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David McK (3162 KP) rated The Phantom of the Opera (2005) in Movies
Jul 11, 2022
The Phantom of the Opera is here ...
2005 film version of the Broadway show, starring Emmy Rossum (Christine Daae) and Gerard Butler (as the Phantom).
And therein lies it's greatest problem: Butler (and, to an extent, all the modern Phantom's) is just too conventionally good-looking for the hideous disfigured gargoyle who haunts the Parisian Opera catacombs but dreams of higher things!
That aside, this is definitely sumptuously filmed, with some great sets. Some catchy tunes, with the latter to be expected
I.t's just that, well, it does tend to drag a bit.
I suppose, in effect, it's like going to the Opera without actually going to the Opera ...
And therein lies it's greatest problem: Butler (and, to an extent, all the modern Phantom's) is just too conventionally good-looking for the hideous disfigured gargoyle who haunts the Parisian Opera catacombs but dreams of higher things!
That aside, this is definitely sumptuously filmed, with some great sets. Some catchy tunes, with the latter to be expected
I.t's just that, well, it does tend to drag a bit.
I suppose, in effect, it's like going to the Opera without actually going to the Opera ...
Andrew Foster (5 KP) rated Comet (2014) in Movies
Jun 11, 2018
Love it!!
Contains spoilers, click to show
Justin Long's character reminds me so much of myself. The line about how his therapist says he's a narcissist for believing he is the smartest person in the world and his reply... Instantly made me love the character. This movie parallels a very... significant time in my life. So close that it's almost scary... Emmy Rossum also is one of my favorite actresses. These two together, which are pretty much the only characters in the story, are more than enough. This movie... It makes me cry almost every time I watch it, but I can't count how many times I have. Maybe it's just how closely it mirrors events in my life, but I fell in love with this movie the first time I saw it and has been my favorite movie ever since. If you are a romantic person, watch this movie. However, be ready to shed a few tears...
LoganCrews (2861 KP) rated The Phantom of the Opera (2005) in Movies
Sep 20, 2020
I have to admire the spectacle but I found this to be mostly didactic, repetitious as a musical (there's only like 3.5 good songs and the rest are just unendurable variants of the exact same one) and nearly nonexistent as a romance. I do admit this almost works as a total campfest, Gerard Butler totally butchering these classical-inspired ballads that require flawless vocal range is actually pretty hilarious. On the flipside I spent most of the time in complete awe of how astonishing Emmy Rossum is in this, only 18 years old at the time and effortlessly nails every formidable note not to mention looks the part seamlessly. This is through and through her movie, every inch top to bottom. I should also add that the movie looks extraordinary - the sets, the costumes, the makeup, the cast, all of it. But would some fucking choreography every now and again kill these people? The stakes, too, are paper-thin - things just happen without delving too deeply (if at all) into the consequences/implications of them so a good chunk of scenes just pass through without making any sort of effect. Lastly this gets docked extra points for ruining the best part of the musical by making it too obvious that Christine was going to give The Phantom the ring from the start of that moment. I have seen much worse, though; this would have been noticeably better if they'd just gotten more people who could sing.
Gareth von Kallenbach (962 KP) rated Cold Pursuit (2019) in Movies
Jun 19, 2019
Nels Coxman (Liam Neeson) is a simple man who spends his days clearing the roads in a remote Colorado Ski Town and spends his days with his wife and his son. Nels is so unassuming that when he is awarded Citizen of the Year he states that there are others far more worthy and fusses over getting dressed up to accept the award and make a speech.
When his son is found dead of a Heroin overdose; Nels is not willing to accept that his son was a user even though this puts tremendous strain on his marriage and has taken Nels to consider suicide. At his worst moment he learns that his son’ co-worker was involved with some shady dealing and that his son was likely collateral damage from the criminal elements involved.
With a new found sense of purpose: Nels embarks on a quest to find the truth and avenge his son’s death no matter the consequences.
One would think that “Cold Pursuit” is a standard revenge film but it unexpectedly changes direction shortly after Nels starts exacting his revenge. The film transforms into a Dark Comedy of sorts as characters get a Title Screen when they are killed many of which have a morbid humor to them. The film even takes the bold step of moving away from Neeson for a good third of the film and putting the emphasis on other characters from rival crime organizations to the Sherriff and his eager Detective (Emmy Rossum).
As such the film is not what you expect as although there is plenty of action at times; it is a Dark Comedy with dramatic elements. It is more in line of what you might expect at a Film Festival from an Indie studio versus a major studio release.
As such fans of Neeson may be disappointed in seeing a departure from the type of films they have come to expect from him in recent years while others may embrace the quirky nature of the film.
http://sknr.net/2019/01/30/cold-pursuit/
When his son is found dead of a Heroin overdose; Nels is not willing to accept that his son was a user even though this puts tremendous strain on his marriage and has taken Nels to consider suicide. At his worst moment he learns that his son’ co-worker was involved with some shady dealing and that his son was likely collateral damage from the criminal elements involved.
With a new found sense of purpose: Nels embarks on a quest to find the truth and avenge his son’s death no matter the consequences.
One would think that “Cold Pursuit” is a standard revenge film but it unexpectedly changes direction shortly after Nels starts exacting his revenge. The film transforms into a Dark Comedy of sorts as characters get a Title Screen when they are killed many of which have a morbid humor to them. The film even takes the bold step of moving away from Neeson for a good third of the film and putting the emphasis on other characters from rival crime organizations to the Sherriff and his eager Detective (Emmy Rossum).
As such the film is not what you expect as although there is plenty of action at times; it is a Dark Comedy with dramatic elements. It is more in line of what you might expect at a Film Festival from an Indie studio versus a major studio release.
As such fans of Neeson may be disappointed in seeing a departure from the type of films they have come to expect from him in recent years while others may embrace the quirky nature of the film.
http://sknr.net/2019/01/30/cold-pursuit/
Darren (1599 KP) rated You're Not You (2014) in Movies
Jun 25, 2019
Story: You’re Not You starts on Kate’s (Swank) 35th birthday, a classic pianist that notice something isn’t right with her body, 18 months later Kate is in need of care, even with her husband Evan (Duhamel) needing to work, while finding a new carer to help with ALS care.
That new carer is college student Bec (Rossum) who parties every night and doesn’t come with an off switch. Bec is the only person Kate want to care for her as she is the only one that treats her like a person not a patient and after Kate learns Evan has been having an affair, it leaves Kate and Bec together to handle the caring and living the remaining time with the disease.
Thoughts on You’re Not You
Characters – Kate was a successful pianist, happily married and wonderful party host, she soon starts to get the first symptoms of ALS which comes on strong, she now needs constant caring, but is tired of the nurses that treat her like a patient, she chooses Bec who offers her friendship, while also offering Bec life advice in a time where she could be going with no direction. Bec is a directionless brash college student who gets given a chance to care of Kate, she becomes the biggest challenge of her life, teaching her responsibility and helping guide her in the right direction. Evan is the husband of Kate, he has tried to care for her the best he can, but can’t give up his job which has put a distance between the two, causing him to have had an affair.
Performances – Hilary Swank has two Oscars to her name, this performance here shows the talent she has once again, she is fantastic as the victim of the ALS disease. Emmy Rossum has made a name for herself on television, but here you feel she should have broken out because her performance is great to. Josh Duhamel is good as the character we want to hate through the film.
Story – The story throws the spotlight on ALS, we follow one person suffering from the disease who knows the sacrifices people will have to make to care for her, we see how people who are sick do want to be treated like people rather than just patients and giving them, this treatment will make their remaining time worthwhile. We do have a story about how the older (but not old) woman helps give the lost student a direction for her life. This is a story about the battle against a disease which is taking people everyday, how the people around them need there for them to make the remain time in their lives positive.
Settings – The settings in this film show the different lives both Kate and Bec have come from, how they are joined together in the same battle to support each other. I feel the settings help us understand the disease making made by the characters in the film.
Scene of the Movie – Enjoying a drink or two together.
That Moment That Annoyed Me – The only thing I feel we would have liked more of would be the medical side of what could have been done to try and help as we have plenty of talks about experimental treatments.
Final Thoughts – This is a very good drama, we get to see how one person’s suffering could impact many people and how helpless they will feel while fighting it.
Overall: Powerful, heart-breaking and inspiring.
https://moviesreview101.com/2019/06/21/youre-not-you-2014/
That new carer is college student Bec (Rossum) who parties every night and doesn’t come with an off switch. Bec is the only person Kate want to care for her as she is the only one that treats her like a person not a patient and after Kate learns Evan has been having an affair, it leaves Kate and Bec together to handle the caring and living the remaining time with the disease.
Thoughts on You’re Not You
Characters – Kate was a successful pianist, happily married and wonderful party host, she soon starts to get the first symptoms of ALS which comes on strong, she now needs constant caring, but is tired of the nurses that treat her like a patient, she chooses Bec who offers her friendship, while also offering Bec life advice in a time where she could be going with no direction. Bec is a directionless brash college student who gets given a chance to care of Kate, she becomes the biggest challenge of her life, teaching her responsibility and helping guide her in the right direction. Evan is the husband of Kate, he has tried to care for her the best he can, but can’t give up his job which has put a distance between the two, causing him to have had an affair.
Performances – Hilary Swank has two Oscars to her name, this performance here shows the talent she has once again, she is fantastic as the victim of the ALS disease. Emmy Rossum has made a name for herself on television, but here you feel she should have broken out because her performance is great to. Josh Duhamel is good as the character we want to hate through the film.
Story – The story throws the spotlight on ALS, we follow one person suffering from the disease who knows the sacrifices people will have to make to care for her, we see how people who are sick do want to be treated like people rather than just patients and giving them, this treatment will make their remaining time worthwhile. We do have a story about how the older (but not old) woman helps give the lost student a direction for her life. This is a story about the battle against a disease which is taking people everyday, how the people around them need there for them to make the remain time in their lives positive.
Settings – The settings in this film show the different lives both Kate and Bec have come from, how they are joined together in the same battle to support each other. I feel the settings help us understand the disease making made by the characters in the film.
Scene of the Movie – Enjoying a drink or two together.
That Moment That Annoyed Me – The only thing I feel we would have liked more of would be the medical side of what could have been done to try and help as we have plenty of talks about experimental treatments.
Final Thoughts – This is a very good drama, we get to see how one person’s suffering could impact many people and how helpless they will feel while fighting it.
Overall: Powerful, heart-breaking and inspiring.
https://moviesreview101.com/2019/06/21/youre-not-you-2014/
BankofMarquis (1832 KP) rated Cold Pursuit (2019) in Movies
Mar 1, 2019
Doesn't Quite Succeed In What It Was Attempting To Do
Liam Neeson has stated that COLD PURSUIT is going to be his last action film. And, if that is the case, he certainly picked an interesting one to go out on.
Based on the Norwegian film KRAFTIDIOTEN and Directed by the same person (Hans Peter Moland), COLD PURSUIT follows snowplow driver Nels Coxman (Neeson) who's son dies of a drug overdose. It's not long before Coxman uses his "certain set of skills" to settle the score.
And that is how this movie was marketed (taking advantage of Neeson's past 10 years of action hero status) and that is too bad for those who are going into this film expecting a "standard Neeson kick butt revenge action flick) are going to be disappointed, for Cold Pursuit has parts of that, but it also has an element to it that is going to take some getting used to - it's "Norwegian sense of humor".
To say this film is a "Dark Comedy" does not do it justice, for the comedy in this film (and there IS comedy) is so rooted in the violence and action of the proceedings that, at first, the audience does not know how to react to it. By the end, it is clear that this is a comedy - and I wished that it would have worn it's comedic elements just a little more on it's sleeve. But then, I guess, I would be missing the point of what makes up the "Norwegian sense of humor" - oddity and subtlety. And this film IS odd from the setting (a remote ski resort village outside of Denver) to the warring drug gangs (city thugs vs. Native Americans) to the lazy Sherriff and laid back townspeople to Coxman's hippy, drug addled wife (Laura Dern). It is an odd assortment of people and circumstances, but not quite as add as...say...Twin Peaks.
And that's what hurts it. It IS a subtle film with subtle humor and subtle quirks, but (at times) is TOO subtle for an American audience that is used to being hit over the head with themes and quirks and violence.
One who is NOT subtle in this film is Neeson as Coxman. He brings the rugged, dependable man of action that one has come to expect during his action-hero phase. Also not subtle (not by a long-shot) is Tom Bateman as the main bad guy, Viking (they all have nicknames) who telegraphs that he is a bad guy by being over-the-top, doing everything but kicking a puppy and twirling his mustache.
Domenick Lombardozzi as Mustang (one of Vikings' henchmen) and Tom Jackson as White Bull (leader of the Native American clan) find the right line between subtlety and over-acting and ground this film (for the most part). The rest of the cast (including John Doman and Emmy Rossum as the town Sheriffs) flit through this film, uneventfully and uninterestingly, neither adding nor detracting from the events. Only William Forsythe, as Neeson's shady brother and Elizabeth Thais (as his wife Anne) manage to rise above things in the limited amount of screen time they are given. And, finally, Laura Dern is wasted in an underwritten - and under-performed - role of Neeson's wife.
I can hear Director Moland screaming to his cast "Less, less...give me less...no more...More...MORE!!!" and the result is an uneven film that is underplayed too much in some ways and overplayed WAY too much in others. And this is too bad, for he had an interesting concept going, he just didn't execute it (at least not with this group of performers) very well. I'll be interested in seeing the original Norwegian film, KRAFTIDIOTEN, to see if it worked there.
Letter Grade: B- (for I applaud what it was trying to do)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Based on the Norwegian film KRAFTIDIOTEN and Directed by the same person (Hans Peter Moland), COLD PURSUIT follows snowplow driver Nels Coxman (Neeson) who's son dies of a drug overdose. It's not long before Coxman uses his "certain set of skills" to settle the score.
And that is how this movie was marketed (taking advantage of Neeson's past 10 years of action hero status) and that is too bad for those who are going into this film expecting a "standard Neeson kick butt revenge action flick) are going to be disappointed, for Cold Pursuit has parts of that, but it also has an element to it that is going to take some getting used to - it's "Norwegian sense of humor".
To say this film is a "Dark Comedy" does not do it justice, for the comedy in this film (and there IS comedy) is so rooted in the violence and action of the proceedings that, at first, the audience does not know how to react to it. By the end, it is clear that this is a comedy - and I wished that it would have worn it's comedic elements just a little more on it's sleeve. But then, I guess, I would be missing the point of what makes up the "Norwegian sense of humor" - oddity and subtlety. And this film IS odd from the setting (a remote ski resort village outside of Denver) to the warring drug gangs (city thugs vs. Native Americans) to the lazy Sherriff and laid back townspeople to Coxman's hippy, drug addled wife (Laura Dern). It is an odd assortment of people and circumstances, but not quite as add as...say...Twin Peaks.
And that's what hurts it. It IS a subtle film with subtle humor and subtle quirks, but (at times) is TOO subtle for an American audience that is used to being hit over the head with themes and quirks and violence.
One who is NOT subtle in this film is Neeson as Coxman. He brings the rugged, dependable man of action that one has come to expect during his action-hero phase. Also not subtle (not by a long-shot) is Tom Bateman as the main bad guy, Viking (they all have nicknames) who telegraphs that he is a bad guy by being over-the-top, doing everything but kicking a puppy and twirling his mustache.
Domenick Lombardozzi as Mustang (one of Vikings' henchmen) and Tom Jackson as White Bull (leader of the Native American clan) find the right line between subtlety and over-acting and ground this film (for the most part). The rest of the cast (including John Doman and Emmy Rossum as the town Sheriffs) flit through this film, uneventfully and uninterestingly, neither adding nor detracting from the events. Only William Forsythe, as Neeson's shady brother and Elizabeth Thais (as his wife Anne) manage to rise above things in the limited amount of screen time they are given. And, finally, Laura Dern is wasted in an underwritten - and under-performed - role of Neeson's wife.
I can hear Director Moland screaming to his cast "Less, less...give me less...no more...More...MORE!!!" and the result is an uneven film that is underplayed too much in some ways and overplayed WAY too much in others. And this is too bad, for he had an interesting concept going, he just didn't execute it (at least not with this group of performers) very well. I'll be interested in seeing the original Norwegian film, KRAFTIDIOTEN, to see if it worked there.
Letter Grade: B- (for I applaud what it was trying to do)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (962 KP) rated Poseidon (2006) in Movies
Aug 14, 2019
The summer movie season has arrived in grand style with the first thrill ride of the season In Poseidon, viewers are taking to the very edge and beyond in one of the better adventure films in recent memory.
Based on the 1972 original, the film once again follows a ship in peril and a group of survivors attempting to save themselves from certain doom. Onboard the Poseidon, the guests are a mixed bag of society, but fate is about to bring them all together when their transatlantic crossing hits a rather unexpected snag in the form of a massive tidal wave which capsizes the boat leaving the survivors to deal with an upside down ship and the constant threat of drowning.
Wasting little time on character backgrounds and motivations, the film gets right to the action as within 10 minutes, the action is underway, and rarely lets up over the roughly 99 minutes of the films run time.
After the disaster has hit and the survivors survey the carnage caused by the wave, Robert Ramsey (Kurt Russell), decides to ignore the advice of the ships captain and follow a maverick named Dylan (Josh Lucas), out of the ballroom in an effort not only to find his daughter, but a way out of the ship. Joining the duo are a young mother named Maggie (Jacinda Barrett), and her son, as well as business man Richard Nelson (Richard Dreyfuss). As the group ventures to find a way out, they do in time meet up with Roberts’s daughter and her finance as well as a few other survivors.
As the group is forced to work with one another for survival, conflicts arise as Dylan and Robert clash over the best course of action. It is learned that Robert was a former fireman who after a heroic act was able to become Mayor of New York, but for reasons unknown was not able to deal with his success which had caused his wife to leave him. Now Michael spends his days in luxury being an overprotective father to his daughter Jennifer (Emmy Rossum).
While much of Michael’s past is uncovered in a few lines tossed at him in a moment of anger, even less is known about Dylan. Prior to the accident, he revealed to Maggie that he takes money from people who like to get into arguments and play cards. Only Richard Nelsons character is given a bit more background as we learn that he is a Gay business man whose lover has left him for another in London, leaving Richard alone, and suicidal. The fact that Richard is preparing to jump overboard and is stopped only by the site of the closing wave allows his character to show some diversity as in the face of disaster, he finds new meaning and purpose.
The remainder of the film is packed with narrow escapes, danger, death, and the ever constant menace of the water which like an unrelenting killer is never far away from the group and stalks them without mercy at every turn.
While some of the situations are beyond reason, the film has some impressive sets and visuals, and Director Wolfgang Peterson keeps the pacing of the film fresh as it never stops long enough to loose its momentum.
The leads do the best they can with their stock characters, yet this is compensated for by the thrills of the film and the physicality of the rolls. Josh Lucas reportedly broke his arm while filming the movie underscoring just how much the actors put themselves into the film.
While Poseidon is not likely to be a cinematic classic, it is an enjoyable if flawed summer film that provides enough thrills to keep you entertained.
Based on the 1972 original, the film once again follows a ship in peril and a group of survivors attempting to save themselves from certain doom. Onboard the Poseidon, the guests are a mixed bag of society, but fate is about to bring them all together when their transatlantic crossing hits a rather unexpected snag in the form of a massive tidal wave which capsizes the boat leaving the survivors to deal with an upside down ship and the constant threat of drowning.
Wasting little time on character backgrounds and motivations, the film gets right to the action as within 10 minutes, the action is underway, and rarely lets up over the roughly 99 minutes of the films run time.
After the disaster has hit and the survivors survey the carnage caused by the wave, Robert Ramsey (Kurt Russell), decides to ignore the advice of the ships captain and follow a maverick named Dylan (Josh Lucas), out of the ballroom in an effort not only to find his daughter, but a way out of the ship. Joining the duo are a young mother named Maggie (Jacinda Barrett), and her son, as well as business man Richard Nelson (Richard Dreyfuss). As the group ventures to find a way out, they do in time meet up with Roberts’s daughter and her finance as well as a few other survivors.
As the group is forced to work with one another for survival, conflicts arise as Dylan and Robert clash over the best course of action. It is learned that Robert was a former fireman who after a heroic act was able to become Mayor of New York, but for reasons unknown was not able to deal with his success which had caused his wife to leave him. Now Michael spends his days in luxury being an overprotective father to his daughter Jennifer (Emmy Rossum).
While much of Michael’s past is uncovered in a few lines tossed at him in a moment of anger, even less is known about Dylan. Prior to the accident, he revealed to Maggie that he takes money from people who like to get into arguments and play cards. Only Richard Nelsons character is given a bit more background as we learn that he is a Gay business man whose lover has left him for another in London, leaving Richard alone, and suicidal. The fact that Richard is preparing to jump overboard and is stopped only by the site of the closing wave allows his character to show some diversity as in the face of disaster, he finds new meaning and purpose.
The remainder of the film is packed with narrow escapes, danger, death, and the ever constant menace of the water which like an unrelenting killer is never far away from the group and stalks them without mercy at every turn.
While some of the situations are beyond reason, the film has some impressive sets and visuals, and Director Wolfgang Peterson keeps the pacing of the film fresh as it never stops long enough to loose its momentum.
The leads do the best they can with their stock characters, yet this is compensated for by the thrills of the film and the physicality of the rolls. Josh Lucas reportedly broke his arm while filming the movie underscoring just how much the actors put themselves into the film.
While Poseidon is not likely to be a cinematic classic, it is an enjoyable if flawed summer film that provides enough thrills to keep you entertained.
Gareth von Kallenbach (962 KP) rated Beautiful Creatures (2013) in Movies
Aug 7, 2019
Hollywood has seemed to turn to books these days for inspiration to try and bring audiences the latest and greatest to the big screen. Has the industry turned to teen novels to solely follow in the footsteps of the widely known Twilight Saga success to in turn bring more money to the box office? It certainly wouldn’t be a bad idea to do so. With the success of the over saturated archetype of vampires and zombies, the path through the supernatural teen based stories has now led us to witches, or should I say casters. Based on the best selling American young adult series by Kami Garcia and Margaret Stohl, Beautiful Creatures is the first novel in the best selling series. The story is based in a small conservative town of Gatlin, South Carolina and is at first about Ethan Wate (Alden Ehrenreich) a seventeen year old young man who lives with his father that is stuck in morning over the death of his wife and the house keeper Amma (Viola Davis) who is also the towns all knowing librarian. Ethan dreams and hopes that one day he will break free of the small town of Gatlin and go to college far away. Lately though, he has been having a recurring dream of a young woman waiting for him on a Civil War battlefield. Every time he is close to reaching her a lightning bolt strikes just like a gunshot and he dies. Thankfully, it is only a dream but he doesn’t seem to be able to think about anything else other than the woman in his dreams and falls in love with this mystery woman, hoping one day he will be united with the girl of his dreams.
With the beginning of the first day of school a newcomer named Lena Duchannes (Alice Englert) seems to be an outcast because of her families history. Capturing the attention of Ethan he becomes more and more intrigued with her, despite the awful things that the other classmates are saying about her. Lena is the niece of Macon Ravenwood (Jeremy Irons), the owner of the one and only mysterious Gothic Ravenwood Manor. Lena has uncontrollable powers proving that some of what her classmates have been saying is true. Lena has until her sixteenth birthday to undergo the Claiming, a process that throughout the years makes a caster go to the light side or the dark side. The film also features an allstar cast such as: Alden Ehrenreich, (“Tetro”), Emmy Rossum, Thomas Mann, Emma Thompson, Rounding out the cast are Eileen Atkins, Margo Martindale, Zoey Deutch, Tiffany Boone, Rachel Brosnahan, Kyle Gallner, Pruitt Taylor Vince and Sam Gilroy.
The film Beautiful Creatures is a supernatural love story with some of the same ideas and themes as most of these supernatural teen movies based off of best selling novels. However, Beautiful Creatures was a refreshing take on the story of two young lovers, one who is human and the other who is a supernatural being. The scenery and use of the deep southern backdrops added to the mystery of the story. I have not read the book though I plan to, I am unable to comment on how close the movie was to the book. The special effects in the film were not overdone or out of place and were appropriate to each specific scene. Some comedic relief is found throughout the film and is not out of place. The flow of the story is also flawless including the music used for the soundtrack.
This film has been rated PG-13 for violence, scary images and some sexual material. I would recommend this to audiences of a variety of ages from young teen to older adult. Yes this film may have some similarities to other teen/supernatural films but all in all it is a film I definitely would recommend to our readers and I can’t wait for the second installment.
With the beginning of the first day of school a newcomer named Lena Duchannes (Alice Englert) seems to be an outcast because of her families history. Capturing the attention of Ethan he becomes more and more intrigued with her, despite the awful things that the other classmates are saying about her. Lena is the niece of Macon Ravenwood (Jeremy Irons), the owner of the one and only mysterious Gothic Ravenwood Manor. Lena has uncontrollable powers proving that some of what her classmates have been saying is true. Lena has until her sixteenth birthday to undergo the Claiming, a process that throughout the years makes a caster go to the light side or the dark side. The film also features an allstar cast such as: Alden Ehrenreich, (“Tetro”), Emmy Rossum, Thomas Mann, Emma Thompson, Rounding out the cast are Eileen Atkins, Margo Martindale, Zoey Deutch, Tiffany Boone, Rachel Brosnahan, Kyle Gallner, Pruitt Taylor Vince and Sam Gilroy.
The film Beautiful Creatures is a supernatural love story with some of the same ideas and themes as most of these supernatural teen movies based off of best selling novels. However, Beautiful Creatures was a refreshing take on the story of two young lovers, one who is human and the other who is a supernatural being. The scenery and use of the deep southern backdrops added to the mystery of the story. I have not read the book though I plan to, I am unable to comment on how close the movie was to the book. The special effects in the film were not overdone or out of place and were appropriate to each specific scene. Some comedic relief is found throughout the film and is not out of place. The flow of the story is also flawless including the music used for the soundtrack.
This film has been rated PG-13 for violence, scary images and some sexual material. I would recommend this to audiences of a variety of ages from young teen to older adult. Yes this film may have some similarities to other teen/supernatural films but all in all it is a film I definitely would recommend to our readers and I can’t wait for the second installment.
Bob Mann (459 KP) rated Cold Pursuit (2019) in Movies
Mar 15, 2020
Comments on revenge are best kept on the screen.
I'd completely forgotten the furore about Liam Neeson's comments back last February during the press-tour preceding the film's release. In discussing the destructive feelings of revenge experienced by his character, Nels Coxman, Neeson revealed something he did 40 years ago: after the rape of a friend by "a black man", Neeson went out on the streets to find another "black man" and do them harm. (As a fellow Ballymena-born man, David Moody (from the "Mark and Dave" blog) has an interesting theory about this... that it was not a "rascist" statement in the true sense, but something else entirely. See here - ).
The comments undoubtedly impacted the movie at the box office. Which is a shame. Because in his catalogue of bonkers and violent revenge-porn flicks, this is one of Neeson's more entertaining ones.
Revenge is a dish best served cold. And where colder to serve it than in the ski-resort of Kehoe where Nels Coxman is the local snowplow operative and "man of the year" for his services to the community. But the tracks are about to fall off his orderly life. For his son Kyle (Micheál Richardson) winds up dead through a drugs overdose and his strained marriage with wife Grace (Laura Dern) disintegrates. (One of the most cutting and best-written "Bye" notes ever seen in the movies).
With revenge in mind, Coxman pursues the Denver-based drugs lord Trevor Calcote (Tom Bateman) who dished out the drugs to his son. But he inadvertently manages to stay just below the parapet as he sets in train a gang war between Calcote and a Kehoe-based native-American drugs gang led by White Bull (Tom Jackson). The snow turned progressively pinker as the body count rises.
Calcote (aka "Viking") is painted as a colourful family man, with an annoyingly bright son Ryan (Nicholas Holmes) that he controls with a rod of iron. Viking is estranged from wife Aya (Julia Jones), who seems completely unafraid of him and happily embarrasses him in front of his men. This relationship never really works. Since given all the terrible and irrational things Viking does to people, whether they obstruct him or help him in equal measure, putting a quiet bullet into Aya's head seems to be to least he could do!
Where there is fun to be had is in the "Stockholm syndrome" linkage between young Ryan and Coxman. When his father insists on controlling his diet, feeding him the same insipidly healthy meals morning, noon and night, the alternative of being kidnapped and fed burgers seems eminently more preferable!
The film is at times really difficult to follow. There are lots of inexplicable leaps of logic and really inexplicably bonkers scenes that you can only patch together later. It's as if the filmmakers randomly filmed 5 hours of footage and then tried to edit it all into a cohesive plot!
As one example of this, the relationship between Coxman and "Wingman" (William Forsythe) was poorly introduced such that I was left baffled by a later plot twist.
In another scene, Neeson smashes the head of enforcer "Santa" (Michael Adamthwaite) into his steering wheel, but in the next scene collapses with him utterly exhausted in the snow. There was clearly a significant fight here that was cut out of the finished cut. But as a result the final cut makes no sense at all!
Of course, the local law enforcement team are average at best. Average because although young and keen-as-mustard detective Kim Dash (Emmy Rossum) is hot on the trail of the truth, her partner Gip (John Doman) is f*ckin' useless... wanting to do nothing but drink coffee and eat donuts in true Simpsons style.
Normally with these sort of films, it's difficult to keep track of the body count. No such problem here. Every death is celebrated with a tombstone graphic so it's easy to keep count! Needless to say, there are a lot of tombstones registered.
Directed by Norwegian Hans Petter Moland, it's all good violent cartoonish fun, that keeps its tongue firmly in its cheek for most of the running time. The snowy setting, the partly native-American cast and the presence of Julia Jones brings to mind the truly excellent Jeremy Renner / Elizabeth Olsen movie "Wind River". But there the similarities (and quality levels) definitely stop. It's not a clever movie; it's borderline bonkers for most of its running time (never more so than with a totally bizarre "joke" final shot); but it is entertaining. As a 'park brain at door' action comedy it just about makes the grade.
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/03/15/one-manns-movies-dvd-review-cold-pursuit-2019/. Thanks.)
The comments undoubtedly impacted the movie at the box office. Which is a shame. Because in his catalogue of bonkers and violent revenge-porn flicks, this is one of Neeson's more entertaining ones.
Revenge is a dish best served cold. And where colder to serve it than in the ski-resort of Kehoe where Nels Coxman is the local snowplow operative and "man of the year" for his services to the community. But the tracks are about to fall off his orderly life. For his son Kyle (Micheál Richardson) winds up dead through a drugs overdose and his strained marriage with wife Grace (Laura Dern) disintegrates. (One of the most cutting and best-written "Bye" notes ever seen in the movies).
With revenge in mind, Coxman pursues the Denver-based drugs lord Trevor Calcote (Tom Bateman) who dished out the drugs to his son. But he inadvertently manages to stay just below the parapet as he sets in train a gang war between Calcote and a Kehoe-based native-American drugs gang led by White Bull (Tom Jackson). The snow turned progressively pinker as the body count rises.
Calcote (aka "Viking") is painted as a colourful family man, with an annoyingly bright son Ryan (Nicholas Holmes) that he controls with a rod of iron. Viking is estranged from wife Aya (Julia Jones), who seems completely unafraid of him and happily embarrasses him in front of his men. This relationship never really works. Since given all the terrible and irrational things Viking does to people, whether they obstruct him or help him in equal measure, putting a quiet bullet into Aya's head seems to be to least he could do!
Where there is fun to be had is in the "Stockholm syndrome" linkage between young Ryan and Coxman. When his father insists on controlling his diet, feeding him the same insipidly healthy meals morning, noon and night, the alternative of being kidnapped and fed burgers seems eminently more preferable!
The film is at times really difficult to follow. There are lots of inexplicable leaps of logic and really inexplicably bonkers scenes that you can only patch together later. It's as if the filmmakers randomly filmed 5 hours of footage and then tried to edit it all into a cohesive plot!
As one example of this, the relationship between Coxman and "Wingman" (William Forsythe) was poorly introduced such that I was left baffled by a later plot twist.
In another scene, Neeson smashes the head of enforcer "Santa" (Michael Adamthwaite) into his steering wheel, but in the next scene collapses with him utterly exhausted in the snow. There was clearly a significant fight here that was cut out of the finished cut. But as a result the final cut makes no sense at all!
Of course, the local law enforcement team are average at best. Average because although young and keen-as-mustard detective Kim Dash (Emmy Rossum) is hot on the trail of the truth, her partner Gip (John Doman) is f*ckin' useless... wanting to do nothing but drink coffee and eat donuts in true Simpsons style.
Normally with these sort of films, it's difficult to keep track of the body count. No such problem here. Every death is celebrated with a tombstone graphic so it's easy to keep count! Needless to say, there are a lot of tombstones registered.
Directed by Norwegian Hans Petter Moland, it's all good violent cartoonish fun, that keeps its tongue firmly in its cheek for most of the running time. The snowy setting, the partly native-American cast and the presence of Julia Jones brings to mind the truly excellent Jeremy Renner / Elizabeth Olsen movie "Wind River". But there the similarities (and quality levels) definitely stop. It's not a clever movie; it's borderline bonkers for most of its running time (never more so than with a totally bizarre "joke" final shot); but it is entertaining. As a 'park brain at door' action comedy it just about makes the grade.
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/03/15/one-manns-movies-dvd-review-cold-pursuit-2019/. Thanks.)
