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<i>This eBook was provided by the publisher via NetGalley in exchange for an honest</i>
People grieve in many different ways, as Shari Arnold shows in her young adult novel <i>Neverland</i>. It has been four months since seventeen-year-old Livy lost her little sister Jenna to leukemia. Her mother has become a workaholic, her father a ghost, but Livy has become determined to help as many sick children as she can, either by reading to them or becoming a bone marrow donor. Livy’s life revolves solely around the children at the hospital but things begin to change when she meets the mysterious Meyer who takes her out of her comfort zone and challenges her to have fun.
As suggested by the title, <i>Neverland</i> is based upon the well-known story of Peter Pan. Meyer, like Peter, loves an adventure and whisks Livy away to do things she would never have thought to do on her own. By showing Livy how to have fun, Meyer hopes to encourage her to move on, but the big question is, is Livy ready to live without her sister?
The first part of the book has a contemporary setting that makes the story appear to be the typical girl meets boy who makes everything better type of novel, however the second section is completely different. Part two is so full of fantasy and magical ideas that it feels like a completely different book. Initially it was exciting when Meyer was something of an enigma, but suddenly the story becomes childish and fake once his true identity has been revealed, thus making the novel less gripping.
Nonetheless, <i>Neverland</i> is very moving as is anything regarding the death of young children. Arnold provides an interesting retelling of the delightful fairytale giving a totally new meaning to the children who do not grow up. Those who enjoy contemporary and fantasy novels will enjoy both elements however some readers expecting a young adult love story may be disappointed with the unrealistic turn the novel takes part way through.
People grieve in many different ways, as Shari Arnold shows in her young adult novel <i>Neverland</i>. It has been four months since seventeen-year-old Livy lost her little sister Jenna to leukemia. Her mother has become a workaholic, her father a ghost, but Livy has become determined to help as many sick children as she can, either by reading to them or becoming a bone marrow donor. Livy’s life revolves solely around the children at the hospital but things begin to change when she meets the mysterious Meyer who takes her out of her comfort zone and challenges her to have fun.
As suggested by the title, <i>Neverland</i> is based upon the well-known story of Peter Pan. Meyer, like Peter, loves an adventure and whisks Livy away to do things she would never have thought to do on her own. By showing Livy how to have fun, Meyer hopes to encourage her to move on, but the big question is, is Livy ready to live without her sister?
The first part of the book has a contemporary setting that makes the story appear to be the typical girl meets boy who makes everything better type of novel, however the second section is completely different. Part two is so full of fantasy and magical ideas that it feels like a completely different book. Initially it was exciting when Meyer was something of an enigma, but suddenly the story becomes childish and fake once his true identity has been revealed, thus making the novel less gripping.
Nonetheless, <i>Neverland</i> is very moving as is anything regarding the death of young children. Arnold provides an interesting retelling of the delightful fairytale giving a totally new meaning to the children who do not grow up. Those who enjoy contemporary and fantasy novels will enjoy both elements however some readers expecting a young adult love story may be disappointed with the unrealistic turn the novel takes part way through.
Mark @ Carstairs Considers (2440 KP) rated The Deep End in Books
Aug 14, 2019
I’m glad I Jumped into this Series
Ellison Russell is devoted to her teenage daughter, Grace, and her art. She and her husband are still living together, but that is only because they have decided to wait to get divorced until Grace is out of the house. Part of Ellison’s routine is a swim at dawn in the country club’s pool. On this particular June morning in 1974, she swims into a dead body in the pool. Worse yet, when the police arrive and pull the body out of the pool, she recognizes the victim as Madeline Harper, her husband’s mistress. Ellison knows that she makes a pretty compelling suspect in the woman’s murder, as does her husband. She knows she is innocent and she believes that her husband may be an adulterer, but he isn’t a killer. However, the fact that he’s suddenly left town for parts unknown doesn’t make him appear innocent. Can Ellison figure out what really happened to Madeline?
I’ve been hearing about this series for years, but I kept putting off starting it. I wish I’d read it sooner. The plot starts out right away and gives us plenty of action and twists along the way. I never saw the solution coming until Ellison figured it out either. The main characters are all strong and help pull us into the world, although I do wish that we had a little more context for some of the supporting players. I was also bothered by Ellison’s love life; it just felt inappropriate for this book. I’m sure in future books I will be fine with what is set up here. The subject matter does stray to the edges of cozies, but I thought how things were handled here was fine and it didn’t bother me. I greatly enjoyed the humor in the book, mostly coming from Ellison’s narration on things. Yet it is perfectly balances with some of the more serious elements of the plot. I can see why this series has so many fans, and I’m already one of them. Now, to find time to visit Ellison again.
I’ve been hearing about this series for years, but I kept putting off starting it. I wish I’d read it sooner. The plot starts out right away and gives us plenty of action and twists along the way. I never saw the solution coming until Ellison figured it out either. The main characters are all strong and help pull us into the world, although I do wish that we had a little more context for some of the supporting players. I was also bothered by Ellison’s love life; it just felt inappropriate for this book. I’m sure in future books I will be fine with what is set up here. The subject matter does stray to the edges of cozies, but I thought how things were handled here was fine and it didn’t bother me. I greatly enjoyed the humor in the book, mostly coming from Ellison’s narration on things. Yet it is perfectly balances with some of the more serious elements of the plot. I can see why this series has so many fans, and I’m already one of them. Now, to find time to visit Ellison again.
Marylegs (44 KP) rated Jurassic Park (Jurassic Park, #1) in Books
Aug 14, 2019
Jurassic Park is the first book in a two part saga written by Michael Crichton, it become one of the most iconic films of the 90’s. Those who have seen the film know that the story revolves around a biotechnology company experimenting with genetics and DNA reconstruction to create dinosaurs in the modern world. On an island off of Costa Rica, these Dinosaurs are being contained in what is being heralded as the zoo of the future. The scientists have managed through DNA extraction and reconstruction to produce 15 different species of extinct Dinosaurs. To test out the park some renowned academics including Dr Grant, palaeontology, Dr Sattler, palaeobotany and Ian Malcom a chaos theory mathematician, are invited to the park. This obviously ambitious leap in technology and questionable ethics runs into some trouble and obviously this has catastrophic consequences.
Never, have I ever, put off reading a book so much as this one. At the very beginning of the year I decided to randomly choose books to read to really push me out of my comfort zone. But, every time I looked at this list I had created I would choose something else. I was avoiding this book, not only because the film was so iconic to my childhood but also I didn’t know if it would be the sort of book I would enjoy to read.
All I can say is, bravo. This book was brilliant. I honestly didn’t want it to end. I loved everything. I didn’t even mind Malcom’s rants on chaos theory, I actually rather enjoyed them and found them thought provoking. I really liked that it was close enough to the film that I could follow what I already knew. But there is so much more to this story. There are obviously fictional elements included regarding the behaviour and activities related to the dinosaurs, but there was obviously a lot of research undertaking when the book was written so I believe the artistic licence is warranted. I loved the differences and I will definitely now read the sequel and these books will be placed into my exclusive re-read rotation.
Never, have I ever, put off reading a book so much as this one. At the very beginning of the year I decided to randomly choose books to read to really push me out of my comfort zone. But, every time I looked at this list I had created I would choose something else. I was avoiding this book, not only because the film was so iconic to my childhood but also I didn’t know if it would be the sort of book I would enjoy to read.
All I can say is, bravo. This book was brilliant. I honestly didn’t want it to end. I loved everything. I didn’t even mind Malcom’s rants on chaos theory, I actually rather enjoyed them and found them thought provoking. I really liked that it was close enough to the film that I could follow what I already knew. But there is so much more to this story. There are obviously fictional elements included regarding the behaviour and activities related to the dinosaurs, but there was obviously a lot of research undertaking when the book was written so I believe the artistic licence is warranted. I loved the differences and I will definitely now read the sequel and these books will be placed into my exclusive re-read rotation.
Gareth von Kallenbach (980 KP) rated The Magnificent Seven (2016) in Movies
Jul 15, 2019
Full disclosure, I have never seen The 1960s Magnificent Seven film, nor do I care that at its core it is a retelling of the Japanese legend of the Seven Samurai. This is not a comparison review. Instead this is a simple review of what I watched on screen. Not beholden to anything other than itself as film and it being a western.
That being said, I thoroughly enjoyed this film. The Magnificent Seven hits all the appropriate marks you would expect from a classic western. The sprawling landscapes, big gunfights against all odds, character musical cues, honor bound good guys and dastardly bad guys. The Magnificent Seven is an entertaining gallop for western fans both old and new alike.
That is not to say that this film is anything more thought provoking then a typical “White hats vs Black Hats” western story. However it is the performance of the actors and their portrayal of somewhat typical characters that is the soul and charm of the film. Led by Denzel Washington who plays Sam Chisolm, the deputized bounty hunter hired to free a simple town from under the tyranny of a rich minor who uses violence and intimidation to take what he wants. Chisolm puts together an unlikely posse of the jokester gun-shooter Josh Faraday (Chris Pratt), the civil war veteran sharpshooter Goodnight Robicheaux (Ethan Hawke), his knife welding companion Billy Rocks (Byung-hun Lee), the outlaw Vasquez (Manuel Garcia-Fulfo), the grizzly frontiersman Jack Horne (Vincent D’Onofrio) and the native warrior Red Harvest (Martin Sensmeier). Together they take on the dastardly greedy Bartholomew Bogue (Peter Sarsgaard) and his army of paid mercenaries. The entire ensemble gives solid and entertaining performances, however it is the chemistry among the cast that creates the feeling that they had a blast making this film together, much to our delight.
When we put these elements together the film works on an entertaining level. While some may find it forgettable once it is over, they will no doubt enjoy the ride along the way. In a year where the summer blockbusters have been mostly disappointing and forgettable, The Magnificent Seven is a bright spot on the film landscape than most big budget films this year.
That being said, I thoroughly enjoyed this film. The Magnificent Seven hits all the appropriate marks you would expect from a classic western. The sprawling landscapes, big gunfights against all odds, character musical cues, honor bound good guys and dastardly bad guys. The Magnificent Seven is an entertaining gallop for western fans both old and new alike.
That is not to say that this film is anything more thought provoking then a typical “White hats vs Black Hats” western story. However it is the performance of the actors and their portrayal of somewhat typical characters that is the soul and charm of the film. Led by Denzel Washington who plays Sam Chisolm, the deputized bounty hunter hired to free a simple town from under the tyranny of a rich minor who uses violence and intimidation to take what he wants. Chisolm puts together an unlikely posse of the jokester gun-shooter Josh Faraday (Chris Pratt), the civil war veteran sharpshooter Goodnight Robicheaux (Ethan Hawke), his knife welding companion Billy Rocks (Byung-hun Lee), the outlaw Vasquez (Manuel Garcia-Fulfo), the grizzly frontiersman Jack Horne (Vincent D’Onofrio) and the native warrior Red Harvest (Martin Sensmeier). Together they take on the dastardly greedy Bartholomew Bogue (Peter Sarsgaard) and his army of paid mercenaries. The entire ensemble gives solid and entertaining performances, however it is the chemistry among the cast that creates the feeling that they had a blast making this film together, much to our delight.
When we put these elements together the film works on an entertaining level. While some may find it forgettable once it is over, they will no doubt enjoy the ride along the way. In a year where the summer blockbusters have been mostly disappointing and forgettable, The Magnificent Seven is a bright spot on the film landscape than most big budget films this year.
Gareth von Kallenbach (980 KP) rated Inception (2010) in Movies
Aug 8, 2019
Inception is a stunningly good movie. Written and rewritten over the course of the last 10 years, this has been Christopher Nolan’s pet project since before he worked on either of the Batman movies. Finally getting the support to afford a big-budget movie of his own creation, he does not disappoint, as Inception is by far one of the best films of the last several years.
The plot is the strongest feature of Inception. In a way, it mirrors the labyrinthine twists of the subconscious, but Nolan is adept at keeping all his proverbial ducks in a row. Luckily, the plot isn’t exactly the same as dreaming, because that would make an insane, disjointed experience. The only negative I could find regarding the flow of the plot was during the first 15 minutes. Nolan doesn’t hold back on twisting your brain, and expects you to figure out when he’s showing reality and when he’s showing you a dream. The plot generally follows the heist genre, but because many elements take place during dream sequences, you never really know what’s going to come next until the film finally ends.
The cast does an excellent job, with much of the interaction spinning around the hub that is Leonardo DiCaprio. Nolan has said that the emotional life of this character is the “guiding thread of the story” and DiCaprio gives a great performance as the dream security expert who is haunted by his own dreams. The supporting cast, that includes Joseph Gordon-Levitt, Ellen Page, Marion Cotillard, Michael Caine and Cillian Murphy, truly has no weak points; they round out the story well, and in some cases provide some needed comic relief in heavier moments.
Inception is a surprise blockbuster. For a heist movie with tinges of sci-fi, it’s a thinker of a movie that will reward extra viewings with extra insight into the motivations of the characters. The action isn’t overly heavy, the special effects work for the story and not the other way around, and it has one of the most clever plots I’ve seen in a very long time. Do not miss this movie.
The plot is the strongest feature of Inception. In a way, it mirrors the labyrinthine twists of the subconscious, but Nolan is adept at keeping all his proverbial ducks in a row. Luckily, the plot isn’t exactly the same as dreaming, because that would make an insane, disjointed experience. The only negative I could find regarding the flow of the plot was during the first 15 minutes. Nolan doesn’t hold back on twisting your brain, and expects you to figure out when he’s showing reality and when he’s showing you a dream. The plot generally follows the heist genre, but because many elements take place during dream sequences, you never really know what’s going to come next until the film finally ends.
The cast does an excellent job, with much of the interaction spinning around the hub that is Leonardo DiCaprio. Nolan has said that the emotional life of this character is the “guiding thread of the story” and DiCaprio gives a great performance as the dream security expert who is haunted by his own dreams. The supporting cast, that includes Joseph Gordon-Levitt, Ellen Page, Marion Cotillard, Michael Caine and Cillian Murphy, truly has no weak points; they round out the story well, and in some cases provide some needed comic relief in heavier moments.
Inception is a surprise blockbuster. For a heist movie with tinges of sci-fi, it’s a thinker of a movie that will reward extra viewings with extra insight into the motivations of the characters. The action isn’t overly heavy, the special effects work for the story and not the other way around, and it has one of the most clever plots I’ve seen in a very long time. Do not miss this movie.
Gareth von Kallenbach (980 KP) rated Kick-Ass (2010) in Movies
Aug 8, 2019
Kick-Ass starts out as a clever action movie with good humor interspersed throughout the first half, but by the second half the jokes trail off as the movie takes a blacker turn toward a mindless and confusing tale of morality.
Viewing this movie as a mindless action flick, it is impressive and at times humorous, albeit that humor, in the immersive first half, is deadened by the much darker scenes toward the end of the film. But if you’re trying to find a deeper message hidden behind the motivations and actions of the characters on screen, you perhaps would be better served by reading the comic first. The violence was surprisingly graphic for what started out as a clever and somewhat endearing highschool drama about not fitting in and trying to change the world for the better.
As the director of Layer Cake and Stardust, Matthew Vaughn has shown before that he knows how to do action and fantasy, and in this movie, the action scenes are tight and gripping and slightly surreal. You may even recognize a few cameos if you’re familiar with Guy Ritchie films.
Aaron Johnson, as the title character, brings a smart vulnerability to his part. As an overly ambitious, but well meaning comic book fan, his stabs at super-heroics were quite believable.
This movie may be titled Kick-Ass, but the most interesting character is Hit-Girl, played by Chloë Grace Moretz. Quite a few child actors come across as precocious, and Moretz is a welcome change. She shares some great scenes with Nicolas Cage, a vengeful father who has turned his 11 year-old daughter into a killing machine. Cage’s deadpan humor as Big Daddy matches surprisingly well with the giddy, foul-mouthed, black humor of Hit-Girl.
In a way, I may be doing the movie a disservice if I were to dwell on the plot holes, morality, and thematic elements of this movie which are clearly not the focused intent of the director. Not every movie is intended to be a deep and meaningful reflection on life, so in that regard, this movie is simply a blood-drenched charmer.
Viewing this movie as a mindless action flick, it is impressive and at times humorous, albeit that humor, in the immersive first half, is deadened by the much darker scenes toward the end of the film. But if you’re trying to find a deeper message hidden behind the motivations and actions of the characters on screen, you perhaps would be better served by reading the comic first. The violence was surprisingly graphic for what started out as a clever and somewhat endearing highschool drama about not fitting in and trying to change the world for the better.
As the director of Layer Cake and Stardust, Matthew Vaughn has shown before that he knows how to do action and fantasy, and in this movie, the action scenes are tight and gripping and slightly surreal. You may even recognize a few cameos if you’re familiar with Guy Ritchie films.
Aaron Johnson, as the title character, brings a smart vulnerability to his part. As an overly ambitious, but well meaning comic book fan, his stabs at super-heroics were quite believable.
This movie may be titled Kick-Ass, but the most interesting character is Hit-Girl, played by Chloë Grace Moretz. Quite a few child actors come across as precocious, and Moretz is a welcome change. She shares some great scenes with Nicolas Cage, a vengeful father who has turned his 11 year-old daughter into a killing machine. Cage’s deadpan humor as Big Daddy matches surprisingly well with the giddy, foul-mouthed, black humor of Hit-Girl.
In a way, I may be doing the movie a disservice if I were to dwell on the plot holes, morality, and thematic elements of this movie which are clearly not the focused intent of the director. Not every movie is intended to be a deep and meaningful reflection on life, so in that regard, this movie is simply a blood-drenched charmer.
Gareth von Kallenbach (980 KP) rated Alice in Wonderland (2010) in Movies
Aug 8, 2019
About to take her place as a lady of civilized society, Alice is having trouble fitting in with the expectations of the world around her. How will she ever fit in with her wondering mind and regular dreams of a fantasyland filled with magic, creatures, and more than a tea pot filled with nonsense.
Tim Burton’s new live action “Alice in Wonderland” takes us past the tale of the animated Disney classic and into an even more vivid plot-filled adventure. The film merges elements from both of Lewis Carroll’s much beloved tomes, “Alice’s Adventures in Wonderland” and “Through the Looking Glass, and What Alice Found There”. For those who do not know the books, the new live action film will introduce you to characters not encountered in the original Disney film. Those who have patiently waited to see their favorite characters on the screen will delight in the precise details; from the wild environment to the strategic use of literary quotes.
As much as it is a visual spectacle filled with eye-popping clothing, explosive color, and delightful dialogue, where “Alice in Wonderland” most impresses is in characters. The most familiar characters, the Mad Hatter (Johnny Depp), the Cheshire Cat (voice by Stephen Fry) and The Red Queen (Helena Bonham Carter), are zanier, more charming, and definitely madder then ever before. And new characters such as the White Queen (Anne Hathaway) and Knave of Hearts (Crispin Glover) also captivate and amuse. In fact, audiences will be hard pressed to choose a favorite character let alone scene.
Viewers who opt to see the film in the intended 3D (better still in IMAX 3D) will be highly rewarded; the effects are engrossing straight down to credits. For those who forgo the additional dimension “Alice in Wonderland” is so well plotted that even without the bells and whistles it will prove to be exceptional.
A must for an Alice fan of any age and a delight for anyone with a strong imagination, “Alice in Wonderland” blows past the dreary expectations by bringing curiosity and nonsense back to the big screen.
Tim Burton’s new live action “Alice in Wonderland” takes us past the tale of the animated Disney classic and into an even more vivid plot-filled adventure. The film merges elements from both of Lewis Carroll’s much beloved tomes, “Alice’s Adventures in Wonderland” and “Through the Looking Glass, and What Alice Found There”. For those who do not know the books, the new live action film will introduce you to characters not encountered in the original Disney film. Those who have patiently waited to see their favorite characters on the screen will delight in the precise details; from the wild environment to the strategic use of literary quotes.
As much as it is a visual spectacle filled with eye-popping clothing, explosive color, and delightful dialogue, where “Alice in Wonderland” most impresses is in characters. The most familiar characters, the Mad Hatter (Johnny Depp), the Cheshire Cat (voice by Stephen Fry) and The Red Queen (Helena Bonham Carter), are zanier, more charming, and definitely madder then ever before. And new characters such as the White Queen (Anne Hathaway) and Knave of Hearts (Crispin Glover) also captivate and amuse. In fact, audiences will be hard pressed to choose a favorite character let alone scene.
Viewers who opt to see the film in the intended 3D (better still in IMAX 3D) will be highly rewarded; the effects are engrossing straight down to credits. For those who forgo the additional dimension “Alice in Wonderland” is so well plotted that even without the bells and whistles it will prove to be exceptional.
A must for an Alice fan of any age and a delight for anyone with a strong imagination, “Alice in Wonderland” blows past the dreary expectations by bringing curiosity and nonsense back to the big screen.
Karla Bergado (17 KP) rated In the Tall Grass (2019) in Movies
Nov 6, 2019
In the Tall Grass Review: Is the Stephen King horror worth a watch? (Spoilers ahead)
Contains spoilers, click to show
Netflix has really been stepping up their game with the number of horror shows being released this year.
What makes it better is the addition of a film adaptation of a Stephen King novella to satiate
fanatics’ hunger.
Except the question lies in whether I felt full watching this movie.
The story begins with a brother and sister duo on a long journey to San Diego. Sweltering heat and pregnancy do not mix well, alongside the long-winding roads of America until they stop by a field of tall grass. What can go wrong by stopping in the middle of nowhere that’s giving out a Children of the Corn vibe?
The siblings find themselves going through the tall grass after hearing cries from a very distressed child, only to find themselves stuck in a never-ending cycle where there is seemingly no way out and only a rock statue that apparently lets you see things you will never imagine of seeing.
The concept had a potential to give viewers something more and unexpected. But that’s the thing.
It didn’t.
The first half of the movie set the scene of being trapped in a maze of grass, but then the second
half was pretty much the same, with only a couple of weird occult-like elements thrown in to fuel the dying flame. Not only this, but the viewer is left to piece the puzzles together, only to find out that they don’t match. You are left to question the purpose of the rock, the baby and Patrick Wilson’s seemingly possessed character.
If you enjoy watching a slow paced, psychological horror movie and the feeling of being confused, then you can go check this film out.
There is something captivating about this adaptation that keeps you hooked until the end but bear in mind, it requires you to have an open mind and low expectations.
Needless to say, you might as well go and have read of the book, which was also co-written by Joe Hill,the king of horror’s son.
What makes it better is the addition of a film adaptation of a Stephen King novella to satiate
fanatics’ hunger.
Except the question lies in whether I felt full watching this movie.
The story begins with a brother and sister duo on a long journey to San Diego. Sweltering heat and pregnancy do not mix well, alongside the long-winding roads of America until they stop by a field of tall grass. What can go wrong by stopping in the middle of nowhere that’s giving out a Children of the Corn vibe?
The siblings find themselves going through the tall grass after hearing cries from a very distressed child, only to find themselves stuck in a never-ending cycle where there is seemingly no way out and only a rock statue that apparently lets you see things you will never imagine of seeing.
The concept had a potential to give viewers something more and unexpected. But that’s the thing.
It didn’t.
The first half of the movie set the scene of being trapped in a maze of grass, but then the second
half was pretty much the same, with only a couple of weird occult-like elements thrown in to fuel the dying flame. Not only this, but the viewer is left to piece the puzzles together, only to find out that they don’t match. You are left to question the purpose of the rock, the baby and Patrick Wilson’s seemingly possessed character.
If you enjoy watching a slow paced, psychological horror movie and the feeling of being confused, then you can go check this film out.
There is something captivating about this adaptation that keeps you hooked until the end but bear in mind, it requires you to have an open mind and low expectations.
Needless to say, you might as well go and have read of the book, which was also co-written by Joe Hill,the king of horror’s son.
Phil Leader (619 KP) rated The Tiger Warrior (Jack Howard #4) in Books
Nov 26, 2019
The Tiger Warrior follows archaeologist and adventurer Jack Howard as he follows a tantalising clue that perhaps some escaped Roman legionaries had found themselves pitched against the bodyguard of the First Emperor of China and one had taken refuge in the jungles of India.
This might sound far-fetched but Gibbins knows his archaeology and comes up with a plausible (if tenuous) story to make this work. The story is then taken up at the end of the 19th century in India when Howard's great great grandfather is part of the British Royal Engineers Corps trying to push roads - and hence British rule - into the jungle. He stumbles across an old temple that contains a secret.
The story roves around the the world showing us some incredible - but real - historic sites across Asia. Genuine books and records are quoted to back up the (modern day) Howard's quest to find out what happened - to both the Romans and his antecedant. Everything has very solid historical underpinnings with the more fantastic elements of the story cleverly weaved between them.
I did enjoy the book but it wasn't an unqualified success. There isn't really much menace, threat or drama in what happens to Jack Howard and his associates as they follow the past (told in a series of flashback chapters), uncovering clues one step at a time. Yes there are 'bad guys' but they seem quite ineffectual and the 'big boss' is in fact never seen at all but only mentioned in passing towards the end of the book. Judging by the notes from the author this is a very personal book - the character and story of Jack's ancestor in India is very much based on his own forebear - and this limits the scope for making the pieces fit into a pleasing whole.
That isn't to say I didn't enjoy reading it - as a subtle way of introducing surprising archaeological facts it works well (I didn't know that Ancient Rome traded with India but apparently so) and some of the set pieces are gripping to read. I will certainly be finding another Jack Howard book to read, but I suspect this was too personal a project for my first taste, which is s shame.
This might sound far-fetched but Gibbins knows his archaeology and comes up with a plausible (if tenuous) story to make this work. The story is then taken up at the end of the 19th century in India when Howard's great great grandfather is part of the British Royal Engineers Corps trying to push roads - and hence British rule - into the jungle. He stumbles across an old temple that contains a secret.
The story roves around the the world showing us some incredible - but real - historic sites across Asia. Genuine books and records are quoted to back up the (modern day) Howard's quest to find out what happened - to both the Romans and his antecedant. Everything has very solid historical underpinnings with the more fantastic elements of the story cleverly weaved between them.
I did enjoy the book but it wasn't an unqualified success. There isn't really much menace, threat or drama in what happens to Jack Howard and his associates as they follow the past (told in a series of flashback chapters), uncovering clues one step at a time. Yes there are 'bad guys' but they seem quite ineffectual and the 'big boss' is in fact never seen at all but only mentioned in passing towards the end of the book. Judging by the notes from the author this is a very personal book - the character and story of Jack's ancestor in India is very much based on his own forebear - and this limits the scope for making the pieces fit into a pleasing whole.
That isn't to say I didn't enjoy reading it - as a subtle way of introducing surprising archaeological facts it works well (I didn't know that Ancient Rome traded with India but apparently so) and some of the set pieces are gripping to read. I will certainly be finding another Jack Howard book to read, but I suspect this was too personal a project for my first taste, which is s shame.
Mark @ Carstairs Considers (2440 KP) rated The Downtown Desperadoes in Books
Jan 19, 2020
Returning to NYC to Help a Friend
It all starts with a phone call. Ricky Kidd is confused by the strange message, and he is certain it is a prank, expect for the fact that the voice sounds familiar. It’s a couple of hours later when he recognizes it as Brother Phillip, the man who had helped him track down his younger brother when Joel was kidnapped during the class trip to New York City back in the spring. When his father tries to find out what is happening with Brother Phillip, he discovers the mission the man run has burned down, and the police believe that Brother Phillip died in the fire. The only problem is, the fire took place before the phone call. Ricky is able to convince his family and friends, Ralphy and Mike, to change their Thanksgiving plans and go to the city, but when they arrive, things only get weirder. Did they really know Brother Phillip? Is he in danger? Or is he a criminal?
Unlike many middle grade mysteries, this one is a direct sequel to an earlier book. To completely understand the events that happen here, it is best to have already read LOST BENEATH MANHATTAN. But if you haven’t read that one yet, there is enough context here to follow the events as they unfold. And what a plot! While I remembered a few key things, like the climax, I was still caught up in the twists and turns. This book is a master class is dropping clues into a story, and I still marvel at how Mr. Brouwer does it. The characters are developed enough to make us care, but they are a bit on the thin side. The adult in me notices that, but as I’m reading I don’t care. The book was originally written for the Christian market, but the Christian elements aren’t overwhelming here. These stories were originally released in the 1990’s, so a few references are dated, but it isn’t enough to ruin the story in the slightest. This book is still as strong now as when I first read it. Readers of all ages will be thrilled they picked it up.
Unlike many middle grade mysteries, this one is a direct sequel to an earlier book. To completely understand the events that happen here, it is best to have already read LOST BENEATH MANHATTAN. But if you haven’t read that one yet, there is enough context here to follow the events as they unfold. And what a plot! While I remembered a few key things, like the climax, I was still caught up in the twists and turns. This book is a master class is dropping clues into a story, and I still marvel at how Mr. Brouwer does it. The characters are developed enough to make us care, but they are a bit on the thin side. The adult in me notices that, but as I’m reading I don’t care. The book was originally written for the Christian market, but the Christian elements aren’t overwhelming here. These stories were originally released in the 1990’s, so a few references are dated, but it isn’t enough to ruin the story in the slightest. This book is still as strong now as when I first read it. Readers of all ages will be thrilled they picked it up.