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Caffeinated Fae (464 KP) rated Kiss of Vengeance in Books
Mar 3, 2020
Too much slow burn for my taste
3 1/2 Caffeinated Stars
Kiss of Vengeance is the second book in the True Immortality series by S. Young. As many of you know, I'm a huge fan of Samantha Young & I thoroughly enjoyed War of Hearts. When I received this book in exchange for an honest review, I was extremely excited to dive into it, but it just wasn't my favorite. It had many of the elements I love, but at times it fell flat.
This book was a slow burn with an enemy to lover trope feel. Unfortunately, it was indeed a slow burn. There was nothing more than one-sided flirting for over 50% of the book. When I'm reading a romance, I want it to be the focal point, and it didn't feel like a focal point until 70% into the book.
Though the slow burn romance wasn't my favorite, I loved the world that S. Young created. The fantasy aspects were what kept me going. Learning about the fae & seeing their abilities kept me thoroughly entertained. I enjoyed seeing Rose learn her skills, and it was fun to see her interact with Fionn as her mentor. I do have to say that at times, her fixation on Fionn and flirting felt like her sole personality trait.
I would have loved to see more of Rose's interaction with any character that wasn't a "hot guy." When Rose wasn't flirting, I loved her strength and determination. Her joy for her abilities was something I loved about her. Fionn was a complex character. I loved learning about his background & seeing his struggle.
Even though I didn't enjoy the book as much as I liked, I'll be continuing on in the series. The fantasy and world-building were fantastic, and I can't wait to see how the rest of the series goes.
Kiss of Vengeance is the second book in the True Immortality series by S. Young. As many of you know, I'm a huge fan of Samantha Young & I thoroughly enjoyed War of Hearts. When I received this book in exchange for an honest review, I was extremely excited to dive into it, but it just wasn't my favorite. It had many of the elements I love, but at times it fell flat.
This book was a slow burn with an enemy to lover trope feel. Unfortunately, it was indeed a slow burn. There was nothing more than one-sided flirting for over 50% of the book. When I'm reading a romance, I want it to be the focal point, and it didn't feel like a focal point until 70% into the book.
Though the slow burn romance wasn't my favorite, I loved the world that S. Young created. The fantasy aspects were what kept me going. Learning about the fae & seeing their abilities kept me thoroughly entertained. I enjoyed seeing Rose learn her skills, and it was fun to see her interact with Fionn as her mentor. I do have to say that at times, her fixation on Fionn and flirting felt like her sole personality trait.
I would have loved to see more of Rose's interaction with any character that wasn't a "hot guy." When Rose wasn't flirting, I loved her strength and determination. Her joy for her abilities was something I loved about her. Fionn was a complex character. I loved learning about his background & seeing his struggle.
Even though I didn't enjoy the book as much as I liked, I'll be continuing on in the series. The fantasy and world-building were fantastic, and I can't wait to see how the rest of the series goes.
JT (287 KP) rated Fright Night (2011) in Movies
Mar 10, 2020
Colin Farrell as a vampire? He would hardly be my choice as the leading man in this one, yet beneath it all you get the impression that he loved every minute.
As Jerry, the new neighbour who has moved into a quiet suburb deep in the Las Vegas desert, he has all the charm and likeability of any new dweller. That is until his true identity and ambitions are revealed.
Opposite Farrell is Charley (Yelchin), a nerd who has suddenly burst out of his shell and blended in with the upper echelons of high school society. Enough that he has bagged Imogen Poots as his girlfriend.
It’s very much a no brainer when it comes to the plot, but Yelchin does enough in the early parts to keep you hooked in. Battling with his former best friend played by Christopher Mintz-Plasse, who yet again does the role so well, he suddenly realises that there is more truth to the rumour that Jerry is devouring the locals.
The humour keeps the film ticking along and the introduction of David Tennant as Peter Vincent, a Vegas showman who as luck would have it, has the largest amount of vampire collectables going.
The special effects and gore elements are exciting, but its hardly frightening anyone to the core, which is a shame. If you’re going to do a remake then make sure its executed as well as it can be.
For me though the film is about Farrell, contented with playing the nice guy for the most part of his career its great to see him opening up to a new role. Even his Horrible Bosses turn showed that he had the potential for a badass, and long may it continue.
It’s not a patch on the original, and let’s be fair not a lot of remakes ever are, but its a credible effort from Gillespie. Farrell here sticks two fingers up to Twilight, and I bloody loved that!
As Jerry, the new neighbour who has moved into a quiet suburb deep in the Las Vegas desert, he has all the charm and likeability of any new dweller. That is until his true identity and ambitions are revealed.
Opposite Farrell is Charley (Yelchin), a nerd who has suddenly burst out of his shell and blended in with the upper echelons of high school society. Enough that he has bagged Imogen Poots as his girlfriend.
It’s very much a no brainer when it comes to the plot, but Yelchin does enough in the early parts to keep you hooked in. Battling with his former best friend played by Christopher Mintz-Plasse, who yet again does the role so well, he suddenly realises that there is more truth to the rumour that Jerry is devouring the locals.
The humour keeps the film ticking along and the introduction of David Tennant as Peter Vincent, a Vegas showman who as luck would have it, has the largest amount of vampire collectables going.
The special effects and gore elements are exciting, but its hardly frightening anyone to the core, which is a shame. If you’re going to do a remake then make sure its executed as well as it can be.
For me though the film is about Farrell, contented with playing the nice guy for the most part of his career its great to see him opening up to a new role. Even his Horrible Bosses turn showed that he had the potential for a badass, and long may it continue.
It’s not a patch on the original, and let’s be fair not a lot of remakes ever are, but its a credible effort from Gillespie. Farrell here sticks two fingers up to Twilight, and I bloody loved that!
JT (287 KP) rated Triple Frontier (2019) in Movies
Mar 10, 2020
Triple Frontier is the latest straight-to-Netflix blockbuster that manages to hit the right notes at the right times. More often than not Netflix originals aren’t anything to get excited about, although occasionally there is a diamond in the rough.
Triple Frontier turns from taught heist thriller to survivalistic drama all in the space of a few acts, and if you stick with it then you’ll be pleasantly surprised. Tracking down South American drug lord Gabriel Martin Lorea (Reynaldo Gallegos) has been an obsession for Santiago “Pope” Garcia (Oscar Isaac), but at last the intel has paid off.
Garcia has not only discovered where Lorea is located but where he is hiding his huge fortune. Rather than turn the intel over to the authorities he keeps the information for himself, sharing it with a group of ex-Special Forces buddies. The plan is simple, undergo surveillance of the compound and then pull off a daring heist where they will all walk away with a life changing amount of cash.
There is a lot of unrest initially, as all come to understand the complications as well as severity of what could happen if it all goes tits up, which of course, there is every chance it will do.
Garcia is joined by Tom “Redfly” Davis (Ben Affleck), brothers William “Ironhead” Miller (Charlie Hunnam) and Ben Miller (Garrett Hedlund), and Francisco “Catfish” Morales (Pedro Pascal).
The is a solid amount of brotherly love as well as chemistry which works incredibly well on screen. Back stories are to be believed and there is an air of intensity that hangs over the group, never quite knowing which way it is all going to go. The action is tight and well executed and the suspense is pretty much kept up all the way through the run time. If you’re a fan of the heist genre which avoids the slick, humorous elements of an Ocean’s Eleven, then this one is for you.
Triple Frontier turns from taught heist thriller to survivalistic drama all in the space of a few acts, and if you stick with it then you’ll be pleasantly surprised. Tracking down South American drug lord Gabriel Martin Lorea (Reynaldo Gallegos) has been an obsession for Santiago “Pope” Garcia (Oscar Isaac), but at last the intel has paid off.
Garcia has not only discovered where Lorea is located but where he is hiding his huge fortune. Rather than turn the intel over to the authorities he keeps the information for himself, sharing it with a group of ex-Special Forces buddies. The plan is simple, undergo surveillance of the compound and then pull off a daring heist where they will all walk away with a life changing amount of cash.
There is a lot of unrest initially, as all come to understand the complications as well as severity of what could happen if it all goes tits up, which of course, there is every chance it will do.
Garcia is joined by Tom “Redfly” Davis (Ben Affleck), brothers William “Ironhead” Miller (Charlie Hunnam) and Ben Miller (Garrett Hedlund), and Francisco “Catfish” Morales (Pedro Pascal).
The is a solid amount of brotherly love as well as chemistry which works incredibly well on screen. Back stories are to be believed and there is an air of intensity that hangs over the group, never quite knowing which way it is all going to go. The action is tight and well executed and the suspense is pretty much kept up all the way through the run time. If you’re a fan of the heist genre which avoids the slick, humorous elements of an Ocean’s Eleven, then this one is for you.
Gareth von Kallenbach (980 KP) rated Captain America: The First Avenger (2011) in Movies
Aug 7, 2019
Captain America: The First Avenger is a return to form for the Marvel comic-book film universe, and a solid final lead-up to the multi-hero film The Avengers, coming next year.
Chris Evans does a fantastic job of introducing us to the wiry little guy with guts who eventually becomes Captain America. Such unashamed, honest virtue is different from the typical superhero movie we’ve come to see over the last few years, and for good reason: internal conflicts often make for dramatic films. However, I don’t think such unwavering idealism would have worked with any other comic-book character than Captain America. Stanley Tucci and Tommy Lee Jones add heart to the movie, but the soul of this movie really is the Captain. Hugo Weaving as The Red Skull plays a satisfying villain here, but his motives aren’t clarified enough to warrant his fervor for evil. Hayley Atwell, playing love interest and British agent Peggy Carter does a more convincing job in her role than Hugo Weaving does in his.
The plot of the film was pretty standard fare. Hero battles villain. The ending was more climactic and earnest than I had expected walking into the theater, and it gracefully sets up the Avengers movie. Like many of the other Marvel movies of recent note, there is a decent amount of self-deprecating comic book humor that helps break up the slower parts between action scenes.
The effects of the film were solid. They were pulpy enough to feel like a Marvel universe, rather than our own, but they still carried the action to an exciting level. The art department and cinematographer did a good job recreating the 40’s asthetic throughout the film, though there was enough exotic comic book elements to bring you back into a world where superheroes really do exist.
Despite its own flaws, this is one of the better Marvel films to come out since Iron Man, and count me in to watch The Avengers next year.
Chris Evans does a fantastic job of introducing us to the wiry little guy with guts who eventually becomes Captain America. Such unashamed, honest virtue is different from the typical superhero movie we’ve come to see over the last few years, and for good reason: internal conflicts often make for dramatic films. However, I don’t think such unwavering idealism would have worked with any other comic-book character than Captain America. Stanley Tucci and Tommy Lee Jones add heart to the movie, but the soul of this movie really is the Captain. Hugo Weaving as The Red Skull plays a satisfying villain here, but his motives aren’t clarified enough to warrant his fervor for evil. Hayley Atwell, playing love interest and British agent Peggy Carter does a more convincing job in her role than Hugo Weaving does in his.
The plot of the film was pretty standard fare. Hero battles villain. The ending was more climactic and earnest than I had expected walking into the theater, and it gracefully sets up the Avengers movie. Like many of the other Marvel movies of recent note, there is a decent amount of self-deprecating comic book humor that helps break up the slower parts between action scenes.
The effects of the film were solid. They were pulpy enough to feel like a Marvel universe, rather than our own, but they still carried the action to an exciting level. The art department and cinematographer did a good job recreating the 40’s asthetic throughout the film, though there was enough exotic comic book elements to bring you back into a world where superheroes really do exist.
Despite its own flaws, this is one of the better Marvel films to come out since Iron Man, and count me in to watch The Avengers next year.
Night Reader Reviews (683 KP) rated NOS4A2 in Books
Apr 26, 2020
Just Because Review
While I imagine a few already know this it is important to note that Joe Hill is Stephen King's son, which is actually what made me interested in his work. This book reflects the works of Stephen King so much that I almost thought he was the actual author. It is very clear that this book resides in the same universe as Stephen King's works. It mentions things like the Pennywise Circus and True Knot (Doctor Sleep). It also reminded me of Christine and multiple people in the book have "a touch of the shinning" and if readers pay attention they may notice elements from Dreamcatcher and Finders Keepers as well.
As a child, Vic discovers a bike that gives her the ability to cross the Shorter Way Bridge to locate lost things, so long as they are in a fixed position. The bad thing about this is that using the ability has its cost and the price she must pay is the risk of losing part of her mind each time she goes across. One day after fighting with her mother she takes off across the bridge looking for trouble and finds just that in Charles Manx. Luckily she manages to escape but Charles Manx will forever hold a grudge against her and she will see him again after she is an adult and has convinced herself that the Shorter Way Bridge was just a fantasy from a delusional mind.
I highly recommend this book. The only reason why it did not get a 5 out of 5 was that while the story was original the world felt to firmly set in the Stephen King universe and I am not sure if that was intentional or if it was just a by-product of the household that Joe Hill grew up in.
For more reviews check out Night Reader on Smashbomb.com or Night Reader Reviews on Facebook
As a child, Vic discovers a bike that gives her the ability to cross the Shorter Way Bridge to locate lost things, so long as they are in a fixed position. The bad thing about this is that using the ability has its cost and the price she must pay is the risk of losing part of her mind each time she goes across. One day after fighting with her mother she takes off across the bridge looking for trouble and finds just that in Charles Manx. Luckily she manages to escape but Charles Manx will forever hold a grudge against her and she will see him again after she is an adult and has convinced herself that the Shorter Way Bridge was just a fantasy from a delusional mind.
I highly recommend this book. The only reason why it did not get a 5 out of 5 was that while the story was original the world felt to firmly set in the Stephen King universe and I am not sure if that was intentional or if it was just a by-product of the household that Joe Hill grew up in.
For more reviews check out Night Reader on Smashbomb.com or Night Reader Reviews on Facebook
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