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Haley Mathiot (9 KP) rated Triangles in Books
Apr 27, 2018
The thing about Ellen Hopkins is she writes about the stuff that everyone knows happens, but nobody is willing to admit to. She gives emotion and reason to why people make the choices we do, and what they feel like in the middle of a messy hurtful situation. She is the opposite of happyland syndrome. She tells it how it is.
I had read a little bit of Hopkins's work before: I started Crank (When I say started I mean read the first few pages) and loved it, but I was busy and never got the chance to get into it. But I got an ARC of Triangles, so I sat down and read it—and after one page I was hooked.
If you've been reading my blog at all, you know I'm not a person who likes stories about love gone wrong and marriages failing and extramarital sex etc. because I'm a Christian, and a romantic, and a softie (read 'wimp'). But I went ahead and dove into this book, because I knew Hopkins is a good writer.
It surpassed my expectations. I should have expected her to be this awesome, since obviously she's pretty famous and everyone else figured it out before I did, but I really am blown away, not only by her blunt yet graceful storytelling, but by her nerve to tackle the stories nobody wants to tell: a dying child, a gay son, a pregnant teen, sexual disease, threesomes, a woman sleeping with her best friend's husband… it's all in here. Yet, it's not plot overkill. She made it work. Somehow.
Though, be warned. Since she does say it like it is, this book is not for the easily offended. But if you're willing to look past the content, there's a gem waiting for you about forgiveness, hope, and what love really means.
Content/recommendation: explicit sexual content, swearing. Ages 18+
I had read a little bit of Hopkins's work before: I started Crank (When I say started I mean read the first few pages) and loved it, but I was busy and never got the chance to get into it. But I got an ARC of Triangles, so I sat down and read it—and after one page I was hooked.
If you've been reading my blog at all, you know I'm not a person who likes stories about love gone wrong and marriages failing and extramarital sex etc. because I'm a Christian, and a romantic, and a softie (read 'wimp'). But I went ahead and dove into this book, because I knew Hopkins is a good writer.
It surpassed my expectations. I should have expected her to be this awesome, since obviously she's pretty famous and everyone else figured it out before I did, but I really am blown away, not only by her blunt yet graceful storytelling, but by her nerve to tackle the stories nobody wants to tell: a dying child, a gay son, a pregnant teen, sexual disease, threesomes, a woman sleeping with her best friend's husband… it's all in here. Yet, it's not plot overkill. She made it work. Somehow.
Though, be warned. Since she does say it like it is, this book is not for the easily offended. But if you're willing to look past the content, there's a gem waiting for you about forgiveness, hope, and what love really means.
Content/recommendation: explicit sexual content, swearing. Ages 18+
J.K. Simmons recommended Juno (2007) in Movies (curated)
Gareth von Kallenbach (965 KP) rated Inception (2010) in Movies
Aug 8, 2019
Inception is a stunningly good movie. Written and rewritten over the course of the last 10 years, this has been Christopher Nolan’s pet project since before he worked on either of the Batman movies. Finally getting the support to afford a big-budget movie of his own creation, he does not disappoint, as Inception is by far one of the best films of the last several years.
The plot is the strongest feature of Inception. In a way, it mirrors the labyrinthine twists of the subconscious, but Nolan is adept at keeping all his proverbial ducks in a row. Luckily, the plot isn’t exactly the same as dreaming, because that would make an insane, disjointed experience. The only negative I could find regarding the flow of the plot was during the first 15 minutes. Nolan doesn’t hold back on twisting your brain, and expects you to figure out when he’s showing reality and when he’s showing you a dream. The plot generally follows the heist genre, but because many elements take place during dream sequences, you never really know what’s going to come next until the film finally ends.
The cast does an excellent job, with much of the interaction spinning around the hub that is Leonardo DiCaprio. Nolan has said that the emotional life of this character is the “guiding thread of the story” and DiCaprio gives a great performance as the dream security expert who is haunted by his own dreams. The supporting cast, that includes Joseph Gordon-Levitt, Ellen Page, Marion Cotillard, Michael Caine and Cillian Murphy, truly has no weak points; they round out the story well, and in some cases provide some needed comic relief in heavier moments.
Inception is a surprise blockbuster. For a heist movie with tinges of sci-fi, it’s a thinker of a movie that will reward extra viewings with extra insight into the motivations of the characters. The action isn’t overly heavy, the special effects work for the story and not the other way around, and it has one of the most clever plots I’ve seen in a very long time. Do not miss this movie.
The plot is the strongest feature of Inception. In a way, it mirrors the labyrinthine twists of the subconscious, but Nolan is adept at keeping all his proverbial ducks in a row. Luckily, the plot isn’t exactly the same as dreaming, because that would make an insane, disjointed experience. The only negative I could find regarding the flow of the plot was during the first 15 minutes. Nolan doesn’t hold back on twisting your brain, and expects you to figure out when he’s showing reality and when he’s showing you a dream. The plot generally follows the heist genre, but because many elements take place during dream sequences, you never really know what’s going to come next until the film finally ends.
The cast does an excellent job, with much of the interaction spinning around the hub that is Leonardo DiCaprio. Nolan has said that the emotional life of this character is the “guiding thread of the story” and DiCaprio gives a great performance as the dream security expert who is haunted by his own dreams. The supporting cast, that includes Joseph Gordon-Levitt, Ellen Page, Marion Cotillard, Michael Caine and Cillian Murphy, truly has no weak points; they round out the story well, and in some cases provide some needed comic relief in heavier moments.
Inception is a surprise blockbuster. For a heist movie with tinges of sci-fi, it’s a thinker of a movie that will reward extra viewings with extra insight into the motivations of the characters. The action isn’t overly heavy, the special effects work for the story and not the other way around, and it has one of the most clever plots I’ve seen in a very long time. Do not miss this movie.
Darren (1599 KP) rated Into The Forest (2016) in Movies
Sep 13, 2019
Characters/Performance – Nell is the elder sister that doesn’t want to stay waiting for everything to blow over but must take responsibility once her father dies, she fills the big sister role needing to keep everything together even when she has a chance to leave. Eva is the younger sister and once promising dancer, she wants to continue her dancing even without the power but must learn to be more responsible. The male characters all offer different visions on the good and bad in life when a power outage would happen.
Performance wise, I feel one of the big problem here is that Ellen Page and Evan Rachel Wood are nearly ten years older than the characters they are playing, this does make it harder to see the teenage nativity needed in the role but sadly this takes away the strength in the performance needed.
Story – The story does focus on what could happen if the world stopped have power, this could also help show us how the world could fall apart and not cope like it once did. This also doesn’t just give us the undead being a threat which is important as it is mostly about the struggle of what is meant to be two teenage girls through this sudden change. I think the story is refreshing even if it is slightly slow.
Sci-Fi/Thriller – The power is go and now the end of the world that creates us the sci-fi side of the story well, we also deal with wondering just what will be thrown at the girls next for the thrilling side of things.
Settings – The film is set mostly in and around the home in the forest which gives us the isolation needed for a potential end of the world type of problems the girls must work through.
Final Thoughts – This is a good watch even if it is slightly slow in places, we do struggle to get the most out of the deeper side of things but we are kept interested in where things could go next.
Overall: Slow but strong thriller.
Performance wise, I feel one of the big problem here is that Ellen Page and Evan Rachel Wood are nearly ten years older than the characters they are playing, this does make it harder to see the teenage nativity needed in the role but sadly this takes away the strength in the performance needed.
Story – The story does focus on what could happen if the world stopped have power, this could also help show us how the world could fall apart and not cope like it once did. This also doesn’t just give us the undead being a threat which is important as it is mostly about the struggle of what is meant to be two teenage girls through this sudden change. I think the story is refreshing even if it is slightly slow.
Sci-Fi/Thriller – The power is go and now the end of the world that creates us the sci-fi side of the story well, we also deal with wondering just what will be thrown at the girls next for the thrilling side of things.
Settings – The film is set mostly in and around the home in the forest which gives us the isolation needed for a potential end of the world type of problems the girls must work through.
Final Thoughts – This is a good watch even if it is slightly slow in places, we do struggle to get the most out of the deeper side of things but we are kept interested in where things could go next.
Overall: Slow but strong thriller.
Darren (1599 KP) rated Hellions (2015) in Movies
Sep 13, 2019
Characters/Performance – Nell is the elder sister that doesn’t want to stay waiting for everything to blow over but must take responsibility once her father dies, she fills the big sister role needing to keep everything together even when she has a chance to leave. Eva is the younger sister and once promising dancer, she wants to continue her dancing even without the power but must learn to be more responsible. The male characters all offer different visions on the good and bad in life when a power outage would happen.
Performance wise, I feel one of the big problem here is that Ellen Page and Evan Rachel Wood are nearly ten years older than the characters they are playing, this does make it harder to see the teenage nativity needed in the role but sadly this takes away the strength in the performance needed.
Story – The story does focus on what could happen if the world stopped have power, this could also help show us how the world could fall apart and not cope like it once did. This also doesn’t just give us the undead being a threat which is important as it is mostly about the struggle of what is meant to be two teenage girls through this sudden change. I think the story is refreshing even if it is slightly slow.
Sci-Fi/Thriller – The power is go and now the end of the world that creates us the sci-fi side of the story well, we also deal with wondering just what will be thrown at the girls next for the thrilling side of things.
Settings – The film is set mostly in and around the home in the forest which gives us the isolation needed for a potential end of the world type of problems the girls must work through.
Final Thoughts – This is a good watch even if it is slightly slow in places, we do struggle to get the most out of the deeper side of things but we are kept interested in where things could go next.
Overall: Slow but strong thriller.
Performance wise, I feel one of the big problem here is that Ellen Page and Evan Rachel Wood are nearly ten years older than the characters they are playing, this does make it harder to see the teenage nativity needed in the role but sadly this takes away the strength in the performance needed.
Story – The story does focus on what could happen if the world stopped have power, this could also help show us how the world could fall apart and not cope like it once did. This also doesn’t just give us the undead being a threat which is important as it is mostly about the struggle of what is meant to be two teenage girls through this sudden change. I think the story is refreshing even if it is slightly slow.
Sci-Fi/Thriller – The power is go and now the end of the world that creates us the sci-fi side of the story well, we also deal with wondering just what will be thrown at the girls next for the thrilling side of things.
Settings – The film is set mostly in and around the home in the forest which gives us the isolation needed for a potential end of the world type of problems the girls must work through.
Final Thoughts – This is a good watch even if it is slightly slow in places, we do struggle to get the most out of the deeper side of things but we are kept interested in where things could go next.
Overall: Slow but strong thriller.
Heather Cranmer (2721 KP) rated Crank (Crank, #1) in Books
Jun 6, 2018
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
Okay, so yesterday I went to my local library to get a library card since I just moved back here. Anyway, I decided to check out their YA section (which was amazing by the way). I came across Crank by Ellen Hopkins which I've only wanted to read since forever!!! It was such a good book!!
Kristina is a high school junior that has everything going for her. She's a family girl, has great friends, and makes good grades. She would never do drugs. However, a trip to visit her father changes everything. Whilst visiting her father, she changes into Bree, the sexy brave girl who is up for anything including drugs. Everything changes for Kristina during that visit. No longer is Kristina a straight edge girl, she is now addicted to crank.
The title of this book is quite straightforward. Crank is an excellent title for this book because it lets you know exactly what's going on. Crank is definitely the main plot line in this story.
Okay, you all know how I am with my covers. I'm really picky about covers for books, so you probably won't believe me when I say that I actually like this cover. Yes, strange I know but there's something about how simplistic it is that makes me like it. It's a straightforward book, so a straightforward cover is a great choice for this book. Crank written in lines in what appears to be some sort of drug really suits this book.
Ellen Hopkins did an excellent job with the world building in Crank. Every scene in this book comes alive no matter if it's taking place during a good moment or a bad one. The settings aren't really described that much which really suits the feeling of the book. However, the surroundings in the book seemed to really transport me to wherever Kristina was.
The pacing is this book really took me by surprise. The first 2 or 3 pages started off slow, and I thought I had made a big mistake in borrowing this book. After the first 2 or 3 pages, the pacing really picked up. It flowed so well. If I hadn't started reading it so late, I would've finished it all in one setting.
There's not much dialogue between the characters due to the book being written mostly in verse. The way the book is written is really done well. The words used work together beautifully. There are a few swear words but not many. I think I counted maybe two or three.
Kristina is a very well developed character. All of her actions and thoughts seem to be consistent with a 16 year old girl. Her reactions to her experiences also seem consistent with her age. I liked Kristina because, although she is a drug addict, I felt that she had a sort of vulnerable quality about her. The supporting characters encountered in the book are also very well developed. They each have their own unique personality.
Keep in mind that this isn't a very long book. It looks like it would be a long book with over 500 pages, but it's written in verse so almost all the pages don't use the whole page. It took me about 2 hours more or less to finish this book. Also, please don't be put off of this book because it's written in verse. I've never been a fan of verse until this book. It's so easy to lose yourself in it and finish it in one sitting.
I definitely loved this book, and I am going back to my library ASAP to get the next book in the series. I can't wait to find out more about Kristina and her life.
I'd recommend this book to everyone aged 14+ due to the themes and language used.
Okay, so yesterday I went to my local library to get a library card since I just moved back here. Anyway, I decided to check out their YA section (which was amazing by the way). I came across Crank by Ellen Hopkins which I've only wanted to read since forever!!! It was such a good book!!
Kristina is a high school junior that has everything going for her. She's a family girl, has great friends, and makes good grades. She would never do drugs. However, a trip to visit her father changes everything. Whilst visiting her father, she changes into Bree, the sexy brave girl who is up for anything including drugs. Everything changes for Kristina during that visit. No longer is Kristina a straight edge girl, she is now addicted to crank.
The title of this book is quite straightforward. Crank is an excellent title for this book because it lets you know exactly what's going on. Crank is definitely the main plot line in this story.
Okay, you all know how I am with my covers. I'm really picky about covers for books, so you probably won't believe me when I say that I actually like this cover. Yes, strange I know but there's something about how simplistic it is that makes me like it. It's a straightforward book, so a straightforward cover is a great choice for this book. Crank written in lines in what appears to be some sort of drug really suits this book.
Ellen Hopkins did an excellent job with the world building in Crank. Every scene in this book comes alive no matter if it's taking place during a good moment or a bad one. The settings aren't really described that much which really suits the feeling of the book. However, the surroundings in the book seemed to really transport me to wherever Kristina was.
The pacing is this book really took me by surprise. The first 2 or 3 pages started off slow, and I thought I had made a big mistake in borrowing this book. After the first 2 or 3 pages, the pacing really picked up. It flowed so well. If I hadn't started reading it so late, I would've finished it all in one setting.
There's not much dialogue between the characters due to the book being written mostly in verse. The way the book is written is really done well. The words used work together beautifully. There are a few swear words but not many. I think I counted maybe two or three.
Kristina is a very well developed character. All of her actions and thoughts seem to be consistent with a 16 year old girl. Her reactions to her experiences also seem consistent with her age. I liked Kristina because, although she is a drug addict, I felt that she had a sort of vulnerable quality about her. The supporting characters encountered in the book are also very well developed. They each have their own unique personality.
Keep in mind that this isn't a very long book. It looks like it would be a long book with over 500 pages, but it's written in verse so almost all the pages don't use the whole page. It took me about 2 hours more or less to finish this book. Also, please don't be put off of this book because it's written in verse. I've never been a fan of verse until this book. It's so easy to lose yourself in it and finish it in one sitting.
I definitely loved this book, and I am going back to my library ASAP to get the next book in the series. I can't wait to find out more about Kristina and her life.
I'd recommend this book to everyone aged 14+ due to the themes and language used.
Phillip McSween (751 KP) rated Hard Candy (2005) in Movies
Feb 21, 2019
Solid Movie
Hardy Candy is as good as it is unsettling. There is an art in movies to making you feel creeped out and director David Slade definitely pulls it off here. I don’t really want to disclose too much of the plot in fear of giving it away for those that haven’t seen it, but I will say that it starts with a teenager meeting a thirty-something year-old in a chat room and agreeing to meet him in person. I definitely wasn’t expecting or ready for what happened next.
Acting: 10
Ellen Page plays the role of the aforementioned teenager Hayley Stark. In a word: Fantastic. I can almost imagine a role of this nature being somewhat freeing and therapeutic. I love the angle that she took as Hayley, calm on the surface but a loose cannon ready to explode. The emotional range here is noticed and appreciated.
Shout-out to Patrick Wilson playing the role of Jeff Kohlver the thirty-something. He, just like Page, excels in playing a multi-dimensional character that has that “other” side. Seeing the two work on screen together is like magic.
Beginning; 10
Characters: 9
The story centers around Hayley and Patrick but, in a way, one could argue that the movie is about four people: Their characters and the ones underneath the surface. The way they play off of each other is fascinating. You want to see more of them, know more about what got them to this point. It’s a cat-and-mouse game and you don’t quite know who’s who.
Cinematography/Visuals: 8
Colors and tones play a significant role in setting the mood of the movie. Again, it’s that eery creepiness Slade manages to capture in every shot, even when things feel normal. Emotional moments are captured in a way that manage to magnify the way a viewer feels. That’s where I feel the visuals succeed the most. On the downside, it got somewhat monotonous having the characters be in one location for the majority of the movie. Maybe breaking it up with flashbacks or something would have made the pill a little easier to swallow.
Conflict: 4
Let’s just say I was expecting a lot more to happen than what actually did. In other words, there was DEFINITELY room for more conflict here. Just slightly more subtle than I was hoping for.
Genre: 5
This score would have been higher had there been just a bit more action and a fluctuation of location changes. While it checks most boxes for what makes a quality movie, I have seen better dramas that are worth the higher score.
Memorability: 7
Pace: 10
Sometimes intensity can magnify a situation and that’s one of a number of things Hard Candy is great at. Because you’re dealing with two characters that are loaded pistols, you don’t really know what’s going to unfold from one scene to the next. That’s ultimately what makes the movie so fun to watch. There is always something to pay attention to here.
Plot: 10
Resolution: 10
Overall: 83
Hard Candy is a great example of why I created my scoring system in the first place. Some movies slip in some areas and they get called a bad movie as a result. When you look at all the moving parts separately, however, you potentially learn the opposite. Is it a perfect movie? Not at all. Is it a solid, fun movie to watch. Absolutely.
Acting: 10
Ellen Page plays the role of the aforementioned teenager Hayley Stark. In a word: Fantastic. I can almost imagine a role of this nature being somewhat freeing and therapeutic. I love the angle that she took as Hayley, calm on the surface but a loose cannon ready to explode. The emotional range here is noticed and appreciated.
Shout-out to Patrick Wilson playing the role of Jeff Kohlver the thirty-something. He, just like Page, excels in playing a multi-dimensional character that has that “other” side. Seeing the two work on screen together is like magic.
Beginning; 10
Characters: 9
The story centers around Hayley and Patrick but, in a way, one could argue that the movie is about four people: Their characters and the ones underneath the surface. The way they play off of each other is fascinating. You want to see more of them, know more about what got them to this point. It’s a cat-and-mouse game and you don’t quite know who’s who.
Cinematography/Visuals: 8
Colors and tones play a significant role in setting the mood of the movie. Again, it’s that eery creepiness Slade manages to capture in every shot, even when things feel normal. Emotional moments are captured in a way that manage to magnify the way a viewer feels. That’s where I feel the visuals succeed the most. On the downside, it got somewhat monotonous having the characters be in one location for the majority of the movie. Maybe breaking it up with flashbacks or something would have made the pill a little easier to swallow.
Conflict: 4
Let’s just say I was expecting a lot more to happen than what actually did. In other words, there was DEFINITELY room for more conflict here. Just slightly more subtle than I was hoping for.
Genre: 5
This score would have been higher had there been just a bit more action and a fluctuation of location changes. While it checks most boxes for what makes a quality movie, I have seen better dramas that are worth the higher score.
Memorability: 7
Pace: 10
Sometimes intensity can magnify a situation and that’s one of a number of things Hard Candy is great at. Because you’re dealing with two characters that are loaded pistols, you don’t really know what’s going to unfold from one scene to the next. That’s ultimately what makes the movie so fun to watch. There is always something to pay attention to here.
Plot: 10
Resolution: 10
Overall: 83
Hard Candy is a great example of why I created my scoring system in the first place. Some movies slip in some areas and they get called a bad movie as a result. When you look at all the moving parts separately, however, you potentially learn the opposite. Is it a perfect movie? Not at all. Is it a solid, fun movie to watch. Absolutely.
Gareth von Kallenbach (965 KP) rated Freeheld (2015) in Movies
Jun 19, 2019
Based on a true story about Detective Lauren Hester (Julianne Moore) who is dying of cancer and her life-partner Stacie Andree (Ellen Page, who “came out” herself last year), and their fight for their civil rights against the “Freeholders Committee” in Ocean City, NJ.
After more than 20 years of being on the force and highly decorated, Lauren Hester is seeking to give her pension to her domestic partner just like any straight married county employee has been able to do. The Freeholders, are a committee who governs the county, decided that Hester’s pension would not be given to Andree because they are lesbians and the fight begins. They are contacted by a gay rights activist, Steve Goldstein (Steve Carell), who with the help of Hester’s detective partner Dane Wells (Michael Shannon), try to get the Freeholders to change their opinion. Only with help from the community and police force, who are rallied by Goldstein and Wells,will anything be changed.
Right from the start the movie grabs hold of the viewer, and keeps them engrossed in their struggle to the end. Being so close to being a biography I was surprised at how well it was done and my interest was kept throughout. It is not just an account of a gay couple, more a depiction of a battle for everyone’s civil rights. Freeheld skillfully depicts the struggles of gay professionals to keep their identity a secret from society while still being successful in their field, having a fulfilling relationship and how society discriminated LGBTQ domestic partnerships which became fuel for the Marriage Equality movement.
The actors and director (Peter Sollett) keep the pace fluid and easy to follow without losing any of the important details of their lives or bogging it down with the legalities of the fight. The screenplay could easily have turned this into an exploitation just for the tear-jerking factor, but instead keep it realistic, even adding a bit of humor alleviate the dreariness the story, just like most people will do when facing the death of a loved one. I found Freeheld to be somewhat upbeat, even in the darkest scenes dealing with the misuse of the laws due to bigotry and how close to reality Moore simulates a person dying of cancer, instead turning it into another gloom and doom cancer or civil rights movie. Having been through it myself, I could fully connect with Page’s depiction how it feels to watch loved one dying of cancer and I know so many others will also.
I honestly loved Freeheld, I would suggest to anyone who prefers a matter of fact movie mixed with humor, compassion, and heartbreak that ends with you feeling like you were fully immersed in their life and closure with the finale.
http://sknr.net/2015/10/09/freeheld/
After more than 20 years of being on the force and highly decorated, Lauren Hester is seeking to give her pension to her domestic partner just like any straight married county employee has been able to do. The Freeholders, are a committee who governs the county, decided that Hester’s pension would not be given to Andree because they are lesbians and the fight begins. They are contacted by a gay rights activist, Steve Goldstein (Steve Carell), who with the help of Hester’s detective partner Dane Wells (Michael Shannon), try to get the Freeholders to change their opinion. Only with help from the community and police force, who are rallied by Goldstein and Wells,will anything be changed.
Right from the start the movie grabs hold of the viewer, and keeps them engrossed in their struggle to the end. Being so close to being a biography I was surprised at how well it was done and my interest was kept throughout. It is not just an account of a gay couple, more a depiction of a battle for everyone’s civil rights. Freeheld skillfully depicts the struggles of gay professionals to keep their identity a secret from society while still being successful in their field, having a fulfilling relationship and how society discriminated LGBTQ domestic partnerships which became fuel for the Marriage Equality movement.
The actors and director (Peter Sollett) keep the pace fluid and easy to follow without losing any of the important details of their lives or bogging it down with the legalities of the fight. The screenplay could easily have turned this into an exploitation just for the tear-jerking factor, but instead keep it realistic, even adding a bit of humor alleviate the dreariness the story, just like most people will do when facing the death of a loved one. I found Freeheld to be somewhat upbeat, even in the darkest scenes dealing with the misuse of the laws due to bigotry and how close to reality Moore simulates a person dying of cancer, instead turning it into another gloom and doom cancer or civil rights movie. Having been through it myself, I could fully connect with Page’s depiction how it feels to watch loved one dying of cancer and I know so many others will also.
I honestly loved Freeheld, I would suggest to anyone who prefers a matter of fact movie mixed with humor, compassion, and heartbreak that ends with you feeling like you were fully immersed in their life and closure with the finale.
http://sknr.net/2015/10/09/freeheld/
Justin Patchett (42 KP) rated Inception (2010) in Movies
Mar 13, 2019
Masterful visuals, including many practical effects wonders (1 more)
Extraordinary score by Hans Zimmer
Relationships bud in the film, but feel forced (1 more)
A few plot-holes, albeit none thoroughly distracting
Contains spoilers, click to show
With two of the most scathing reviews I’ve written under my belt, I figured it was time to write about my favorite movie of all time, Christopher Nolan’s “Inception.”
“Inception” revolves around Dom Cobb (Leonardo DiCaprio), a spy who uses military-grade technology and shared dreams to extract information from his marks. He and his team are unwittingly tested by their latest target, Mr. Saito (Ken Watanabe) for recruitment into a different kind of job: Inception, a type of job using the same skills and technology to implant an idea. In particular, Saito calls on Cobb to plant an idea on his business competitor, Robert Fischer (Cillian Murphy). In spite of his reluctancy about this type of job, Saito’s offer to clear Cobb of a murder charge sways Cobb in favor of taking the job.
Cobb gathers new help, including Ariadne (Ellen Page), an architect he finds capable of creating complex labyrinths. With the help of a deep sedative, the team is able to make Fischer have dreams within dreams within dreams, a method that makes the mark more receptive to the implanted idea. It comes with a cost, though: The dreams become more unstable as they continue going deeper into the dream world, and the sedative itself creates the risk of actual death within the dream.
First of all, let’s talk cast. Already, we’ve got four top-grade talents named, but we also have Joseph Gordon-Levitt as Arthur, Cobb’s point man, Tom Hardy as Eames, a forger, and additional roles filled by Marion Cotillard and Michael Caine. Nolan did not lack for talent in this one, and by gosh it shows.
Visually, “Inception” excels most with making the impossible as real as cinema can make it. Throughout the film, characters are able to manipulate the rules of the dream world, making for moments where fruit explodes, cities bend, and stairwells become endless. Beyond portraying the impossible, though, the film has to show the real world, too. In those scenes, an aesthetic that can’t exactly be placed takes over. The technology has a slightly retro-futuristic feel to it, while the fashion and settings rely on classic tastes. Even Hans Zimmer’s score, which samples from the work of vocalist Edith Piaf, contributes to the chronological ambiguity of the movie. By not being able to place the film’s setting in any particular year or even decade, it seems prepackaged to become a classic film.
Speaking of Zimmer, he’s is at his best with this score. The complexity of the film reflects in a layered score, and listening to it on its own is its own sort of treat. It’s one of those symphonic recordings that the listener will pick out something they never noticed before every time.
But even above the stellar cast and visuals that have inspired reality-bending sequences in films since, this film’s biggest success is its use of approachable themes and concepts to tell a story within a story. Nearly a decade after its initial release, fans have widely circulated the idea that “Inception” is a film about storytelling. Concepts as basic as nesting stories within stories play out many ways across the plot. It also plays with common experiences in dreams, turning experiences like the feeling of falling into tools for Cobb’s team to exploit. Essentially, if you can dream, you already have a primer in this film’s core principles.
It’s not without flaws, as no film is. Certain moments fail to hold up upon closer inspection. For instance, the relationship between Ariadne and Arthur comes across forced. Those moments aside, from its foreshadowing opening to its meaningfully open-ended ending, “Inception” is an absolute marvel.
“Inception” revolves around Dom Cobb (Leonardo DiCaprio), a spy who uses military-grade technology and shared dreams to extract information from his marks. He and his team are unwittingly tested by their latest target, Mr. Saito (Ken Watanabe) for recruitment into a different kind of job: Inception, a type of job using the same skills and technology to implant an idea. In particular, Saito calls on Cobb to plant an idea on his business competitor, Robert Fischer (Cillian Murphy). In spite of his reluctancy about this type of job, Saito’s offer to clear Cobb of a murder charge sways Cobb in favor of taking the job.
Cobb gathers new help, including Ariadne (Ellen Page), an architect he finds capable of creating complex labyrinths. With the help of a deep sedative, the team is able to make Fischer have dreams within dreams within dreams, a method that makes the mark more receptive to the implanted idea. It comes with a cost, though: The dreams become more unstable as they continue going deeper into the dream world, and the sedative itself creates the risk of actual death within the dream.
First of all, let’s talk cast. Already, we’ve got four top-grade talents named, but we also have Joseph Gordon-Levitt as Arthur, Cobb’s point man, Tom Hardy as Eames, a forger, and additional roles filled by Marion Cotillard and Michael Caine. Nolan did not lack for talent in this one, and by gosh it shows.
Visually, “Inception” excels most with making the impossible as real as cinema can make it. Throughout the film, characters are able to manipulate the rules of the dream world, making for moments where fruit explodes, cities bend, and stairwells become endless. Beyond portraying the impossible, though, the film has to show the real world, too. In those scenes, an aesthetic that can’t exactly be placed takes over. The technology has a slightly retro-futuristic feel to it, while the fashion and settings rely on classic tastes. Even Hans Zimmer’s score, which samples from the work of vocalist Edith Piaf, contributes to the chronological ambiguity of the movie. By not being able to place the film’s setting in any particular year or even decade, it seems prepackaged to become a classic film.
Speaking of Zimmer, he’s is at his best with this score. The complexity of the film reflects in a layered score, and listening to it on its own is its own sort of treat. It’s one of those symphonic recordings that the listener will pick out something they never noticed before every time.
But even above the stellar cast and visuals that have inspired reality-bending sequences in films since, this film’s biggest success is its use of approachable themes and concepts to tell a story within a story. Nearly a decade after its initial release, fans have widely circulated the idea that “Inception” is a film about storytelling. Concepts as basic as nesting stories within stories play out many ways across the plot. It also plays with common experiences in dreams, turning experiences like the feeling of falling into tools for Cobb’s team to exploit. Essentially, if you can dream, you already have a primer in this film’s core principles.
It’s not without flaws, as no film is. Certain moments fail to hold up upon closer inspection. For instance, the relationship between Ariadne and Arthur comes across forced. Those moments aside, from its foreshadowing opening to its meaningfully open-ended ending, “Inception” is an absolute marvel.
Kayleigh (12 KP) rated The Fault in Our Stars in Books
Jan 2, 2019
If you don’t want to read a long review, here’s my summary: Read. This. Book. It is perfect.
In my last review (of <a href="http://awowords.wordpress.com/2013/02/02/beautiful-creatures/">Beautiful Creatures</a>), I was a little harsh about the portrayal of love stories in teenage/young adult fiction. The backbone of this book is that slowly but surely, the two main characters, Hazel and Augustus, fall in love. It’s not some pre-determined, intense force that sweeps the characters off their feet. It’s slow and steady, with a few set-backs, much like Hazel’s breathing at times, if you like. As Hazel puts it, perfectly:
<blockquote>“I fell in love the way you fall asleep: slowly, and then all at once.”</blockquote>
There’s nothing glamorous – life goes up and down, it’s sad and it’s funny, it’s not fair. It’s real.
In The Fault in Our Stars, John Green introduces us to two extremely philosophical teenagers that have been through a lot more than most people, with the knowledge that there is only more hardship to come. He humanises something I know I have never really thought about – the feelings, and more specifically, the sense of humour cancer sufferers/survivors have throughout it all. I talk about the humour later, but something that really got the message across was Hazel finally admitting her biggest fear to her parents. Hazel, the girl who decided to become a vegetarian so as to “minimise the number of deaths I’m responsible for.”
<blockquote>“‘I’m like. Like. I’m a grenade, Mom. I’m a grenade and at some point I’m going to blow up and I would like to minimise the casualties, okay?’”</blockquote>
It was the realness of the characters that got me so attached. For the last third of the story, I was unabashedly sobbing (luckily, alone. The first time I finished this, I was on a bus). To be blunt (and a little bit gross), the best way I can describe the end of this book is like this. When I was a child, I’d be crying my eyes out over something or other, and my mum would be comforting me. When the worst was over, she’d joke that I’d better not have got snot on her jumper, which would make me laugh through the tears. I’m trying not to put spoilers in here, but the next quote, for example, happens just after one of the most poignant parts of the book. It lightens the mood without altering the seriousness, and at the same time reminding us that they are, after all, only teenagers.
<blockquote>“He smiled. Gallows humour. ‘I’m on a roller coaster that only goes up,’ he said.
‘And it is my privilege and my responsibility to ride all the way up with you,’ I said.
‘Would it be absolutely ludicrous to try to make out?’
‘There is no try,’ I said. ‘There is only do.’”</blockquote>
John Green managed to blend humour and tragedy perfectly. If you’ve read the book already, he wrote a blog post answering questions about the book – I’d recommend a read. I don’t want to waffle, so I’ll leave it there, but I’d wholeheartedly recommend The Fault in Our Stars - it’s an instant favourite and already has a place in my heart. Don’t forget the tissues!
Oh, and about the film that’s apparently in the works – did anyone else picture Hazel as looking a little like Ellen Page in Juno? Maybe it’s a similar attitude to life, but I could only see her as this!
PS – Sorry for anglicising the quotes – habit!
This review is also on my <a href="http://awowords.wordpress.com">blog</a>; - if you liked it, please check it out!
In my last review (of <a href="http://awowords.wordpress.com/2013/02/02/beautiful-creatures/">Beautiful Creatures</a>), I was a little harsh about the portrayal of love stories in teenage/young adult fiction. The backbone of this book is that slowly but surely, the two main characters, Hazel and Augustus, fall in love. It’s not some pre-determined, intense force that sweeps the characters off their feet. It’s slow and steady, with a few set-backs, much like Hazel’s breathing at times, if you like. As Hazel puts it, perfectly:
<blockquote>“I fell in love the way you fall asleep: slowly, and then all at once.”</blockquote>
There’s nothing glamorous – life goes up and down, it’s sad and it’s funny, it’s not fair. It’s real.
In The Fault in Our Stars, John Green introduces us to two extremely philosophical teenagers that have been through a lot more than most people, with the knowledge that there is only more hardship to come. He humanises something I know I have never really thought about – the feelings, and more specifically, the sense of humour cancer sufferers/survivors have throughout it all. I talk about the humour later, but something that really got the message across was Hazel finally admitting her biggest fear to her parents. Hazel, the girl who decided to become a vegetarian so as to “minimise the number of deaths I’m responsible for.”
<blockquote>“‘I’m like. Like. I’m a grenade, Mom. I’m a grenade and at some point I’m going to blow up and I would like to minimise the casualties, okay?’”</blockquote>
It was the realness of the characters that got me so attached. For the last third of the story, I was unabashedly sobbing (luckily, alone. The first time I finished this, I was on a bus). To be blunt (and a little bit gross), the best way I can describe the end of this book is like this. When I was a child, I’d be crying my eyes out over something or other, and my mum would be comforting me. When the worst was over, she’d joke that I’d better not have got snot on her jumper, which would make me laugh through the tears. I’m trying not to put spoilers in here, but the next quote, for example, happens just after one of the most poignant parts of the book. It lightens the mood without altering the seriousness, and at the same time reminding us that they are, after all, only teenagers.
<blockquote>“He smiled. Gallows humour. ‘I’m on a roller coaster that only goes up,’ he said.
‘And it is my privilege and my responsibility to ride all the way up with you,’ I said.
‘Would it be absolutely ludicrous to try to make out?’
‘There is no try,’ I said. ‘There is only do.’”</blockquote>
John Green managed to blend humour and tragedy perfectly. If you’ve read the book already, he wrote a blog post answering questions about the book – I’d recommend a read. I don’t want to waffle, so I’ll leave it there, but I’d wholeheartedly recommend The Fault in Our Stars - it’s an instant favourite and already has a place in my heart. Don’t forget the tissues!
Oh, and about the film that’s apparently in the works – did anyone else picture Hazel as looking a little like Ellen Page in Juno? Maybe it’s a similar attitude to life, but I could only see her as this!
PS – Sorry for anglicising the quotes – habit!
This review is also on my <a href="http://awowords.wordpress.com">blog</a>; - if you liked it, please check it out!