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Bong Mines Entertainment (15 KP) rated Sauvignon and a Kimono by DYLYN in Music
Jun 21, 2019
DYLYN is a talented singer-songwriter based in Toronto, Ontario, Canada. Not too long ago, she released a music video for her emo-pop tune, entitled, “Secret”.
“My life was turned upside down and, as a result, this song emerged. ‘Secret’ became therapeutic. It gave me a chance to connect with people, with my fans whose parents also split up due to infidelity. It became a way of reaffirming for myself and others—‘You are not the only one going through this.’” – DYLYN
‘Secret’ tells a bitter tale of a young woman who finds out that her father has been cheating on her mother.
Since then, she hasn’t slept in days and wonders if her mother knows about the other woman in her father’s life.
Later, after everything is out in the open, she painfully admits that her mother won’t love her father ever again, but she will still love him, even though he hurt them.
“At first, I was hesitant to write about such a personal story. But as the lyrics started to unfold, everything fell into place. I recorded ‘Secret’ in a dimly lit vocal booth. I wanted to be in a headspace where I could feel alone with myself, and deliver the lyrics from the most honest place that I possibly could.” – DYLYN
‘Secret’ contains a gripping storyline, ear-welcoming vocals, and lush instrumentation flavored with a dark commercial pop aroma.
The likable tune is featured on DYLYN’s debut EP, entitled, “Sauvignon and a Kimono”.
“I’m very excited to get this music out and tour again. This record is going to be much more raw, and I want to put all my emotions on the table. ‘Secret’ gave me the courage to do that.” – DYLYN
“My life was turned upside down and, as a result, this song emerged. ‘Secret’ became therapeutic. It gave me a chance to connect with people, with my fans whose parents also split up due to infidelity. It became a way of reaffirming for myself and others—‘You are not the only one going through this.’” – DYLYN
‘Secret’ tells a bitter tale of a young woman who finds out that her father has been cheating on her mother.
Since then, she hasn’t slept in days and wonders if her mother knows about the other woman in her father’s life.
Later, after everything is out in the open, she painfully admits that her mother won’t love her father ever again, but she will still love him, even though he hurt them.
“At first, I was hesitant to write about such a personal story. But as the lyrics started to unfold, everything fell into place. I recorded ‘Secret’ in a dimly lit vocal booth. I wanted to be in a headspace where I could feel alone with myself, and deliver the lyrics from the most honest place that I possibly could.” – DYLYN
‘Secret’ contains a gripping storyline, ear-welcoming vocals, and lush instrumentation flavored with a dark commercial pop aroma.
The likable tune is featured on DYLYN’s debut EP, entitled, “Sauvignon and a Kimono”.
“I’m very excited to get this music out and tour again. This record is going to be much more raw, and I want to put all my emotions on the table. ‘Secret’ gave me the courage to do that.” – DYLYN
Bong Mines Entertainment (15 KP) rated Luuv - Single by Broken Hearts Club in Music
Jun 25, 2019
Broken Hearts Club (Richie Aquino and Bradly Baldwin) is a dream-pop duo from Orange County, California. Not too long ago, they released their debut single, entitled, “Luuv”.
“Don’t want to be here. Now I can’t see clear. This party’s starting to suck. Then you walked in slow like something magical and started changing my mind. Now every time I dream about you, you’re turning me on. But every time I think about you, it feels so wrong.” – lyrics
‘Luuv’ tells a bittersweet tale of a young guy who falls head-over-heels in love with a desirable female.
Apparently, in the beginning, all is good and well with them. He always wants to feel her lips, steal a long kiss, and see her eyes in the morning light.
But unfortunately, all good things have to come to an end, and he experiences an emotional heartbreak. Now that she’s gone, he dreams about her all of the time and can’t seem to get her out of his mind.
‘Luuv’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation scented with an emo-indie-alternative aroma.
Also, the likable tune will be featured on Broken Hearts Club’s upcoming EP, entitled, “Make Out Music”.
“This song is about being so wrapped up in someone that you clearly know is not right for you. That you would rather be miserable having pieces of them than being happy having never known them at all.” – Broken Hearts Club
Broken Hearts Club came to life in 2019, when they bonded over their recent breakups, near-death experience, and their love of Rachael Leigh Cook and 90’s RomComs.
But instead of sulking in their pain, the duo turned their inspiration into a dream-pop world filled with songs about love and heartbreaks.
“Don’t want to be here. Now I can’t see clear. This party’s starting to suck. Then you walked in slow like something magical and started changing my mind. Now every time I dream about you, you’re turning me on. But every time I think about you, it feels so wrong.” – lyrics
‘Luuv’ tells a bittersweet tale of a young guy who falls head-over-heels in love with a desirable female.
Apparently, in the beginning, all is good and well with them. He always wants to feel her lips, steal a long kiss, and see her eyes in the morning light.
But unfortunately, all good things have to come to an end, and he experiences an emotional heartbreak. Now that she’s gone, he dreams about her all of the time and can’t seem to get her out of his mind.
‘Luuv’ contains a relatable storyline, ear-welcoming vocals, and groovy instrumentation scented with an emo-indie-alternative aroma.
Also, the likable tune will be featured on Broken Hearts Club’s upcoming EP, entitled, “Make Out Music”.
“This song is about being so wrapped up in someone that you clearly know is not right for you. That you would rather be miserable having pieces of them than being happy having never known them at all.” – Broken Hearts Club
Broken Hearts Club came to life in 2019, when they bonded over their recent breakups, near-death experience, and their love of Rachael Leigh Cook and 90’s RomComs.
But instead of sulking in their pain, the duo turned their inspiration into a dream-pop world filled with songs about love and heartbreaks.
Bong Mines Entertainment (15 KP) rated Hypocritical - Single by NOA in Music
Jun 17, 2019
NOA is a 22-year-old singer-songwriter from Toronto, Ontario. Not too long ago, she released a music video for her lovely electro-pop tune, entitled, “Hypocritical”.
“As an artist and songwriter, I want to give others a voice through my writing. With my new single, I want people to know that they’re not alone and we’re only human. ‘Hypocritical’ was inspired by my own breakup aftermath. The realization that everything I didn’t want my ex to be doing, I was doing myself. also, in a post-breakup state, it’s so easy to get hung up on wanting your ex back, or at least not wanting him to move on. But in reality, whether you recognize it or not, you’re likely already moving on.” – NOA
‘Hypocritical’ tells a post-breakup tale of a young woman who struggles to let go of her ex-boyfriend.
Apparently, she has moved on with her personal life, but still wants to be with him, even though he no longer belongs to her.
Also, she doesn’t want to see him with another woman, even though she’s romantically involved with another guy.
‘Hypocritical’ is the first single of a series of songs that NOA will be releasing this year.
The likable tune contains a relatable storyline and ear-welcoming vocals. Also, the song possesses playful instrumentation scented with a dancy indie-pop aroma.
“Seeing my ex’s Instagram stories and Snapchats really highlighted these ‘Hypocritical’ feelings for me. Sometimes it’s okay to go through the motions and have these thoughts. But at the end of the day, we have to face ourselves in the mirror and continue to grow from the ups and downs.” – NOA
NOA’s fans have followed her to sold-out shows from Toronto’s Drake Hotel to Los Angeles’s Hotel Cafe.
Her music contains emo-themes from relationships to female empowerment and self-realization.
https://www.bongminesentertainment.com/noa-hypocritical/
“As an artist and songwriter, I want to give others a voice through my writing. With my new single, I want people to know that they’re not alone and we’re only human. ‘Hypocritical’ was inspired by my own breakup aftermath. The realization that everything I didn’t want my ex to be doing, I was doing myself. also, in a post-breakup state, it’s so easy to get hung up on wanting your ex back, or at least not wanting him to move on. But in reality, whether you recognize it or not, you’re likely already moving on.” – NOA
‘Hypocritical’ tells a post-breakup tale of a young woman who struggles to let go of her ex-boyfriend.
Apparently, she has moved on with her personal life, but still wants to be with him, even though he no longer belongs to her.
Also, she doesn’t want to see him with another woman, even though she’s romantically involved with another guy.
‘Hypocritical’ is the first single of a series of songs that NOA will be releasing this year.
The likable tune contains a relatable storyline and ear-welcoming vocals. Also, the song possesses playful instrumentation scented with a dancy indie-pop aroma.
“Seeing my ex’s Instagram stories and Snapchats really highlighted these ‘Hypocritical’ feelings for me. Sometimes it’s okay to go through the motions and have these thoughts. But at the end of the day, we have to face ourselves in the mirror and continue to grow from the ups and downs.” – NOA
NOA’s fans have followed her to sold-out shows from Toronto’s Drake Hotel to Los Angeles’s Hotel Cafe.
Her music contains emo-themes from relationships to female empowerment and self-realization.
https://www.bongminesentertainment.com/noa-hypocritical/
Bong Mines Entertainment (15 KP) rated Flashback - Single by Mathew V in Music
Jun 18, 2019
Mathew V is a singer-songwriter based in Vancouver, Canada. Not too long ago, he released a heartfelt music video for his emo-pop ballad, entitled, “Flashback”.
“I’m weak, is that what you make of me when I had to get up on my own. Seventeen, when he put his hands on me, and I had to find my way back home. But I, oh I, I’d never play you for a fool. But now, I’m here with nothing left to lose.” – lyrics
‘Flashback’ tells a bitter tale of Mathew V’s personal experience with sexual violence/rape at the age of seventeen, and how it affects his personal life today.
Five years ago, the above-mentioned incident occurred, and ever since then, the 22-year-old survivor has been trying his best to cope with the recurring flashbacks of him being violated sexually.
‘Flashback’ contains a relatable storyline, ear-welcoming vocals, and piano-driven instrumentation flavored with sentimental elements.
“Writing this song was one of the hardest things I‘ve had to do in my life. I wrote this song about my experience with sexual violence/rape at seventeen years old, and how that situation has influenced and affected my life today. It was something that I always knew I had to process and had always avoided. But with every new song I wrote, I still had this in my closet, this weight on my chest.” – Mathew V
After 10 years of classical operatic vocal training, Mathew V moved to London, England at the age of 17 to teach himself how to write pop music.
Since then, he has penned a deal with 604 records and his debut single, “Tell Me Smooth”, went Top 40 on Canadian Radio (Hot AC/AC) for 18 weeks, peaking at #18.
Mathew has written with the likes of Dan Mangan, DiRTY RADiO, and on stage, he’s opened up for the likes of Betty Who, Hanson, Daya, MAGIC! and more.
https://www.bongminesentertainment.com/mathew-v-flashback/
“I’m weak, is that what you make of me when I had to get up on my own. Seventeen, when he put his hands on me, and I had to find my way back home. But I, oh I, I’d never play you for a fool. But now, I’m here with nothing left to lose.” – lyrics
‘Flashback’ tells a bitter tale of Mathew V’s personal experience with sexual violence/rape at the age of seventeen, and how it affects his personal life today.
Five years ago, the above-mentioned incident occurred, and ever since then, the 22-year-old survivor has been trying his best to cope with the recurring flashbacks of him being violated sexually.
‘Flashback’ contains a relatable storyline, ear-welcoming vocals, and piano-driven instrumentation flavored with sentimental elements.
“Writing this song was one of the hardest things I‘ve had to do in my life. I wrote this song about my experience with sexual violence/rape at seventeen years old, and how that situation has influenced and affected my life today. It was something that I always knew I had to process and had always avoided. But with every new song I wrote, I still had this in my closet, this weight on my chest.” – Mathew V
After 10 years of classical operatic vocal training, Mathew V moved to London, England at the age of 17 to teach himself how to write pop music.
Since then, he has penned a deal with 604 records and his debut single, “Tell Me Smooth”, went Top 40 on Canadian Radio (Hot AC/AC) for 18 weeks, peaking at #18.
Mathew has written with the likes of Dan Mangan, DiRTY RADiO, and on stage, he’s opened up for the likes of Betty Who, Hanson, Daya, MAGIC! and more.
https://www.bongminesentertainment.com/mathew-v-flashback/
Gareth von Kallenbach (965 KP) rated Beastly (2011) in Movies
Aug 7, 2019
The beauty and the beast story has officially entered the world of modern fashion in the new film Beastly. In this adaptation we meet Kyle (Alex Pettyfer) a rich kid who believes that a handsome exterior is all that counts in this world. That is until he slights emo student witch Kendra (Mary-Kate Olsen). Kyle soon finds himself with a beastly appearance, cursed until he can overcome his new fractured form and make someone fall in love with him. Adding to the cast is Kyle’s love interest and all around nice girl, Lindy (Vanessa Hudgens). Also notable is Kyle’s mentor/tutor Will played by Neil Patrick Harris.
Sticking closely to the predictable and extremely overdone plot, Beastly offers audiences very little they have not seen before. Kyle is overdramatic. Lindy is suspiciously like the character Vanessa Hudgens played in “High School Musical”. And we learn that Neil Patrick Harris, while always funny, does not play a convincing blind man.
The film does have good scenery and a soundtrack that is high school appropriate. Moreover, the wardrobe is strikingly impressive. But trite dialogue and poorly paced emotional cues give the film a juvenile comedic result. Beastly is amusing and a little funny, however it completely misses the emotional connection expected from a teen adaptation of a famous romantic tale.
Further distracting from the film’s romantic plot are the numerous hollow side stories and plethora of unnecessary character details. From the sudden trip to Kyle’s family cabin to the violent fight between Lindy’s father and a drug dealer, the movie includes numerous scenes that should have been cut.
But still, even with all the downsides, I had no interest in leaving the theater, because Beastly was a high budget train wreck. Not unlike a B-movie in quality and dialogue yet with an impressive budget, an Olsen sister, and some serious face tattoos, “Beastly” is simply cheesy.
Sticking closely to the predictable and extremely overdone plot, Beastly offers audiences very little they have not seen before. Kyle is overdramatic. Lindy is suspiciously like the character Vanessa Hudgens played in “High School Musical”. And we learn that Neil Patrick Harris, while always funny, does not play a convincing blind man.
The film does have good scenery and a soundtrack that is high school appropriate. Moreover, the wardrobe is strikingly impressive. But trite dialogue and poorly paced emotional cues give the film a juvenile comedic result. Beastly is amusing and a little funny, however it completely misses the emotional connection expected from a teen adaptation of a famous romantic tale.
Further distracting from the film’s romantic plot are the numerous hollow side stories and plethora of unnecessary character details. From the sudden trip to Kyle’s family cabin to the violent fight between Lindy’s father and a drug dealer, the movie includes numerous scenes that should have been cut.
But still, even with all the downsides, I had no interest in leaving the theater, because Beastly was a high budget train wreck. Not unlike a B-movie in quality and dialogue yet with an impressive budget, an Olsen sister, and some serious face tattoos, “Beastly” is simply cheesy.
Sensitivemuse (246 KP) rated A Chance at Forever in Books
Apr 13, 2018
Slow plot, only one interesting character...
I really tried to like this book, and to be fair it was good at the first third of the story. I was hoping the plot would pick up, and there would be more development throughout, but it just wasn’t there. Which is unfortunate because although this type of plot has been done in so many countless novels, it still had the potential to be good.
There wasn’t much to the characters in the book although Mercy seemed to have been the only interesting one and the only one with personality. The chemistry with Aaron and Mercy isn’t that great and as you progress throughout the novel it’s always back and forth with them. You feel like you’re watching a never ending tennis match between these two where they’re not doing anything to gain advantage in the game. And well, to be frank it’s pretty dry.
Aaron seemed like an all right character to read about, a guy out for redemption and feels bad for his past treatment of a lot of people (he was the town bully so to speak) and although it was nice to see part of his development and him trying to redeem himself it didn’t quite work out as I had hoped, he ended up being mopey, weepy but to the point where you have to wonder if he’s suddenly become emo. True, he’s had some pretty awful things done to him in the past but his constant mood changes from feeling good about changing, to moping on past regrets got old pretty fast, and this contributed more to the never ending tennis match I mentioned in the previous paragraph.
The secondary characters surrounding our main ones have each their own issues and problems and although Jimmy’s story was a good one, it just wasn’t enough to give this book justice. The plot was slow moving and dry with minor events happening in which it doesn’t make much of a difference to the story. Sad to say this book just didn’t quite cut it for me.
There wasn’t much to the characters in the book although Mercy seemed to have been the only interesting one and the only one with personality. The chemistry with Aaron and Mercy isn’t that great and as you progress throughout the novel it’s always back and forth with them. You feel like you’re watching a never ending tennis match between these two where they’re not doing anything to gain advantage in the game. And well, to be frank it’s pretty dry.
Aaron seemed like an all right character to read about, a guy out for redemption and feels bad for his past treatment of a lot of people (he was the town bully so to speak) and although it was nice to see part of his development and him trying to redeem himself it didn’t quite work out as I had hoped, he ended up being mopey, weepy but to the point where you have to wonder if he’s suddenly become emo. True, he’s had some pretty awful things done to him in the past but his constant mood changes from feeling good about changing, to moping on past regrets got old pretty fast, and this contributed more to the never ending tennis match I mentioned in the previous paragraph.
The secondary characters surrounding our main ones have each their own issues and problems and although Jimmy’s story was a good one, it just wasn’t enough to give this book justice. The plot was slow moving and dry with minor events happening in which it doesn’t make much of a difference to the story. Sad to say this book just didn’t quite cut it for me.
Gareth von Kallenbach (965 KP) rated The Twilight Saga: New Moon (2009) in Movies
Aug 8, 2019
If you hear the sound of a million screaming girls coming from your local theater, then you already know that the newest film in the Twilight Saga, “New Moon” is here. Picking up where “Twilight” left off is the love triangle between emo babe, Bella (Kristen Stewert), her star-crossed boyfriend/vampire, Edward (Robert Pattinson), and the heartfelt affectionate werewolf, Jacob (Taylor Lautner). But this film isn’t just about this century’s most discussed love triangle. “New Moon” takes Twilighters deeper into the history and mythos of these loveable monsters. Further expanding the Twilightverse is the introduction of the Volturi, the vampire royalty, who keep their kind a global secret, with serious consequences for those who break their code.
If you were bored during the slow buildup of “Twilight” then “New Moon” should be an exciting change, filled with fast cars and strong CGI. And the visuals don’t stop there, with backdrops ranging from the rainy forests of Washington to the sunny streets of Tuscany, this film goes far beyond the scope of the last.
Most impressively the acting has improved, especially on the part of Jacob Black who is charming in “New Moon”, a significant improvement from his irritating portrayal in the first film. Did I mention that he has gained a six pack? No, not just the abs, but also in the form of his wolf tribe (yes, I know there are only five wolves, but who can resist a good six pack turn of phrase?).
I only wish there had been more interaction with the Volturi. Surely there was a way to skip an unnecessary emotional Bella scene for a better understanding of the cruel nature of these creatures. Still the chemistry between Bella and the two men of her dreams is undeniably heart wrenching in this cinematic chapter.
Lovers of Twilight will also rejoice over the clever dialogue, which immediately took me back to key moments in the books. Moreover, the action-filled storytelling might just be the final straw for the remaining people out there on the fence about tackling the hefty novels.
If you were bored during the slow buildup of “Twilight” then “New Moon” should be an exciting change, filled with fast cars and strong CGI. And the visuals don’t stop there, with backdrops ranging from the rainy forests of Washington to the sunny streets of Tuscany, this film goes far beyond the scope of the last.
Most impressively the acting has improved, especially on the part of Jacob Black who is charming in “New Moon”, a significant improvement from his irritating portrayal in the first film. Did I mention that he has gained a six pack? No, not just the abs, but also in the form of his wolf tribe (yes, I know there are only five wolves, but who can resist a good six pack turn of phrase?).
I only wish there had been more interaction with the Volturi. Surely there was a way to skip an unnecessary emotional Bella scene for a better understanding of the cruel nature of these creatures. Still the chemistry between Bella and the two men of her dreams is undeniably heart wrenching in this cinematic chapter.
Lovers of Twilight will also rejoice over the clever dialogue, which immediately took me back to key moments in the books. Moreover, the action-filled storytelling might just be the final straw for the remaining people out there on the fence about tackling the hefty novels.
Gareth von Kallenbach (965 KP) rated 30 Minutes or Less (2011) in Movies
Aug 7, 2019
You don’t have to be imaginative to envision the plot behind “30 Minutes or Less”, because this is a story that is wildly over told. Just listing the components make it clear that no inventive or unexpected plot devices were considered in the creation of this summer comedy. There is the pizza boy who finds himself in the wrong place at the wrong time, a set of bumbling idiots who are planning a bank heist and even a girl who is oblivious to the longstanding affection of her brother’s best friend. But somehow even with this wildly over told plot the movie manages to be sporadically very funny.
“ 30 Minutes or Less” is, like so many of the big comedy hits of the last few years, a film that centers around well crafted honest yet crass dialogue between experienced comedic actors. Timing is critical to the success of the film and thankfully the actors in “30 Minutes or Less” are funny people who repeatedly manage to execute good lines.
The cast is the shining aspect of the film; a hodgepodge crew of comedians you likely already know. The best friend Chet is portrayed by the ever funny Aziz Ansari of Televisions’ “Parks and Recreation”. The bomb clad pizza boy Nick is played by Jesse Einsenberg who also starred in “The Social Network” and “Zombieland”. And this role is not a far cry from Einsenberg’s role in “Zombieland” aside from the lack of character development and on screen chemistry leading lady Kate, played by former TV “Greek” bad girl Dilshad Vadsaria.
The film is backed by a fun soundtrack of grooves that significantly assist in maintaining a quickened pace, even when the story is less than laughably slow. There are also a number of diverse yet comedic fight scenes that spot the film, from a juvenile slap fight to the use of a blow torch.
But the smattering of creative lines, sure to be repeated in excess by the post-emo generation, did not manage to hold up this film that unfortunately ran out of steam within “30 Minutes or Less”.
“ 30 Minutes or Less” is, like so many of the big comedy hits of the last few years, a film that centers around well crafted honest yet crass dialogue between experienced comedic actors. Timing is critical to the success of the film and thankfully the actors in “30 Minutes or Less” are funny people who repeatedly manage to execute good lines.
The cast is the shining aspect of the film; a hodgepodge crew of comedians you likely already know. The best friend Chet is portrayed by the ever funny Aziz Ansari of Televisions’ “Parks and Recreation”. The bomb clad pizza boy Nick is played by Jesse Einsenberg who also starred in “The Social Network” and “Zombieland”. And this role is not a far cry from Einsenberg’s role in “Zombieland” aside from the lack of character development and on screen chemistry leading lady Kate, played by former TV “Greek” bad girl Dilshad Vadsaria.
The film is backed by a fun soundtrack of grooves that significantly assist in maintaining a quickened pace, even when the story is less than laughably slow. There are also a number of diverse yet comedic fight scenes that spot the film, from a juvenile slap fight to the use of a blow torch.
But the smattering of creative lines, sure to be repeated in excess by the post-emo generation, did not manage to hold up this film that unfortunately ran out of steam within “30 Minutes or Less”.
David McK (3191 KP) rated The Batman (2022) in Movies
Apr 3, 2022 (Updated Oct 23, 2022)
"I am vengeance!"
Batman.
First debuting in DC Comics, 1939, and now one of the most popular superheroes of all, amongst the 'holy trinity' of Superman, Wonder Woman and Batman
It's often forgotten and/or overlooked in his numerous movies to date that those initials (DC) actually stand for Detective Comics, with Batman - on the pages - sometimes also known as The Worlds Greatest Detective.
This is the first of his movies that I can think of where that aspect of his character is portrayed - sure, there hints of it in 1989s Batman, but only hints. Here it's full force, front and centre, with Batman - only his second year as a Vigilante - working alongside Jim Gordon and a proto-Catwoman to track down and apprehend the serial killer known only as The Riddler, who is leaving clues behind at all his kills.
A very different portrayal of that character than Jim Carrey's version in 'Batman Forever'.
This is also a very long film - nearly 3 hours - that, I felt, is in danger of outstaying it's welcome, with very little in the way of superheroics. More of a police whodunnit with costumed characters, maybe. There's also a perfect 'cutting-off' point at just after the third act, with - I guess? - a studio mandate for the fourth act tacked on, which is probably more along the lines of what to expect from a Batman movie.
As for Robert Pattinson as The Caped Crusader? I kept expecting him to sparkle. Unfair, I know (to type cast him as the vampire from Twilight), but I do think he may have swung too far in the other direction when portraying Bruce Wayne; here very much an emo goth kid rather than the swaggering heir to the fortune he is oft shown as. In fact, there's very little of Bruce on display: he spends most of his time, in costume, as Batman. This was a conscious decision, or so I have heard, to show how Bruce is in danger of losing himself to that persona. I'm also struggling to think of a single key 'stand-out' moment in line with 'Batman Begins' rescuing Rachel or 'The Dark Knight' "he's the Hero we need ..." bit: the Penguin car chase, perhaps?
So, yeah, a very different cinematic take on The Dark Knight, indeed.
First debuting in DC Comics, 1939, and now one of the most popular superheroes of all, amongst the 'holy trinity' of Superman, Wonder Woman and Batman
It's often forgotten and/or overlooked in his numerous movies to date that those initials (DC) actually stand for Detective Comics, with Batman - on the pages - sometimes also known as The Worlds Greatest Detective.
This is the first of his movies that I can think of where that aspect of his character is portrayed - sure, there hints of it in 1989s Batman, but only hints. Here it's full force, front and centre, with Batman - only his second year as a Vigilante - working alongside Jim Gordon and a proto-Catwoman to track down and apprehend the serial killer known only as The Riddler, who is leaving clues behind at all his kills.
A very different portrayal of that character than Jim Carrey's version in 'Batman Forever'.
This is also a very long film - nearly 3 hours - that, I felt, is in danger of outstaying it's welcome, with very little in the way of superheroics. More of a police whodunnit with costumed characters, maybe. There's also a perfect 'cutting-off' point at just after the third act, with - I guess? - a studio mandate for the fourth act tacked on, which is probably more along the lines of what to expect from a Batman movie.
As for Robert Pattinson as The Caped Crusader? I kept expecting him to sparkle. Unfair, I know (to type cast him as the vampire from Twilight), but I do think he may have swung too far in the other direction when portraying Bruce Wayne; here very much an emo goth kid rather than the swaggering heir to the fortune he is oft shown as. In fact, there's very little of Bruce on display: he spends most of his time, in costume, as Batman. This was a conscious decision, or so I have heard, to show how Bruce is in danger of losing himself to that persona. I'm also struggling to think of a single key 'stand-out' moment in line with 'Batman Begins' rescuing Rachel or 'The Dark Knight' "he's the Hero we need ..." bit: the Penguin car chase, perhaps?
So, yeah, a very different cinematic take on The Dark Knight, indeed.
Annie Chanse (15 KP) rated The Chosen (Black Dagger Brotherhood #15) in Books
May 25, 2018
Blehc. Definitely not Ward's best...
Contains spoilers, click to show
Yechk. I honestly did not care for 90% of this book. The whole thing kind of pissed me off really.
Although, in general, I love the BDB books and the characters in those books (with only a few exceptions), this one was just... blah. There were really no sympathetic characters that made me want to read forward or 'root' for them. Xcor is semi-relatable with his awful upbringing, but he is kind of like a rip-off of V and Z, so there's no real flair there.
Quinn goes off the damned deep end and kinda makes you hate him.
Blay's hurt feelings and arguments make sense, I guess. He is really the only character I understood in this book.
V is all emo lonely, woe-is-me, should I or shouldn't I cheat?! and that is nothing if not hella boring.
And. DO. NOT. Get. Me. Started. On. Fucking. Layla. Her whole story arc just infuriates me. I mean, seriously? And she can't even understand why Quinn is so furious? Oh, and, you are told you're to leave your kids because you endangered them by being with a murderous traitor, and the FIRST THING you do is hunt down said murderous traitor and move him into your place?! Really? No matter how Ward wants to spin it, you are a horrible freaking mother, and you absolutely do not deserve to be around your kids ever again. Let me lose my son over a man? I would NEVER see that man again unless it was to cut his sac off to prove we were done and try to get my kid back. ...eye roll... Seriously, she's the worst.
The sideplot with Tres and Trez? Waaaaay too fairy tale, happy ending that honestly? Seems like a way for Ward to backtrack and try to appease fans that were irate at how "The Shadows" ended and also, it went nowhere, fell flat, and seemed waaay superfluous.
The Tohr/Xcor "twist"? At this point in the series... pretty predictable Ward behavior.
Really, the only interesting bit of this book were the 10 pages or so involving Lassiter's new gig in what is SEEMINGLY leading up to the actual defeat of the Omega, which I assume will also signal the end of the books. I never thought I'd say this, but maybe that's a good thing. Ward is truly off her game lately, and the BDB is getting a bit stale. Maybe it's time for an ending.
Although, in general, I love the BDB books and the characters in those books (with only a few exceptions), this one was just... blah. There were really no sympathetic characters that made me want to read forward or 'root' for them. Xcor is semi-relatable with his awful upbringing, but he is kind of like a rip-off of V and Z, so there's no real flair there.
Quinn goes off the damned deep end and kinda makes you hate him.
Blay's hurt feelings and arguments make sense, I guess. He is really the only character I understood in this book.
V is all emo lonely, woe-is-me, should I or shouldn't I cheat?! and that is nothing if not hella boring.
And. DO. NOT. Get. Me. Started. On. Fucking. Layla. Her whole story arc just infuriates me. I mean, seriously? And she can't even understand why Quinn is so furious? Oh, and, you are told you're to leave your kids because you endangered them by being with a murderous traitor, and the FIRST THING you do is hunt down said murderous traitor and move him into your place?! Really? No matter how Ward wants to spin it, you are a horrible freaking mother, and you absolutely do not deserve to be around your kids ever again. Let me lose my son over a man? I would NEVER see that man again unless it was to cut his sac off to prove we were done and try to get my kid back. ...eye roll... Seriously, she's the worst.
The sideplot with Tres and Trez? Waaaaay too fairy tale, happy ending that honestly? Seems like a way for Ward to backtrack and try to appease fans that were irate at how "The Shadows" ended and also, it went nowhere, fell flat, and seemed waaay superfluous.
The Tohr/Xcor "twist"? At this point in the series... pretty predictable Ward behavior.
Really, the only interesting bit of this book were the 10 pages or so involving Lassiter's new gig in what is SEEMINGLY leading up to the actual defeat of the Omega, which I assume will also signal the end of the books. I never thought I'd say this, but maybe that's a good thing. Ward is truly off her game lately, and the BDB is getting a bit stale. Maybe it's time for an ending.