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Books&Football (34 KP) rated The Handmaid's Tale - Season 1 in TV
Aug 10, 2018
These women can act!
I wish I had read the book before I watched the series. I don't think it would have added to my enjoyment, but I just like to know what they left out. Anyway... even though there are other similar stories out there, I think this is one of the better ones. I never finished Divergent or Hunger Games, but this held my attention. Elizabeth Moss is excellent as the lead role. Stay tunes to for Season 2, it it also worth of an day on the sofa binge watching.
InfernalNinja (49 KP) rated The Invisible Man (2020) in Movies
Jun 23, 2020 (Updated Jun 23, 2020)
Tense (2 more)
Grounded with a story about mental/ emotional abuse
Great acting by Elizabeth Moss
I gotta say: I normally don't care for remakes. But this one was pretty damn good. While it is a bummer that Universal has had such bad luck updating their classic monsters and throwing them into a shared "Dark Universe," I'm relieved that they quit while they were ahead. This movie goes to show that just because Marvel can pull off a shared cinematic universe, doesn't mean everyone should try it. It's amazing what can happen when studios abandon that route and focus on just making quality standalone movies. That is MORE THAN OKAY! Definitely check it out.
GG
Giant: George Stevens, a Life on Film
Book
Marilyn Ann Moss's Giant examines the life of one of the most influential directors to work in...
MelanieTheresa (997 KP) rated The Kitchen (2019) in Movies
Dec 3, 2019 (Updated Dec 3, 2019)
Here's my quick review for this one:
I had zero idea this movie was based on a DC graphic novel; I was just intrigued by the premise of mob wives taking over. I enjoyed the story line. Margo Martindale is always great, no exception here. Melissa McCarthy felt weak, acting-wise and character-wise. Elizabeth Moss was EVERYTHING, and I don't normally care about her one way or the other. Her character's story arc was by far my favorite, her acting the most believable.
And then we come to Tiffany Haddish. She makes me cringe, and her voice makes me want to puncture my own eardrums. I just do not like her, and this movie did nothing to change my opinion. But if you can get past her, the movie was worth a watch.
I had zero idea this movie was based on a DC graphic novel; I was just intrigued by the premise of mob wives taking over. I enjoyed the story line. Margo Martindale is always great, no exception here. Melissa McCarthy felt weak, acting-wise and character-wise. Elizabeth Moss was EVERYTHING, and I don't normally care about her one way or the other. Her character's story arc was by far my favorite, her acting the most believable.
And then we come to Tiffany Haddish. She makes me cringe, and her voice makes me want to puncture my own eardrums. I just do not like her, and this movie did nothing to change my opinion. But if you can get past her, the movie was worth a watch.
Mad Men - Season 1
9.0
Rate It
TV Season
Season one takes place between March and November 1960. It introduces the fictional advertising...
BankofMarquis (1832 KP) rated The Invisible Man (2020) in Movies
Mar 6, 2020
Pleasantly Surprised with a Great Lead Performance by Moss
I really had no desire to check out the Blumhouse re-imaging of the classic Universal horror classic THE INVISIBLE MAN, but I was hearing positive comments on it - especially about the lead performance - so I figured I'd better check it out.
And I'm glad I did. For this INVISIBLE MAN is taught and tense with (of course) a strong leading performance. And...it has something else...
Intelligence.
Originally, THE INVISIBLE MAN was supposed to be part of the ongoing Universal Studios "Dark Universe" series of films - Universal's answer to the Marvel Cinematic Universe or the DCEU - but when the first film in this series THE MUMMY tanked at the box office, Universal made a "first look deal" with Blumhouse Studios (makers of such low budget horror films as PARANORMAL ACTIVITY and THE PURGE) to make stand alone films with the classic Universal Studios characters.
First up...THE INVISIBLE MAN...replacing Johnny Depp in the titular role and changing the focus of the film from THE INVISIBLE MAN to a woman (Elizabeth Moss) being harassed (or is she?) by THE INVISIBLE MAN.
And...an inspired choice it is. I was surpirsed by the restraint and intelligence that Blumhouse - and Director Leigh Whanell (UPGRADE) - show with this material. Whanell ratchets up the tension and let's the audience sit in the uncertainty that the main character has.
And...when that main character is performed as well as Elisabeth Moss (THE HANDMAID'S TALE), then it is 2 hours well worth your time. Moss' performance is the glue that holds this film together. If she isn't as good as she is in her role, then this film doesn't work. She is...and it does. Some say that she should earn an Oscar nomination for this work. I wouldn't quite go there (if any actress in a Horror film deserves an Oscar nomination, it would have been Lupita Nyong'o in US last year) but it is a very, very good performance.
As is the performances of Harriet Dyer (as Moss' sister) and Aldis Hodge (as a friend of Moss' character). These two brought watch-ability, and believe-ability, to their characters and situations. And this is good for, if I'm to be honest, this film does fall down in the believe-ability factor. I have a tendency to turn that part of my brain off in these types of films, but there are HUGE plot holes and gaps in logic that I just couldn't ignore, which brought this film down a peg or so.
As does the performance of Oliver Jackson-Cohen in the title role. I just didn't like what he was doing in this role, but fortunately, we don't see much of him (rim-shot).
Overall, a pleasant enough surprise with an intelligence I wasn't expecting and a lead performance that is worth the price of admission.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank(OfMarquis)
And I'm glad I did. For this INVISIBLE MAN is taught and tense with (of course) a strong leading performance. And...it has something else...
Intelligence.
Originally, THE INVISIBLE MAN was supposed to be part of the ongoing Universal Studios "Dark Universe" series of films - Universal's answer to the Marvel Cinematic Universe or the DCEU - but when the first film in this series THE MUMMY tanked at the box office, Universal made a "first look deal" with Blumhouse Studios (makers of such low budget horror films as PARANORMAL ACTIVITY and THE PURGE) to make stand alone films with the classic Universal Studios characters.
First up...THE INVISIBLE MAN...replacing Johnny Depp in the titular role and changing the focus of the film from THE INVISIBLE MAN to a woman (Elizabeth Moss) being harassed (or is she?) by THE INVISIBLE MAN.
And...an inspired choice it is. I was surpirsed by the restraint and intelligence that Blumhouse - and Director Leigh Whanell (UPGRADE) - show with this material. Whanell ratchets up the tension and let's the audience sit in the uncertainty that the main character has.
And...when that main character is performed as well as Elisabeth Moss (THE HANDMAID'S TALE), then it is 2 hours well worth your time. Moss' performance is the glue that holds this film together. If she isn't as good as she is in her role, then this film doesn't work. She is...and it does. Some say that she should earn an Oscar nomination for this work. I wouldn't quite go there (if any actress in a Horror film deserves an Oscar nomination, it would have been Lupita Nyong'o in US last year) but it is a very, very good performance.
As is the performances of Harriet Dyer (as Moss' sister) and Aldis Hodge (as a friend of Moss' character). These two brought watch-ability, and believe-ability, to their characters and situations. And this is good for, if I'm to be honest, this film does fall down in the believe-ability factor. I have a tendency to turn that part of my brain off in these types of films, but there are HUGE plot holes and gaps in logic that I just couldn't ignore, which brought this film down a peg or so.
As does the performance of Oliver Jackson-Cohen in the title role. I just didn't like what he was doing in this role, but fortunately, we don't see much of him (rim-shot).
Overall, a pleasant enough surprise with an intelligence I wasn't expecting and a lead performance that is worth the price of admission.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank(OfMarquis)
Bodies of Light
9.0
Rate It
Book
Bodies of Light is a deeply poignant tale of a psychologically tumultuous nineteenth century...
Matthew Krueger (10051 KP) rated The Invisible Man (2020) in Movies
Mar 2, 2020
The Psychological Man
The Invisible Man- was a good movie, i liked it alot, but their were some things i was just overall confused about and the ending, i was just overall confused. I was like what wait, what just happened, oh end of movie, okay. Dont want to explain more, about the ending, okay movie, just want to cut to the credits. So than i can be confused and overall disappointed. Other than the ending, a few parts of the movie, i really enjoyed it. I think its a good remake/reimagining. I like the plot, Elizabeth Moss was great in it, the psychological i thought was excellent and Liegh Whannell does it again.
The Plot: After staging his own suicide, a crazed scientist uses his power to become invisible to stalk and terrorize his ex-girlfriend. When the police refuse to believe her story, she decides to take matters into her own hands and fight back.
Their is twist and turns thoughtout the movie, and you will keep on second guessing until the very ending. Their is horror, sci-fi, psychological espects, thrills, suspense and revenge.
Overall The Invisible Man was good, just with a few set-backs, other than that. Go and watch it.
The Plot: After staging his own suicide, a crazed scientist uses his power to become invisible to stalk and terrorize his ex-girlfriend. When the police refuse to believe her story, she decides to take matters into her own hands and fight back.
Their is twist and turns thoughtout the movie, and you will keep on second guessing until the very ending. Their is horror, sci-fi, psychological espects, thrills, suspense and revenge.
Overall The Invisible Man was good, just with a few set-backs, other than that. Go and watch it.
Lee (2222 KP) rated The Invisible Man (2020) in Movies
Mar 2, 2020
Right off the bat, this latest remake of the classic H.G. Wells story shows us just how suspenseful it can be. It’s the middle of the night and a wide-awake Cecilia (Elizabeth Moss) quietly climbs out of bed so as not to disturb her sleeping partner Adrian (Oliver Jackson-Cohen). It quickly becomes apparent that she has been waiting and planning for this moment to leave him for some time now, and she is absolutely terrified of waking him up. She creeps through their spacious modern glass home, gathering some of her belongings and occasionally checking a mobile feed of the CCTV camera that she has re-positioned in order to see Adrian asleep in bed. Already the tension is unbearable, and we’re only a few minutes into the movie!
A few weeks after her dramatic escape from Adrian and Cecilia is now in the safety of a friends house, police detective James (Aldis Hodge) and his teenage daughter Sydney (Storm Reid). It’s clear that the years of living with an abusive and controlling partner have taken their toll on Cecilia and she can barely even bring herself to leave the house, fearful of every stranger that passes her by. We don’t get to see any of what went on in her relationship with Adrian, and we barely know anything of him either, other than he is a tech billionaire and an expert in the field of ‘optics’. So, when word reaches Cecilia that Adrian has committed suicide, we’re even more in the dark about him. He becomes more of an unknown to us, making him all the more mysterious, and the events that consequently unfold throughout the movie all the more terrifying.
As Cecilia begins to settle back into some kind of normality, she slowly lets her guard down, which as we all know is a big mistake! While Cecilia is alone, we start to get different points of view of her, as if someone is watching her. We focus on areas of the house where nobody is in shot, before panning around to reveal…. nothing. Cecilia is not aware of anything, and we haven’t seen anything either, but you’re left on the edge of your seat, straining your eyes to desperately try and pick out some kind of evidence that someone or something is there with her. And then we begin to get confirmation that an invisible something is actually there – a falling knife, a kitchen fire and things being tampered with all start to put Cecilia back on edge, leading her to suspect that Adrian has found some way to continue making her life a misery. These events start off very subtle, but soon become more horrific and intense, clearly intended to gaslight Cecilia and portray her as crazy to everyone around her.
The traditional route for a movie like this would be to focus on our title character – in this case the invisible man. We might see a brilliant or tortured scientist, succeeding or failing with whatever they’re experimenting with, before following them and the consequences of their actions. By giving us very little backstory to our title character, writer and director Leigh Whannell has chosen instead to focus primarily on Cecilia and the psychological horror she endures. Elizabeth Moss gives us the full range of emotions as she endures her terrible ordeal, and you really do share in her isolation and terror throughout. She completely and brilliantly carries the movie – progressing from the lowest of lows to finally, and brilliantly, deciding it’s time to fight back!
A few weeks after her dramatic escape from Adrian and Cecilia is now in the safety of a friends house, police detective James (Aldis Hodge) and his teenage daughter Sydney (Storm Reid). It’s clear that the years of living with an abusive and controlling partner have taken their toll on Cecilia and she can barely even bring herself to leave the house, fearful of every stranger that passes her by. We don’t get to see any of what went on in her relationship with Adrian, and we barely know anything of him either, other than he is a tech billionaire and an expert in the field of ‘optics’. So, when word reaches Cecilia that Adrian has committed suicide, we’re even more in the dark about him. He becomes more of an unknown to us, making him all the more mysterious, and the events that consequently unfold throughout the movie all the more terrifying.
As Cecilia begins to settle back into some kind of normality, she slowly lets her guard down, which as we all know is a big mistake! While Cecilia is alone, we start to get different points of view of her, as if someone is watching her. We focus on areas of the house where nobody is in shot, before panning around to reveal…. nothing. Cecilia is not aware of anything, and we haven’t seen anything either, but you’re left on the edge of your seat, straining your eyes to desperately try and pick out some kind of evidence that someone or something is there with her. And then we begin to get confirmation that an invisible something is actually there – a falling knife, a kitchen fire and things being tampered with all start to put Cecilia back on edge, leading her to suspect that Adrian has found some way to continue making her life a misery. These events start off very subtle, but soon become more horrific and intense, clearly intended to gaslight Cecilia and portray her as crazy to everyone around her.
The traditional route for a movie like this would be to focus on our title character – in this case the invisible man. We might see a brilliant or tortured scientist, succeeding or failing with whatever they’re experimenting with, before following them and the consequences of their actions. By giving us very little backstory to our title character, writer and director Leigh Whannell has chosen instead to focus primarily on Cecilia and the psychological horror she endures. Elizabeth Moss gives us the full range of emotions as she endures her terrible ordeal, and you really do share in her isolation and terror throughout. She completely and brilliantly carries the movie – progressing from the lowest of lows to finally, and brilliantly, deciding it’s time to fight back!
Sarah (7798 KP) rated The Invisible Man (2020) in Movies
Mar 18, 2020
Terrifying
Don't you just love it when you go and see a film you know little to nothing about, and end up being pleasantly surprised at how good it is? Yesterday was my last chance to catch a film due to closure because of the coronavirus, and I'm very glad I chose to watch The Invisible Man.
Right from the opening scene, the first half of this film i found absolutely terrifying. The score really helps to build up a lot of tension and I found myself on the edge of my seat. I'm known for being quite hardened when it comes to scary films, but there was something about this film that had me wanting to hide my head in my hands. It may just be the idea of an invisible enemy or jump scares that you obviously can't see coming, but I havent been this creeped out in a long time.
The second half of the film is a little less scary and ends up being more like a thriller, which was probably a good thing as I dont think I could've handled that level of terror for the entire film! The acting is great, especially from Elizabeth Moss and really had me questioning her character's sanity. She carries the entire film and she puts in a brilliant performance. The technology and science behind this is maybe a little lacking and questionable at times, but as they dont focus too much on the detail of this and the backstory of Adrian it's rather easy to ignore some of the slightly dodgy science and just enjoy the ride. There are a lot of twists and turns in this film that I hadn't been expecting, and I found the ending to be especially satisfying.
Overall this is a unexpected yet hugely enjoyable thriller that had me cowering in my seat for a good hour. Not many films can do that.
Right from the opening scene, the first half of this film i found absolutely terrifying. The score really helps to build up a lot of tension and I found myself on the edge of my seat. I'm known for being quite hardened when it comes to scary films, but there was something about this film that had me wanting to hide my head in my hands. It may just be the idea of an invisible enemy or jump scares that you obviously can't see coming, but I havent been this creeped out in a long time.
The second half of the film is a little less scary and ends up being more like a thriller, which was probably a good thing as I dont think I could've handled that level of terror for the entire film! The acting is great, especially from Elizabeth Moss and really had me questioning her character's sanity. She carries the entire film and she puts in a brilliant performance. The technology and science behind this is maybe a little lacking and questionable at times, but as they dont focus too much on the detail of this and the backstory of Adrian it's rather easy to ignore some of the slightly dodgy science and just enjoy the ride. There are a lot of twists and turns in this film that I hadn't been expecting, and I found the ending to be especially satisfying.
Overall this is a unexpected yet hugely enjoyable thriller that had me cowering in my seat for a good hour. Not many films can do that.