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Mandy and G.D. Burkhead (26 KP) rated The Grey Bastards in Books
May 20, 2018
Shelf Life – The Grey Bastards Exemplifies Grimdark Fantasy at Its Damn Finest
Contains spoilers, click to show
The Grey Bastards is a fun, foul-mouthed read. If you’re turned off by bad language, steamy sex, or a good plot with plenty of action and twists, then this book isn’t for you. The Grey Bastards falls into the fantasy sub-genre known as grimdark. Where high fantasy has your Tolkien beautiful and noble elves, dwarves, humans, and wizards with epic battles between good and evil, grimdark takes all of that and covers it in shit, pus, and blood. Notice how in high fantasy nobody ever takes a piss or fucks? In grimdark, everyone does.
But don’t be fooled into thinking this book will be any less intelligent, epic, or heartfelt for it. The Grey Bastards is all of that and more. The novel follows Jackal, a half-breed orc living in the Lot Lands, the barren desert wasteland of Hispartha. He is a Grey Bastard, one of many half-orc hoofs, each protecting its own small town in the Lots. Members of a hoof are elite warriors that ride out on their Barbarians—giant warthogs—and slaughter invading bands of orcs.
Hispartha is a vibrant world, with a mix of fantastical species (orcs, half-orcs, elves, humans, halflings, and centaurs) with unique cultures and religions. Hispartha itself takes influences from Reconquista Spain, which is especially noticeable in the nomenclature, geography, and architecture.
The primarily atheistic half-orcs recently won their freedom from slavery at the hands of humans. Humans treat the half-orcs like second-class citizens, but tolerate them because of their strength, using them as a shield from the orcs. The elves are beautiful, reclusive, and probably the most cliché; there is one important elf character, but for the most part, we don’t get a good look into their culture in the first book. The centaurs worship Romanesque deities and go on crazed, Bacchanalian killing sprees during the blood moon.
Besides the half-orcs, the halflings are perhaps the most interesting. I still have a hard time visualizing them, trying to figure out if they are thin, pixie-like creatures or more stocky like dwarves. Their small stature and black skin makes me think of pygmies. They worship a god they expect will reincarnate someday, (view spoiler)
One thing that has always annoyed me about fantasy is that many authors feel that the characters of their world, being pre-industrial and thus “medieval,” must all be white, straight, Christian (or proto-Christian), cisgender males. If a woman appears at all is to act as the damsel, prize, or, if she’s lucky, a mystical enchantress to guide the heroes or provide a maguffin. It has come to the point in which this has become a tired and accepted baseline for fantasy. I don’t necessarily think that these fantasy authors are intentionally trying to be uninclusive, so much as they just seem to forget that other groups of people can exist in fantasy thanks to its fathers, Tolkien and Lewis.
But enough with my rant, the purpose of which is to highlight why I am often drawn to grimdark fantasy: at the very least I know that women, people of color, lgbt people, and other religions will be present, even if they are often victimized. This is because grimdark fantasy honestly depicts the horrors of rape, war, murder, slavery, and racism (or rather, speciesism in most cases) and has heroes and villains that are morally grey.
However, many authors describe these atrocities and then leave it at that, assuming that simply depicting them is enough to make a book mature and meaningful. They often fail to make any sort of statement on evil, and thus can seem to be, at best, blindly accepting it and, at worst, glorifying it (this often happens in the cases of magnificent bastard characters, who are absolute monsters but are so charming you almost respect or like them).
Jonathan French, however, does not fall short of the mark as many authors do, and for two main reasons: humor and humanity.
Let’s start with the humor. This book is hilarious. I mean in the I literally laughed out loud while reading it way. Sure, the jokes are often crass, but I have a dirty mind, so inappropriate humor is my favorite kind. The dialogue is especially top-notch, and the interactions between Jackal and his friends Fetching and Oats feel genuine, full of in-jokes, insults, and sexually-charged humor, all of which are exactly how I interact with my own close friends. And every major character in this book is so damn witty that I’m honestly jealous of them. If I could be quick enough to make even one of their zingers at the right time in a conversation, I would feel proud of myself for the rest of the day.
Humor is necessary to prevent any grimdark fantasy from becoming too over-the-top or depressing. And honestly, humor is needed most when the world is a dark and frightening place. But too much humor could accidentally downplay the point of grimdark: the brutally honest depiction of the atrocities that people are capable of.
And this is where it is important to have an element of humanity. By this I mean that the “good guys” must make some action or statement on those atrocities. Too often I read or watch hardened badass characters with no emotion who can watch a person get tortured and killed without flinching (maybe even do it themselves) and who never stop to question the nature of their society (even as part of their character growth), and I have difficulty finding them at all relatable or even the least bit interesting.
Now, often for this type of character, he or she is dead inside as a coping mechanism and part of their character arc is learning to allow themselves to feel their repressed emotions: heartbreak, anger, fear, etc. This can be done very well (see The Hunger Games for a great example—dystopian scifi and grimdark fantasy have very similar undertones). But most times it just ends up falling flat.
But Jackal already starts out with more personality than most grimdark protagonists. He is a humorous and light-hearted person. Sure, he lives in a desert wasteland, his race is entirely created by rape, he’s treated as a second-class citizen, and his life and the lives of those around him are in constant danger of rape and/or murder by invading orcs or blood-crazed centaurs. But despite all of that, he still has a sense of humor, people he loves, a community, ambitions, moral code, and all of the other things that these protagonists are often lacking.
Don’t get me wrong, he can be an asshole, and he’s often acts rashly before he thinks. But the scene that really stuck with me the most was [when Jackal and the wizard Crafty come across an unconscious elf sex-slave. I was expecting him to say something along the lines of “There’s nothing we can do for her, we have to save ourselves” or “This isn’t any of our business” or “It would be best to just put her out of her mercy.” These are the typical lines that a grimdark protagonist might utter while their companion—accused of being a bleeding heart—frees the slave. But this was not the case. Jackal and Crafty both immediately set out to free the girl and steal her away from her owner, despite the danger to themselves. And when he comes across an entire castle-full of these women, Jackal again sets about freeing them without a moment’s hesitation. (hide spoiler)]
And it’s no surprise that Jackal has a serious problem with rape. As I’ve mentioned before, half-orcs are entirely the product of roving bands of orcs raping human, elven, or even half-orc women. [When Jackal learns that Starling, the elf slave he rescued, is pregnant with a half-orc baby, he is not only furious with the orcs that gang-raped her, but also disturbed by the fact that elven society shuns any of their women who have been raped, and that these victims often end up taking their own lives rather than give birth to an impure half-elf. (hide spoiler)]
Furthermore, Jackal, unlike many people in Hispartha, does not buy into misogyny or sexism. His best friend Fetching is the first female half-orc to have joined a group of riders. Not only does Jackal respect Fetching, he understands the emotional turmoil that she is dealing with being the first female rider and how she overcompensates as a result to earn the respect of the other men.
While there is quite a bit of speciesism (pretty much none of the species get along with one another), the inhabitants of Hispartha come in every skin color and nobody gives a damn. Furthermore, sexuality is primarily treated as each person’s individual preference and nobody else’s business. While characters may make jokes about acting “backy” (gay), these are made in good humor between friends, and nobody gets particularly offended by them. Fetching is herself openly bisexual (though she seems to suppress her heterosexual desires more than her homosexual ones out of that same need to be “one of the boys”), and Oats and Jackal are one of my favorite bromantic pairings.
Grimdark fantasy can often be depressing to read. But Jonathan French does an excellent job of infusing hope into his narrative. The story actually has a happier ending than I was expecting. [I was especially pleased when Jackal chooses Fetching to be the new leader of the hoof (she is voted in unanimously by the other riders). I find it incredibly annoying in books and movies when revolutionaries/usurpers decide to appoint themselves leaders, as the former does not qualify you for the latter. Part of Jackal’s arc is realizing that he is not meant to lead the hoof like he’d once desired. (hide spoiler)]
For the sequel, The True Bastards, I’m hoping to see [if a cure can be found for the thrice-blood child now infected with plague, how Fetching is doing leading the hoof, and what the mysterious Starling is up to (I don’t buy for a second that she’s killed herself). And of course, I fully expect that Jackal is going to have to fulfill his empty promise to the halfling’s resurrected god, Belico.
But don’t be fooled into thinking this book will be any less intelligent, epic, or heartfelt for it. The Grey Bastards is all of that and more. The novel follows Jackal, a half-breed orc living in the Lot Lands, the barren desert wasteland of Hispartha. He is a Grey Bastard, one of many half-orc hoofs, each protecting its own small town in the Lots. Members of a hoof are elite warriors that ride out on their Barbarians—giant warthogs—and slaughter invading bands of orcs.
Hispartha is a vibrant world, with a mix of fantastical species (orcs, half-orcs, elves, humans, halflings, and centaurs) with unique cultures and religions. Hispartha itself takes influences from Reconquista Spain, which is especially noticeable in the nomenclature, geography, and architecture.
The primarily atheistic half-orcs recently won their freedom from slavery at the hands of humans. Humans treat the half-orcs like second-class citizens, but tolerate them because of their strength, using them as a shield from the orcs. The elves are beautiful, reclusive, and probably the most cliché; there is one important elf character, but for the most part, we don’t get a good look into their culture in the first book. The centaurs worship Romanesque deities and go on crazed, Bacchanalian killing sprees during the blood moon.
Besides the half-orcs, the halflings are perhaps the most interesting. I still have a hard time visualizing them, trying to figure out if they are thin, pixie-like creatures or more stocky like dwarves. Their small stature and black skin makes me think of pygmies. They worship a god they expect will reincarnate someday, (view spoiler)
One thing that has always annoyed me about fantasy is that many authors feel that the characters of their world, being pre-industrial and thus “medieval,” must all be white, straight, Christian (or proto-Christian), cisgender males. If a woman appears at all is to act as the damsel, prize, or, if she’s lucky, a mystical enchantress to guide the heroes or provide a maguffin. It has come to the point in which this has become a tired and accepted baseline for fantasy. I don’t necessarily think that these fantasy authors are intentionally trying to be uninclusive, so much as they just seem to forget that other groups of people can exist in fantasy thanks to its fathers, Tolkien and Lewis.
But enough with my rant, the purpose of which is to highlight why I am often drawn to grimdark fantasy: at the very least I know that women, people of color, lgbt people, and other religions will be present, even if they are often victimized. This is because grimdark fantasy honestly depicts the horrors of rape, war, murder, slavery, and racism (or rather, speciesism in most cases) and has heroes and villains that are morally grey.
However, many authors describe these atrocities and then leave it at that, assuming that simply depicting them is enough to make a book mature and meaningful. They often fail to make any sort of statement on evil, and thus can seem to be, at best, blindly accepting it and, at worst, glorifying it (this often happens in the cases of magnificent bastard characters, who are absolute monsters but are so charming you almost respect or like them).
Jonathan French, however, does not fall short of the mark as many authors do, and for two main reasons: humor and humanity.
Let’s start with the humor. This book is hilarious. I mean in the I literally laughed out loud while reading it way. Sure, the jokes are often crass, but I have a dirty mind, so inappropriate humor is my favorite kind. The dialogue is especially top-notch, and the interactions between Jackal and his friends Fetching and Oats feel genuine, full of in-jokes, insults, and sexually-charged humor, all of which are exactly how I interact with my own close friends. And every major character in this book is so damn witty that I’m honestly jealous of them. If I could be quick enough to make even one of their zingers at the right time in a conversation, I would feel proud of myself for the rest of the day.
Humor is necessary to prevent any grimdark fantasy from becoming too over-the-top or depressing. And honestly, humor is needed most when the world is a dark and frightening place. But too much humor could accidentally downplay the point of grimdark: the brutally honest depiction of the atrocities that people are capable of.
And this is where it is important to have an element of humanity. By this I mean that the “good guys” must make some action or statement on those atrocities. Too often I read or watch hardened badass characters with no emotion who can watch a person get tortured and killed without flinching (maybe even do it themselves) and who never stop to question the nature of their society (even as part of their character growth), and I have difficulty finding them at all relatable or even the least bit interesting.
Now, often for this type of character, he or she is dead inside as a coping mechanism and part of their character arc is learning to allow themselves to feel their repressed emotions: heartbreak, anger, fear, etc. This can be done very well (see The Hunger Games for a great example—dystopian scifi and grimdark fantasy have very similar undertones). But most times it just ends up falling flat.
But Jackal already starts out with more personality than most grimdark protagonists. He is a humorous and light-hearted person. Sure, he lives in a desert wasteland, his race is entirely created by rape, he’s treated as a second-class citizen, and his life and the lives of those around him are in constant danger of rape and/or murder by invading orcs or blood-crazed centaurs. But despite all of that, he still has a sense of humor, people he loves, a community, ambitions, moral code, and all of the other things that these protagonists are often lacking.
Don’t get me wrong, he can be an asshole, and he’s often acts rashly before he thinks. But the scene that really stuck with me the most was [when Jackal and the wizard Crafty come across an unconscious elf sex-slave. I was expecting him to say something along the lines of “There’s nothing we can do for her, we have to save ourselves” or “This isn’t any of our business” or “It would be best to just put her out of her mercy.” These are the typical lines that a grimdark protagonist might utter while their companion—accused of being a bleeding heart—frees the slave. But this was not the case. Jackal and Crafty both immediately set out to free the girl and steal her away from her owner, despite the danger to themselves. And when he comes across an entire castle-full of these women, Jackal again sets about freeing them without a moment’s hesitation. (hide spoiler)]
And it’s no surprise that Jackal has a serious problem with rape. As I’ve mentioned before, half-orcs are entirely the product of roving bands of orcs raping human, elven, or even half-orc women. [When Jackal learns that Starling, the elf slave he rescued, is pregnant with a half-orc baby, he is not only furious with the orcs that gang-raped her, but also disturbed by the fact that elven society shuns any of their women who have been raped, and that these victims often end up taking their own lives rather than give birth to an impure half-elf. (hide spoiler)]
Furthermore, Jackal, unlike many people in Hispartha, does not buy into misogyny or sexism. His best friend Fetching is the first female half-orc to have joined a group of riders. Not only does Jackal respect Fetching, he understands the emotional turmoil that she is dealing with being the first female rider and how she overcompensates as a result to earn the respect of the other men.
While there is quite a bit of speciesism (pretty much none of the species get along with one another), the inhabitants of Hispartha come in every skin color and nobody gives a damn. Furthermore, sexuality is primarily treated as each person’s individual preference and nobody else’s business. While characters may make jokes about acting “backy” (gay), these are made in good humor between friends, and nobody gets particularly offended by them. Fetching is herself openly bisexual (though she seems to suppress her heterosexual desires more than her homosexual ones out of that same need to be “one of the boys”), and Oats and Jackal are one of my favorite bromantic pairings.
Grimdark fantasy can often be depressing to read. But Jonathan French does an excellent job of infusing hope into his narrative. The story actually has a happier ending than I was expecting. [I was especially pleased when Jackal chooses Fetching to be the new leader of the hoof (she is voted in unanimously by the other riders). I find it incredibly annoying in books and movies when revolutionaries/usurpers decide to appoint themselves leaders, as the former does not qualify you for the latter. Part of Jackal’s arc is realizing that he is not meant to lead the hoof like he’d once desired. (hide spoiler)]
For the sequel, The True Bastards, I’m hoping to see [if a cure can be found for the thrice-blood child now infected with plague, how Fetching is doing leading the hoof, and what the mysterious Starling is up to (I don’t buy for a second that she’s killed herself). And of course, I fully expect that Jackal is going to have to fulfill his empty promise to the halfling’s resurrected god, Belico.
Rachel King (13 KP) rated Black Magic Sanction (The Hollows, #8) in Books
Feb 11, 2019
This book was like one long game of fight-or-flight, mixed in with multiple escape plans when Rachel could not avoid getting caught. Being Rachel Morgan must be quite exhausting. Being eight books in now, I have been able to come up with many reasons why I enjoy reading this series so much. For starters, I love how Kim Harrison plays off of Clint Eastwood films for her book titles. I also love how each race of supernatural beings are so creatively developed to be both unique and intriguing, right down to the intimate biological makeup. I especially love how Rachel operates "by the seat of her pants" so to speak. Her instincts are nearly always spot on, and she's got reflexes that put a cat's to shame. Even though her deceased father inadvertedly put her in this position of power, able to change the course of history on her version of Earth, she still strives to be "normal" and refuses to be anyone's puppet.
This book was all about crossing moral lines for the right reasons and how far Rachel is willing to cross them to protect those she loves and be free herself. The plot was exciting and fast-paced almost from cover to cover, except for a sad note that had me shedding a few tears - even though the series has given the reader fair warning of what would eventually happen - as well as a hot-and-heavy interlude - because it wouldn't be a Rachel Morgan book without it. I love the mental, unvoiced quips that Rachel dreams up to convey her thoughts, which are so much more entertaining than just base cussing. Case in point: "Are frogs coming from the sun in shapeships, too?" How can a person not laugh at that? Jenks' frequent quips about Tinkerbell can be quite hilarious, too. The ending to the book holds quite a bit of promise for the next one, Pale Demon, especially in regards to Rachel's relationship with the elf, Trent. Speaking of relationships, I am rather intrigued by Al's obsession with Rachel, especially after he changed his appearance with his gargoyle Treble. While I admit my interest may be heavy on the icky, one must admit the potential for certain interludes is strong and highly possible, given what Rachel is becoming. Plus, Al makes no secret of his interest in Rachel, trying three times to convince her to move in the ever-after, though I have my suspicions that his interest is more than just physical. The close look that the reader got of the Coven of Moral and Ethical Standards shows some interesting possibilities given that Pierce is a past member of it. Oh the havoc that Rachel can cause will keep me interested in this series for as long as Kim Harrison keeps writing it!
This book was all about crossing moral lines for the right reasons and how far Rachel is willing to cross them to protect those she loves and be free herself. The plot was exciting and fast-paced almost from cover to cover, except for a sad note that had me shedding a few tears - even though the series has given the reader fair warning of what would eventually happen - as well as a hot-and-heavy interlude - because it wouldn't be a Rachel Morgan book without it. I love the mental, unvoiced quips that Rachel dreams up to convey her thoughts, which are so much more entertaining than just base cussing. Case in point: "Are frogs coming from the sun in shapeships, too?" How can a person not laugh at that? Jenks' frequent quips about Tinkerbell can be quite hilarious, too. The ending to the book holds quite a bit of promise for the next one, Pale Demon, especially in regards to Rachel's relationship with the elf, Trent. Speaking of relationships, I am rather intrigued by Al's obsession with Rachel, especially after he changed his appearance with his gargoyle Treble. While I admit my interest may be heavy on the icky, one must admit the potential for certain interludes is strong and highly possible, given what Rachel is becoming. Plus, Al makes no secret of his interest in Rachel, trying three times to convince her to move in the ever-after, though I have my suspicions that his interest is more than just physical. The close look that the reader got of the Coven of Moral and Ethical Standards shows some interesting possibilities given that Pierce is a past member of it. Oh the havoc that Rachel can cause will keep me interested in this series for as long as Kim Harrison keeps writing it!
Lindsay (1774 KP) rated Amish Celebrations: 4 Novels in Books
Jan 4, 2019
Amish Celebrations is really a combination of 4 stories in one book. They are all different but have something in common. They all are about celebrations.
Here are all the books and there reviews for each one.
The Gift of Sisters
Hannah and Elizabeth are twins. When a new boy comes to town, he seem to attracted both girls. They both fall for him in there own ways. He seem to have them pulling them away from each other. Will either one of them choose this new boy or will they both leave them.
Will it be two late to reunite to be sisters. One is doing something to protect her sister and the other think the other is trying to ruin her life and her love life at that. Will they find what best for them.
A New Beginning
Noah and Rebecca seem to be heading for marriage? Noah does something and make Rebecca think about getting married? What was it that Noah did? Will Noah walk way or will he forgive himself. What could Noah be struggling with? Rebecca is also navigation their relationship as well. Does she want to be with Noah or trust him?
A Perfect Plan
Priscilla knows who see was marrying since she way sixteen years old. Once the question is pop to her. They seem to think they know the prefect plan. God seem to have another plan or a bit of changes to that plan when one disaster will occurs after another. Is God testing there relationship?
There seems to be a special person who has something for both Chester and Priscilla. They each receive it at different times and separately. They are both told to not open it until there wedding day and not before and promised. Will they even get married or will they not?
A Christmas Miracle
Every feel overwhelmed with life or motherhood? Well, Mary feels this and does not know how to cope with her children. She seems to feel like she a bad mother. Though she got her husband and her husband seem to try and help. He for a loss to help her as well. Though he suggest that she ask her mother in law to help her.
There seem to be something more to stress of the marriage. Will her husband get some advise to help his marriage and his wife before it to late? There seems to be someone really important that happens when Mary befriends an elderly man in a red suit and his side kick elf?
I really like how this story outcomes turn out. Will Mary really get what needs and help she needs to cope with her situation. Does Mary's mother in law dislike Mary or is it something else.
Here are all the books and there reviews for each one.
The Gift of Sisters
Hannah and Elizabeth are twins. When a new boy comes to town, he seem to attracted both girls. They both fall for him in there own ways. He seem to have them pulling them away from each other. Will either one of them choose this new boy or will they both leave them.
Will it be two late to reunite to be sisters. One is doing something to protect her sister and the other think the other is trying to ruin her life and her love life at that. Will they find what best for them.
A New Beginning
Noah and Rebecca seem to be heading for marriage? Noah does something and make Rebecca think about getting married? What was it that Noah did? Will Noah walk way or will he forgive himself. What could Noah be struggling with? Rebecca is also navigation their relationship as well. Does she want to be with Noah or trust him?
A Perfect Plan
Priscilla knows who see was marrying since she way sixteen years old. Once the question is pop to her. They seem to think they know the prefect plan. God seem to have another plan or a bit of changes to that plan when one disaster will occurs after another. Is God testing there relationship?
There seems to be a special person who has something for both Chester and Priscilla. They each receive it at different times and separately. They are both told to not open it until there wedding day and not before and promised. Will they even get married or will they not?
A Christmas Miracle
Every feel overwhelmed with life or motherhood? Well, Mary feels this and does not know how to cope with her children. She seems to feel like she a bad mother. Though she got her husband and her husband seem to try and help. He for a loss to help her as well. Though he suggest that she ask her mother in law to help her.
There seem to be something more to stress of the marriage. Will her husband get some advise to help his marriage and his wife before it to late? There seems to be someone really important that happens when Mary befriends an elderly man in a red suit and his side kick elf?
I really like how this story outcomes turn out. Will Mary really get what needs and help she needs to cope with her situation. Does Mary's mother in law dislike Mary or is it something else.
Ross (3284 KP) rated The Eleven in Books
Apr 23, 2020
Fantastic characters and original story
* I received an advance reader copy from the author and netgalley in exchange for an honest review *
Quite simply: this is a fantastic book.
The characters involved are all well-crafted and unique. They have their own back-stories that we learn over time, appreciating who they are, what they have been through and why they are how they are.
The main character is Keira, a human who spent a large part of her late childhood imprisoned, tortured and raped by the upper echelons of the government. She escapes and seeks revenge on her abusers, but needs Courage to achieve this. We first meet her as she begins her attack on the first such abuser.
She teams up with Rowan, an assassin, though the circumstances of their meeting don't become clear until later, and travels to a magical realm to track down more of her tormentors. The details of Rowan's current assignment are somewhat mysterious and only revealed later.
They eventually meet Dess, who we have started to get to know, an elf-like magical scholar who has had his own issues in adolescence and is seeking revenge on the people involved in the murder of the love of his life.
And finally we have Sirris, a funny little slave creature who seeks escape from his life of misery, abuse and servitude.
Those back-stories are gradually woven together over the course of the book in a very ambitious, and flawlessly executed, series of split timelines. Fans of Mark Lawrence's knack for splitting a story into separate timelines will love the way Gaskill has done this and more here. We have the "present" story, told from a number of different viewpoints and places, as well as each of the main characters' backstories. Over time we learn to understand how people met, what tensions there are (or could be lurking under the surface) and what each is trying to achieve. These interactions, conflicts and tensions are masterfully written and revealed.
The action throughout the book is fairly gruesome and gritty, and some of the sexual scenes of torture and rape are a little hard to take. Rather than being gratuitous on the whole though they do serve to give the reader a better appreciation for the terrors the characters have been through.
Over the course of the book we see Keira ticking the names off her list of the eleven, albeit out of sync due to the split timelines.
This really was a wonderful book that got me out of something of a slump, keeping me engaged and guessing the next revelation all the way through.
I sincerely hope Gaskill writes the hinted at follow-up book, as there certainly is scope for it in the world he has masterfully created and the cast of (surviving) characters.
Quite simply: this is a fantastic book.
The characters involved are all well-crafted and unique. They have their own back-stories that we learn over time, appreciating who they are, what they have been through and why they are how they are.
The main character is Keira, a human who spent a large part of her late childhood imprisoned, tortured and raped by the upper echelons of the government. She escapes and seeks revenge on her abusers, but needs Courage to achieve this. We first meet her as she begins her attack on the first such abuser.
She teams up with Rowan, an assassin, though the circumstances of their meeting don't become clear until later, and travels to a magical realm to track down more of her tormentors. The details of Rowan's current assignment are somewhat mysterious and only revealed later.
They eventually meet Dess, who we have started to get to know, an elf-like magical scholar who has had his own issues in adolescence and is seeking revenge on the people involved in the murder of the love of his life.
And finally we have Sirris, a funny little slave creature who seeks escape from his life of misery, abuse and servitude.
Those back-stories are gradually woven together over the course of the book in a very ambitious, and flawlessly executed, series of split timelines. Fans of Mark Lawrence's knack for splitting a story into separate timelines will love the way Gaskill has done this and more here. We have the "present" story, told from a number of different viewpoints and places, as well as each of the main characters' backstories. Over time we learn to understand how people met, what tensions there are (or could be lurking under the surface) and what each is trying to achieve. These interactions, conflicts and tensions are masterfully written and revealed.
The action throughout the book is fairly gruesome and gritty, and some of the sexual scenes of torture and rape are a little hard to take. Rather than being gratuitous on the whole though they do serve to give the reader a better appreciation for the terrors the characters have been through.
Over the course of the book we see Keira ticking the names off her list of the eleven, albeit out of sync due to the split timelines.
This really was a wonderful book that got me out of something of a slump, keeping me engaged and guessing the next revelation all the way through.
I sincerely hope Gaskill writes the hinted at follow-up book, as there certainly is scope for it in the world he has masterfully created and the cast of (surviving) characters.
Debbiereadsbook (1487 KP) rated Bad, Dad, And Dangerous Anthology in Books
Oct 15, 2020
great box set!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this box set.
These are four unrelated stories save for the common thread that one of the main characters is a single dad and a paranormal being.
I read all four, but I only really enjoyed 3.
KISMET & CADAVERS BY JENN MOFFATT
I haven't read anything by Ms Moffatt before, but I hope I get to soon! I LOVED this! Thomas and KJ met years ago, and Thomas felt that connection. His daughter moving up from KJ's class at school gives him the perfect chance. But things are getting in the way, and a dark magic has to be dealt with.
I loved the cat in this, I really did. You don't get many undead cats playing a huge part in stories and he made me laugh, how he is with Thomas. And that he likes KJ.
It's funny, and sexy and this was my favourite, along with the next one!
WOLF AT FIRST SIGHT BY RHYS FORD
This is a novella from the Wayward Wolves series (currently only one book!) but you don't need to have read that book to follow this.
Joesph's Nana frequents the pub he is watching. The owner is rather easy on the eye, but Levi isn't the only one keeping secrets from Joesph.
Joseph and Levi have immediate attraction and it takes them time to act on that. I loved that most of the people in the pub are not what they seem and the solution to Levi's Peacekeeping problem wasn't what I saw coming.
And it was sweet, dammit!
MONSTER HALL PASS BY BRU BAKER
Vampires with a twist!
Hugh is a vampire who feeds on energy, NEGATIVE energy gives the biggest boost. So once a year, when his daughter is at camp, he goes off to help his police friends deal with their more dangerous criminals. Meeting a Fae who can smell Hugh's daughter and then goes off on one at him, wasn't really in the plan this summer. When Rykoff reveals the truth about Hugh's daughter, he knows he needs help.
Cute, really cute. I enjoyed this one, not quite as much as the first two mentioned but I did enjoy it. I'd read more of these sorts of vampires, I really would!
ELF SHOT BY TA MOORE
I didn't like this one as much as the other three, I got a bit lost along the way with this. But still, a good read, just not a great one (Sorry!)
A thoroughly enjoyable way to spend a few hours with new to me, as well as not-so-new authors. Ms Baker and Moffatt are now sat on my wish list!
4 good solid stars across the whole set, But 5 for Kismet and Cadavers and for Wolf at First Sight.
~same worded review will appear elsewhere~
These are four unrelated stories save for the common thread that one of the main characters is a single dad and a paranormal being.
I read all four, but I only really enjoyed 3.
KISMET & CADAVERS BY JENN MOFFATT
I haven't read anything by Ms Moffatt before, but I hope I get to soon! I LOVED this! Thomas and KJ met years ago, and Thomas felt that connection. His daughter moving up from KJ's class at school gives him the perfect chance. But things are getting in the way, and a dark magic has to be dealt with.
I loved the cat in this, I really did. You don't get many undead cats playing a huge part in stories and he made me laugh, how he is with Thomas. And that he likes KJ.
It's funny, and sexy and this was my favourite, along with the next one!
WOLF AT FIRST SIGHT BY RHYS FORD
This is a novella from the Wayward Wolves series (currently only one book!) but you don't need to have read that book to follow this.
Joesph's Nana frequents the pub he is watching. The owner is rather easy on the eye, but Levi isn't the only one keeping secrets from Joesph.
Joseph and Levi have immediate attraction and it takes them time to act on that. I loved that most of the people in the pub are not what they seem and the solution to Levi's Peacekeeping problem wasn't what I saw coming.
And it was sweet, dammit!
MONSTER HALL PASS BY BRU BAKER
Vampires with a twist!
Hugh is a vampire who feeds on energy, NEGATIVE energy gives the biggest boost. So once a year, when his daughter is at camp, he goes off to help his police friends deal with their more dangerous criminals. Meeting a Fae who can smell Hugh's daughter and then goes off on one at him, wasn't really in the plan this summer. When Rykoff reveals the truth about Hugh's daughter, he knows he needs help.
Cute, really cute. I enjoyed this one, not quite as much as the first two mentioned but I did enjoy it. I'd read more of these sorts of vampires, I really would!
ELF SHOT BY TA MOORE
I didn't like this one as much as the other three, I got a bit lost along the way with this. But still, a good read, just not a great one (Sorry!)
A thoroughly enjoyable way to spend a few hours with new to me, as well as not-so-new authors. Ms Baker and Moffatt are now sat on my wish list!
4 good solid stars across the whole set, But 5 for Kismet and Cadavers and for Wolf at First Sight.
~same worded review will appear elsewhere~
Saffy Alexandra (89 KP) rated Harry Potter and the Chamber of Secrets in Books
Jun 1, 2019
Characters (3 more)
New plot
Humour, Wit and Sarcasm
Mystery
Ssssomething Special
As with all Harry Potter books I love them, because why wouldn’t you? And the one thing I find is that in the movies they tend to miss some of Rowling’s amazing sarcastic and hilarious scenes and if you are only a lover of the movies you tend to miss so much.
Now I will admit the book and the film absolutely terrified me when I was younger and still gives me a bit of creeps now, even though I do own a snake and love them to bits. Any who …
In this movie we meet new characters, one of which becomes very dear to everyone’s heart – aka Dobby! We meet the funny little House Elf who manages to wreck havoc in poor Harry’s life before he even gets to school with the whole dropping a pudding in the middle of the living room and then blocking 9 and 3 quarters to both Harry and Ron. Hence them then breaking the first law, do not expose Magic to Muggles. Then who could forget Gilderoy Lockhart? The incompetent but very good at memory spells Dark-Arts teacher. And then there is Moaning Myrtle, good old Myrtle.
Harry and Ron’s misadventures start right at the beginning of term, causing them to nearly be expelled. Thankfully not, other wise the book series would have been very short. More and more drama ensues to the Trio (Harry, Ron and Hermione) and the rest of the school as the book continues with Harry talking to snakes, Ginny acting strange, and then student’s being petrified including our brilliant Hermione. It’s then up to Harry and Ron to try and solve the mystery. You know, because all those suitably qualified teachers can’t do anything but a twelve year old can?
But what started off with causing everyone to avoid Harry within an inch of his life soon became the reason all the muggle-borns and half-blood’s stayed awake and not petrified. What would they ever do without Harr Potter?
A funny and dramatic second book in this series which grips you straight from the start with Rowling’s brilliant way to use mischief, sarcasm and wit in her writing.
A Favourite scene of mine that is in the books is:
“Fred and George, however, found all this very funny. They went out of
their way to march ahead of Harry down the corridors, shouting, "Make way for
the Heir of Slytherin, seriously evil wizard coming through ......
Percy was deeply disapproving of this behavior.
"It is not a laughing matter," he said coldly.
"Oh, get out of the way, Percy," said Fred. "Harry's in a hurry."
"Yeah, he's off to the Chamber of Secrets for a cup of tea with his fanged
servant," said George, chortling.
Ginny didn't find it amusing either.
"Oh, don't," she wailed every time Fred asked Harry loudly who he was
planning to attack next, or when George pretended to ward Harry off with a large
clove of garlic when they met.”
― J.K. Rowling, Harry Potter and the Chamber of Secrets
Now I will admit the book and the film absolutely terrified me when I was younger and still gives me a bit of creeps now, even though I do own a snake and love them to bits. Any who …
In this movie we meet new characters, one of which becomes very dear to everyone’s heart – aka Dobby! We meet the funny little House Elf who manages to wreck havoc in poor Harry’s life before he even gets to school with the whole dropping a pudding in the middle of the living room and then blocking 9 and 3 quarters to both Harry and Ron. Hence them then breaking the first law, do not expose Magic to Muggles. Then who could forget Gilderoy Lockhart? The incompetent but very good at memory spells Dark-Arts teacher. And then there is Moaning Myrtle, good old Myrtle.
Harry and Ron’s misadventures start right at the beginning of term, causing them to nearly be expelled. Thankfully not, other wise the book series would have been very short. More and more drama ensues to the Trio (Harry, Ron and Hermione) and the rest of the school as the book continues with Harry talking to snakes, Ginny acting strange, and then student’s being petrified including our brilliant Hermione. It’s then up to Harry and Ron to try and solve the mystery. You know, because all those suitably qualified teachers can’t do anything but a twelve year old can?
But what started off with causing everyone to avoid Harry within an inch of his life soon became the reason all the muggle-borns and half-blood’s stayed awake and not petrified. What would they ever do without Harr Potter?
A funny and dramatic second book in this series which grips you straight from the start with Rowling’s brilliant way to use mischief, sarcasm and wit in her writing.
A Favourite scene of mine that is in the books is:
“Fred and George, however, found all this very funny. They went out of
their way to march ahead of Harry down the corridors, shouting, "Make way for
the Heir of Slytherin, seriously evil wizard coming through ......
Percy was deeply disapproving of this behavior.
"It is not a laughing matter," he said coldly.
"Oh, get out of the way, Percy," said Fred. "Harry's in a hurry."
"Yeah, he's off to the Chamber of Secrets for a cup of tea with his fanged
servant," said George, chortling.
Ginny didn't find it amusing either.
"Oh, don't," she wailed every time Fred asked Harry loudly who he was
planning to attack next, or when George pretended to ward Harry off with a large
clove of garlic when they met.”
― J.K. Rowling, Harry Potter and the Chamber of Secrets
Naomi Forrest (42 KP) rated The Missing Barbegazi in Books
Jan 4, 2019
This is Helle Norup's debut novel and was featured as a Sunday Times Children's Book of the Year. It is magical and the perfect book to read as you curl up in your pyjamas with a cup of hot chocolate.
A Barbegazi, in case you are wondering as I did, is a type of Swiss mountain/snow elf with a long beard that can only live in freezing conditions and has a severe intolerance to iron. The story is told from the point of view of Tessa, a young skier and Gaiwon, a barbegazi who is hunting for his missing sister. No-one believes the barbegazi exist anymore except Tessa. The only other believer was her recently deceased opa (grandad) and a professor who wrote about them years before. The barbegazi, for their part, rescue humans who have been trapped and injured in avalanches, erasing their memories afterwards. They are extremely mistrusting of humans.
. Norup's passion for skiing, the Alps and magic are clear throughout the novel and I think this is what makes the story so captivating. I loved the development of Tessa from grieving for her grandfather and wanting everybody to believe he was right about the barbegazi to realising that fame and proving a point are less important than trust and friendship. She never wavers in her faith that the barbegazi still exist and is a headstrong and loveable character.
The highlight for me was definitely reading about the barbegazi themselves. I particularly love that despite being more than a hundred old, Gaiwon's parents still treat him like a child. I loved the argument between Gaiwon and his father as Gaiwon shouts "I cannot wait to get my own cave" and his father retorts: "You can build one right now. And take your sesquicentennial hormones with you." This highlights that Norup doesn't 'write down' to the target audience but includes wide ranging vocabulary, as well as her own inventions, such as 'potzblitz', an emphatic expression of the barbegazi.
There is peril throughout the book though this is very mild. Tessa learns that people are not always as trustworthy as they seem. I always love the text-book sections that punctuate the novel (see photo below), describing features and traits of the barbegazi. This is really effective with ambitious vocabulary for children and introduces them to another style of writing, combining fictive and non-fiction styles. The book is set between Boxing Day and New Year's Eve, that magical time when you don't know what day it really is and we are all enjoying the post-Christmas days where we live in our pyjamas, eat too much and don't really do much of anything except relax and catch up. It was simply the most perfect time to read this book and imagine I was in a gorgeous Alpine ski lodge, surrounded by magical folk who will keep me safe in the snow. This is a fantastic debut novel and I really can't wait to see what Norup offers up next. Thanks for making my Christmas even more magical, Helle!
A Barbegazi, in case you are wondering as I did, is a type of Swiss mountain/snow elf with a long beard that can only live in freezing conditions and has a severe intolerance to iron. The story is told from the point of view of Tessa, a young skier and Gaiwon, a barbegazi who is hunting for his missing sister. No-one believes the barbegazi exist anymore except Tessa. The only other believer was her recently deceased opa (grandad) and a professor who wrote about them years before. The barbegazi, for their part, rescue humans who have been trapped and injured in avalanches, erasing their memories afterwards. They are extremely mistrusting of humans.
. Norup's passion for skiing, the Alps and magic are clear throughout the novel and I think this is what makes the story so captivating. I loved the development of Tessa from grieving for her grandfather and wanting everybody to believe he was right about the barbegazi to realising that fame and proving a point are less important than trust and friendship. She never wavers in her faith that the barbegazi still exist and is a headstrong and loveable character.
The highlight for me was definitely reading about the barbegazi themselves. I particularly love that despite being more than a hundred old, Gaiwon's parents still treat him like a child. I loved the argument between Gaiwon and his father as Gaiwon shouts "I cannot wait to get my own cave" and his father retorts: "You can build one right now. And take your sesquicentennial hormones with you." This highlights that Norup doesn't 'write down' to the target audience but includes wide ranging vocabulary, as well as her own inventions, such as 'potzblitz', an emphatic expression of the barbegazi.
There is peril throughout the book though this is very mild. Tessa learns that people are not always as trustworthy as they seem. I always love the text-book sections that punctuate the novel (see photo below), describing features and traits of the barbegazi. This is really effective with ambitious vocabulary for children and introduces them to another style of writing, combining fictive and non-fiction styles. The book is set between Boxing Day and New Year's Eve, that magical time when you don't know what day it really is and we are all enjoying the post-Christmas days where we live in our pyjamas, eat too much and don't really do much of anything except relax and catch up. It was simply the most perfect time to read this book and imagine I was in a gorgeous Alpine ski lodge, surrounded by magical folk who will keep me safe in the snow. This is a fantastic debut novel and I really can't wait to see what Norup offers up next. Thanks for making my Christmas even more magical, Helle!
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