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I received a digital copy from the author in exchange for an honest review.
Contemporary, young adult, romance, fantasy, steampunk, action... is there any category this book does not fit in to?! Jordan Elizabeth takes readers on a journey from New York to a fantasy world that very few knows exist in her recent novel Lock. Sarah Lockwood, the protagonist, thought the Realm was a story her late father used to tell her, however, when she discovers it is real, she jumps at the chance to visit, not realising the dangers that lie ahead.
Sarah is a self-sufficient young woman who has been living with her belly-dancing aunt since the death of her parents. Invited to stay with her Uncle William, she feels obliged to accept, however, almost regrets the decision after the cold welcome she receives. The gardener's son Archer, however, soon takes her mind off her troubles, particularly when he suggests travelling to a parallel world.
Archer comes from a family of Record Writers and it is his job to record the daily goings-on in the Realm. Sarah soon learns the Realm no longer lives up to the descriptions in the fairytales. A usurper has murdered the royal family and the inhabitants live in constant fear and poverty. Whilst this is shocking, Sarah unveils another revelation: the usurper is someone from her world, someone very close to home.
Although Lock has similarities with fantasy lands such as Narnia, it is written for a slightly older generation of readers. Sarah is 19 years old and some scenes are markedly "adult". There is also a lot of bloodshed and the occasional expletive. Nonetheless, it is a fast-paced, exciting story.
Once again, Jordan Elizabeth has written a book that is unlike the others she has written before. It is difficult to categorise the author and her novels since they are so diverse, however, one thing is for sure: Jordan Elizabeth knows how to tell a good story.
Contemporary, young adult, romance, fantasy, steampunk, action... is there any category this book does not fit in to?! Jordan Elizabeth takes readers on a journey from New York to a fantasy world that very few knows exist in her recent novel Lock. Sarah Lockwood, the protagonist, thought the Realm was a story her late father used to tell her, however, when she discovers it is real, she jumps at the chance to visit, not realising the dangers that lie ahead.
Sarah is a self-sufficient young woman who has been living with her belly-dancing aunt since the death of her parents. Invited to stay with her Uncle William, she feels obliged to accept, however, almost regrets the decision after the cold welcome she receives. The gardener's son Archer, however, soon takes her mind off her troubles, particularly when he suggests travelling to a parallel world.
Archer comes from a family of Record Writers and it is his job to record the daily goings-on in the Realm. Sarah soon learns the Realm no longer lives up to the descriptions in the fairytales. A usurper has murdered the royal family and the inhabitants live in constant fear and poverty. Whilst this is shocking, Sarah unveils another revelation: the usurper is someone from her world, someone very close to home.
Although Lock has similarities with fantasy lands such as Narnia, it is written for a slightly older generation of readers. Sarah is 19 years old and some scenes are markedly "adult". There is also a lot of bloodshed and the occasional expletive. Nonetheless, it is a fast-paced, exciting story.
Once again, Jordan Elizabeth has written a book that is unlike the others she has written before. It is difficult to categorise the author and her novels since they are so diverse, however, one thing is for sure: Jordan Elizabeth knows how to tell a good story.
Hazel (1853 KP) rated Secret Silver Songs in Books
Jun 28, 2020
Once again, the versatile Jordan Elizabeth returns to the fantasy/paranormal genre with a unique novel, Secret Silver Songs. With vampire-like men and demon-like creatures, the story takes the reader on a journey from an idyllic island to ruined cities, death and destruction.
Protagonist, Jemilla, is the daughter of the city's Singer - a man who can protect the city through the power of song. Life on the island is calm and peaceful; there is no crime, there is no danger, there is no fighting; so, no one was prepared for an invasion of blood-drinking Thistly. When her father is killed along with the majority of the population, there is no one left to save the island. Only men could become Singers, or so they claimed, but Jemilla is hiding a secret - she can Sing too.
At the beginning of the novel, Jemilla comes across as an anxious teenager, having been plagued by an overactive imagination for most of her life. Yet, as the story goes on, her frightening thoughts appear to be not as imaginary as she originally believed. A silver woman that no one but Jamilla can see taunts her daily and seems to want Jemilla to fail in her quest to save the island from the Thistly. Mid-story, however, alliances appear to change and Jemilla must figure out which team the silver woman is playing for and discover the truth about her home island.
From the very first chapter, Jordan Elizabeth captures the reader's attention with fast-paced action that never stills until the Epilogue. Taking aspects of history, such as rules for women written by men, the author subliminally advocates for women's rights. Secret Silver Songs demonstrates that enemies can be beaten but also that your true enemy may not be who you expect. Above all, never underestimate the power of song.
Protagonist, Jemilla, is the daughter of the city's Singer - a man who can protect the city through the power of song. Life on the island is calm and peaceful; there is no crime, there is no danger, there is no fighting; so, no one was prepared for an invasion of blood-drinking Thistly. When her father is killed along with the majority of the population, there is no one left to save the island. Only men could become Singers, or so they claimed, but Jemilla is hiding a secret - she can Sing too.
At the beginning of the novel, Jemilla comes across as an anxious teenager, having been plagued by an overactive imagination for most of her life. Yet, as the story goes on, her frightening thoughts appear to be not as imaginary as she originally believed. A silver woman that no one but Jamilla can see taunts her daily and seems to want Jemilla to fail in her quest to save the island from the Thistly. Mid-story, however, alliances appear to change and Jemilla must figure out which team the silver woman is playing for and discover the truth about her home island.
From the very first chapter, Jordan Elizabeth captures the reader's attention with fast-paced action that never stills until the Epilogue. Taking aspects of history, such as rules for women written by men, the author subliminally advocates for women's rights. Secret Silver Songs demonstrates that enemies can be beaten but also that your true enemy may not be who you expect. Above all, never underestimate the power of song.
David McK (3180 KP) rated Superman and Lois in TV
Apr 10, 2022
I don't know about you, but when I think of Superman I tend to think of his Clark Kent early Daily Planet days, back when he was a reporter and when Lois didn't know his alter-ego.
That seems to be the period in which most of the Superman films have been set in (and is probably why I think of that), with his earlier teenage/Young Adult days explored more in TVs Smallville.
I'd never come across a 'mainline' story with a hook just like this before: Clark Kent is no longer a reporter at the Daily Planet, is now married to Lois who knows his secret and has kids (teenage twin boys) of his own.
Yes, I know that's been covered in the comic books.
Anyway, this is another entry in what-is-sometimes-known-as The Arrowverse, with both Clark Kent/Superman and Lois Lane having previously 'popped up' in some of it's sister shows - I think first appearing in the second season of 'Supergirl' - before putting in an appearance in some of the crossover events.
Having said that, this is largely a self-contained series (post Crisis), although there are points where you just have to wonder why Kal-El doesn't put out a call to his cousin Kara Zor-El to help! Setting that aside, however, this is beautifully shot (and generally written/performed better than most of the other Arrowverse shows), with Tyler Hoechlin continuing to prove himself a far lighter, more comic-accurate (I feel) version than that shown by Henry Cavill in 'Man of Steel' and 'Batman Vs Superman' or 'Dawn of Justice', and with Elizabeth Tulloch also winning me over as Lois Lane.
That seems to be the period in which most of the Superman films have been set in (and is probably why I think of that), with his earlier teenage/Young Adult days explored more in TVs Smallville.
I'd never come across a 'mainline' story with a hook just like this before: Clark Kent is no longer a reporter at the Daily Planet, is now married to Lois who knows his secret and has kids (teenage twin boys) of his own.
Yes, I know that's been covered in the comic books.
Anyway, this is another entry in what-is-sometimes-known-as The Arrowverse, with both Clark Kent/Superman and Lois Lane having previously 'popped up' in some of it's sister shows - I think first appearing in the second season of 'Supergirl' - before putting in an appearance in some of the crossover events.
Having said that, this is largely a self-contained series (post Crisis), although there are points where you just have to wonder why Kal-El doesn't put out a call to his cousin Kara Zor-El to help! Setting that aside, however, this is beautifully shot (and generally written/performed better than most of the other Arrowverse shows), with Tyler Hoechlin continuing to prove himself a far lighter, more comic-accurate (I feel) version than that shown by Henry Cavill in 'Man of Steel' and 'Batman Vs Superman' or 'Dawn of Justice', and with Elizabeth Tulloch also winning me over as Lois Lane.
Suitable for anyone who wants to enjoy a short story, Delta is the latest novella by the versatile Jordan Elizabeth. Based on an historical event but with purely fictional characters, the author weaves real life and paranormal/fantasy together to create a gripping tale.
Set in the years leading up to the time a small village was flooded to create Lake Delta in 1917, the short story focuses on the Madison family who believe the plans will never come to fruition. As the years pass, neighbours begin receiving eviction letters but the family remain steadfast in their belief that their land won't be affected.
Meanwhile, the protagonist Lottie is given the task to deliver daily baskets of food to her Aunt Flora, a lady housebound in a cottage in the woods, however, Lottie is forbidden to ever enter the house.
As Lottie grows up with the threat of the flood becoming more of a reality, she begins to question why her parents are so convinced that all will be okay. In the months leading to her 17th birthday, she overhears her parents speaking of magic, but surely magic isn't real? She is soon to discover the painful truth and learn that she is not who she thinks she is.
Delta was quick to read and the ten year storyline sped by. The fast pace makes readers eager to reach the conclusion, a conclusion that is in no way predictable.
Whilst short, Delta is definitely worth reading. It is perfect for those moments when you need something to do but can't commit to reading a longer novel.
Set in the years leading up to the time a small village was flooded to create Lake Delta in 1917, the short story focuses on the Madison family who believe the plans will never come to fruition. As the years pass, neighbours begin receiving eviction letters but the family remain steadfast in their belief that their land won't be affected.
Meanwhile, the protagonist Lottie is given the task to deliver daily baskets of food to her Aunt Flora, a lady housebound in a cottage in the woods, however, Lottie is forbidden to ever enter the house.
As Lottie grows up with the threat of the flood becoming more of a reality, she begins to question why her parents are so convinced that all will be okay. In the months leading to her 17th birthday, she overhears her parents speaking of magic, but surely magic isn't real? She is soon to discover the painful truth and learn that she is not who she thinks she is.
Delta was quick to read and the ten year storyline sped by. The fast pace makes readers eager to reach the conclusion, a conclusion that is in no way predictable.
Whilst short, Delta is definitely worth reading. It is perfect for those moments when you need something to do but can't commit to reading a longer novel.
<i>I received this book for free through Goodreads First Reads.</i>
<i>Mrs B</i> is a contemporary novel by lecturer and writer Elizabeth Walcott-Hackshaw. Whilst loosely based on Gustave Flaubert’s <i>Madame Bovary</i>, it is set in Trinidad and contains a number of themes. Beginning in June 2009 it spans the course of a year before finishing in July 2010.
The titular character <i>Mrs B</i> is a middle-aged woman named Mrs Elena Butcher who, due to dislike of her husband’s surname, is always referred to as Mrs B. At the beginning of the book Mrs B and her husband, Charles, are driving to the airport to collect their daughter, Ruthie, who has flown home from Boston University. It is revealed that Ruthie suffered a nervous breakdown a couple of months before hand, but what is yet to be discovered is that she is pregnant. Whilst in Boston, Ruthie had developed an intimate relationship with a man dubbed the Professor. Mrs B’s daughter was once her pride and joy but the result of Ruthie’s down fall begins to have a negative effect on Mrs B’s life and sours her relationships with those previously close to her, particularly her husband.
Pregnancy and romantic affairs are not the only themes of the novel. Trinidad is becoming a dangerous place with crimes, such as murders, becoming a daily occurrence. Politics plays its hand in these everyday occurrences, so it is not very reassuring when Mrs B’s ex-lover becomes involved with the government. However the events in Trinidad seem more normal than the emotions Mrs B feels within her own family.
The story line jumps around a lot from character to character and also from past to present. Whilst not exactly confusing it is difficult to understand what the actual plot line is. There was not much of climax and the reader does not really get a chance to connect with the characters and so the conclusion feels neither disappointing nor satisfactory.
For readers unfamiliar with the Caribbean and life in Trinidad this book is quite educational, providing descriptions of the culture and customs of the islands inhabitants. So despite the lack of a strong story line, Walcott-Hackshaw writes effectively to make this an interesting read.
<i>Mrs B</i> is a contemporary novel by lecturer and writer Elizabeth Walcott-Hackshaw. Whilst loosely based on Gustave Flaubert’s <i>Madame Bovary</i>, it is set in Trinidad and contains a number of themes. Beginning in June 2009 it spans the course of a year before finishing in July 2010.
The titular character <i>Mrs B</i> is a middle-aged woman named Mrs Elena Butcher who, due to dislike of her husband’s surname, is always referred to as Mrs B. At the beginning of the book Mrs B and her husband, Charles, are driving to the airport to collect their daughter, Ruthie, who has flown home from Boston University. It is revealed that Ruthie suffered a nervous breakdown a couple of months before hand, but what is yet to be discovered is that she is pregnant. Whilst in Boston, Ruthie had developed an intimate relationship with a man dubbed the Professor. Mrs B’s daughter was once her pride and joy but the result of Ruthie’s down fall begins to have a negative effect on Mrs B’s life and sours her relationships with those previously close to her, particularly her husband.
Pregnancy and romantic affairs are not the only themes of the novel. Trinidad is becoming a dangerous place with crimes, such as murders, becoming a daily occurrence. Politics plays its hand in these everyday occurrences, so it is not very reassuring when Mrs B’s ex-lover becomes involved with the government. However the events in Trinidad seem more normal than the emotions Mrs B feels within her own family.
The story line jumps around a lot from character to character and also from past to present. Whilst not exactly confusing it is difficult to understand what the actual plot line is. There was not much of climax and the reader does not really get a chance to connect with the characters and so the conclusion feels neither disappointing nor satisfactory.
For readers unfamiliar with the Caribbean and life in Trinidad this book is quite educational, providing descriptions of the culture and customs of the islands inhabitants. So despite the lack of a strong story line, Walcott-Hackshaw writes effectively to make this an interesting read.
Phillip McSween (751 KP) rated Widows (2018) in Movies
Jan 31, 2019
Loved it
A film with Viola Davis and Liam Neeson? Yep, count me in! Solid drama about a crew of women planning to finish the heist that their deceased husbands started.
Acting: 10
Viola Davis. Viola Davis. Viola Davis. The power behind her acting is so evident, so purposeful. She plays the role of Veronica, a hard-ass who is also trying to mask her vulnerability. Her words are few, but her impact carries the film. She isn’t alone in her strong performance as Elizabeth Debicki and Cynthia Erivo also held their own. I appreciated the way Debicki showed her character’s growth from the beginning of the film to the end. Once passive and weak, she emerges as one that’s willing to do what she needs to survive.
I didn’t mention Michelle Rodriguez for a reason. I wasn’t impressed with her role this time around. Kind of a lame duck. Sorry, Michelle.
Beginning: 10
Widows gets off to a really hot start as it moves back and forth between the daily life of the main character Veronica and the heist that went wrong. It sets the tone that the film will be conflict-driven and entertaining. Watching the first ten minutes had me really excited to see the rest.
Characters: 9
Cinematography/Visuals: 5
There’s nothing that really stood out for me and that’s not necessarily a bad thing. Widows was shot plainly and in forgettable fashion. Fortunately the story and the conflict that moves the story are both extremely strong. At the end of the day, if you tell a good story the right way, you don’t have to go overboard with cinematic flare.
Conflict: 8
Solid action here. The movie benefits by having strong antagonists that actually make you fear for the lives of the main characters. You can’t really predict what is going to happen from one scene to the next. The intensity picks up even more when the characters arrive at the main heist. Very strong scene that will have you on the edge of your seat as you anticipate things going horribly wrong.
Genre: 8
I give credit to stories that are told in unique fashion. There aren’t enough heist films starring women so I’m hoping this is the beginning of what could be a very popular trend. From a dramatic standpoint, Widows absolutely holds its own.
Memorability: 8
Pace: 9
Plot: 10
Again, much credit is given to originality. The story moves quickly and is believable, only really slowing down in one spot. I also appreciate the twists that add some flare to the story without overdoing it. Sometimes twists can cause a hug eyeroll. Not this time.
Resolution: 10
Overall: 87
My expectations were minimal, but I must say that I was thoroughly impressed with how Widows turned out. It’s a fun ride from beginning to end. You won’t be disappointed.
Acting: 10
Viola Davis. Viola Davis. Viola Davis. The power behind her acting is so evident, so purposeful. She plays the role of Veronica, a hard-ass who is also trying to mask her vulnerability. Her words are few, but her impact carries the film. She isn’t alone in her strong performance as Elizabeth Debicki and Cynthia Erivo also held their own. I appreciated the way Debicki showed her character’s growth from the beginning of the film to the end. Once passive and weak, she emerges as one that’s willing to do what she needs to survive.
I didn’t mention Michelle Rodriguez for a reason. I wasn’t impressed with her role this time around. Kind of a lame duck. Sorry, Michelle.
Beginning: 10
Widows gets off to a really hot start as it moves back and forth between the daily life of the main character Veronica and the heist that went wrong. It sets the tone that the film will be conflict-driven and entertaining. Watching the first ten minutes had me really excited to see the rest.
Characters: 9
Cinematography/Visuals: 5
There’s nothing that really stood out for me and that’s not necessarily a bad thing. Widows was shot plainly and in forgettable fashion. Fortunately the story and the conflict that moves the story are both extremely strong. At the end of the day, if you tell a good story the right way, you don’t have to go overboard with cinematic flare.
Conflict: 8
Solid action here. The movie benefits by having strong antagonists that actually make you fear for the lives of the main characters. You can’t really predict what is going to happen from one scene to the next. The intensity picks up even more when the characters arrive at the main heist. Very strong scene that will have you on the edge of your seat as you anticipate things going horribly wrong.
Genre: 8
I give credit to stories that are told in unique fashion. There aren’t enough heist films starring women so I’m hoping this is the beginning of what could be a very popular trend. From a dramatic standpoint, Widows absolutely holds its own.
Memorability: 8
Pace: 9
Plot: 10
Again, much credit is given to originality. The story moves quickly and is believable, only really slowing down in one spot. I also appreciate the twists that add some flare to the story without overdoing it. Sometimes twists can cause a hug eyeroll. Not this time.
Resolution: 10
Overall: 87
My expectations were minimal, but I must say that I was thoroughly impressed with how Widows turned out. It’s a fun ride from beginning to end. You won’t be disappointed.
Lucy Buglass (45 KP) rated Russian Doll in TV
Jun 20, 2019
After the success of both Parks and Recreation and Orange is the New Black, I was intrigued by a new Netflix series created by Amy Poehler and Natasha Lyonne. Many fans know them as Leslie Knope and Nicky Nichols, and I’m sure we can all agree they’d make a very interesting duo.
Immediately after seeing the promos for Russian Doll, it was clear that this was going to be a very different tone to their previous work, and felt incredibly offbeat and quirky in nature. The series follows a woman named Nadia Vulvokov (Natasha Lyonne) as she finds herself in a time-loop after she is hit by a taxi and dies. Unfortunately for Nadia, she has to relive her 36th birthday party over and over again. It’s Groundhog Day on speed, which is an utterly delightful concept.
Whilst it may sound similar to Groundhog Day, it’s actually a very unique story. At first it’s easy to worry about the repetitive nature of the series, considering Nadia spends most of her time dying and reliving the same moment. Somehow it manages to stay funny, fresh and watchable throughout all eight episodes. The pacing is spot-on and keeps you guessing, as you follow Nadia’s journey into discovering why she’s found herself in this loop. On this journey, she’s joined by a number of characters including her ex-boyfriend John (Yul Vazquez), close family friend Ruth (Elizabeth Ashley) and a stranger named Alan (Charlie Barnett) who is closer to this situation than he originally realizes.
As the series progresses, we begin to delve into some pretty heavy stuff. Without giving away spoilers, the episodes start to question morality, ethics, the past, and the future. Each character is so well fleshed out and we want to know more about them. It’s easy to become sucked into the world of Russian Doll, and trust me when I say it’s a binge worthy series. You won’t want to stop until you have answers. It’s a show that knows how to balance comedy and drama effectively, delivering laugh out loud then heart-wrenching moments in quick succession. You feel sorry for various characters and loathe others, and it’s an incredibly well fleshed out series.
In terms of its visuals, Russian Doll is a gritty, psychedelic glimpse into the lives of various New York City residents. We see rich and poor, confident and timid, good and bad characters as they go about their daily lives. It’s fascinating to watch and each location has been crafted to give you more insight into the characters in this world. From quirky high-rise apartments to homeless shelters, this series shows it all. It’s the Big Apple in all its glory, whether that’s good or bad.
My advice would be to walk into Russian Doll knowing as little as possible, allowing yourself to approach the situation in a similar way to Nadia. It’s a comedy, thriller and mystery all rolled into one, with each genre complementing the other superbly. As far as Netflix Originals go, this is one of the strongest ones I’ve seen so far. Eight episodes is just enough to keep you entertained, whilst still giving enough backstory to make it a compelling tale. Just when you think you know a character, the tables are turned and your jaw is on the floor.
https://lucygoestohollywood.com/2019/03/07/tv-review-my-thoughts-on-russian-doll/
Immediately after seeing the promos for Russian Doll, it was clear that this was going to be a very different tone to their previous work, and felt incredibly offbeat and quirky in nature. The series follows a woman named Nadia Vulvokov (Natasha Lyonne) as she finds herself in a time-loop after she is hit by a taxi and dies. Unfortunately for Nadia, she has to relive her 36th birthday party over and over again. It’s Groundhog Day on speed, which is an utterly delightful concept.
Whilst it may sound similar to Groundhog Day, it’s actually a very unique story. At first it’s easy to worry about the repetitive nature of the series, considering Nadia spends most of her time dying and reliving the same moment. Somehow it manages to stay funny, fresh and watchable throughout all eight episodes. The pacing is spot-on and keeps you guessing, as you follow Nadia’s journey into discovering why she’s found herself in this loop. On this journey, she’s joined by a number of characters including her ex-boyfriend John (Yul Vazquez), close family friend Ruth (Elizabeth Ashley) and a stranger named Alan (Charlie Barnett) who is closer to this situation than he originally realizes.
As the series progresses, we begin to delve into some pretty heavy stuff. Without giving away spoilers, the episodes start to question morality, ethics, the past, and the future. Each character is so well fleshed out and we want to know more about them. It’s easy to become sucked into the world of Russian Doll, and trust me when I say it’s a binge worthy series. You won’t want to stop until you have answers. It’s a show that knows how to balance comedy and drama effectively, delivering laugh out loud then heart-wrenching moments in quick succession. You feel sorry for various characters and loathe others, and it’s an incredibly well fleshed out series.
In terms of its visuals, Russian Doll is a gritty, psychedelic glimpse into the lives of various New York City residents. We see rich and poor, confident and timid, good and bad characters as they go about their daily lives. It’s fascinating to watch and each location has been crafted to give you more insight into the characters in this world. From quirky high-rise apartments to homeless shelters, this series shows it all. It’s the Big Apple in all its glory, whether that’s good or bad.
My advice would be to walk into Russian Doll knowing as little as possible, allowing yourself to approach the situation in a similar way to Nadia. It’s a comedy, thriller and mystery all rolled into one, with each genre complementing the other superbly. As far as Netflix Originals go, this is one of the strongest ones I’ve seen so far. Eight episodes is just enough to keep you entertained, whilst still giving enough backstory to make it a compelling tale. Just when you think you know a character, the tables are turned and your jaw is on the floor.
https://lucygoestohollywood.com/2019/03/07/tv-review-my-thoughts-on-russian-doll/
Hazel (1853 KP) rated How to Stop Time in Books
Jun 30, 2017
Favourite book of 2017 so far
This eBook was provided by the publisher via NetGalley in exchange for an honest review
All the world’s a stage/And all the men and women merely players/They have their exits and their entrances/And one man in his time plays many parts …
How to Stop Time is British author Matt Haig’s latest novel, and a very interesting one it is, too. In the present day, Tom Hazard is a 40-something-looking man who has landed himself with the position of history teacher at a comprehensive school in Tower Hamlets. Despite not having any formal training, Tom is the perfect candidate for the position because, despite his looks, he is 439 years old. But, that is a secret that no one must ever discover.
The book jumps back and forth between the current time period and flashbacks to various events during Tom’s extensive past. Born in 1581, Tom has experienced a great part of British history and major events around the world. Constantly changing his name and identification, he moved around the world, switching locations whenever people began to get suspicious of his never-aging body.
After a couple of centuries, Tom met a man with the same condition as himself, who revealed that there were many people in the same predicament. Promising to be able to help keep him safe, the stranger coerces Tom into a union called the Albatross Society. There are many rules and conditions to follow, however, the most important advice is to never fall in love. Unfortunately, Tom has already done this.
In London 1623, Tom met the love of his life, Rose, who he eventually married and with whom he had a daughter. Although Tom does age, it is at the rate of one year every 15; therefore he eventually had to leave his family in order to keep them safe. However, his daughter Marion has inherited his condition and Tom spends his subsequent years trying to find her. With promises to help him on his quest, Tom reluctantly joins the Albatross Society, despite their questionable ways.
All Tom wants is to be able to lead a normal life, yet the narrative reveals how impossible this has been, both in the past and now in the present. From Elizabethan England to Elizabeth II’s reign, Tom lives through several monarchs, wars, colloquial changes, industrialisation, sanitisation of comestibles, and the introduction of digital technology. Without the added pressure of keeping his true identity disguised, it is very interesting to experience historical events through the eyes of the protagonist.
The ending, unfortunately, does not quite satisfy the growing excitement and interest of the rest of the novel. Important things happen too quickly, making it confusing to understand the main storyline. The majority of the story appears to only be setting the scene for the final couple of chapters, but as this is so fascinating, there cannot be too much complaint.
Presuming that Haig has done his research and that the historical periods are factually correct, How to Stop Time is as educational as it is entertaining. History lovers will enjoy reading about famous people such as Shakespeare and Charlie Chaplin, as well as getting an insight into the daily lives of past societies. Most importantly, Tom is a captivating character, who, despite having lived for four centuries, is still as socially awkward as the best of us.
How to Stop Time contains a fantastic concept about the progression of time and aging, but its most poignant point is the emphasis on finding and being you. Change is an inevitable certainty, as witnessed by Tom whose current world looks nothing like his memories. Although people must adapt to the on-going changes, living how you want is more important than adjusting to fit in with everyone else. In essence, do not be afraid to let the world see your true self.
All the world’s a stage/And all the men and women merely players/They have their exits and their entrances/And one man in his time plays many parts …
How to Stop Time is British author Matt Haig’s latest novel, and a very interesting one it is, too. In the present day, Tom Hazard is a 40-something-looking man who has landed himself with the position of history teacher at a comprehensive school in Tower Hamlets. Despite not having any formal training, Tom is the perfect candidate for the position because, despite his looks, he is 439 years old. But, that is a secret that no one must ever discover.
The book jumps back and forth between the current time period and flashbacks to various events during Tom’s extensive past. Born in 1581, Tom has experienced a great part of British history and major events around the world. Constantly changing his name and identification, he moved around the world, switching locations whenever people began to get suspicious of his never-aging body.
After a couple of centuries, Tom met a man with the same condition as himself, who revealed that there were many people in the same predicament. Promising to be able to help keep him safe, the stranger coerces Tom into a union called the Albatross Society. There are many rules and conditions to follow, however, the most important advice is to never fall in love. Unfortunately, Tom has already done this.
In London 1623, Tom met the love of his life, Rose, who he eventually married and with whom he had a daughter. Although Tom does age, it is at the rate of one year every 15; therefore he eventually had to leave his family in order to keep them safe. However, his daughter Marion has inherited his condition and Tom spends his subsequent years trying to find her. With promises to help him on his quest, Tom reluctantly joins the Albatross Society, despite their questionable ways.
All Tom wants is to be able to lead a normal life, yet the narrative reveals how impossible this has been, both in the past and now in the present. From Elizabethan England to Elizabeth II’s reign, Tom lives through several monarchs, wars, colloquial changes, industrialisation, sanitisation of comestibles, and the introduction of digital technology. Without the added pressure of keeping his true identity disguised, it is very interesting to experience historical events through the eyes of the protagonist.
The ending, unfortunately, does not quite satisfy the growing excitement and interest of the rest of the novel. Important things happen too quickly, making it confusing to understand the main storyline. The majority of the story appears to only be setting the scene for the final couple of chapters, but as this is so fascinating, there cannot be too much complaint.
Presuming that Haig has done his research and that the historical periods are factually correct, How to Stop Time is as educational as it is entertaining. History lovers will enjoy reading about famous people such as Shakespeare and Charlie Chaplin, as well as getting an insight into the daily lives of past societies. Most importantly, Tom is a captivating character, who, despite having lived for four centuries, is still as socially awkward as the best of us.
How to Stop Time contains a fantastic concept about the progression of time and aging, but its most poignant point is the emphasis on finding and being you. Change is an inevitable certainty, as witnessed by Tom whose current world looks nothing like his memories. Although people must adapt to the on-going changes, living how you want is more important than adjusting to fit in with everyone else. In essence, do not be afraid to let the world see your true self.
Kristy H (1252 KP) rated Whistle In The Dark in Books
Mar 10, 2019
Jen Maddox is on holiday with her fifteen-year-old daughter, Lana, when Lana disappears. But, somehow, Lana is found four days later: confused and bloody, but in one piece. Jen and her husband, Hugh, are beyond relieved, but Jen cannot shake the fear plaguing her. Lana has struggled with depression these past few years. What happened over those four days? Why can't her daughter remember anything? Jen knows she should welcome Lana back with welcome arms, but she cannot rest until she knows what happened to her daughter.
This was a complicated read, which made me feel and think all sorts of feelings. I have to definitely point out that there are triggers for self-harm and suicide in this one. The book hit home for me, as I lost a dear cousin-who was more like a sister to me-to suicide. She was a little older than Lana when she died, but I saw a lot of similarity between the two, and I could understand some of Jen's frustration and sadness with her daughter because of it. Because, honestly, a lot of this book is just sad and depressing.
It's written in short snippets, not long chapters, each with a title, and they are all told from Jen's perspective. I would have liked to have heard from Lana sometimes. Because this is Emma Healey, many of these little pieces and insights are brilliant, truly. But, also, I won't lie, some of this book is a slog. It mirrors living with someone with depression--it's slow, painful, and tough. I wouldn't call this a fun read, even though I could definitely enjoy some of the breakthroughs and beautiful moments Lana and Jen did share.
While the premise of this book is finding out what happened to Lana, much of it is just Jen and Lana's daily life--trying to find themselves after Lana's disappearance. You see the guilt Jen feels about her daughter's mental illness and the complications of motherhood--how hard it can be. Jen's older daughter Meg and her husband, Hugh, are more supporting characters to the Jen and Lana show. There definitely are some humorous pieces among the sad parts--Jen and her husband struggling to raise a teen, Jen's interactions with her mom stand out. And Lana, as she comes across through her mom's eyes, is an interesting and dynamic character. Her grim sense of humor is enjoyable, too.
I found this novel to be very driven by emotions and to be a deep look at a family who is torn apart not only by Lana's disappearance, but by mental illness. I think, too, overall it does a very good job portraying what mental illness can do to a family. Even Lana's descriptions of what her depression feels like are quite well-done. So much of the book actually made me feel tense on Jen's behalf, and you just can't help but feel so sad and scared for both Jen and Lana. The little snippets of the book really do a good job of capturing moments--that is life, after all. A series of moments that add up.
I wish that Jen had been less obsessed with figuring out what had happened to Lana, but I think I can understand where it came from (her fear). For a little bit, I wasn't sure I could push through the book, but I was also motivated to figure out where Lana had been for those four days, and I was attached to Lana (and even Jen), I won't lie. The end of the book also redeemed it for me. There was something about it that made it all work.
This book isn't for everyone, and in some ways, I even have trouble recommending it for those who have struggled with mental illness, because it can be really triggering. Still, I think the author treated the topic very respectfully. I couldn't help but feel for Jen and I really found myself wanting to help Lana, to reach out to her. Healey really does know how to create nuanced characters. Still, if this is your first time reading her, I can't help but recommend the amazing Elizabeth Is Missing, which I just adore. Still, it has its lovely moments and is certainly well-written, if not a slow read.
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review (thank you!).
This was a complicated read, which made me feel and think all sorts of feelings. I have to definitely point out that there are triggers for self-harm and suicide in this one. The book hit home for me, as I lost a dear cousin-who was more like a sister to me-to suicide. She was a little older than Lana when she died, but I saw a lot of similarity between the two, and I could understand some of Jen's frustration and sadness with her daughter because of it. Because, honestly, a lot of this book is just sad and depressing.
It's written in short snippets, not long chapters, each with a title, and they are all told from Jen's perspective. I would have liked to have heard from Lana sometimes. Because this is Emma Healey, many of these little pieces and insights are brilliant, truly. But, also, I won't lie, some of this book is a slog. It mirrors living with someone with depression--it's slow, painful, and tough. I wouldn't call this a fun read, even though I could definitely enjoy some of the breakthroughs and beautiful moments Lana and Jen did share.
While the premise of this book is finding out what happened to Lana, much of it is just Jen and Lana's daily life--trying to find themselves after Lana's disappearance. You see the guilt Jen feels about her daughter's mental illness and the complications of motherhood--how hard it can be. Jen's older daughter Meg and her husband, Hugh, are more supporting characters to the Jen and Lana show. There definitely are some humorous pieces among the sad parts--Jen and her husband struggling to raise a teen, Jen's interactions with her mom stand out. And Lana, as she comes across through her mom's eyes, is an interesting and dynamic character. Her grim sense of humor is enjoyable, too.
I found this novel to be very driven by emotions and to be a deep look at a family who is torn apart not only by Lana's disappearance, but by mental illness. I think, too, overall it does a very good job portraying what mental illness can do to a family. Even Lana's descriptions of what her depression feels like are quite well-done. So much of the book actually made me feel tense on Jen's behalf, and you just can't help but feel so sad and scared for both Jen and Lana. The little snippets of the book really do a good job of capturing moments--that is life, after all. A series of moments that add up.
I wish that Jen had been less obsessed with figuring out what had happened to Lana, but I think I can understand where it came from (her fear). For a little bit, I wasn't sure I could push through the book, but I was also motivated to figure out where Lana had been for those four days, and I was attached to Lana (and even Jen), I won't lie. The end of the book also redeemed it for me. There was something about it that made it all work.
This book isn't for everyone, and in some ways, I even have trouble recommending it for those who have struggled with mental illness, because it can be really triggering. Still, I think the author treated the topic very respectfully. I couldn't help but feel for Jen and I really found myself wanting to help Lana, to reach out to her. Healey really does know how to create nuanced characters. Still, if this is your first time reading her, I can't help but recommend the amazing Elizabeth Is Missing, which I just adore. Still, it has its lovely moments and is certainly well-written, if not a slow read.
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review (thank you!).