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Erika (17788 KP) rated This Is the End (2013) in Movies
Sep 22, 2017
This movie is bursting at the seams with famous actors and actresses. Jay Baruchel is visiting Seth Rogan in LA, when they go to a party at James Franco's house, and the world decides to end. James Franco is so ridiculous, I almost liked him. Emma Watson's cameo is so amusing. I'm glad that the Backstreet Boys are jamming out in heaven at the end.
Debbiereadsbook (1056 KP) rated Shadow Seer (Blood Shadows #2) in Books
Nov 29, 2022
you must read book one first!
Independent reviewer for Book Sirens, I was gifted my copy of this book.
This is book 2 in the Blood Shadows trilogy, and you really must: MUST read book one, Shadow Guardian bfore you read this. That book sets the scene and tone for this book. And cos, you know, I said so!
Zach needs to trust Emma, but given who her father is, he's not sure he can. But his Shadows? They know. They know that Emma can be trusted. They know that Emma is Zach's. He just needs to get with their programme, which is difficult, since he can see her Shadows, and how damaged they are. Emma can't see they Shadows, but she knows hers are broken. She wants nothing to do with her father. But Zach and the others need her help. She's just not sure she has the skills they need.
What I'm especially enjoying about these books is this: I cannot see where it's going! I really can't see how they are gonna get out of this mess that Gordon has created, without some major damage to both the Shadow Weavers and the norms of this world. It's frustrating, in the best way!
Zach, bless him, he was hurt bad by James' betrayal in the first book and he takes a lot of it out on Emma in the beginning. But once he sees Emma, really SEES her, he can see he is hurting her too. And then what does he do?? Breaks her freaking heart by hurting her some more! Oh he does come good, in the best way, he really does, but he still hurt Emma.
Emma is hurting for a whole other reason. He father is hell bent on world domination, and she wants nothing to do with him, but it might be the only way they can stop him. While there, Emma discovers some truths, some SPOILERS that will not be discussed!
I loved the description of the colours of Zach and Emma's Shadows. They make you look at the shadow on the wall behind the lamp, at the shadow the cat makes when she walks past the sun, and think. It makes you see if you can see the colours in those shadows.
We get a bit of Gordon here, too. He is the one bent on world domination and his plan is coming together. Until Emma and Zach mess that up, but he can still make it work. (I love hearing from the bad guy!)
James, oh James! He is in a world of hurt, he really is. He knows that he was used by Gordon, he knows that he caused a good deal of pain to those he loves, but he can't see his way out this mess. Until Riley turns up, and then James goes and does something incredibly stoopid and now we need his story, like yesterday!!
So, yeah, loved it, as much as book one!
5 stars
*same worded review will appear elsewhere
This is book 2 in the Blood Shadows trilogy, and you really must: MUST read book one, Shadow Guardian bfore you read this. That book sets the scene and tone for this book. And cos, you know, I said so!
Zach needs to trust Emma, but given who her father is, he's not sure he can. But his Shadows? They know. They know that Emma can be trusted. They know that Emma is Zach's. He just needs to get with their programme, which is difficult, since he can see her Shadows, and how damaged they are. Emma can't see they Shadows, but she knows hers are broken. She wants nothing to do with her father. But Zach and the others need her help. She's just not sure she has the skills they need.
What I'm especially enjoying about these books is this: I cannot see where it's going! I really can't see how they are gonna get out of this mess that Gordon has created, without some major damage to both the Shadow Weavers and the norms of this world. It's frustrating, in the best way!
Zach, bless him, he was hurt bad by James' betrayal in the first book and he takes a lot of it out on Emma in the beginning. But once he sees Emma, really SEES her, he can see he is hurting her too. And then what does he do?? Breaks her freaking heart by hurting her some more! Oh he does come good, in the best way, he really does, but he still hurt Emma.
Emma is hurting for a whole other reason. He father is hell bent on world domination, and she wants nothing to do with him, but it might be the only way they can stop him. While there, Emma discovers some truths, some SPOILERS that will not be discussed!
I loved the description of the colours of Zach and Emma's Shadows. They make you look at the shadow on the wall behind the lamp, at the shadow the cat makes when she walks past the sun, and think. It makes you see if you can see the colours in those shadows.
We get a bit of Gordon here, too. He is the one bent on world domination and his plan is coming together. Until Emma and Zach mess that up, but he can still make it work. (I love hearing from the bad guy!)
James, oh James! He is in a world of hurt, he really is. He knows that he was used by Gordon, he knows that he caused a good deal of pain to those he loves, but he can't see his way out this mess. Until Riley turns up, and then James goes and does something incredibly stoopid and now we need his story, like yesterday!!
So, yeah, loved it, as much as book one!
5 stars
*same worded review will appear elsewhere
Merissa (11619 KP) rated Shadow Seer (Blood Shadows #2) in Books
Nov 21, 2022
SHADOW SEER is the second book in the Blood Shadows trilogy and although it is sort of standalone - in that it is Zach and Emma's story - it is better to read in sequence so you get the big picture. As for Zach and Emma, they were childhood friends who were separated by sad circumstances. Zach sets out to find her, not knowing what he will find. Is Emma innocent or is she involved with her father's wrongdoings?
Oh, man. She's only gone and done it again! Jennie Lynn Roberts is an outstanding author, in my humble opinion. I haven't read a bad book of hers yet and doubt I ever will. Although not fantasy per se, this is an amazing story. It changes the way you look at shadows, that's for sure. They sound so beautiful, I wish I could see them for myself!
There is so much intrigue here. So many machinations, people being played like puppets, and others fighting the good fight. It is intricate, leading you along through a maze of words as you try to work out what the final objective is.
Zach and Emma are just as perfect together as Kay and Ethan are. Zach acts like a first-class jerk at one point though, and I was glad Emma was so strong. She stood by her convictions, even though she wanted Zach at her side, and he had faltered. With the others by her side, I think Emma is going to grow into a force to be reckoned with, and I can't wait to see her develop in James' story. (Or, at least, I hope!)
And speaking of James, he's gone from a character I didn't much like, to one who is breaking my heart as he tries to the do right thing. Read these two books and you'll see what I mean.
No mid-trilogy slump for this series, oh no. Instead, it's a nail-biting, gripping story that will keep you turning the pages and definitely leave you wanting more. HIGHLY recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Oh, man. She's only gone and done it again! Jennie Lynn Roberts is an outstanding author, in my humble opinion. I haven't read a bad book of hers yet and doubt I ever will. Although not fantasy per se, this is an amazing story. It changes the way you look at shadows, that's for sure. They sound so beautiful, I wish I could see them for myself!
There is so much intrigue here. So many machinations, people being played like puppets, and others fighting the good fight. It is intricate, leading you along through a maze of words as you try to work out what the final objective is.
Zach and Emma are just as perfect together as Kay and Ethan are. Zach acts like a first-class jerk at one point though, and I was glad Emma was so strong. She stood by her convictions, even though she wanted Zach at her side, and he had faltered. With the others by her side, I think Emma is going to grow into a force to be reckoned with, and I can't wait to see her develop in James' story. (Or, at least, I hope!)
And speaking of James, he's gone from a character I didn't much like, to one who is breaking my heart as he tries to the do right thing. Read these two books and you'll see what I mean.
No mid-trilogy slump for this series, oh no. Instead, it's a nail-biting, gripping story that will keep you turning the pages and definitely leave you wanting more. HIGHLY recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Kim Pook (101 KP) rated The Prom (2020) in Movies
Dec 24, 2020
Contains spoilers, click to show
From the get go this movie made me so angry. Basically the PTA of a high school decide to cancel prom rather than allow her to take her girlfriend. Then when we are thrown into a musical number by meryl Streep and James corden, I knew this was going to be fab right after I finished laughing at James corden fake accent of course! Anyway this duo are the star of a Broadway show called 'Eleanor' which closes on opening night due to bad reviews, and not for the first time either. During a long bar scene they decide they want to become activists to regain their fame, their project? Get prom reinstated and ensure Emma can bring her girlfriend.
Considering I thought the whole movie was about giving prom the go ahead, I thought prom was reinstated very quickly, as many dance numbers and 40 minutes later they are successful. As the movie is over 2 hours long though, that obviously meant there is more to the movie, but I'll leave that to you to see what happens. A word of warning though, it is so cruel! In true Hollywood style though it all works out.
I really enjoyed the movie, it has so many catchy and humorous songs. It's funny, emotional and full of pazazz all the way through. Arianna De bose and Jo Ellen pellman as Alyssa and Emma have great chemistry, and who'd have thought James cordon would be so good at playing a camp gay guy! If you love musicals, you will definitely love this.
Considering I thought the whole movie was about giving prom the go ahead, I thought prom was reinstated very quickly, as many dance numbers and 40 minutes later they are successful. As the movie is over 2 hours long though, that obviously meant there is more to the movie, but I'll leave that to you to see what happens. A word of warning though, it is so cruel! In true Hollywood style though it all works out.
I really enjoyed the movie, it has so many catchy and humorous songs. It's funny, emotional and full of pazazz all the way through. Arianna De bose and Jo Ellen pellman as Alyssa and Emma have great chemistry, and who'd have thought James cordon would be so good at playing a camp gay guy! If you love musicals, you will definitely love this.
BookblogbyCari (345 KP) rated The Girl Before in Books
Mar 17, 2019
What a page-turner! I was gripped from start to finish – if I could have read it in one sitting I would have!
The story alternates between being told by 2 different central female characters, Emma in the past, and Jane currently. Following a burglary, Emma and her boyfriend find an amazing new house, which adapts to how you live – you need a special microchip to be allowed entrance, and the lighting and shower settings adapt to your personal tendencies and preferences. But there’s a catch – to rent it, you have to obey a strict set of rules laid down by the obsessive and intriguing architect.
Switch scene to Jane – following a tragic still birth, Jane finds relief in finding an amazing new house where she can start over again. Things turn tense though when Jane finds out that previous tenant, Emma, looks exactly like Jane and was found dead at the bottom of the stairs. Things become more worrying still when Jane discovers her current beau, the elusive architect of the house, has only been taking on tenants who look like his dead wife.
When I read the synopsis, I thought that what happens with Jane would be identical to what happened with Emma, but each character does in fact have other things going on, and there was more to story than a fantastic house and a bizarre way to live. I won’t give away any more of the story – I wouldn't want to spoil it.
The majority of chapters where only about 2 minutes long, so it was easy to tell myself I had time for just one more chapter! It was like reading a James Patterson novel, but with oodles more intrigue! I enjoyed this author’s debut novel so much, I've already downloaded Delaney’s other book, and have pre-ordered the third! Thoroughly recommended!
The story alternates between being told by 2 different central female characters, Emma in the past, and Jane currently. Following a burglary, Emma and her boyfriend find an amazing new house, which adapts to how you live – you need a special microchip to be allowed entrance, and the lighting and shower settings adapt to your personal tendencies and preferences. But there’s a catch – to rent it, you have to obey a strict set of rules laid down by the obsessive and intriguing architect.
Switch scene to Jane – following a tragic still birth, Jane finds relief in finding an amazing new house where she can start over again. Things turn tense though when Jane finds out that previous tenant, Emma, looks exactly like Jane and was found dead at the bottom of the stairs. Things become more worrying still when Jane discovers her current beau, the elusive architect of the house, has only been taking on tenants who look like his dead wife.
When I read the synopsis, I thought that what happens with Jane would be identical to what happened with Emma, but each character does in fact have other things going on, and there was more to story than a fantastic house and a bizarre way to live. I won’t give away any more of the story – I wouldn't want to spoil it.
The majority of chapters where only about 2 minutes long, so it was easy to tell myself I had time for just one more chapter! It was like reading a James Patterson novel, but with oodles more intrigue! I enjoyed this author’s debut novel so much, I've already downloaded Delaney’s other book, and have pre-ordered the third! Thoroughly recommended!
Sean Farrell (9 KP) rated The Girl Before in Books
Mar 15, 2018
Another day, another thriller with the word "Girl" in the title. There isn't really much to differentiate this one from all the others. We have a small cast of characters whose fates are intertwined and whose stories take place in alternating timelines as one learns more about the other. First up chronologically is Emma, who moves into One Folgate Street with her boyfriend after experiencing a violent break-in at her previous flat. The new house is modern and immaculate but is part of a beta-test for a smart-home concept that comes with a very lengthy list of rules, some stranger than others. Next up is Jane, who has her own reasons for needing a fresh start in a new place. She finds herself living in One Folgate Street as well, after the tragic death of its previous tenant. Also interacting with the 2 "girls" is the architect who thought up the home's whole concept, whose intellect and good looks attract both of them to him, despite his odd and aloof demeanor. You can probably guess where the plot is headed from here. Jane has a few odd encounters and they lead her to begin wondering what exactly happened to Emma, whose timeline chronicles the events leading to her death. Who killed her, or was it just an accident? Secrets come out and there are a few decent twists leading up to the somewhat abrupt finale. It was all compelling enough to keep me reading, despite a few odd moments that almost felt like something out of an E.L. James "novel". Nothing here was especially new or exciting, except for perhaps the house itself, and the implications it brings up about privacy in our current hyper-connected age. Though one could make the case that even that part, and possibly most of the rest of this book, was a little too close to the so-bad-it's-good 1990's erotic thriller "Sliver". If you're bored there are far worse ways to pass the time, but otherwise I wouldn't recommend going out of your way to read this one.
Hazel (1853 KP) rated Etta and Otto and Russell and James in Books
May 28, 2017
Underwhelming
This ARC was provided by the publisher via NetGalley in return for an honest review.
Emma Hooper's novel Etta and Otto and Russell and James explores both the present and the past of three particular characters. Etta is an elderly woman suffering with Alzheimer's who decides to go for a walk and never come home. She first met her husband Otto in her late teens shortly before he enlisted in the army to fight abroad. Russell lives on the farm next to Etta and Otto and was also a childhood friend of Otto and quite close to Etta whilst Otto was away.
Etta's walk becomes public knowledge as she is observed walking through long grass in the company of a coyote whom she named James. She has very little on her, the most important being a note reading " Etta Gloria Kinnick of Deerdale Farm. 83 years old in August." This is to remind her of who she is in case she ever forgets.
The character's pasts are interesting to read about, in particularly the contrast between Etta's more comfortable upbringing and Otto's life on the farm being the seventh child in an extremely large family. The present day, however, was not as interesting. I never understood the significance of Etta's walk and the latter half of the novel became really confusing. At some points I was uncertain which character was being spoken about. Although the name Otto was used, the scene seemed more appropriate for Etta's situation. Whether this was intentional or a mistake I am unsure.
Another thing that made the story confusing to read was the lack of speech punctuation. Occasionally it was hard to determine who was speaking and who was replying; what was speech and what was not. I have read other books that use this structure and even though it's purpose may have related to the type of story being told, it does make it hard to fully comprehend.
This book gets off to a shaky start but I was always expecting it to improve. Unfortunately I was left disappointed.
Emma Hooper's novel Etta and Otto and Russell and James explores both the present and the past of three particular characters. Etta is an elderly woman suffering with Alzheimer's who decides to go for a walk and never come home. She first met her husband Otto in her late teens shortly before he enlisted in the army to fight abroad. Russell lives on the farm next to Etta and Otto and was also a childhood friend of Otto and quite close to Etta whilst Otto was away.
Etta's walk becomes public knowledge as she is observed walking through long grass in the company of a coyote whom she named James. She has very little on her, the most important being a note reading " Etta Gloria Kinnick of Deerdale Farm. 83 years old in August." This is to remind her of who she is in case she ever forgets.
The character's pasts are interesting to read about, in particularly the contrast between Etta's more comfortable upbringing and Otto's life on the farm being the seventh child in an extremely large family. The present day, however, was not as interesting. I never understood the significance of Etta's walk and the latter half of the novel became really confusing. At some points I was uncertain which character was being spoken about. Although the name Otto was used, the scene seemed more appropriate for Etta's situation. Whether this was intentional or a mistake I am unsure.
Another thing that made the story confusing to read was the lack of speech punctuation. Occasionally it was hard to determine who was speaking and who was replying; what was speech and what was not. I have read other books that use this structure and even though it's purpose may have related to the type of story being told, it does make it hard to fully comprehend.
This book gets off to a shaky start but I was always expecting it to improve. Unfortunately I was left disappointed.
Hazel (1853 KP) rated Etta and Otto and Russell and James in Books
Dec 14, 2018
This ARC was provided by the publisher via NetGalley in return for an honest review.
Emma Hooper's novel Etta and Otto and Russell and James explores both the present and the past of three particular characters. Etta is an elderly woman suffering with Alzheimer's who decides to go for a walk and never come home. She first met her husband Otto in her late teens shortly before he enlisted in the army to fight abroad. Russell lives on the farm next to Etta and Otto and was also a childhood friend of Otto and quite close to Etta whilst Otto was away.
Etta's walk becomes public knowledge as she is observed walking through long grass in the company of a coyote whom she named James. She has very little on her, the most important being a note reading " Etta Gloria Kinnick of Deerdale Farm. 83 years old in August." This is to remind her of who she is in case she ever forgets.
The character's pasts are interesting to read about, in particularly the contrast between Etta's more comfortable upbringing and Otto's life on the farm being the seventh child in an extremely large family. The present day, however, was not as interesting. I never understood the significance of Etta's walk and the latter half of the novel became really confusing. At some points I was uncertain which character was being spoken about. Although the name Otto was used, the scene seemed more appropriate for Etta's situation. Whether this was intentional or a mistake I am unsure.
Another thing that made the story confusing to read was the lack of speech punctuation. Occasionally it was hard to determine who was speaking and who was replying; what was speech and what was not. I have read other books that use this structure and even though it's purpose may have related to the type of story being told, it does make it hard to fully comprehend.
This book gets off to a shaky start but I was always expecting it to improve. Unfortunately I was left disappointed.
Emma Hooper's novel Etta and Otto and Russell and James explores both the present and the past of three particular characters. Etta is an elderly woman suffering with Alzheimer's who decides to go for a walk and never come home. She first met her husband Otto in her late teens shortly before he enlisted in the army to fight abroad. Russell lives on the farm next to Etta and Otto and was also a childhood friend of Otto and quite close to Etta whilst Otto was away.
Etta's walk becomes public knowledge as she is observed walking through long grass in the company of a coyote whom she named James. She has very little on her, the most important being a note reading " Etta Gloria Kinnick of Deerdale Farm. 83 years old in August." This is to remind her of who she is in case she ever forgets.
The character's pasts are interesting to read about, in particularly the contrast between Etta's more comfortable upbringing and Otto's life on the farm being the seventh child in an extremely large family. The present day, however, was not as interesting. I never understood the significance of Etta's walk and the latter half of the novel became really confusing. At some points I was uncertain which character was being spoken about. Although the name Otto was used, the scene seemed more appropriate for Etta's situation. Whether this was intentional or a mistake I am unsure.
Another thing that made the story confusing to read was the lack of speech punctuation. Occasionally it was hard to determine who was speaking and who was replying; what was speech and what was not. I have read other books that use this structure and even though it's purpose may have related to the type of story being told, it does make it hard to fully comprehend.
This book gets off to a shaky start but I was always expecting it to improve. Unfortunately I was left disappointed.
Sarah (7798 KP) rated The Prom (2020) in Movies
Jan 1, 2021
Ruined by James Corden
The Prom is the latest film from Glee creator Ryan Murphy, adapted from the Broadway musical of the same name. It follows Emma (Jo Ellen Pellman) who inadvertently causes her high school prom to be cancelled from wanting to attend with her girlfriend Alyssa (Ariana DeBose), in a school governed by a PTA that is very much against inclusion. Meanwhile on Broadway, four down on their luck actors (Meryl Streep, Nicole Kidman, James Corden and Andrew Rannells) pick up on Emma’s story and decide to use it as a perfect opportunity to garner some publicity for themselves by showing their support.
The Prom is obviously a personal movie for director Ryan Murphy, after growing up in Indiana himself, but unfortunately he doesn’t quite manage to pull this off. The story has a very important message about inclusion and you can’t deny how powerful this is, but I don’t think it has been very well executed. Yes the entire film looks amazing, the colourful and flashy outfits look wonderful and add some much needed colour when the story moves from Broadway to Indiana. The songs too are good and toe-tappingly catchy, with ‘Love Thy Neighbor’ from Andrew Rannells being a particular standout for me, and I’d be lying if I said the glitz, glam and catchy songs didn’t make me smile. Newcomer Jo Ellen Pellman has a cracking voice and her performance here shows she’s definitely one to watch in future.
However this is where the positives stop. A large number of the songs sound the same and aside from the aforementioned ‘Love Thy Neighbor’ and the finale ‘It’s Time to Dance’, none of them are particularly memorable. The film is full of clichés and stereotypes and awkward dialogue and scenes – the cringeworthy and entirely unbelievable flirtation between Dee Dee (Streep) and Principal Hawkins (Keegan-Michael Key) is possibly one of the worst things I’ve had to watch in quite a while. The cast are obviously having a lot of fun with this and it shows in the musical numbers, but some of the characters and performances are entirely unlikeable. I know Dee Dee is meant to be a self obsessed narcissist, and Streep is hamming her up to the max, but she is a horrible character and I couldn’t abide her. Scenes with her that are meant to be comedic to me came across as awful and repulsive. Whilst she does improve over the course of the rather drawn out run time, I’m afraid the damage is done in the first 90 minutes. And I felt very sorry for Nicole Kidman, who aside from a Chicago-esque number, seems to have been entirely sidelined.
But the worst part of The Prom is the decision to cast James Corden as the gay male lead, Barry Glickman. What was Ryan Murphy thinking? I’ve never been a fan of Corden, but surely anyone watching this can see he’s a talk show host, not a Hollywood musical star? Not only is his American accent terrible, his performance is completely unbelievable and overly camp and outdated. How Andrew Rannells could bear to work opposite James Corden in this role when he could’ve shone as Barry I will never know. Had it not been for Corden, I probably would have liked this a lot more.
The Prom is a glitzy mash-up of old school Broadway and cheesy high school musicals, full of colourful catchy tunes, neat choreography and a powerful message, it’s just a shame the characters and some of the casting are lacking in the substance to make this anything better than average.
The Prom is obviously a personal movie for director Ryan Murphy, after growing up in Indiana himself, but unfortunately he doesn’t quite manage to pull this off. The story has a very important message about inclusion and you can’t deny how powerful this is, but I don’t think it has been very well executed. Yes the entire film looks amazing, the colourful and flashy outfits look wonderful and add some much needed colour when the story moves from Broadway to Indiana. The songs too are good and toe-tappingly catchy, with ‘Love Thy Neighbor’ from Andrew Rannells being a particular standout for me, and I’d be lying if I said the glitz, glam and catchy songs didn’t make me smile. Newcomer Jo Ellen Pellman has a cracking voice and her performance here shows she’s definitely one to watch in future.
However this is where the positives stop. A large number of the songs sound the same and aside from the aforementioned ‘Love Thy Neighbor’ and the finale ‘It’s Time to Dance’, none of them are particularly memorable. The film is full of clichés and stereotypes and awkward dialogue and scenes – the cringeworthy and entirely unbelievable flirtation between Dee Dee (Streep) and Principal Hawkins (Keegan-Michael Key) is possibly one of the worst things I’ve had to watch in quite a while. The cast are obviously having a lot of fun with this and it shows in the musical numbers, but some of the characters and performances are entirely unlikeable. I know Dee Dee is meant to be a self obsessed narcissist, and Streep is hamming her up to the max, but she is a horrible character and I couldn’t abide her. Scenes with her that are meant to be comedic to me came across as awful and repulsive. Whilst she does improve over the course of the rather drawn out run time, I’m afraid the damage is done in the first 90 minutes. And I felt very sorry for Nicole Kidman, who aside from a Chicago-esque number, seems to have been entirely sidelined.
But the worst part of The Prom is the decision to cast James Corden as the gay male lead, Barry Glickman. What was Ryan Murphy thinking? I’ve never been a fan of Corden, but surely anyone watching this can see he’s a talk show host, not a Hollywood musical star? Not only is his American accent terrible, his performance is completely unbelievable and overly camp and outdated. How Andrew Rannells could bear to work opposite James Corden in this role when he could’ve shone as Barry I will never know. Had it not been for Corden, I probably would have liked this a lot more.
The Prom is a glitzy mash-up of old school Broadway and cheesy high school musicals, full of colourful catchy tunes, neat choreography and a powerful message, it’s just a shame the characters and some of the casting are lacking in the substance to make this anything better than average.
LeftSideCut (3778 KP) rated X-Men: First Class (2011) in Movies
Jul 28, 2019
Back on form
Fox made a smart move with First Class. After just four movies, the X-Men movie franchise had already started to feel a bit stale. The solution? Take the story way back for a 60s adventure.
The casting here is pretty strong. James McAvoy is great in the role of a younger and cockier Charles Xavier, and Michael Fassbender seems like perfect casting as Erik Lensher (even if his Irish accent slips into his dialogue now and again!)
The relationship between the two friends, sadly destined to become enemies, is the beating heart of First Class. A lot of the action we've become accustomed too throughout these films is sidelined to explore their friendship, and their conflicting ideologies. As the plot comes to a head, and these two really pull in opposite directions, the emotional impact is well earned and hard hitting.
Elsewhere, we have Nicholas Holt as Beast and Jennifer Lawrence as Mystique. They also fit the billing pretty well, and are a welcome addition to the cast.
As an X-Men comic fan, it's a lovely touch to see less known characters get screen time such as Azazel, Havoc, and finally - Banshee!
We also get an adaption of Emma Frost, although she is criminally underused, merely present as a glorified henchwoman.
Kevin Bacon is the big bad this time round, playing Sebastian Shaw, a relatively minor X-Men villain, who plays his part well in First Class - he never feels like a huge threat, but that works as it doesn't steal the limelight from Erik's descent into Magneto.
The final action scene is enjoyable comic book fun - the small X-Men team clad in yellow and blue outfits (a nod to the original comic costumes), and the setting is full of colour. Its pretty damn glorious.
First Class is a stand out entry into the X-Men franchise, and certainly worth your time, even if you've never seen another X-Men film!
The casting here is pretty strong. James McAvoy is great in the role of a younger and cockier Charles Xavier, and Michael Fassbender seems like perfect casting as Erik Lensher (even if his Irish accent slips into his dialogue now and again!)
The relationship between the two friends, sadly destined to become enemies, is the beating heart of First Class. A lot of the action we've become accustomed too throughout these films is sidelined to explore their friendship, and their conflicting ideologies. As the plot comes to a head, and these two really pull in opposite directions, the emotional impact is well earned and hard hitting.
Elsewhere, we have Nicholas Holt as Beast and Jennifer Lawrence as Mystique. They also fit the billing pretty well, and are a welcome addition to the cast.
As an X-Men comic fan, it's a lovely touch to see less known characters get screen time such as Azazel, Havoc, and finally - Banshee!
We also get an adaption of Emma Frost, although she is criminally underused, merely present as a glorified henchwoman.
Kevin Bacon is the big bad this time round, playing Sebastian Shaw, a relatively minor X-Men villain, who plays his part well in First Class - he never feels like a huge threat, but that works as it doesn't steal the limelight from Erik's descent into Magneto.
The final action scene is enjoyable comic book fun - the small X-Men team clad in yellow and blue outfits (a nod to the original comic costumes), and the setting is full of colour. Its pretty damn glorious.
First Class is a stand out entry into the X-Men franchise, and certainly worth your time, even if you've never seen another X-Men film!