn't negative by any means, is that I wish I had re-read Spirits of Nature, just so I could immerse myself for longer. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Kindred Spirits is about the children and grandchildren of The Mourning Dove and Running Wolf, with some hard-hitting history thrown in too. There is nothing 'soft' about this book, it paints a harsh reality. At times, you will be gasping for breath amidst the sorrow as the story unfolds. And yet..., there is still hope. There are characters that still have a part to play. There is love so deep, so pure, it transcends death. And yet, not everyone gets a guaranteed HEA. This may be a fictional story, but there are so many elements of truth in it, it may just break your heart before it slowly stitches it back together again.
There were no editing or grammatical errors that disrupted my reading flow. The pace is gentle and smooth where necessary, with a brilliant story that tells its own tale at its own speed. The only thing I would say, which isn't negative by any means, is that I wish I had re-read Spirits of Nature, just so I could immerse myself for longer. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Daniel Holford (0 KP) rated It (2017) in Movies
Sep 20, 2017
The surprise hit film of the year is here and there's no wonder it's such a hit. Immediately from the outsit of the movie it is clear what this film is going to be. Frequent scares and creepiness, mixed with excellent visuals and directing, all spliced together with a great coming of age story. Think stranger things and stand by me, with added monsters and killer clowns.
The kids are brilliant throughout, the stand out being Richie and Beverly, the former having already kicked off his career by appearing in the excellent stranger things. Although I compared the two earlier, his character could not be more different. Beverly is also excellent in her role, a brilliant young actress who shows the sadness that Beverly hides behind her fears (perhaps the most chilling/uncomfortable moment in the movie). The other kids were also good, but some rather less well developed than the others, making their struggle with their scares far less satisfying than some of the more prominent kids. I must also admit that the greatest achievement this film has is replacing Tom Curry from the original movie and having an actor, almost, maybe actually surpassing him in the form of Bill Skarsgaard. He is excellently scary and charming in the creepiest way.
The films scares are in moderate but heavy bursts, rather than the usual constant jump scares there is often anti climaxes, tension building with little to no big jump or sound effect which works in the horror franchise almost as much as a larger scare.
Overall this film has many elements that make it such a hit, the Stranger Things hype train certainly had helped it along its way. As well as having perfect comedy, great characters, directing and visuals and most of all, scares.
The kids are brilliant throughout, the stand out being Richie and Beverly, the former having already kicked off his career by appearing in the excellent stranger things. Although I compared the two earlier, his character could not be more different. Beverly is also excellent in her role, a brilliant young actress who shows the sadness that Beverly hides behind her fears (perhaps the most chilling/uncomfortable moment in the movie). The other kids were also good, but some rather less well developed than the others, making their struggle with their scares far less satisfying than some of the more prominent kids. I must also admit that the greatest achievement this film has is replacing Tom Curry from the original movie and having an actor, almost, maybe actually surpassing him in the form of Bill Skarsgaard. He is excellently scary and charming in the creepiest way.
The films scares are in moderate but heavy bursts, rather than the usual constant jump scares there is often anti climaxes, tension building with little to no big jump or sound effect which works in the horror franchise almost as much as a larger scare.
Overall this film has many elements that make it such a hit, the Stranger Things hype train certainly had helped it along its way. As well as having perfect comedy, great characters, directing and visuals and most of all, scares.
Acanthea Grimscythe (300 KP) rated Jordskott - Season 1 in TV
May 12, 2018
If you’re looking for something in the flavor of Grimm and Supernatural, the Swedish drama Jordskott may be right up your alley. Despite being found on horror streaming service Shudder, the series doesn’t have a whole bunch of the horror elements. What it does have, for the first season at least, is a decent storyline.
The characters in Jordskott are rather bland, unfortunately and they are not its strong point. The main character, Eva Thörnblad is an heiress who returns home to where seven years ago, her daughter Josefine disappeared. Much of her role in the series involved losing cars (she went through three in the first season), disobeying orders, brazenly rushing into things, and deflecting an all too beautifully sweet love interest. (I adore Tom Aronsson as a character.) After she’s put on leave from her job in Stockholm dealing with hostage negotiation, she manages to get herself brought onto the Silverhöjd case.
Wass is, perhaps, the strongest of the characters we meet, and certainly does the most actively throughout the first season.
In this world, myth blends into fantasy, bringing several creatures from Scandinavian and Norwegian lore into the story. These creatures are surfacing more and more frequently as the forest, facing certain doom from the company that Eva’s father founded, reacts angrily to human actions. It’s really a reminder that we should consider the natural world around us for what it is: a boon to our lives.
I lost interest in the second season, as it seems to mostly be a rehash of the first, with a slightly altered storyline. Now it’s something big in Stockholm that’s upsetting natural order, versus Silverhöjd. This series is definitely worth a watch of at least the first season.
The characters in Jordskott are rather bland, unfortunately and they are not its strong point. The main character, Eva Thörnblad is an heiress who returns home to where seven years ago, her daughter Josefine disappeared. Much of her role in the series involved losing cars (she went through three in the first season), disobeying orders, brazenly rushing into things, and deflecting an all too beautifully sweet love interest. (I adore Tom Aronsson as a character.) After she’s put on leave from her job in Stockholm dealing with hostage negotiation, she manages to get herself brought onto the Silverhöjd case.
Wass is, perhaps, the strongest of the characters we meet, and certainly does the most actively throughout the first season.
In this world, myth blends into fantasy, bringing several creatures from Scandinavian and Norwegian lore into the story. These creatures are surfacing more and more frequently as the forest, facing certain doom from the company that Eva’s father founded, reacts angrily to human actions. It’s really a reminder that we should consider the natural world around us for what it is: a boon to our lives.
I lost interest in the second season, as it seems to mostly be a rehash of the first, with a slightly altered storyline. Now it’s something big in Stockholm that’s upsetting natural order, versus Silverhöjd. This series is definitely worth a watch of at least the first season.
Acanthea Grimscythe (300 KP) rated The Chalk Man in Books
May 16, 2018
It’s hard to believe that The Chalk Man by C. J. Tudor is a debut; it’s even harder to believe that it’s not considered horror. Though the book focuses primarily on a whodunnit sort of plot, it borrows heavily from my favorite genre. Certain elements of The Chalk Man are downright grisly, which is a welcoming change from many of the mystery books I tend to read. Then again, I love gore and that’s no secret.
The Chalk Man bounces flawlessly between past and present as the story of an unfortunate girl’s murder unravels. Normally, I find back and forth plots confusing. Tudor approaches this not by labeling each shift as a new chapter, but by naming the chapters with the year they take place. This weaving of the plot creates a sense of urgency, with each chapter ending on the cusp of a new discovery. When all the cards are on the table, nothing is as it seems. The popular, snarky definition of the word “assume” definitely plays a heavy-handed role in this book and Tudor pulls it off well.
Creating complex characters appears to be another forte of Tudor’s. By complex, I mean that his cast, much like the plot, has as several layers to it. In some cases, this can make a story difficult to comprehend, but Tudor exercises some caution in giving any of his characters too many traits.
The Chalk Man is a quick, entertaining read which is always a plus. The constant action kept the book from becoming a chore and thus I was able to devour it in a few days. I’d like to thank Penguin’s First to Read program for providing me with a free copy of this book. This review reflects my own opinion.
The Chalk Man bounces flawlessly between past and present as the story of an unfortunate girl’s murder unravels. Normally, I find back and forth plots confusing. Tudor approaches this not by labeling each shift as a new chapter, but by naming the chapters with the year they take place. This weaving of the plot creates a sense of urgency, with each chapter ending on the cusp of a new discovery. When all the cards are on the table, nothing is as it seems. The popular, snarky definition of the word “assume” definitely plays a heavy-handed role in this book and Tudor pulls it off well.
Creating complex characters appears to be another forte of Tudor’s. By complex, I mean that his cast, much like the plot, has as several layers to it. In some cases, this can make a story difficult to comprehend, but Tudor exercises some caution in giving any of his characters too many traits.
The Chalk Man is a quick, entertaining read which is always a plus. The constant action kept the book from becoming a chore and thus I was able to devour it in a few days. I’d like to thank Penguin’s First to Read program for providing me with a free copy of this book. This review reflects my own opinion.
Acanthea Grimscythe (300 KP) rated Mass Hysteria in Books
May 16, 2018
As seen on <a href="http://theghastlygrimoire.com/"; target="new">The Ghastly Grimoire</a>.
Wow. Okay, I honestly felt I should have received some sort of warning before I opened this book! That aside, once I swallowed the surprise I received and accepted the book for what it is, I actually enjoyed several it. Mass Hysteria by Michael Patrick Hicks approaches the days after the apocalypse with a complete overhaul of social hierarchy in the most gruesome of ways.
In the wake of a meteor falling and bringing with it a virus appearing as an airborne variety of rabies (which is a much appreciated change from nuclear disaster and zombie outbreaks), several members of a small community in Michigan quickly find themselves fighting for their lives. Hicks’s gorefest begins shortly after and readers quickly discover that this is a writer that doesn’t hold back – my kind of man, honestly.
One of the things that strike me as most disturbing and simultaneously teasing of Hicks’s work is the sheer fact that he introduces us to several characters in intimate ways. Readers are given just enough of a taste of the good guys, too much of the bad, and justice? Well, there sure isn’t enough of that after the world’s ended.
I cannot stress enough how graphic this book is, just as I cannot think of any words devoid of spoilers to prepare readers for what the journey they might embark on when they open Mass Hysteria‘s pages. What I can say is this: under all the horrific elements that bury this book, Hicks explores the most depraved of all: human nature at its worst.
I gladly look forward to reading more of this author’s work. A special thanks to NetGalley and High Fever Books for providing me with a copy of this book in exchange for an honest, unbiased review.
Wow. Okay, I honestly felt I should have received some sort of warning before I opened this book! That aside, once I swallowed the surprise I received and accepted the book for what it is, I actually enjoyed several it. Mass Hysteria by Michael Patrick Hicks approaches the days after the apocalypse with a complete overhaul of social hierarchy in the most gruesome of ways.
In the wake of a meteor falling and bringing with it a virus appearing as an airborne variety of rabies (which is a much appreciated change from nuclear disaster and zombie outbreaks), several members of a small community in Michigan quickly find themselves fighting for their lives. Hicks’s gorefest begins shortly after and readers quickly discover that this is a writer that doesn’t hold back – my kind of man, honestly.
One of the things that strike me as most disturbing and simultaneously teasing of Hicks’s work is the sheer fact that he introduces us to several characters in intimate ways. Readers are given just enough of a taste of the good guys, too much of the bad, and justice? Well, there sure isn’t enough of that after the world’s ended.
I cannot stress enough how graphic this book is, just as I cannot think of any words devoid of spoilers to prepare readers for what the journey they might embark on when they open Mass Hysteria‘s pages. What I can say is this: under all the horrific elements that bury this book, Hicks explores the most depraved of all: human nature at its worst.
I gladly look forward to reading more of this author’s work. A special thanks to NetGalley and High Fever Books for providing me with a copy of this book in exchange for an honest, unbiased review.