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Craig Brewer recommended Purple Rain (1984) in Movies (curated)
Mark @ Carstairs Considers (2415 KP) rated Spiders from Mars in Books
May 20, 2020
Free Neptune!
It’s been four months since we last checked in with Sylvia Stryker, and in that time, she’s had one thing on her mind – freeing Neptune, her mentor and friend, from prison for a crime he sort of committed. She’s come up with the perfect plan, too. She’s going to have him declared dead so she can slip him out of prison. However, when she goes to file the paperwork, she learns that there has been a murder in the prison and Neptune is the only suspect. Her original plan out the window, she has to act fast to free him and clear his name before he disappears for good. Can she do it?
Yes, this sounds like many of the cozy mysteries I read a love, but there is a twist to it – Sylvia’s adventures all take place in space. The setting is fun and detailed, but it never takes away from the action. I got lost in Sylvia’s world very quickly, and I suspect you will as well whether you love science fiction or not. The plot is fast paced with plenty of twists and turns. Unfortunately, a few of them were a bit abrupt. The story makes sense in the end, but I wish things had been explained a bit more. The characters, some human and some alien, are all fully developed, and I was thrilled to get to spend more time with them. If you are interested in something new and different, be sure to check out this series, and if you are already a fan, you’ll be happy with Sylvia’s latest case.
Yes, this sounds like many of the cozy mysteries I read a love, but there is a twist to it – Sylvia’s adventures all take place in space. The setting is fun and detailed, but it never takes away from the action. I got lost in Sylvia’s world very quickly, and I suspect you will as well whether you love science fiction or not. The plot is fast paced with plenty of twists and turns. Unfortunately, a few of them were a bit abrupt. The story makes sense in the end, but I wish things had been explained a bit more. The characters, some human and some alien, are all fully developed, and I was thrilled to get to spend more time with them. If you are interested in something new and different, be sure to check out this series, and if you are already a fan, you’ll be happy with Sylvia’s latest case.
Kristy H (1252 KP) rated Eleanor Oliphant Is Completely Fine in Books
Dec 24, 2017
funny (3 more)
heartbreaking
tender
beautiful
Eleanor Oliphant leads a simple, albeit lonely, life. Up in the morning, head to work, and heads down at the office (with a solo break for lunch and the crossword). She spends her evenings and weekends alone--typically with a book, the TV, and a lot vodka. Every Wednesday evening, she speaks on the phone with her mother (Mummy)-- always a painful conversation as her mother is judgemental and exacting. Then one day, Eleanor and Raymond, the slightly oafish IT guy from her office, save the elderly Sammy, who has fallen on the sidewalk. The act turns out to change Eleanor's life--bringing her into Sammy's life and that of his boisterous family--and involving her more with Raymond, as well. Suddenly, it's almost as if Eleanor and Raymond are friends and Eleanor isn't completely lonely anymore. But can her friendship with Raymond erase the sadness in her life?
This book, oh this book. Wow, what a journey. I'm so very glad I finally picked it up. Where do I even begin? First of all, Honeyman captures the voice of Eleanor perfectly. I was honestly a bit surprised when I started this one. I'd been expecting a slightly quirky character (a la the lead in THE ROSIE PROJECT), but there's far more depth and darkness to Eleanor (and her tale) than I imagined. It took me a little longer to get into the story, but once I was: wow. You can visualize Eleanor and her supporting cast so clearly. Raymond comes across effortlessly too. The plot is striking-- an amazing combination of heartbreaking and tender. My heart truly broke for dear Eleanor at times.
I was intrigued by the fact that there's no real huge story, per se, to this novel--it's just Eleanor finding her way in the world. As mentioned, Eleanor and Raymond assist Sammy, and this jolts Eleanor out of her life built around routine and sameness. Forced to come out of her shell, she suddenly sees some things in a new light--her appearance, her job, her friendships (or lack thereof), her apartment, and more. The way Honeyman presents the world--through Eleanor's eyes--is uncanny. I cannot describe how well she captures her diction and how aghast Eleanor is sometimes by the world around her (dirty books from the library, people who waste her time with conversation, the food people eat and how they eat, etc.).
At the same time, you realize how much Eleanor is formed by her childhood, or lack thereof, and it's just... striking. How Honeyman gets this all across in words is amazing. The unexpected darkness and sadness that comes across in the novel and the added layer of suspense she casts as we ponder Eleanor's tragic childhood: it's chilling. The entire book is mesmerizing and beautiful.
That's not to say the book isn't funny or enjoyable, too. Eleanor is her own person, and she's witty and true to her self, for sure. You will find yourself rooting for her personality quirks (of which there are many) and all. If Eleanor's attempts to understand the world don't tug at your heartstrings, I'm not sure anything will (and I'm pretty tough nut to crack when reading, mind you). I was worried that perhaps the moral would be that Eleanor would have to change herself to find happiness, but no, I don't think that was Honeyman's ultimate intent, even if Eleanor does make some "improvements" along the way. (I won't say more for risk of spoilers.) Also, I loved Raymond, as well; his mother; Glen (!!!!); and so many other parts of the story that made me smile. Seriously, even with its sad parts, this book just makes you happy.
Ultimately, this is lovely book, with beautiful, well-written characters. The tale of Eleanor Oliphant will stay with me for a long time, and I'm so glad I finally decided to read this book. Honeyman is an excellent writer, her depiction of Eleanor is gorgeous and heart-rendering and the few flaws I found with this were so minor, as I was left just awed by the end. One of my favorites so far this year.
This book, oh this book. Wow, what a journey. I'm so very glad I finally picked it up. Where do I even begin? First of all, Honeyman captures the voice of Eleanor perfectly. I was honestly a bit surprised when I started this one. I'd been expecting a slightly quirky character (a la the lead in THE ROSIE PROJECT), but there's far more depth and darkness to Eleanor (and her tale) than I imagined. It took me a little longer to get into the story, but once I was: wow. You can visualize Eleanor and her supporting cast so clearly. Raymond comes across effortlessly too. The plot is striking-- an amazing combination of heartbreaking and tender. My heart truly broke for dear Eleanor at times.
I was intrigued by the fact that there's no real huge story, per se, to this novel--it's just Eleanor finding her way in the world. As mentioned, Eleanor and Raymond assist Sammy, and this jolts Eleanor out of her life built around routine and sameness. Forced to come out of her shell, she suddenly sees some things in a new light--her appearance, her job, her friendships (or lack thereof), her apartment, and more. The way Honeyman presents the world--through Eleanor's eyes--is uncanny. I cannot describe how well she captures her diction and how aghast Eleanor is sometimes by the world around her (dirty books from the library, people who waste her time with conversation, the food people eat and how they eat, etc.).
At the same time, you realize how much Eleanor is formed by her childhood, or lack thereof, and it's just... striking. How Honeyman gets this all across in words is amazing. The unexpected darkness and sadness that comes across in the novel and the added layer of suspense she casts as we ponder Eleanor's tragic childhood: it's chilling. The entire book is mesmerizing and beautiful.
That's not to say the book isn't funny or enjoyable, too. Eleanor is her own person, and she's witty and true to her self, for sure. You will find yourself rooting for her personality quirks (of which there are many) and all. If Eleanor's attempts to understand the world don't tug at your heartstrings, I'm not sure anything will (and I'm pretty tough nut to crack when reading, mind you). I was worried that perhaps the moral would be that Eleanor would have to change herself to find happiness, but no, I don't think that was Honeyman's ultimate intent, even if Eleanor does make some "improvements" along the way. (I won't say more for risk of spoilers.) Also, I loved Raymond, as well; his mother; Glen (!!!!); and so many other parts of the story that made me smile. Seriously, even with its sad parts, this book just makes you happy.
Ultimately, this is lovely book, with beautiful, well-written characters. The tale of Eleanor Oliphant will stay with me for a long time, and I'm so glad I finally decided to read this book. Honeyman is an excellent writer, her depiction of Eleanor is gorgeous and heart-rendering and the few flaws I found with this were so minor, as I was left just awed by the end. One of my favorites so far this year.
JT (287 KP) rated In Time (2011) in Movies
Mar 10, 2020
I wanted to like this, I really did, but it was a film that failed to go anywhere, and time just slipped away to the end credits. Justin Timberlake is a likeable character, and more favourable as an actor I would say, although he’s certainly got a decent voice as we all know – here, he was singing a bit flat.
He’s immersed in a world where time is literally money, where people are engineered to live one more year after twenty-five. Unless you’re part of the rich elite who enjoy an elongated life of decade after decade, living in another time zone across the city or you’re scrapping for your life in the slums begging for every last second.
The film has a unique plot, but it’s executed poorly, Timberlake’s character Will Salas is implicated in the death of a rich socialite with a lot of time on his hands, of which he gives to Will, then ends his life rather abruptly with nothing more than a ‘don’t waste my time’ scrawled on a window pane.
There may be more to this than meets the eye, but it’s never really delved into with any great conviction. So we’re left with Salas on the run from Raymond Leon (Murphy) a timekeeper with a past, of which is again never touched on too much. Salas has one more trick up his sleeve and takes hostage Sylvia Weis (Seyfried) the daughter of a wealthy businessman, and never was there more a wasted character.
The pair then turn into some kind of Bonnie and Clyde, or Robin Hood and Maid Marian, stealing time from the rich and giving to the poor.
This film was the perfect platform for some potentially futuristic action, but director Andrew Niccol is happy enough to choreograph a few abject car chases and a few punches thrown. Instead we’re left with the poor on screen romance of Salas and Weis which in all honesty is not in the least bit convincing, after a while you’ll be looking down at your own watch and the time ticking past.
Niccol has left a huge amount of questions unanswered, such as why was time replaced by money in the first place? Quite a big question in the grand scheme of things, maybe he just ran out of time?
He’s immersed in a world where time is literally money, where people are engineered to live one more year after twenty-five. Unless you’re part of the rich elite who enjoy an elongated life of decade after decade, living in another time zone across the city or you’re scrapping for your life in the slums begging for every last second.
The film has a unique plot, but it’s executed poorly, Timberlake’s character Will Salas is implicated in the death of a rich socialite with a lot of time on his hands, of which he gives to Will, then ends his life rather abruptly with nothing more than a ‘don’t waste my time’ scrawled on a window pane.
There may be more to this than meets the eye, but it’s never really delved into with any great conviction. So we’re left with Salas on the run from Raymond Leon (Murphy) a timekeeper with a past, of which is again never touched on too much. Salas has one more trick up his sleeve and takes hostage Sylvia Weis (Seyfried) the daughter of a wealthy businessman, and never was there more a wasted character.
The pair then turn into some kind of Bonnie and Clyde, or Robin Hood and Maid Marian, stealing time from the rich and giving to the poor.
This film was the perfect platform for some potentially futuristic action, but director Andrew Niccol is happy enough to choreograph a few abject car chases and a few punches thrown. Instead we’re left with the poor on screen romance of Salas and Weis which in all honesty is not in the least bit convincing, after a while you’ll be looking down at your own watch and the time ticking past.
Niccol has left a huge amount of questions unanswered, such as why was time replaced by money in the first place? Quite a big question in the grand scheme of things, maybe he just ran out of time?
BankofMarquis (1832 KP) rated The Kitchen (2019) in Movies
May 17, 2020
Thinly written and directed
A rainy weekend is the perfect time to catch up with films that I meant to see in the Cineplex, but just didn't get around to it. So it was with some excitement that I flipped on the "Women Run The Mafia" movie THE KITCHEN from 2019.
I should have watched 21 BRIDGES.
Based on the DC/VERTIGO graphic novel, THE KITCHEN is set in the late 1970's in NYC and offers up the "what if" scenario of 3 women that take over the Mafia. A pretty interesting premise that could have been the GODFATHER or GOODFELLA's of the day (or...at least...another WIDOWS from 2018), but instead THE KITCHEN falls flat like the all female GHOSTBUSTERS from a few year's ago.
A star of that Ghostbuster's film, Melissa McCarthy leads the cast as Kathy Brennan, the wife of a mobster who was sent to jail and becomes the leader of the group. McCarthy has shown that she has the "chops" as an actress to tackle this role, but she never really gets there. There is no real depth or emotional stakes to her character throughout the course of the film. The screenplay (and McCarthy's performance) does pick up at the end, but by then, it is too little, too late. Also not fairing well is comedienne Tiffany Hadish as Ruby O'Carroll - an African-American female trying to dominate in a predominately white male world. Again...this character had potential, but the writing and, quite frankly, Hadish's performance just didn't quite succeed.
What did succeed is the always excellent Elisabeth Moss as the 3rd part of this triumvirate. Her "mousy, abused housewife turned stone cold killer" was interesting to watch - especially when paired with Domhnall Gleeson's assassin about 1/2 way through the movie. I wanted to watch a movie with these 2 criminals on the run.
I've mentioned the weak writing as part the issue here, so I'll have to mention first time Veteran Writer and first-time Director Andrea Berloff as the main culprit here. She wrote STRAIGHT OUTTA COMPTON so she has it in her, but here, the screenplay and characterizations are "thin". Perhaps, a good Director could have made something out of this, but she also made her Directing debut with this film, so it just didn't work well enough.
This isn't a bad film, it just isn't a very good - or very interesting - one.
Letter Grade B- (for the Moss/Gleeson portion of this film)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
I should have watched 21 BRIDGES.
Based on the DC/VERTIGO graphic novel, THE KITCHEN is set in the late 1970's in NYC and offers up the "what if" scenario of 3 women that take over the Mafia. A pretty interesting premise that could have been the GODFATHER or GOODFELLA's of the day (or...at least...another WIDOWS from 2018), but instead THE KITCHEN falls flat like the all female GHOSTBUSTERS from a few year's ago.
A star of that Ghostbuster's film, Melissa McCarthy leads the cast as Kathy Brennan, the wife of a mobster who was sent to jail and becomes the leader of the group. McCarthy has shown that she has the "chops" as an actress to tackle this role, but she never really gets there. There is no real depth or emotional stakes to her character throughout the course of the film. The screenplay (and McCarthy's performance) does pick up at the end, but by then, it is too little, too late. Also not fairing well is comedienne Tiffany Hadish as Ruby O'Carroll - an African-American female trying to dominate in a predominately white male world. Again...this character had potential, but the writing and, quite frankly, Hadish's performance just didn't quite succeed.
What did succeed is the always excellent Elisabeth Moss as the 3rd part of this triumvirate. Her "mousy, abused housewife turned stone cold killer" was interesting to watch - especially when paired with Domhnall Gleeson's assassin about 1/2 way through the movie. I wanted to watch a movie with these 2 criminals on the run.
I've mentioned the weak writing as part the issue here, so I'll have to mention first time Veteran Writer and first-time Director Andrea Berloff as the main culprit here. She wrote STRAIGHT OUTTA COMPTON so she has it in her, but here, the screenplay and characterizations are "thin". Perhaps, a good Director could have made something out of this, but she also made her Directing debut with this film, so it just didn't work well enough.
This isn't a bad film, it just isn't a very good - or very interesting - one.
Letter Grade B- (for the Moss/Gleeson portion of this film)
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Lyndsey Gollogly (2893 KP) rated Deadly Truths (Kiss Her Goodbye #3) in Books
Mar 23, 2021
Contains spoilers, click to show
42 of 250
Kindle
Deadly Truths ( Kiss her Goodbye book 3)
By Rebecca Royce
Once read a review will be written via Smashbomb and link posted in comments
I'm Everly Marrs.
Eighteen months ago the Letters took me to force my father's hand and turned my world upside down. A few months after that, a man named Ben took me from them and I went through hell before I saw them again and they turned my heart inside out. In fast moments I'll never get over, I killed my father and walked away from everything--the Alliance, the Letters, my heart.
Before D, W, T, K and J, I had plans. I was going to help people. After, I barely recognize myself, but I went through the motions, and I finished school. I had a job that paid under the table. I avoided electronic monitoring and I knew how to take care of myself. I was going off the grid. I was going to be safe and disappear.
Then one of my Letters walked into a bar...it sounds like a joke yet its anything but funny. Once again, I'm plunged back into their world, only they aren't taking me this time. No one is.
No, this time I know what it means to be Everly Marrs and what happens next is going to happen my way.
Yes!! Everly gets her happy ever after!! She worked hard for it and finally took control of her life. Love Rebeccas books and although sad to see this end it’s great to have a complete story that is compact and holds a punch! Brilliant RH series
Kindle
Deadly Truths ( Kiss her Goodbye book 3)
By Rebecca Royce
Once read a review will be written via Smashbomb and link posted in comments
I'm Everly Marrs.
Eighteen months ago the Letters took me to force my father's hand and turned my world upside down. A few months after that, a man named Ben took me from them and I went through hell before I saw them again and they turned my heart inside out. In fast moments I'll never get over, I killed my father and walked away from everything--the Alliance, the Letters, my heart.
Before D, W, T, K and J, I had plans. I was going to help people. After, I barely recognize myself, but I went through the motions, and I finished school. I had a job that paid under the table. I avoided electronic monitoring and I knew how to take care of myself. I was going off the grid. I was going to be safe and disappear.
Then one of my Letters walked into a bar...it sounds like a joke yet its anything but funny. Once again, I'm plunged back into their world, only they aren't taking me this time. No one is.
No, this time I know what it means to be Everly Marrs and what happens next is going to happen my way.
Yes!! Everly gets her happy ever after!! She worked hard for it and finally took control of her life. Love Rebeccas books and although sad to see this end it’s great to have a complete story that is compact and holds a punch! Brilliant RH series
Sophia (Bookwyrming Thoughts) (530 KP) rated Morrigan in Books
Jan 23, 2020
Original Review Posted on <a href="http://bookwyrming-thoughts.blogspot.com/2013/02/blog-tour-morrigan-by-laura-deluca-review-and-guest-post.html">Bookwyrming Thoughts</a>.
Note: Formatting has been lost due to copy and pasting.
<i><b>Disclaimer:</b> I received this book from YANR Blog Tours for free in exchange for an honest for the blog tour. This does not influence my review in any way.</i>
I think 3 words grabbed my attention: Tir na NOg. Only because the place was familiar from another series (I'll leave it for you guys to ponder on that). Okay, not just Tir na NOg. The blurb grabbed me as well. *o* So with that concept, I thought it might have something to do with faeries and would you be glad to know I was wrong.
I haven't read anything about Celtic mythology, or any books about it (I usually stick to Greek and Roman myths...), so Morrigan was made much more interesting to read knowing that fact. I love the fact that the author placed a glossary at the very beginning of the book - it was very helpful (hey, I'm pretty sure I'll be pronouncing everything foreign-like wrong in the end anyways, regardless of glossary there or not. But I'm sure it'll be helpful for the majority of us).
Here, we have a girl named Morrigan, who's an orphan and moving from home to home constantly. Until one day, she finds out her world isn't what it seems... AND she's different than what she thought she was. She can control fire, read the future (at least a glimpse), and move things... with her mind.
I find Morrigan an enchanting read. Like any fantasy book, we enter a different world that's "parallel" to our modern day world. I love the way Tiarn reacts to Morrigan's technological knowledge/use of modern items in Tir na NOg. However, I did find some things a bit confusing and didn't really make sense. I also loved the choice of words, especially in transitions.
I also loved the way the villains are formed. The author is descriptive and detailed with them (trust me... I had the shudders. No Nightmares though). Just when you think someone is a villain, it ends up being another... (which is a good thing, in my humble opinion). I'm also curious if there's going to be a sequel... due to the way the book ends. ;)
By the way, just because there's a werewolf, does not mean this story is going to be Twilight fashioned. It's not. ;)
Note: Formatting has been lost due to copy and pasting.
<i><b>Disclaimer:</b> I received this book from YANR Blog Tours for free in exchange for an honest for the blog tour. This does not influence my review in any way.</i>
I think 3 words grabbed my attention: Tir na NOg. Only because the place was familiar from another series (I'll leave it for you guys to ponder on that). Okay, not just Tir na NOg. The blurb grabbed me as well. *o* So with that concept, I thought it might have something to do with faeries and would you be glad to know I was wrong.
I haven't read anything about Celtic mythology, or any books about it (I usually stick to Greek and Roman myths...), so Morrigan was made much more interesting to read knowing that fact. I love the fact that the author placed a glossary at the very beginning of the book - it was very helpful (hey, I'm pretty sure I'll be pronouncing everything foreign-like wrong in the end anyways, regardless of glossary there or not. But I'm sure it'll be helpful for the majority of us).
Here, we have a girl named Morrigan, who's an orphan and moving from home to home constantly. Until one day, she finds out her world isn't what it seems... AND she's different than what she thought she was. She can control fire, read the future (at least a glimpse), and move things... with her mind.
I find Morrigan an enchanting read. Like any fantasy book, we enter a different world that's "parallel" to our modern day world. I love the way Tiarn reacts to Morrigan's technological knowledge/use of modern items in Tir na NOg. However, I did find some things a bit confusing and didn't really make sense. I also loved the choice of words, especially in transitions.
I also loved the way the villains are formed. The author is descriptive and detailed with them (trust me... I had the shudders. No Nightmares though). Just when you think someone is a villain, it ends up being another... (which is a good thing, in my humble opinion). I'm also curious if there's going to be a sequel... due to the way the book ends. ;)
By the way, just because there's a werewolf, does not mean this story is going to be Twilight fashioned. It's not. ;)
Bob Mann (459 KP) rated I, Tonya (2017) in Movies
Sep 29, 2021
Some Darwin award winners.
Man, I personally found this one to be an exceedingly uncomfortable watch.
“I, Tonya” is cleverly filmed as a pseudo-documentary, featuring re-enactments of the real-life interviews of most of the participants in this true-life drama. I recently bitterly criticised some film critics for spoiling the story of Donald Crowhurst, the subject of the recent “The Mercy”. But I was about to do exactly the same here, *assuming* that you all know the lurid tale of the rivalry between Tonya Harding and Nancy Kerrigan that led up to an ‘event’ in 1994 that shocked the world. And of course, many of you younger folk don’t know: case in point my 26 year old son who I went to see this with, and who went into the story blissfully blind of the drama about to unfold. So I will try to keep this review spoiler-free.
Playing Tonya from a (not very credible!) 15 years old to her mid-20’s is Margot Robbie (“The Wolf of Wall Street”, “Suicide Squad”) in what is a BAFTA and Oscar nominated performance. And for good reason: the performance is raw, visceral and disturbing in reflecting a victim who still thinks everything at heart is her own fault.
Also BAFTA and Oscar nominated is Allison Janney (“The Girl on the Train”) as Tonya’s obnoxious chain-smoking mother LaVona. Janney is truly terrifying as the mother who abuses her daughter both physically and mentally in a driven attempt to make her the best ice-skater in the world.
Victims seem to attract abusers, and Tonya is surrounded by people who are just plain bad for her: notably her husband Jeff (Sebastian Stan, “The Martian”, “Captain America: Winter Soldier”) and his slimy and pitifully self-deluded friend Shawn (Paul Walter Hauser). The end credits video footage of the real-life players show just how well these parts were cast.
Why so uncomfortable to watch? There is a significant degree of domestic abuse featured in the film, both in terms of LaVona on her child and Jeff on his wife. This is something I abhor in general, having been brought up to believe it is never EVER acceptable to lay a hand on a woman. To have these cowardly individuals sensationalised in the movie I found to be really upsetting. I strongly feel, for this reason alone, that the film should have had an 18 certificate. Violence in film should be related to the context as well as the severity. (Note that this is in stark contrast to my comments of recent BBFC decisions to make “Phantom Thread” and “Lady Bird” 15-certificates when I believe they should have been 12A).
The film is executed extremely well, with 4:3 framing for the staged interviews, and ice skating scenes that seamlessly cut between the professional clearly doing the stunts and Robbie (who must also be a half decent skater too). The soundtrack is nicely littered – “Guardians of the Galaxy” style – with classic hits of the early 90’s.
To think that this story actually unfolded in this way is nothing short of astounding… but it did! There is an astonishing video clip here (#spoilers) of the run up to, and the immediate aftermath of, the Kerrigan incident. I came out of the film with a deep feeling of sadness for Harding (at least, as portrayed) and utter disgust that the villains of this piece could be a) so cruel and out of control and b) so utterly stupid. These are individuals who really should have been sterilised to stop them polluting the gene pool any further.
Written by Steven Rogers (“Stepmom”) and directed by Australian Craig Gillespie, there is no doubting that this is a powerful film: played to an absolutely silent and gripped Saturday night cinema audience. And it has truly dynamite performances from Allison Janney and Margot Robbie. But be warned that you’ll need a strong stomach to go and see it without being affected by it afterwards. It’s a mental keeper.
“I, Tonya” is cleverly filmed as a pseudo-documentary, featuring re-enactments of the real-life interviews of most of the participants in this true-life drama. I recently bitterly criticised some film critics for spoiling the story of Donald Crowhurst, the subject of the recent “The Mercy”. But I was about to do exactly the same here, *assuming* that you all know the lurid tale of the rivalry between Tonya Harding and Nancy Kerrigan that led up to an ‘event’ in 1994 that shocked the world. And of course, many of you younger folk don’t know: case in point my 26 year old son who I went to see this with, and who went into the story blissfully blind of the drama about to unfold. So I will try to keep this review spoiler-free.
Playing Tonya from a (not very credible!) 15 years old to her mid-20’s is Margot Robbie (“The Wolf of Wall Street”, “Suicide Squad”) in what is a BAFTA and Oscar nominated performance. And for good reason: the performance is raw, visceral and disturbing in reflecting a victim who still thinks everything at heart is her own fault.
Also BAFTA and Oscar nominated is Allison Janney (“The Girl on the Train”) as Tonya’s obnoxious chain-smoking mother LaVona. Janney is truly terrifying as the mother who abuses her daughter both physically and mentally in a driven attempt to make her the best ice-skater in the world.
Victims seem to attract abusers, and Tonya is surrounded by people who are just plain bad for her: notably her husband Jeff (Sebastian Stan, “The Martian”, “Captain America: Winter Soldier”) and his slimy and pitifully self-deluded friend Shawn (Paul Walter Hauser). The end credits video footage of the real-life players show just how well these parts were cast.
Why so uncomfortable to watch? There is a significant degree of domestic abuse featured in the film, both in terms of LaVona on her child and Jeff on his wife. This is something I abhor in general, having been brought up to believe it is never EVER acceptable to lay a hand on a woman. To have these cowardly individuals sensationalised in the movie I found to be really upsetting. I strongly feel, for this reason alone, that the film should have had an 18 certificate. Violence in film should be related to the context as well as the severity. (Note that this is in stark contrast to my comments of recent BBFC decisions to make “Phantom Thread” and “Lady Bird” 15-certificates when I believe they should have been 12A).
The film is executed extremely well, with 4:3 framing for the staged interviews, and ice skating scenes that seamlessly cut between the professional clearly doing the stunts and Robbie (who must also be a half decent skater too). The soundtrack is nicely littered – “Guardians of the Galaxy” style – with classic hits of the early 90’s.
To think that this story actually unfolded in this way is nothing short of astounding… but it did! There is an astonishing video clip here (#spoilers) of the run up to, and the immediate aftermath of, the Kerrigan incident. I came out of the film with a deep feeling of sadness for Harding (at least, as portrayed) and utter disgust that the villains of this piece could be a) so cruel and out of control and b) so utterly stupid. These are individuals who really should have been sterilised to stop them polluting the gene pool any further.
Written by Steven Rogers (“Stepmom”) and directed by Australian Craig Gillespie, there is no doubting that this is a powerful film: played to an absolutely silent and gripped Saturday night cinema audience. And it has truly dynamite performances from Allison Janney and Margot Robbie. But be warned that you’ll need a strong stomach to go and see it without being affected by it afterwards. It’s a mental keeper.
Alien Slave Masters: Part Two
Book
When a distant planet’s ownership is in dispute, conquering aliens turn defiant human males into...
Dark Science Fiction Erotica MM
postapocalypticplayground (27 KP) rated Six of Crows in Books
Jan 9, 2018
Every so often a book will come along which will make you re-evaluate all the 5 star reviews you have given in the past. Six of Crows for me is that book. Set in Leigh Bardugo's "Grishaverse" it is the tale of an impossible heist where the rewards far outweigh the risk. Our main protagonist Kaz Brekker is fast becoming a legend in the bowels of the Barrel, the criminal underworld of Ketterdam. He is young, but a driven and ruthless trickster, with a team to match. They are tasked with breaching the heavily fortified Ice Court to rescue a scientist held hostage. It's a feat which has never been achieved, but with the promise of a reward that will take Kaz and his team out of the bottom of the Barrel it's risk he's willing to take, after all, just how many things could go wrong?
Six of Crows is told in multiple points of view, which can sometimes be confusing for me but there were only a couple of occasions that I found myself flipping back to the start of the chapter to remind myself who in the limelight. I felt that this was a style that worked really well with this story as the main six often found themselves in different places with different tasks and this way of storytelling allowed it all to come seamlessly together. Whilst it does majorly involve the Grisha, I found it was a world that I easily fell into pace with, without having read the Grisha Trilogy first. I'm told there are a number of nods which are present but I never felt lost or like I was missing out.
The characters are fantastic, my favourite by far was Inej, the wraith. Rescued from the oldest profession by Kaz, she is a force to be reckoned with, a silent assassin. There are no walls she can't climb or secrets she can't glean. I felt most for her, what she had been through before joining with Kaz and how it had driven her to become who she now was. I loved the sense of purpose that grew within her throughout the story. The others too though all have their stories to tell, a proper band of misfits all with their secrets and terrible histories that have shaped them. It's hard to remember that they are all teenagers, but then that makes them easier to underestimate.
The audacity behind Kaz's plan is immeasurable and it is through this that I am just in awe of the writing. At just shy of 500 pages there was not a single moment of rest for the reader, I felt on edge every step of the way. I felt fear for these characters, trepidation but also the good humour that only a rag tag bunch of forgotten teenagers could have in the circumstances they faced. I simply did not want to put this down, at all. The last of the six sections I tried to slow down as I knew it was coming to an end but it pulled me in and wouldn't let go. It's rare for a book to leave me breathless, but this one really did. It's the first of a duology and I can't wait for pay day to roll round so I can pick up Crooked Kingdom. If I could give this six stars I would, It's a truly amazing read and If you're a YA fantasy fan you will not be disappointed!
Six of Crows is told in multiple points of view, which can sometimes be confusing for me but there were only a couple of occasions that I found myself flipping back to the start of the chapter to remind myself who in the limelight. I felt that this was a style that worked really well with this story as the main six often found themselves in different places with different tasks and this way of storytelling allowed it all to come seamlessly together. Whilst it does majorly involve the Grisha, I found it was a world that I easily fell into pace with, without having read the Grisha Trilogy first. I'm told there are a number of nods which are present but I never felt lost or like I was missing out.
The characters are fantastic, my favourite by far was Inej, the wraith. Rescued from the oldest profession by Kaz, she is a force to be reckoned with, a silent assassin. There are no walls she can't climb or secrets she can't glean. I felt most for her, what she had been through before joining with Kaz and how it had driven her to become who she now was. I loved the sense of purpose that grew within her throughout the story. The others too though all have their stories to tell, a proper band of misfits all with their secrets and terrible histories that have shaped them. It's hard to remember that they are all teenagers, but then that makes them easier to underestimate.
The audacity behind Kaz's plan is immeasurable and it is through this that I am just in awe of the writing. At just shy of 500 pages there was not a single moment of rest for the reader, I felt on edge every step of the way. I felt fear for these characters, trepidation but also the good humour that only a rag tag bunch of forgotten teenagers could have in the circumstances they faced. I simply did not want to put this down, at all. The last of the six sections I tried to slow down as I knew it was coming to an end but it pulled me in and wouldn't let go. It's rare for a book to leave me breathless, but this one really did. It's the first of a duology and I can't wait for pay day to roll round so I can pick up Crooked Kingdom. If I could give this six stars I would, It's a truly amazing read and If you're a YA fantasy fan you will not be disappointed!