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BankofMarquis (1832 KP) rated Cruella (2021) in Movies
Jun 13, 2021
Fights to find the right tone - but succeeds more than it fails
The new Disney live action film CRUELLA (telling the origin story of one of the most well known villains in Disney animation history) is one of those strange films that is trying to walk a thin line between “G” rated “kid” entertainment and an “R” rated film intended for a more “mature” audience.
An that, ultimately, is the issue with this film, it bounces around tonally - sometimes bumping up against the “G” rating and often times landing closer to the “R”, so that, in the end, it will not be a totally satisfying experience for either the “G” or the “R” crowd.
Emma Stone takes on the title role of CRUELLA and in this film you watch her become the Cruella DeVille that you see in the Disney Animated Film (and the Glenn Close live action remake). Stone is very good in this role - almost a perfect fit. However, it looks to me that she is having a much better time playing the evil “R” rated version of Cruella rather then the comic-bookish “G” rated version, so her performance is, at times, brilliant and at other times, not as brillaint.
Emma Thompson steals just about every scene she is in as Cruella’s nemesis “The Baroness”. It’s good to see this terrific actress getting a role that she can really sink her teeth in. I hope this leads to other, strong important roles for this actress “of a certain age”.
The supporting players are strong…or should I say…Mark Strong (hehehehe). He brings his usual gravitas to the role of The Baroness’ right-hand man. But the players who impressed me the most were Joel Fry (YESTERDAY) and Paul Walter Hauser (RICHARD JEWELL) as Cruella’s 2 best friends/henchmen. They both were able to flesh out these characters (who are usually portrayed as bumbling buffoons) and both were able to find the line between “G” and “R” very well - and stay on it the entire film.
Director Craig Gillespie (I, TONYA) finds the correct tone for this film more often than not, but it is in the “not” portion of this that he fails this movie. The shifts in tone (often on a dime) are often jarring and the blame for this would have to be put right at the Director’s feet, though the look of this film (sort of a 1960’s Austin Powers meets SteamPunk look) succeeds VERY well and is as much a character in this film as the performers.
One final thing, the soundtrack used in CRUELLA is an interesting touch. Gillespie and Composer Nicholas Britell eschews (for the most part) a conventional score and highlights most of the scenes with a Pop song - though here Gillespie whips us around tonally as well. For, since the film is set in 1960’s London, a good many of the tunes used are ‘60 (and early ‘70’s) rock hits. But….every now and then…he will drop in a ‘80’s number.
But…as I sit and write this review, I am finding myself falling more and more on the side of “I Liked It”, so…set aside the tonal shifts…and you will be entertained by CRUELLA much more than you would expect.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank (ofMarquis)
An that, ultimately, is the issue with this film, it bounces around tonally - sometimes bumping up against the “G” rating and often times landing closer to the “R”, so that, in the end, it will not be a totally satisfying experience for either the “G” or the “R” crowd.
Emma Stone takes on the title role of CRUELLA and in this film you watch her become the Cruella DeVille that you see in the Disney Animated Film (and the Glenn Close live action remake). Stone is very good in this role - almost a perfect fit. However, it looks to me that she is having a much better time playing the evil “R” rated version of Cruella rather then the comic-bookish “G” rated version, so her performance is, at times, brilliant and at other times, not as brillaint.
Emma Thompson steals just about every scene she is in as Cruella’s nemesis “The Baroness”. It’s good to see this terrific actress getting a role that she can really sink her teeth in. I hope this leads to other, strong important roles for this actress “of a certain age”.
The supporting players are strong…or should I say…Mark Strong (hehehehe). He brings his usual gravitas to the role of The Baroness’ right-hand man. But the players who impressed me the most were Joel Fry (YESTERDAY) and Paul Walter Hauser (RICHARD JEWELL) as Cruella’s 2 best friends/henchmen. They both were able to flesh out these characters (who are usually portrayed as bumbling buffoons) and both were able to find the line between “G” and “R” very well - and stay on it the entire film.
Director Craig Gillespie (I, TONYA) finds the correct tone for this film more often than not, but it is in the “not” portion of this that he fails this movie. The shifts in tone (often on a dime) are often jarring and the blame for this would have to be put right at the Director’s feet, though the look of this film (sort of a 1960’s Austin Powers meets SteamPunk look) succeeds VERY well and is as much a character in this film as the performers.
One final thing, the soundtrack used in CRUELLA is an interesting touch. Gillespie and Composer Nicholas Britell eschews (for the most part) a conventional score and highlights most of the scenes with a Pop song - though here Gillespie whips us around tonally as well. For, since the film is set in 1960’s London, a good many of the tunes used are ‘60 (and early ‘70’s) rock hits. But….every now and then…he will drop in a ‘80’s number.
But…as I sit and write this review, I am finding myself falling more and more on the side of “I Liked It”, so…set aside the tonal shifts…and you will be entertained by CRUELLA much more than you would expect.
Letter Grade: B+
7 1/2 (out of 10) stars and you can take that to the Bank (ofMarquis)
Between the Stops: The View of My Life from the Top of the Number 12 Bus
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This long-awaited memoir from one of Britain's best-loved celebrities - a writer, broadcaster,...
Lee (2222 KP) rated Men in Black International (2019) in Movies
Jun 16, 2019
A complete waste of time
Aside from Avengers Endgame, 2019 is shaping up to be pretty disappointing when it comes to blockbuster movies. Godzilla received a bit of a panning from the critics (although I personally quite liked it), then Dark Phoenix took an even bigger hit in the reviews, which I completely agree with. And now we have a sequel that nobody asked for, to a movie which has already had a couple of fairly average sequels, which has also received a wave of early bad reviews this week. To be honest, the trailer for Men In Black International certainly looked a bit....meh. A bunch of random stuff happening, no real indication of any plot, some annoying looking CGI aliens and an attempt to just coast off the back of having Thor and Valkyrie reunited on screen. I still remember how memorable the original trailer for the 1997 MIB movie was when it featured in cinemas - the shades, the guns, the aliens, the massive flying saucer crash landing in front of a cool looking Will Smith and Tommy Lee Jones. This trailer had none of that wow factor, but I went in, hopeful as always that the reviews were wrong.
The movie begins in 2016, with Agent H (Chris Hemsworth) and High T (Liam Neeson) as they ascend the Eiffel Tower, interrupting a man who is about to propose to his partner, before saving the world from an incoming alien race called The Hive. Then we jump back 20 years into the past to a family who are disturbed one night by a cute little alien in their back garden. As the young daughter, Molly, hides the alien in her bedroom, she looks out of her window to see her parents as they are neuralysed by a couple of Men in Black.
Back in present day, Molly (Tessa Thompson) is now all grown up, but hasn't forgotten that eventful night. While working in a call centre, she uses her computer to connect to satellite equipment in order to track alien landings and therefore try and gain access to the Men in Black, and hopefully get a job with them. Eventually finding her way into their headquarters, she is recruited by Agent O (Emma Thompson) and sent on her first mission, where she partners up with Agent H. The pair get caught up in a mission involving an assassinated alien VIP and some kind of super weapon. And, as the title of the movie suggests, plenty of international travel, as we switch between New York, London, Paris and Marrakesh.
The problem is, whereas the original Men in Black boasted a lot of humour, along with some great visual gags and action and a great double act, in the form of Will Smith and Tommy Lee Jones, this movie does nothing to successfully recapture any of that. As much as I love Chris Hemsworth, I felt that he was the worst thing about this movie. Somebody simply thought they'd take the character of Thor and try to have that for the entire movie, but without making him funny, heroic or even that likeable in the process. As with Dark Phoenix recently, a great cast is let down by an awful script, with any attempts at humour or entertainment falling completely flat.
Elsewhere, the fun and wacky inventiveness behind the different alien species in the original movie is completely absent here. Apart from some interesting and formidable twin villains, there's a fairly wasted role for Rebecca Ferguson as a three armed ex lover of Agent H. Otherwise, the main alien throughout the movie is just an annoying little CGI character.
To be fair, there are a couple of fun action sequences and some nice visuals, but overall this is just a completely forgettable and unnecessary movie. Here's hoping that Toy Story 4 will finally bring us a worthy blockbuster when it opens later this week.
The movie begins in 2016, with Agent H (Chris Hemsworth) and High T (Liam Neeson) as they ascend the Eiffel Tower, interrupting a man who is about to propose to his partner, before saving the world from an incoming alien race called The Hive. Then we jump back 20 years into the past to a family who are disturbed one night by a cute little alien in their back garden. As the young daughter, Molly, hides the alien in her bedroom, she looks out of her window to see her parents as they are neuralysed by a couple of Men in Black.
Back in present day, Molly (Tessa Thompson) is now all grown up, but hasn't forgotten that eventful night. While working in a call centre, she uses her computer to connect to satellite equipment in order to track alien landings and therefore try and gain access to the Men in Black, and hopefully get a job with them. Eventually finding her way into their headquarters, she is recruited by Agent O (Emma Thompson) and sent on her first mission, where she partners up with Agent H. The pair get caught up in a mission involving an assassinated alien VIP and some kind of super weapon. And, as the title of the movie suggests, plenty of international travel, as we switch between New York, London, Paris and Marrakesh.
The problem is, whereas the original Men in Black boasted a lot of humour, along with some great visual gags and action and a great double act, in the form of Will Smith and Tommy Lee Jones, this movie does nothing to successfully recapture any of that. As much as I love Chris Hemsworth, I felt that he was the worst thing about this movie. Somebody simply thought they'd take the character of Thor and try to have that for the entire movie, but without making him funny, heroic or even that likeable in the process. As with Dark Phoenix recently, a great cast is let down by an awful script, with any attempts at humour or entertainment falling completely flat.
Elsewhere, the fun and wacky inventiveness behind the different alien species in the original movie is completely absent here. Apart from some interesting and formidable twin villains, there's a fairly wasted role for Rebecca Ferguson as a three armed ex lover of Agent H. Otherwise, the main alien throughout the movie is just an annoying little CGI character.
To be fair, there are a couple of fun action sequences and some nice visuals, but overall this is just a completely forgettable and unnecessary movie. Here's hoping that Toy Story 4 will finally bring us a worthy blockbuster when it opens later this week.
Darren (1599 KP) rated Nanny McPhee (2006) in Movies
Aug 6, 2019
Story: Nanny McPhee starts when widow Mr Brown (Firth) is struggling to keep a nanny to care for his seven children led by the oldest Simon (Brodie-Sangster) who has always planned to push the nanny away with schemes that will leave them in terror. Reaching the end of his potential candidates, Mr Brown is drawn to a mystical Nanny McPhee (Thompson).
Nanny McPhee uses different methods to get the children in order, using her magic, with the warning When you need me but do not want me, then I must stay. When you want me but no longer need me, then I have to go. Can the children be put into order before it is too late.
Thoughts on Nanny McPhee
Characters – Nanny McPhee is a magical nanny that comes when families need her most, she uses the magic to push the children into following her rules, letting them learn from their mistakes unlike any previous nanny. Mr Brown is the widowed father of seven that runs a funeral parlour, he has become distant from his children because of the added pressure of needing to find a new wife as h is clearly stricken with the grief in his life. Evangeline is the help around the house, she is learning from the children in a way that sees her being one of the only adults that can get through to them. Simon is the oldest child that plans what the rest get up to, he needs to learn the biggest lessons as the others will look up to him most.
Performances – Emma Thompson is wonderful choice as Nanny McPhee, she always has your attention on screen no matter what she is teaching. Colin Firth is a great choice in this role, he has the fatherly side down and a man that needs to find love. Kelly Macdonald works well in the maid role in the film bring a calm to the chaos the children usually have. Thomas Brodie-Sangster as the lead of the children stars shows that he was one of Britain’s best at the time.
Story – The story follows a widow that must find a new wife within a month, but is struggle to make sure his children have a nanny after they have chased the rest out of town, a magical nanny comes along to save the day and teach the children a lesson. This story does tackle adult themes like grief and learning to communicate with your family after a tragic loss. We don’t overly focus on the serious side of the film because this is meant to be a kids movie, which is fine, which does pose the question just why would somebody have seven kids and not be able to control them. We do get to through the usual life lessons that the children must learn without being anything special.
Comedy/Fantasy – The comedy in the film usually falls into the slightly more immature level which is more for the children audience, the fantasy comes from just how Nanny McPhee operates.
Settings – The film is set in the house that Mr Brown lives in with his children, it shows that he is in the upper class in the time they are living in.
Special Effects – The effects come from how Nanny McPhee pulls her magic to make the life better for the children.
Scene of the Movie – The wedding.
That Moment That Annoyed Me – Overly childish jokes.
Final Thoughts – This is a simple enjoyable family fantasy film that can be enjoyed by the whole family, it doesn’t bring anything new, but it doesn’t break anything too.
Overall: Fantasy film 101.
Nanny McPhee uses different methods to get the children in order, using her magic, with the warning When you need me but do not want me, then I must stay. When you want me but no longer need me, then I have to go. Can the children be put into order before it is too late.
Thoughts on Nanny McPhee
Characters – Nanny McPhee is a magical nanny that comes when families need her most, she uses the magic to push the children into following her rules, letting them learn from their mistakes unlike any previous nanny. Mr Brown is the widowed father of seven that runs a funeral parlour, he has become distant from his children because of the added pressure of needing to find a new wife as h is clearly stricken with the grief in his life. Evangeline is the help around the house, she is learning from the children in a way that sees her being one of the only adults that can get through to them. Simon is the oldest child that plans what the rest get up to, he needs to learn the biggest lessons as the others will look up to him most.
Performances – Emma Thompson is wonderful choice as Nanny McPhee, she always has your attention on screen no matter what she is teaching. Colin Firth is a great choice in this role, he has the fatherly side down and a man that needs to find love. Kelly Macdonald works well in the maid role in the film bring a calm to the chaos the children usually have. Thomas Brodie-Sangster as the lead of the children stars shows that he was one of Britain’s best at the time.
Story – The story follows a widow that must find a new wife within a month, but is struggle to make sure his children have a nanny after they have chased the rest out of town, a magical nanny comes along to save the day and teach the children a lesson. This story does tackle adult themes like grief and learning to communicate with your family after a tragic loss. We don’t overly focus on the serious side of the film because this is meant to be a kids movie, which is fine, which does pose the question just why would somebody have seven kids and not be able to control them. We do get to through the usual life lessons that the children must learn without being anything special.
Comedy/Fantasy – The comedy in the film usually falls into the slightly more immature level which is more for the children audience, the fantasy comes from just how Nanny McPhee operates.
Settings – The film is set in the house that Mr Brown lives in with his children, it shows that he is in the upper class in the time they are living in.
Special Effects – The effects come from how Nanny McPhee pulls her magic to make the life better for the children.
Scene of the Movie – The wedding.
That Moment That Annoyed Me – Overly childish jokes.
Final Thoughts – This is a simple enjoyable family fantasy film that can be enjoyed by the whole family, it doesn’t bring anything new, but it doesn’t break anything too.
Overall: Fantasy film 101.
Darren (1599 KP) rated Nanny McPhee Returns (2010) in Movies
Aug 6, 2019
Story: Nanny McPhee and the Big Bang starts as we meet mother Isabel (Gyllenhaal) who is trying to run the family home and raise her three children, while her husband is away at war, adding to her pressure is her brother-in-law Phil (Ifans) that is looking to get money and two cousins added to the family that are used to the luxury life.
When Isabel starts struggling, she gets the call from Nanny McPhee (Thompson) who offers to help put the children back in line with her magic. The children must learn to work together to help the farm stay in the right hands.
Thoughts on Nanny McPhee and the Big Bang
Characters – Nanny McPhee is the magical nanny that comes to family’s when they are in need of support, she has come to this family in their time of need to help teach them how to be together in one of the most difficult times in their lives, the war, she brings her rules like before as she looks to bring the best out in the people. Isabel is the mother of the three that is trying to run and farm and work, her husband is at war, with the uncertainty of whether he will be returning. She doesn’t want help, but must accept it to keep the pressures of her life away from her children. Phil is the brother-in-law to Isabel, he has created his own gambling debts and wants the farm to clear the debts, he will do anything to get what he needs. Mrs Docherty is the boss of Isabel and family friend, she isn’t quite all there which makes her character come off funnier than she should. The children do come from different worlds which does see them clash in the time of conflict.
Performances – Emma Thompson does continue to enjoy playing this role which she handles with ease. Maggie Gyllenhaal gets to play the role well through the film, which shows us just how difficult a position her character is in. Rhys Ifans does everything you would imagine in the comedy role in the film, while Maggie Smith also adds plenty of comedy through the film.
Story – The story here follows a mother that takes over the family farm with her husband away at war, with money running low and the stress of life getting to her, that gets help from Nanny McPhee. The story here easily becomes a much more serious one because we are dealing with children that are being separated from their parents during war, where they don’t know if their family will be together once the war is over. This story does have a very different tone to the first one, one that does feel real, even though it does seem slightly stranger for Nanny McPhee to be here, this time around. The story here is more entertaining than the original which is always a good thing.
Comedy/Fantasy – The comedy in the film does hit better than the first film, most of it comes from the arguments which feel funnier, the fantasy in the film does work too, which ends up blending with the comedy involved.
Settings – The film is mostly set within one farm which does show us just how much trouble the family will be facing in their time of need.
Special Effects – The effects here are the biggest step back sadly because we can see the CGI moments looking completely out of place.
Scene of the Movie – Connection.
That Moment That Annoyed Me – The CGI.
Final Thoughts – This is a great sequel that does have a strong story to cover up the weaker CGI being used in the film.
Overall: Wonderful sequel.
When Isabel starts struggling, she gets the call from Nanny McPhee (Thompson) who offers to help put the children back in line with her magic. The children must learn to work together to help the farm stay in the right hands.
Thoughts on Nanny McPhee and the Big Bang
Characters – Nanny McPhee is the magical nanny that comes to family’s when they are in need of support, she has come to this family in their time of need to help teach them how to be together in one of the most difficult times in their lives, the war, she brings her rules like before as she looks to bring the best out in the people. Isabel is the mother of the three that is trying to run and farm and work, her husband is at war, with the uncertainty of whether he will be returning. She doesn’t want help, but must accept it to keep the pressures of her life away from her children. Phil is the brother-in-law to Isabel, he has created his own gambling debts and wants the farm to clear the debts, he will do anything to get what he needs. Mrs Docherty is the boss of Isabel and family friend, she isn’t quite all there which makes her character come off funnier than she should. The children do come from different worlds which does see them clash in the time of conflict.
Performances – Emma Thompson does continue to enjoy playing this role which she handles with ease. Maggie Gyllenhaal gets to play the role well through the film, which shows us just how difficult a position her character is in. Rhys Ifans does everything you would imagine in the comedy role in the film, while Maggie Smith also adds plenty of comedy through the film.
Story – The story here follows a mother that takes over the family farm with her husband away at war, with money running low and the stress of life getting to her, that gets help from Nanny McPhee. The story here easily becomes a much more serious one because we are dealing with children that are being separated from their parents during war, where they don’t know if their family will be together once the war is over. This story does have a very different tone to the first one, one that does feel real, even though it does seem slightly stranger for Nanny McPhee to be here, this time around. The story here is more entertaining than the original which is always a good thing.
Comedy/Fantasy – The comedy in the film does hit better than the first film, most of it comes from the arguments which feel funnier, the fantasy in the film does work too, which ends up blending with the comedy involved.
Settings – The film is mostly set within one farm which does show us just how much trouble the family will be facing in their time of need.
Special Effects – The effects here are the biggest step back sadly because we can see the CGI moments looking completely out of place.
Scene of the Movie – Connection.
That Moment That Annoyed Me – The CGI.
Final Thoughts – This is a great sequel that does have a strong story to cover up the weaker CGI being used in the film.
Overall: Wonderful sequel.
Emma @ The Movies (1786 KP) rated The Children Act (2018) in Movies
Sep 25, 2019
Emma Thompson and Stanley Tucci in a movie together... yeeeees. Get me a ticket immediately. Based on a book by Ian McEwan, and no of course I haven't read it. I was exoecting something run of the mill, good, but nothing with a wow factor. I certainly wasn't expecting to be having to stiffle sobs and tears.
The heart breaking story really does get you caught up. Watching Fiona's hard and logical exterior break is really something to behold. How I wasn't blind from the tears when she started performing their song at the recital I will never know. Although, full disclosure, at that point I was leaning on my hands with my cardigan sleeves firmly wedged under the rims of my glasses.
Having never really had any faith, or certainly never any that I would have been so conflicted over, I can't say how accurate a portrayal it was, but it felt traumatisingly real.
As a smaller release this was allocated one of the dinky screens that has about 120 seats. A third of the seats were taken, and I'm going to make wild assumptions now, I would guess that they were all in book groups.
To go off-piste a bit... I mentioned in a previous post that I feel like it's the adults that cause the most disturbance at the cinema. This showing would prove my point. At the beginning I couldn't hear the ads over the noise of the 30 odd people at the time (and they were very odd) talking so loud. I have been to quieter bars.
That was followed up by two people moving seats after the film started, and when the couple next to them started rustling a sweet bag the guy told them to stop as it was annoying him... Don't have the cheek to lecture people when you shouldn't even be sitting there. Random annoying people is something you have to suck up. I bitch about it on Twitter, not to the actual people. When you buy a ticket you're basically checking the box that says "if I end up next to a monster, so be it." I'm super passive aggressive when it comes to people like that, I can almost guarantee that in the same situation I would have missed the rest of the film because I'd be sitting there staring at him as I rustled the bag deliberately for the next two hours.
The moral of this story is don't be a dick to people about something that is expected in the cinema... because you might be sitting next to me.
The heart breaking story really does get you caught up. Watching Fiona's hard and logical exterior break is really something to behold. How I wasn't blind from the tears when she started performing their song at the recital I will never know. Although, full disclosure, at that point I was leaning on my hands with my cardigan sleeves firmly wedged under the rims of my glasses.
Having never really had any faith, or certainly never any that I would have been so conflicted over, I can't say how accurate a portrayal it was, but it felt traumatisingly real.
As a smaller release this was allocated one of the dinky screens that has about 120 seats. A third of the seats were taken, and I'm going to make wild assumptions now, I would guess that they were all in book groups.
To go off-piste a bit... I mentioned in a previous post that I feel like it's the adults that cause the most disturbance at the cinema. This showing would prove my point. At the beginning I couldn't hear the ads over the noise of the 30 odd people at the time (and they were very odd) talking so loud. I have been to quieter bars.
That was followed up by two people moving seats after the film started, and when the couple next to them started rustling a sweet bag the guy told them to stop as it was annoying him... Don't have the cheek to lecture people when you shouldn't even be sitting there. Random annoying people is something you have to suck up. I bitch about it on Twitter, not to the actual people. When you buy a ticket you're basically checking the box that says "if I end up next to a monster, so be it." I'm super passive aggressive when it comes to people like that, I can almost guarantee that in the same situation I would have missed the rest of the film because I'd be sitting there staring at him as I rustled the bag deliberately for the next two hours.
The moral of this story is don't be a dick to people about something that is expected in the cinema... because you might be sitting next to me.
Gareth von Kallenbach (971 KP) rated Saving Mr. Banks (2013) in Movies
Jun 19, 2019
One of the greatest Disney classics, “Mary Poppins” has a unique history on its long journey from the page to the silver screen. In “Saving Mr. Banks”, the twenty year battle between Walt Disney and the notoriously difficult author is told in a touching and gripping tale.
Tom Hanks stars as Walt Disney who after making a promise to his daughters to bring their beloved Mary Poppins books to life embarks on a frustrating battle with author P.L. Travers (Emma Thompson), that lasts twenty years.
Faced with financial need following a lack of published materials, Travers reluctantly agrees to travel from her home in London to meet with Disney to discuss signing over the rights to her beloved character. Travers is a very abrupt individual who has no problem speaking her mind and is not one to spare feelings with her cutting and direct barbs.
Travers has little love for animation, Disneyland, or the whimsy that accompanies all things Disney and is terrified that her beloved Mary Poppins will be turned into some silly and childish film, hence her reluctance to sign over the theatrical rights.
Over the two weeks of her visit to California, Walt, and the talented Sherman Brothers (B.J. Novak and Jason Schwartzman) endure her icy behavior, harsh criticisms and intolerance for their work and efforts. Travers is horrified with everything from their casting choices to the inclusion of music and many aspects of the script and look of the characters.
Undaunted, Walt and company press on in the face of overwhelming adversity and unending opposition from Travers and slowly but surely make progress in appeasing Travers as they bring the film closer and closer to fruition.
What follows is a very moving, funny and enjoyable tale that is powered by outstanding performances by the two leads and the very strong supporting cast, especially that of Paul Giamatti who plays a driver named Ralph who has to endure the venom of Travers has he drives her around during her stay.
The film does a good job of showing what Travers endured as a child thanks to her alcoholic father (Colin Farrell), and how her experiences with his struggles helped form the woman she was to become.
While aspects of the true story have been softened somewhat in the final act from what happened in reality, the film is very honest and effective.
Many of the memorable classic songs from the movie appear in the film but are done in a very natural way as they are introduced to viewers as they are being introduced to the characters in the film.
While some aspects of the film may be a little darker than people would come to expect from a Disney movie, the film is a very enjoyable experience that is not to be missed.
http://sknr.net/2013/12/13/saving-mr-banks/
Tom Hanks stars as Walt Disney who after making a promise to his daughters to bring their beloved Mary Poppins books to life embarks on a frustrating battle with author P.L. Travers (Emma Thompson), that lasts twenty years.
Faced with financial need following a lack of published materials, Travers reluctantly agrees to travel from her home in London to meet with Disney to discuss signing over the rights to her beloved character. Travers is a very abrupt individual who has no problem speaking her mind and is not one to spare feelings with her cutting and direct barbs.
Travers has little love for animation, Disneyland, or the whimsy that accompanies all things Disney and is terrified that her beloved Mary Poppins will be turned into some silly and childish film, hence her reluctance to sign over the theatrical rights.
Over the two weeks of her visit to California, Walt, and the talented Sherman Brothers (B.J. Novak and Jason Schwartzman) endure her icy behavior, harsh criticisms and intolerance for their work and efforts. Travers is horrified with everything from their casting choices to the inclusion of music and many aspects of the script and look of the characters.
Undaunted, Walt and company press on in the face of overwhelming adversity and unending opposition from Travers and slowly but surely make progress in appeasing Travers as they bring the film closer and closer to fruition.
What follows is a very moving, funny and enjoyable tale that is powered by outstanding performances by the two leads and the very strong supporting cast, especially that of Paul Giamatti who plays a driver named Ralph who has to endure the venom of Travers has he drives her around during her stay.
The film does a good job of showing what Travers endured as a child thanks to her alcoholic father (Colin Farrell), and how her experiences with his struggles helped form the woman she was to become.
While aspects of the true story have been softened somewhat in the final act from what happened in reality, the film is very honest and effective.
Many of the memorable classic songs from the movie appear in the film but are done in a very natural way as they are introduced to viewers as they are being introduced to the characters in the film.
While some aspects of the film may be a little darker than people would come to expect from a Disney movie, the film is a very enjoyable experience that is not to be missed.
http://sknr.net/2013/12/13/saving-mr-banks/
Movie Metropolis (309 KP) rated Bridget Jones's Baby (2016) in Movies
Jun 11, 2019
No Big Bloomers?
Bridget Jones’s Diary is a classic example of the perfect British rom-com. Upon its release in 2001, yes 15 years ago, it catapulted Renée Zellweger into the public eye and made household names of its other stars.
Its sequel, The Edge of Reason, on the other hand was a dramatic fall from grace, with a lowly 27% approval rating on Rotten Tomatoes. Since then, the series has fallen into a dormant state with talks of another sequel doing the rounds since as early as 2004.
Fast-forward 12 years and the prayers of fans the world over have finally been answered. However, the comedy genre has moved on from the warm, fuzzy rom-coms of the past and in its place are the foul-mouthed female-led films of the present. But does Bridget Jones’s Baby get the balance right? Or is it a good decade too late?
Breaking up with Mark Darcy (Colin Firth) leaves Bridget Jones (Renée Zellweger) over 40 and single again. Feeling that she has everything under control, Jones decides to focus on her career as a top news producer. Suddenly, her love life comes back from the dead when she meets a handsome American named Jack (Patrick Dempsey). Things couldn’t be better, until Bridget discovers that she is pregnant. From then on, the befuddled mum-to-be must figure out if the proud dad is Mark or Jack.
The casting choices throughout the film are spot on and it’s a pleasure to see Colin Firth back on the big screen. His quintessentially British persona has been a highlight of both previous films and it’s no exception here. Patrick Dempsey’s turn as the dashing American stallion is sheer perfection and both he and Firth remain intensely likeable as the movie progresses, despite their obvious flaws.
Of course, praise must go to Renée Zellweger who, despite 12 years in between filming, manages to channel that iconic character like it was yesterday. She may look different to how we all remember her, but as soon as she speaks, it’s impossible not to feel at home.
Elsewhere, Emma Thompson, Jim Broadbent and Celia Imrie all pop up from time to time with the former providing Bridget Jones’s Baby with some of its best comedic moments. Her character is sharp and very well written indeed.
It would be very easy to go picking around the plot; criticising its blatant lack of originality, but that’s not what director Sharon Maguire was aiming for. Instead, she cleverly crafts a film that remains faithful to its predecessors, all the while introducing a new generation of comedy fans to the titular character.
What does this mean? Well, it toes the line quite well between the heart-warming qualities of the original and the over-the-top hilarity of films like Bridesmaids and Spy. This may not sit well with some die-hard fans of the series, but it’s sure to be a winner for the more modern movie-goer.
Overall, Bridget Jones’s Baby is better than it ever had the right to be. It’s nostalgic, beautifully sweet, ridiculous, over-the-top and quite frankly, absolutely hilarious. I haven’t laughed that much in years, it’s a must see for fans and newcomers alike.
https://moviemetropolis.net/2016/09/17/no-big-bloomers-bridget-joness-baby-review/
Its sequel, The Edge of Reason, on the other hand was a dramatic fall from grace, with a lowly 27% approval rating on Rotten Tomatoes. Since then, the series has fallen into a dormant state with talks of another sequel doing the rounds since as early as 2004.
Fast-forward 12 years and the prayers of fans the world over have finally been answered. However, the comedy genre has moved on from the warm, fuzzy rom-coms of the past and in its place are the foul-mouthed female-led films of the present. But does Bridget Jones’s Baby get the balance right? Or is it a good decade too late?
Breaking up with Mark Darcy (Colin Firth) leaves Bridget Jones (Renée Zellweger) over 40 and single again. Feeling that she has everything under control, Jones decides to focus on her career as a top news producer. Suddenly, her love life comes back from the dead when she meets a handsome American named Jack (Patrick Dempsey). Things couldn’t be better, until Bridget discovers that she is pregnant. From then on, the befuddled mum-to-be must figure out if the proud dad is Mark or Jack.
The casting choices throughout the film are spot on and it’s a pleasure to see Colin Firth back on the big screen. His quintessentially British persona has been a highlight of both previous films and it’s no exception here. Patrick Dempsey’s turn as the dashing American stallion is sheer perfection and both he and Firth remain intensely likeable as the movie progresses, despite their obvious flaws.
Of course, praise must go to Renée Zellweger who, despite 12 years in between filming, manages to channel that iconic character like it was yesterday. She may look different to how we all remember her, but as soon as she speaks, it’s impossible not to feel at home.
Elsewhere, Emma Thompson, Jim Broadbent and Celia Imrie all pop up from time to time with the former providing Bridget Jones’s Baby with some of its best comedic moments. Her character is sharp and very well written indeed.
It would be very easy to go picking around the plot; criticising its blatant lack of originality, but that’s not what director Sharon Maguire was aiming for. Instead, she cleverly crafts a film that remains faithful to its predecessors, all the while introducing a new generation of comedy fans to the titular character.
What does this mean? Well, it toes the line quite well between the heart-warming qualities of the original and the over-the-top hilarity of films like Bridesmaids and Spy. This may not sit well with some die-hard fans of the series, but it’s sure to be a winner for the more modern movie-goer.
Overall, Bridget Jones’s Baby is better than it ever had the right to be. It’s nostalgic, beautifully sweet, ridiculous, over-the-top and quite frankly, absolutely hilarious. I haven’t laughed that much in years, it’s a must see for fans and newcomers alike.
https://moviemetropolis.net/2016/09/17/no-big-bloomers-bridget-joness-baby-review/
Emma @ The Movies (1786 KP) rated Missing Link (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
This really isn't a bad little film, it has its fun and implausible action, and you come away with a message of friendship for everyone to ponder on. It's obviously great Easter holiday fodder and it won't bore the parents, which is always half the battle with kids films.
Susan is the last of his kind and desperately wants to find the fabled yeti who he believes to be his distant cousins. He enlists Sir Lionel Frost to help him on his quest after reading about his escapades in finding long lost creatures.
It's a pretty star-studded cast with Zach Galifianakis and Hugh Jackman leading it up. There will be a lot of other voices you recognise, but for the most part they stay in the background.
Both of our leading men are really well cast and give their characters a much needed boost. They get some humour in various places, but I didn't feel like the script was fantastic overall.
Where Lionel and Susan were well cast, Adeline Fortnight really missed the spot for me. From the design of the character to that accent, whose origin was kind of non-descript, I couldn't help wondering why the role went to Zoe Saldana and not Salma Hayek.
Stephen Fry makes a wonderful bad guy. I've always loved his voicework this thankfully did not break that trend and he added some oomph to the proceedings.
The last cast member I want to mention is Emma Thompson as The Elder. I think she suffered the most with the script, "The people we don't want here are leaving! Force them to stay!" I'm sure that line was meant to be amusing, and it definitely could have been, but the way it wasn't backed up with anything to come across that way. She was woefully underused and her scenes were wholly inadequate for such a great talent.
I had to stop and weep for humanity a little, there are some comments on the internet where it appears that people don't get that this is stop-motion animation, with a few saying it all looked too simple. I cannot fault the work that was put into this, it's wonderfully done, even if I'm not a fan of the strangely pointed features. There's a brief glimpse in the trailer of a barroom brawl, look out for the whole scene in the film because it is probably the most impressive piece of work.
Despite my quibbles, this is genuinely a pleasant film to watch and I don't think many people will get to the end and grumble that they've wasted their time. I just worry that it's not quite good enough to be well remembered, it's in danger of being one of those films that makes me go "oh yeah, I remember that one, it's really good."
What you should do
If you're in need of an Easter activity then it's worth the trip to the cinema, and it's certainly worth catching when it's released for home viewing.
Movie thing you wish you could take home
There's nothing in the film I'd particularly like to take home, but I wouldn't mind some of the patience and dedication that those animators must have to produce such wonderfully smooth motion.
Susan is the last of his kind and desperately wants to find the fabled yeti who he believes to be his distant cousins. He enlists Sir Lionel Frost to help him on his quest after reading about his escapades in finding long lost creatures.
It's a pretty star-studded cast with Zach Galifianakis and Hugh Jackman leading it up. There will be a lot of other voices you recognise, but for the most part they stay in the background.
Both of our leading men are really well cast and give their characters a much needed boost. They get some humour in various places, but I didn't feel like the script was fantastic overall.
Where Lionel and Susan were well cast, Adeline Fortnight really missed the spot for me. From the design of the character to that accent, whose origin was kind of non-descript, I couldn't help wondering why the role went to Zoe Saldana and not Salma Hayek.
Stephen Fry makes a wonderful bad guy. I've always loved his voicework this thankfully did not break that trend and he added some oomph to the proceedings.
The last cast member I want to mention is Emma Thompson as The Elder. I think she suffered the most with the script, "The people we don't want here are leaving! Force them to stay!" I'm sure that line was meant to be amusing, and it definitely could have been, but the way it wasn't backed up with anything to come across that way. She was woefully underused and her scenes were wholly inadequate for such a great talent.
I had to stop and weep for humanity a little, there are some comments on the internet where it appears that people don't get that this is stop-motion animation, with a few saying it all looked too simple. I cannot fault the work that was put into this, it's wonderfully done, even if I'm not a fan of the strangely pointed features. There's a brief glimpse in the trailer of a barroom brawl, look out for the whole scene in the film because it is probably the most impressive piece of work.
Despite my quibbles, this is genuinely a pleasant film to watch and I don't think many people will get to the end and grumble that they've wasted their time. I just worry that it's not quite good enough to be well remembered, it's in danger of being one of those films that makes me go "oh yeah, I remember that one, it's really good."
What you should do
If you're in need of an Easter activity then it's worth the trip to the cinema, and it's certainly worth catching when it's released for home viewing.
Movie thing you wish you could take home
There's nothing in the film I'd particularly like to take home, but I wouldn't mind some of the patience and dedication that those animators must have to produce such wonderfully smooth motion.
Gareth von Kallenbach (971 KP) rated Brave (2012) in Movies
Aug 7, 2019
The digital wizards at Pixar have an incredible dossier of Academy award-winning animated films. Their latest film “Brave“, is a prime example of the bold new direction for the company behind such classics as “Finding Nemo“, “Toy Story“, “The Incredible’s“, and “Monsters, Inc.” just to name a few. This time out Scotland provides the setting for the animation masters to weave their magic, and they do in a splendid 3-D feast of sight, sound, and color that captures the breathtaking beauty of the Scottish Highlands.
For Princess Merida (Kelly Madonald), life is filled with joy and frustration. As the daughter to King Fergus (Billy Connolly), and Queen Elinor (Emma Thompson), she has to walk a fine line between the duties and expectation of her mother and her freewheeling lifestyle of daring and adventure. The young Princess is content to ride through the countryside astride her horse Angus, and perfect her already admirable archery skills.
When Merida learns that her parents have summoned the other major clans so that a worthy suitor can be chosen, Merida rebels openly at their plan and causes great embarrassment to her family during a competition. In a fit of rebellious anger, Merida rides into the woods, and comes upon a witch who promises to create for the young princess a spell that will forever change her destiny. Although not done out of malice, the spell has some on expected consequences that threatens the future of the kingdom as well as the safety of Merida’s family.
The film has some outstanding performances, not the least of which is Connolly, who was an absolute delight whenever his character was on screen. Supporting work by Craig Ferguson and Robbie Coltrane complement the leads well. Since my mother is a Scot, I am all-too-familiar with not only the history but culture of Scotland. I had been concerned when I first heard the project that it would play up on certain stereotypes and miss the true complexity and splendor of Scotland and its people, as well as it’s extremely rich history which is filled with numerous technical and literary achievements over the centuries.
Thankfully my concerns were allayed very early in the film not simply because of the amazing visual detail of the movie but also because of the lovable but quirky characters. The writers and animators managed to capture the very nature of the people and the culture, which is no easy thing in an animated film. Kudos for the casting of the mostly Scottish cast who played their roles with relish. I can honestly say hearing King Fergus address the clans brought to mind my aunts, uncles and cousins thanks to the distinct Scottish brogue. I especially liked the fact that when conflict erupted (of course) amongst even the best of friends, there are some very clever ways that laughs were gained without turning the characters into buffoons or being overly cute.
While the film plays it fairly safe with the story, Pixar’s first female heroine gives us a very fun and enjoyable tale that offers something for the entire family without talking down to the audience or having to resort to crude humor. A few scenes may be a bit intense for youngsters and while it will not be cited for any technological breakthroughs Brave, nonetheless, is highly entertaining.
For Princess Merida (Kelly Madonald), life is filled with joy and frustration. As the daughter to King Fergus (Billy Connolly), and Queen Elinor (Emma Thompson), she has to walk a fine line between the duties and expectation of her mother and her freewheeling lifestyle of daring and adventure. The young Princess is content to ride through the countryside astride her horse Angus, and perfect her already admirable archery skills.
When Merida learns that her parents have summoned the other major clans so that a worthy suitor can be chosen, Merida rebels openly at their plan and causes great embarrassment to her family during a competition. In a fit of rebellious anger, Merida rides into the woods, and comes upon a witch who promises to create for the young princess a spell that will forever change her destiny. Although not done out of malice, the spell has some on expected consequences that threatens the future of the kingdom as well as the safety of Merida’s family.
The film has some outstanding performances, not the least of which is Connolly, who was an absolute delight whenever his character was on screen. Supporting work by Craig Ferguson and Robbie Coltrane complement the leads well. Since my mother is a Scot, I am all-too-familiar with not only the history but culture of Scotland. I had been concerned when I first heard the project that it would play up on certain stereotypes and miss the true complexity and splendor of Scotland and its people, as well as it’s extremely rich history which is filled with numerous technical and literary achievements over the centuries.
Thankfully my concerns were allayed very early in the film not simply because of the amazing visual detail of the movie but also because of the lovable but quirky characters. The writers and animators managed to capture the very nature of the people and the culture, which is no easy thing in an animated film. Kudos for the casting of the mostly Scottish cast who played their roles with relish. I can honestly say hearing King Fergus address the clans brought to mind my aunts, uncles and cousins thanks to the distinct Scottish brogue. I especially liked the fact that when conflict erupted (of course) amongst even the best of friends, there are some very clever ways that laughs were gained without turning the characters into buffoons or being overly cute.
While the film plays it fairly safe with the story, Pixar’s first female heroine gives us a very fun and enjoyable tale that offers something for the entire family without talking down to the audience or having to resort to crude humor. A few scenes may be a bit intense for youngsters and while it will not be cited for any technological breakthroughs Brave, nonetheless, is highly entertaining.