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Merissa (11651 KP) created a post
Mar 30, 2022
Kristy H (1252 KP) rated Saving Grace in Books
Feb 13, 2018
I was somewhat disappointed by <i>Saving Grace</i> and I'm not exactly sure why. I think because its plot synopsis reminded me somewhat of a Liane Moriarty book and by the end of Green's novel, I felt that Moriarty had done it much better.
<i>Saving Grace</i> tells the story of Grace and Ted Chapman. Ted is a famous and beloved author, though one in the bit of a decline, and Grace his faithful wife, well-known mostly for her style and grace (haha). To an outsider, the Chapmans look to be the perfect couple, but we learn that Ted is quick to rage and Grace continually finds herself walking on eggshells around her husband.
The one person who seems able to calm these rages is his assistant, Ellen. When she leaves to care for her ailing mother, Grace finds herself in despair. She feels as if her life is falling apart, trying to care for her house and Ted's needs. (At this point, I find myself a little frustrated and flabbergasted. Seriously? Join the real world, lady.) However, she feels like her prayers have been answered when her daughter, Clemmie, introduces her to Beth. Beth becomes Ted's assistant and also Grace's helpmate. But Grace quickly feels as if Beth is taking over -- not just as Ted's assistant, but over Grace's life. We're left to wonder, is Grace crazy? Or Beth?
The story itself is sort of a compelling one -- assistant moves in and takes over perfect wife's life. It sounds quite exciting (Lifetime movie, anyone?. However, Grace is not that compelling of a character, and her whiny ways did not garner a ton of sympathy with me, even if Beth was a horrible person. Her husband was clearly an ass, but we really didn't get to learn much about his character, either. Or, really, even Beth's. There's also a lot of far-fetched plot points - yes, Ted is under Beth's spell, but would he really believe some of the tales she weaves about his wife? It's all just very strange.
All in all, I read the book fairly quickly, interested to see what would happen to Grace, mostly for the sake of finding out. However, in the end, I just felt Green could have done so much more with the story, and with Grace's character.
<i>Saving Grace</i> tells the story of Grace and Ted Chapman. Ted is a famous and beloved author, though one in the bit of a decline, and Grace his faithful wife, well-known mostly for her style and grace (haha). To an outsider, the Chapmans look to be the perfect couple, but we learn that Ted is quick to rage and Grace continually finds herself walking on eggshells around her husband.
The one person who seems able to calm these rages is his assistant, Ellen. When she leaves to care for her ailing mother, Grace finds herself in despair. She feels as if her life is falling apart, trying to care for her house and Ted's needs. (At this point, I find myself a little frustrated and flabbergasted. Seriously? Join the real world, lady.) However, she feels like her prayers have been answered when her daughter, Clemmie, introduces her to Beth. Beth becomes Ted's assistant and also Grace's helpmate. But Grace quickly feels as if Beth is taking over -- not just as Ted's assistant, but over Grace's life. We're left to wonder, is Grace crazy? Or Beth?
The story itself is sort of a compelling one -- assistant moves in and takes over perfect wife's life. It sounds quite exciting (Lifetime movie, anyone?. However, Grace is not that compelling of a character, and her whiny ways did not garner a ton of sympathy with me, even if Beth was a horrible person. Her husband was clearly an ass, but we really didn't get to learn much about his character, either. Or, really, even Beth's. There's also a lot of far-fetched plot points - yes, Ted is under Beth's spell, but would he really believe some of the tales she weaves about his wife? It's all just very strange.
All in all, I read the book fairly quickly, interested to see what would happen to Grace, mostly for the sake of finding out. However, in the end, I just felt Green could have done so much more with the story, and with Grace's character.
Kayleigh (12 KP) rated The Fault in Our Stars in Books
Jan 2, 2019
If you don’t want to read a long review, here’s my summary: Read. This. Book. It is perfect.
In my last review (of <a href="http://awowords.wordpress.com/2013/02/02/beautiful-creatures/">Beautiful Creatures</a>), I was a little harsh about the portrayal of love stories in teenage/young adult fiction. The backbone of this book is that slowly but surely, the two main characters, Hazel and Augustus, fall in love. It’s not some pre-determined, intense force that sweeps the characters off their feet. It’s slow and steady, with a few set-backs, much like Hazel’s breathing at times, if you like. As Hazel puts it, perfectly:
<blockquote>“I fell in love the way you fall asleep: slowly, and then all at once.”</blockquote>
There’s nothing glamorous – life goes up and down, it’s sad and it’s funny, it’s not fair. It’s real.
In The Fault in Our Stars, John Green introduces us to two extremely philosophical teenagers that have been through a lot more than most people, with the knowledge that there is only more hardship to come. He humanises something I know I have never really thought about – the feelings, and more specifically, the sense of humour cancer sufferers/survivors have throughout it all. I talk about the humour later, but something that really got the message across was Hazel finally admitting her biggest fear to her parents. Hazel, the girl who decided to become a vegetarian so as to “minimise the number of deaths I’m responsible for.”
<blockquote>“‘I’m like. Like. I’m a grenade, Mom. I’m a grenade and at some point I’m going to blow up and I would like to minimise the casualties, okay?’”</blockquote>
It was the realness of the characters that got me so attached. For the last third of the story, I was unabashedly sobbing (luckily, alone. The first time I finished this, I was on a bus). To be blunt (and a little bit gross), the best way I can describe the end of this book is like this. When I was a child, I’d be crying my eyes out over something or other, and my mum would be comforting me. When the worst was over, she’d joke that I’d better not have got snot on her jumper, which would make me laugh through the tears. I’m trying not to put spoilers in here, but the next quote, for example, happens just after one of the most poignant parts of the book. It lightens the mood without altering the seriousness, and at the same time reminding us that they are, after all, only teenagers.
<blockquote>“He smiled. Gallows humour. ‘I’m on a roller coaster that only goes up,’ he said.
‘And it is my privilege and my responsibility to ride all the way up with you,’ I said.
‘Would it be absolutely ludicrous to try to make out?’
‘There is no try,’ I said. ‘There is only do.’”</blockquote>
John Green managed to blend humour and tragedy perfectly. If you’ve read the book already, he wrote a blog post answering questions about the book – I’d recommend a read. I don’t want to waffle, so I’ll leave it there, but I’d wholeheartedly recommend The Fault in Our Stars - it’s an instant favourite and already has a place in my heart. Don’t forget the tissues!
Oh, and about the film that’s apparently in the works – did anyone else picture Hazel as looking a little like Ellen Page in Juno? Maybe it’s a similar attitude to life, but I could only see her as this!
PS – Sorry for anglicising the quotes – habit!
This review is also on my <a href="http://awowords.wordpress.com">blog</a>; - if you liked it, please check it out!
In my last review (of <a href="http://awowords.wordpress.com/2013/02/02/beautiful-creatures/">Beautiful Creatures</a>), I was a little harsh about the portrayal of love stories in teenage/young adult fiction. The backbone of this book is that slowly but surely, the two main characters, Hazel and Augustus, fall in love. It’s not some pre-determined, intense force that sweeps the characters off their feet. It’s slow and steady, with a few set-backs, much like Hazel’s breathing at times, if you like. As Hazel puts it, perfectly:
<blockquote>“I fell in love the way you fall asleep: slowly, and then all at once.”</blockquote>
There’s nothing glamorous – life goes up and down, it’s sad and it’s funny, it’s not fair. It’s real.
In The Fault in Our Stars, John Green introduces us to two extremely philosophical teenagers that have been through a lot more than most people, with the knowledge that there is only more hardship to come. He humanises something I know I have never really thought about – the feelings, and more specifically, the sense of humour cancer sufferers/survivors have throughout it all. I talk about the humour later, but something that really got the message across was Hazel finally admitting her biggest fear to her parents. Hazel, the girl who decided to become a vegetarian so as to “minimise the number of deaths I’m responsible for.”
<blockquote>“‘I’m like. Like. I’m a grenade, Mom. I’m a grenade and at some point I’m going to blow up and I would like to minimise the casualties, okay?’”</blockquote>
It was the realness of the characters that got me so attached. For the last third of the story, I was unabashedly sobbing (luckily, alone. The first time I finished this, I was on a bus). To be blunt (and a little bit gross), the best way I can describe the end of this book is like this. When I was a child, I’d be crying my eyes out over something or other, and my mum would be comforting me. When the worst was over, she’d joke that I’d better not have got snot on her jumper, which would make me laugh through the tears. I’m trying not to put spoilers in here, but the next quote, for example, happens just after one of the most poignant parts of the book. It lightens the mood without altering the seriousness, and at the same time reminding us that they are, after all, only teenagers.
<blockquote>“He smiled. Gallows humour. ‘I’m on a roller coaster that only goes up,’ he said.
‘And it is my privilege and my responsibility to ride all the way up with you,’ I said.
‘Would it be absolutely ludicrous to try to make out?’
‘There is no try,’ I said. ‘There is only do.’”</blockquote>
John Green managed to blend humour and tragedy perfectly. If you’ve read the book already, he wrote a blog post answering questions about the book – I’d recommend a read. I don’t want to waffle, so I’ll leave it there, but I’d wholeheartedly recommend The Fault in Our Stars - it’s an instant favourite and already has a place in my heart. Don’t forget the tissues!
Oh, and about the film that’s apparently in the works – did anyone else picture Hazel as looking a little like Ellen Page in Juno? Maybe it’s a similar attitude to life, but I could only see her as this!
PS – Sorry for anglicising the quotes – habit!
This review is also on my <a href="http://awowords.wordpress.com">blog</a>; - if you liked it, please check it out!
BankofMarquis (1832 KP) rated A League of Their Own (1992) in Movies
May 26, 2020
My Favorite Baseball Movie of All Time
I am a big fan of movies. I am a big fan of baseball. So, inevitably, I get asked what my favorite baseball movie is - and my answer surprises many. Beyond a doubt, my favorite baseball movie is the 1992 comedy A LEAGUE OF THEIR OWN, directed by Penny Marshall and starring Geena Davis and Tom Hanks.
I just rewatched this film (for the umpteenth time) and it still works very, very well.
Set during WWII, A LEAGUE OF THEIR OWN tells the story of the All American Girls Professional Baseball League - set up by owners of Major League baseball as many, many of the male professional baseball players were overseas fighting in the war.
Set up as a sibling rivalry story between star player Dottie Henson (Geena Davis) and her kid sister Kit (Lori Petty) who is always in Dottie's shadow, ALOTO shows the start-up of the league, the initial reluctance of the general public to embrace it and the eventual winning over of those that mocked it by actually playing good, hard-nosed ball.
This indifference (turned to acceptance) of this league is shown through the eyes of alcoholic, former Major League star Jimmy Dugan (a pre-Oscars Tom Hanks). After a strong 1980's in film, the first part of the 1990's was not kind to Hanks (JOE vs. THE VOLCANO tanked and the less that can be said about BONFIRE OF THE VANITIES the better). This film was considered a bit of a "comeback" film for him and he came back very, very well. His Jimmy Dugan is irascible, vulgar and angry but has a good heart that shines through. It was this role that would catapult Hanks into SuperStardom later in this decade (with films like PHILADELPHIA, FOREST GUMP, SAVING PRIVATE RYAN, SLEEPLESS IN SEATTLE, APOLLO 13 and THE GREEN MILE). So, remember, without Jimmy Duggan, their probably would not be a Woody from TOY STORY (at least not a Woody voiced by Hanks).
Geena Davis is strong in the lead role of Dottie. Davis is a natural athlete and a very intelligent individual (she was a semi-finalist for the U.S. Olympic Archery team and is a member of MENSA) and both attributes shine through in her portrayal of Dottie. She is strong, graceful and sure-headed in her approach to her goal - to be the best at what she is currently doing. The pairing of Davis and Hanks is interesting for you see great chemistry between these two characters - 2 characters that are compatriots and, perhaps, friends, but...which is unusual in a film such as this...NOT love interests for each other.
Faring less well in this film is Lori Petty as kid sister Kit who just wants a chance to get out from under her sister's shadow. I don't blame Petty's performance - she does the best she can with the material she is given, but her character is "whiny, pouty and shouty" throughout the film and was just not someone I cared about.
That cannot be said for the strong list of actresses that were cast as members of the Rockford Peaches - the team that Dottie and Kit play for (and that Jimmy Dugan manages). Director Penny Marshall insisted that all of the women cast actually be able to play baseball, so cut many, many good actresses that just couldn't be believed as baseball players. Madonna (of all people) shows a passable ability to play ball - as well as a winning personality as "All the Way" Mae, the team's centerfielder. In her first film role, Rosie O'Donnell almost steals the film as loud Long Island 3b Doris Murphy. Megan Cavanagh (2b Marla Hooch), Tracy Reiner (LF/P Betty "Spaghetti" Horn), Bitty Schram (RF Evelyn Gardner who was the cryer in the "there's no crying in baseball" scene), Ann Cusack (illiterate OF Shirley Baker), Anne Ramsey (1B Helen Haley) and Freddie Simpson (SS/P Ellen Sue Gotlander) all make a believably passable group of ballplayers that you want to spend time with.
Special notice needs to be made to the always dependable David Strathairn (as Ira Lowenstein - the guiding light to this league) and Jon Lovitz (who is the star of the first 1/4 of this film as Scout Ernie Capadino). They both bring needed life to moments of the film when it need it the most.
All of these elements are brought together wonderfully by the smart, thoughtful and emotionally rich direction of Penny Marshall. She was on a bit of a roll in this part of her career, having helmed BIG (1988) and AWAKENINGS (1990 - with Robin Williams and Robert DeNiro) previously. She went "3 for 3" as a Director with this one. She keeps the film moving along smartly, pausing just long enough at times to bring in some emotion and then follows it right up with some gut-busting laughs.
While I am not thrilled by the events of the final game (I think it is a little contrived and one of the principal characters gets a reward they don't deserve) but that is a "nit" on this film, for it is the journey - with characters that are fun to spend some time with - that makes this film works.
Oh...and Marshall also puts in some of the real players from the league in a finale that serves as a well-deserved salute to these womeon
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
I just rewatched this film (for the umpteenth time) and it still works very, very well.
Set during WWII, A LEAGUE OF THEIR OWN tells the story of the All American Girls Professional Baseball League - set up by owners of Major League baseball as many, many of the male professional baseball players were overseas fighting in the war.
Set up as a sibling rivalry story between star player Dottie Henson (Geena Davis) and her kid sister Kit (Lori Petty) who is always in Dottie's shadow, ALOTO shows the start-up of the league, the initial reluctance of the general public to embrace it and the eventual winning over of those that mocked it by actually playing good, hard-nosed ball.
This indifference (turned to acceptance) of this league is shown through the eyes of alcoholic, former Major League star Jimmy Dugan (a pre-Oscars Tom Hanks). After a strong 1980's in film, the first part of the 1990's was not kind to Hanks (JOE vs. THE VOLCANO tanked and the less that can be said about BONFIRE OF THE VANITIES the better). This film was considered a bit of a "comeback" film for him and he came back very, very well. His Jimmy Dugan is irascible, vulgar and angry but has a good heart that shines through. It was this role that would catapult Hanks into SuperStardom later in this decade (with films like PHILADELPHIA, FOREST GUMP, SAVING PRIVATE RYAN, SLEEPLESS IN SEATTLE, APOLLO 13 and THE GREEN MILE). So, remember, without Jimmy Duggan, their probably would not be a Woody from TOY STORY (at least not a Woody voiced by Hanks).
Geena Davis is strong in the lead role of Dottie. Davis is a natural athlete and a very intelligent individual (she was a semi-finalist for the U.S. Olympic Archery team and is a member of MENSA) and both attributes shine through in her portrayal of Dottie. She is strong, graceful and sure-headed in her approach to her goal - to be the best at what she is currently doing. The pairing of Davis and Hanks is interesting for you see great chemistry between these two characters - 2 characters that are compatriots and, perhaps, friends, but...which is unusual in a film such as this...NOT love interests for each other.
Faring less well in this film is Lori Petty as kid sister Kit who just wants a chance to get out from under her sister's shadow. I don't blame Petty's performance - she does the best she can with the material she is given, but her character is "whiny, pouty and shouty" throughout the film and was just not someone I cared about.
That cannot be said for the strong list of actresses that were cast as members of the Rockford Peaches - the team that Dottie and Kit play for (and that Jimmy Dugan manages). Director Penny Marshall insisted that all of the women cast actually be able to play baseball, so cut many, many good actresses that just couldn't be believed as baseball players. Madonna (of all people) shows a passable ability to play ball - as well as a winning personality as "All the Way" Mae, the team's centerfielder. In her first film role, Rosie O'Donnell almost steals the film as loud Long Island 3b Doris Murphy. Megan Cavanagh (2b Marla Hooch), Tracy Reiner (LF/P Betty "Spaghetti" Horn), Bitty Schram (RF Evelyn Gardner who was the cryer in the "there's no crying in baseball" scene), Ann Cusack (illiterate OF Shirley Baker), Anne Ramsey (1B Helen Haley) and Freddie Simpson (SS/P Ellen Sue Gotlander) all make a believably passable group of ballplayers that you want to spend time with.
Special notice needs to be made to the always dependable David Strathairn (as Ira Lowenstein - the guiding light to this league) and Jon Lovitz (who is the star of the first 1/4 of this film as Scout Ernie Capadino). They both bring needed life to moments of the film when it need it the most.
All of these elements are brought together wonderfully by the smart, thoughtful and emotionally rich direction of Penny Marshall. She was on a bit of a roll in this part of her career, having helmed BIG (1988) and AWAKENINGS (1990 - with Robin Williams and Robert DeNiro) previously. She went "3 for 3" as a Director with this one. She keeps the film moving along smartly, pausing just long enough at times to bring in some emotion and then follows it right up with some gut-busting laughs.
While I am not thrilled by the events of the final game (I think it is a little contrived and one of the principal characters gets a reward they don't deserve) but that is a "nit" on this film, for it is the journey - with characters that are fun to spend some time with - that makes this film works.
Oh...and Marshall also puts in some of the real players from the league in a finale that serves as a well-deserved salute to these womeon
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)