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Coffee Art: Creative Coffee Designs for the Home Barista
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Learn how to create over 60 coffee-top designs from a master latte artist. Starting with basic...
Layton's Legacy: An Historic American Art Collection, 1888-2013
John C. Eastberg, Eric Vogel, Dianne MacLeod and Giles Waterfield
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Frederick Layton (1827-1919) was among the very first art collectors in America to fund a...
Gareth von Kallenbach (980 KP) rated World War Z (2013) in Movies
Jun 19, 2019
Inspired by the book of the same name, “World War Z” starring Brad Pitt has made it to theaters after several delays including seven weeks of additional shooting that was ordered by the studio after principal photography had ended. While the book covers survivor interviews in the wake of the zombie pandemic, the film covers the early days the outbreak and casts Pitt as Gerry Lane, a former U.N. troubleshooter who is left his life in the field for the ability to be a stay-at-home husband and dad to his wife and daughters. When an unexpected outbreak starts to lay waste to several cities, Gerry and his family are evacuated by his old U.N. Allies to a secure location aboard a naval flotilla and he is told that his family will remain in security providing he agrees to spearhead an investigation to determine the source of the outbreak.
With very few options Gerry leads a team to Korea in an attempt to get to the source of the outbreak and find a cure, or at the very least, a course of treatment to battle an outbreak that’s quickly is decimating the world’s population and threatening to destroy life as we know it in a very short time. The dangers are numerous and Gerry soon learns that there is a much larger puzzle to be solved which sets them on a journey around the world in a race against time to save humanity. Along the way he encounters signs of the world gone mad and utter devastation from locales ranging from Jerusalem to Cardiff as it becomes obvious that the infection has spared no region of the globe. With time running out, Gerry must find a way to turn the tide and save humanity before it is too late. With his resources dwindling he embarks on a desperate mission to test a theory and save the world.
The film does have its share of tense moments however the PG-13 rating does severely limit the amount of gore and horror that can be displayed. One key scene implied that a weapon had become imbedded in an infected enemy and that Gerry was struggling to extract it in order to use it to defend himself. Due to the limitations of the rating this had to be implied rather than shown and Pitt came across as more comical than tense and desperate.
The movie also suffers from converted 3-D which does absolutely nothing to enhance the film as there were very few moments that benefited from the 3-D technique. Perhaps if the film had been shot in 3-D the quality it would’ve been better but it was clear that several of the scenes in the film were not set up nor shot with 3-D in mind.
There are some very good effects; especially the ones were hordes of infected throw themselves recklessly like swarming insects upon barricaded survivors which really helped underscore just how hopeless and desperate the situation for the survivors was. No matter how much firepower you have, a wall of infected coming at you in endless waves is eventually going to outlast your supply of ammunition.
There had been some reported tensions on the set between Pitt and Director Marc Forster, but to me the biggest red flag was the seven additional weeks of shooting that were done after principal photography had been completed. While re-shoots are not uncommon, re-shoots of this length are, especially when it led to the film being delayed from its original planned release to the summer.
In the end what you have is an uneven effort. The film has a very good concept, good cast, and potential to be a fantastic series but suffers from a real lack of scares. It’s a sanitized look at a zombie invasion that greatly undermines the subject and the source material. The studio has hopes of doing a trilogy of films and I would definitely like to see future releases in the series provided they improve upon the original, offer films that are more in keeping with the book and are more respectful to zombie genre. As it stands now, Pitt does the best he can with the material but is let down by a script that is big on clichés and offers very little in the way of scares and originality.
http://sknr.net/2013/06/21/world-war-z/
With very few options Gerry leads a team to Korea in an attempt to get to the source of the outbreak and find a cure, or at the very least, a course of treatment to battle an outbreak that’s quickly is decimating the world’s population and threatening to destroy life as we know it in a very short time. The dangers are numerous and Gerry soon learns that there is a much larger puzzle to be solved which sets them on a journey around the world in a race against time to save humanity. Along the way he encounters signs of the world gone mad and utter devastation from locales ranging from Jerusalem to Cardiff as it becomes obvious that the infection has spared no region of the globe. With time running out, Gerry must find a way to turn the tide and save humanity before it is too late. With his resources dwindling he embarks on a desperate mission to test a theory and save the world.
The film does have its share of tense moments however the PG-13 rating does severely limit the amount of gore and horror that can be displayed. One key scene implied that a weapon had become imbedded in an infected enemy and that Gerry was struggling to extract it in order to use it to defend himself. Due to the limitations of the rating this had to be implied rather than shown and Pitt came across as more comical than tense and desperate.
The movie also suffers from converted 3-D which does absolutely nothing to enhance the film as there were very few moments that benefited from the 3-D technique. Perhaps if the film had been shot in 3-D the quality it would’ve been better but it was clear that several of the scenes in the film were not set up nor shot with 3-D in mind.
There are some very good effects; especially the ones were hordes of infected throw themselves recklessly like swarming insects upon barricaded survivors which really helped underscore just how hopeless and desperate the situation for the survivors was. No matter how much firepower you have, a wall of infected coming at you in endless waves is eventually going to outlast your supply of ammunition.
There had been some reported tensions on the set between Pitt and Director Marc Forster, but to me the biggest red flag was the seven additional weeks of shooting that were done after principal photography had been completed. While re-shoots are not uncommon, re-shoots of this length are, especially when it led to the film being delayed from its original planned release to the summer.
In the end what you have is an uneven effort. The film has a very good concept, good cast, and potential to be a fantastic series but suffers from a real lack of scares. It’s a sanitized look at a zombie invasion that greatly undermines the subject and the source material. The studio has hopes of doing a trilogy of films and I would definitely like to see future releases in the series provided they improve upon the original, offer films that are more in keeping with the book and are more respectful to zombie genre. As it stands now, Pitt does the best he can with the material but is let down by a script that is big on clichés and offers very little in the way of scares and originality.
http://sknr.net/2013/06/21/world-war-z/
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Gathering Frost (Once Upon a Curse, #1)
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Will the prince's kiss be enough to revive her frozen heart? Don't miss GATHERING FROST, a fantasy...
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OFFLINE TRAVEL MAP WITH INTEGRATED POINT OF INTERESTS & USEFUL MAP FUNCTIONALITY AT SMALL PRICE! ...
Light Years
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Light Years is the first book in a thrilling new sci-fi series from the bestselling author of The...
Movie Metropolis (309 KP) rated Mr. Holmes (2015) in Movies
Jun 10, 2019 (Updated Jun 11, 2019)
Sir Ian McKellen is magnificent
Sherlock Holmes is hot property at the moment. Robert Downey Jr has played the titular detective in two box-office behemoths and Benedict Cumberbatch is supremely popular across the globe for his take on the character.
Now, Sir Ian McKellen is giving it a go in the little-publicised BBC funded Mr Holmes. But does it continue the trend of crafting intriguing dramas from the stories of Sir Arthur Conan Doyle?
Bill Condon, director of Dreamgirls and the upcoming Beauty & the Beast live-action remake takes charge of an intriguing film that ends up having a whiff of Saturday night drama about it.
Mr Holmes follows the story of the titular character as he comes to terms with his advancing years. McKellen plays Holmes at age 93, living away from the public eye in a quiet rural location alongside his harsh housekeeper Mrs Munro (Laura Linney) and her son Roger – a wonderful Milo Parker in his first big-screen role.
Ian McKellen is simply brilliant throughout the course of the film and after years of playing Gandalf and Magneto, slows things right down in a portrayal of the detective never really seen before – he is magnificent.
Laura Linney is a good distraction from McKellen’s rather downbeat role but her character doesn’t really do enough to register and her accent wanders through numerous countries by the time the end credits roll. This is very much McKellen’s film.
Mr Holmes, much like A Little Chaos earlier this year is a slow-paced drama that would rather tackle the finer details of the script and focus on its characters then delve into unnecessary subplots and fancy special effects and there’s something charming about this simplicity.
Unfortunately though, it all just feels a little TV drama like. Because of this, you’re almost expecting a ‘To be continued…’ credit to be added at the end of the first hour – with the conclusion coming a week later.
This is a real shame as it makes Mr Holmes feel longer than it actually is. At just over 100 minutes, this is by no means a drawn-out film but the slow pace ensures things seem to take a little longer than they perhaps would in another feature.
Thankfully though, Ian McKellen’s performance is reason enough to give Mr Holmes a watch, with another being the intriguing and at times, rather unpredictable plot.
Overall, there isn’t really that much wrong with Mr Holmes but its release date is almost suicidal. Being sandwiched in between blockbusters like Jurassic World, Minions and Terminator: Genisys, it has a tough job to do and it deserves more success than I fear it will end up having.
Ian McKellen, like Meryl Streep is one of the finest living thespians and Mr Holmes only cements his position at the very top of his craft. However, it’s probably best reserved for a night-time viewing with slippers and a hot cup of cocoa.
https://moviemetropolis.net/2015/06/21/sir-ian-mckellen-is-magnificent-mr-holmes-review/
Now, Sir Ian McKellen is giving it a go in the little-publicised BBC funded Mr Holmes. But does it continue the trend of crafting intriguing dramas from the stories of Sir Arthur Conan Doyle?
Bill Condon, director of Dreamgirls and the upcoming Beauty & the Beast live-action remake takes charge of an intriguing film that ends up having a whiff of Saturday night drama about it.
Mr Holmes follows the story of the titular character as he comes to terms with his advancing years. McKellen plays Holmes at age 93, living away from the public eye in a quiet rural location alongside his harsh housekeeper Mrs Munro (Laura Linney) and her son Roger – a wonderful Milo Parker in his first big-screen role.
Ian McKellen is simply brilliant throughout the course of the film and after years of playing Gandalf and Magneto, slows things right down in a portrayal of the detective never really seen before – he is magnificent.
Laura Linney is a good distraction from McKellen’s rather downbeat role but her character doesn’t really do enough to register and her accent wanders through numerous countries by the time the end credits roll. This is very much McKellen’s film.
Mr Holmes, much like A Little Chaos earlier this year is a slow-paced drama that would rather tackle the finer details of the script and focus on its characters then delve into unnecessary subplots and fancy special effects and there’s something charming about this simplicity.
Unfortunately though, it all just feels a little TV drama like. Because of this, you’re almost expecting a ‘To be continued…’ credit to be added at the end of the first hour – with the conclusion coming a week later.
This is a real shame as it makes Mr Holmes feel longer than it actually is. At just over 100 minutes, this is by no means a drawn-out film but the slow pace ensures things seem to take a little longer than they perhaps would in another feature.
Thankfully though, Ian McKellen’s performance is reason enough to give Mr Holmes a watch, with another being the intriguing and at times, rather unpredictable plot.
Overall, there isn’t really that much wrong with Mr Holmes but its release date is almost suicidal. Being sandwiched in between blockbusters like Jurassic World, Minions and Terminator: Genisys, it has a tough job to do and it deserves more success than I fear it will end up having.
Ian McKellen, like Meryl Streep is one of the finest living thespians and Mr Holmes only cements his position at the very top of his craft. However, it’s probably best reserved for a night-time viewing with slippers and a hot cup of cocoa.
https://moviemetropolis.net/2015/06/21/sir-ian-mckellen-is-magnificent-mr-holmes-review/
Gareth von Kallenbach (980 KP) rated Cars (2006) in Movies
Aug 14, 2019
The technical wizards at Pixar are back with a new feature film which continues their domination of the animated film genre.
With the huge success of their films The Incredibles as well as Finding Nemo, Monsters Inc. and the Toy Story films, it would be easy to think that the studio might be at a creative crossroads. When recent news around the industry involved the end of their deal with Disney and subsequent new deal with the company after a period of free agency as well as delays on their new project, some began to wonder what audiences would see if their next outing.
Thankfully Cars continues the amazing run of success for the studio and sets the bar even higher for animated films to follow.
The film follows the exploits of rookie racing car Lightning MC Queen (Owen Wilson), who is the hotshot rookie attempting to be the first rookie in history to win the Piston Cup title.
As Lightening dreams of winning the prize and in doing so, a hefty sponsorship with the big oil company, he decides to ignore the advice of his crew which causes him to end up in a three way tie for the title.
In order to resolve the tie a special race is to be held a week later in California between the three winners. En route, Lightning ignores the advice of his driver Mack (John Ratzenberger), and in a series of mishaps ends up alone in the desolate
town of Radiator Springs. As if this was not enough trouble for Lightning, he is forced by the local judge Doc Hudson (Paul Newman), to perform community service to complete the damage he caused to the road upon his arrival.
Faced with the prospect of losing time needed to get to and prepare for the race, the selfish Lightning does his best to alienate the local townsfolk including the local tow truck Tom Mater (Larry the Cable Guy), who like all the locals do their best to befriend him.
Along the way, Lightning learns the values of friendship, teamwork and community as he attempts to find the true meaning of the term “Winner”.
Graphically the film is amazing as the amount of CGI rendering that went into the film is said to be so extensive, it literally taxed the computers at Pixar to their limits. That is clear as the detail level and complexity of the film is staggering. You fully believe that this world populated entirely by machines exists.
There is a lot of humor in the film as well and more than enough nods that will appeal to older viewers yet may be over the heads of younger viewers.
If I had to find fault in the film, it would be that with a running time of slightly over two hours, it does tend to drag in a few places. My nephew and his friend became restless about 50 minutes into the film which made me think that the running time may be to long for some younger children to sit through and that the film might have been better served by trimming about 30 minutes as there were segments that while visually appealing, did not really need to be there.
That being said, Cars is a true delight and proof that once again, Pixar is the undisputed champion of animated films.
With the huge success of their films The Incredibles as well as Finding Nemo, Monsters Inc. and the Toy Story films, it would be easy to think that the studio might be at a creative crossroads. When recent news around the industry involved the end of their deal with Disney and subsequent new deal with the company after a period of free agency as well as delays on their new project, some began to wonder what audiences would see if their next outing.
Thankfully Cars continues the amazing run of success for the studio and sets the bar even higher for animated films to follow.
The film follows the exploits of rookie racing car Lightning MC Queen (Owen Wilson), who is the hotshot rookie attempting to be the first rookie in history to win the Piston Cup title.
As Lightening dreams of winning the prize and in doing so, a hefty sponsorship with the big oil company, he decides to ignore the advice of his crew which causes him to end up in a three way tie for the title.
In order to resolve the tie a special race is to be held a week later in California between the three winners. En route, Lightning ignores the advice of his driver Mack (John Ratzenberger), and in a series of mishaps ends up alone in the desolate
town of Radiator Springs. As if this was not enough trouble for Lightning, he is forced by the local judge Doc Hudson (Paul Newman), to perform community service to complete the damage he caused to the road upon his arrival.
Faced with the prospect of losing time needed to get to and prepare for the race, the selfish Lightning does his best to alienate the local townsfolk including the local tow truck Tom Mater (Larry the Cable Guy), who like all the locals do their best to befriend him.
Along the way, Lightning learns the values of friendship, teamwork and community as he attempts to find the true meaning of the term “Winner”.
Graphically the film is amazing as the amount of CGI rendering that went into the film is said to be so extensive, it literally taxed the computers at Pixar to their limits. That is clear as the detail level and complexity of the film is staggering. You fully believe that this world populated entirely by machines exists.
There is a lot of humor in the film as well and more than enough nods that will appeal to older viewers yet may be over the heads of younger viewers.
If I had to find fault in the film, it would be that with a running time of slightly over two hours, it does tend to drag in a few places. My nephew and his friend became restless about 50 minutes into the film which made me think that the running time may be to long for some younger children to sit through and that the film might have been better served by trimming about 30 minutes as there were segments that while visually appealing, did not really need to be there.
That being said, Cars is a true delight and proof that once again, Pixar is the undisputed champion of animated films.
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