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City of Lost Souls (The Mortal Instruments, #5)
City of Lost Souls (The Mortal Instruments, #5)
Cassandra Clare | 2012 | Fiction & Poetry, Paranormal, Young Adult (YA)
6
8.2 (27 Ratings)
Book Rating
43 of 250
Book
City of Lost Souls ( Shadowhunter book 5)
By Cassandra Clare

Once read a review will be written via Smashbomb and link posted in comments

Discover more secrets about the Shadowhunters as they fight to protect the world from demons in the fifth book in the internationally bestselling series. What price is too high to pay, even for love? Clary is willing to do anything for Jace, but can she still trust him? Or is he truly lost? This edition contains a map and a new foreword by Cassandra Clare. Read all the sensational books in The Shadowhunter Chronicles: The Mortal Instruments, The Infernal Devices, Tales from the Shadowhunter Academy, The Bane Chronicles, The Dark Artifices, The Last Hours and The Shadowhunter’s Codex.


So I’ve almost totally given up on these books Clary and Jace drive me mental!
This one was the only one I actually enjoyed the reason being it brought the other characters forward instead of focusing on this toxic childish relationship.
I will stick to the end as I’m not for giving up on a series especially 5 books in. The reason for the 3 stars instead of 2 was because the book did bring the other characters forward!
  
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The Dead Don't Die (2019)
The Dead Don't Die (2019)
2019 | Comedy, Horror
Adam Driver (0 more)
Hilariously Self-Aware
Zombie-comedies are the only kind of zombie movies I enjoy, and this was no exception.
Bill Murray (who was previously in Zombieland), and Adam Driver are the main characters, as cops in a small town (maybe in NY?), and their chemistry is deadpan and hilarious. Driver mentions multiple times throughout the film that 'This is going to end badly', finally Murray's character asks him why he keeps saying that. Driver's character responds that he read the entire script. Murray proceeds to call Jim Jarmusch an a-hole, since he didn't get the whole script. I about died of laughter over that.
Tilda Swinton's character is completely whack-a-doo, and cuts off zombies' heads with ease with a samurai sword. Because, as everyone knows, kill the head.
The entire movie is absurdist, and the humor might not be for everyone. It's gotten really bad reviews from a lot of critics, so I may be in the minority. Chloë Sevigny's character was the only one that completely annoyed me.
It's ultimately an homage to zombie films and, of course, an allegory of modern times, with people being absorbed in their mobile phones, unaware of the real world around them.
  
40x40

Andy K (10821 KP) Jun 15, 2019

Can't wait to see this!

Tender Buttons by Broadcast
Tender Buttons by Broadcast
2005 | Rock
(0 Ratings)
Album Favorite

"Even just thinking about this song, I can feel the beginning of tears in the backs of my eyes. It's such an astonishing piece of lyric writing. It's like that Linton Kwesi Johnson track - the narrator of the song, and their emotions, are so believable. Both songs are about letters, funnily enough. “The imagery is so gentle but it's still significant and it's recognisable of a different world; just the idea of a typing pool now is absurd - it's something that belongs to a different decade. And then the imagery of the paper and the ink drying and there's a confession, but we don't know what the truth is. She's talking about telling the truth in this letter she's written, but we don't know whether she's confessing to something she's done or to the way she truly feels. “Either way, it's definitely a story about the end. 99.999% of people who've loved in their lives will know how that feels, what it's like when love ends and this is one of those songs that just gently captures the hugeness of that kind of situation. It's sung and worded very softly, but what it's describing is incomprehensibly massive. It's communicated with that image of the page being wiped clean, while the landscape remains unchanged. Absolutely astonishing. “Trish Keenan’s death is a story of tragedy in itself, because she was so unique. I know you shouldn't try to relate the personal story of the performer to the piece of music, or the writing, or the play, but you can't help but do it in this case because so many Broadcast songs are in that vein. When you communicate emotion in a song the reason it works is because, as a listener, you recognise something you've experienced before, and so Trish's writing doesn't just remind you of loss - it reminds you of the loss of her.”"

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