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Bob Mann (459 KP) rated Jurassic World: Fallen Kingdom (2018) in Movies
Sep 29, 2021
Greedy men + Dinosaurs = Lunch!
I’ve really had a rollercoaster of emotions on this one. As a general fan of dinosaurs running riot, since I saw the brilliant original in 1993, I was pretty disillusioned by the teaser trailer for this one: all over-the-top CGI. But as the lights dimmed and the Universal logo faded to ominous sonar sounds, the hairs stood up again and I thought J.A. Bayona (“A Monster Calls“) *might* deliver something really special here. Ultimately though, I left the theatre disappointed… but only slightly so.
With extreme topicality given what is happening on one of the Hawaiian islands at the moment, Isla Nublar – home to the now derelict Jurassic World theme park – is in serious trouble due to a volcanic eruption. Swayed by chaos theory expert Ian Malcolm (Jeff Goldblum), a US senate committee decides to do…. absolutely nothing, letting the dinosaurs face re-extinction. This is much to the fury of our heroine from the first film, Claire Dearing (Bryce Dallas-Howard), who now runs a “Save the Dinosaurs” group. When all seems lost, help comes from the wallet of philanthropist Benjamin Lockwood (James Cromwell, “Babe”, “LA Confidential”) and his ops manager Eli Mills (Rafe Spall, “The Big Short“) who propose to fund a private rescue mission: a mission that requires the involvement of Velociraptor-wrangler Owen Grady (Chris Pratt, “Guardians of the Galaxy“, “Passengers“). But are their motives truly honourable?
The film has its moments, with some well-executed action scenes, some nice munching of bad people and a few scenes that are truly touching: shots of a brachiosauruses’ last moments is a memorable piece of cinema. But that said, the film is extremely patchy. An exciting (but not particularly logical) pre-title sequence seques into a very wordy and action-free first reel, headed up by Goldblum (always seated: did he have his legs chewed off by a raptor?) droning on (blah blah blah), no doubt for a huge fee but not for much purpose. The early part of the movie is good however at introducing new characters: specifically the geeky Franklin (Justice Smith) and the pre-requisite 2018 ‘Times Up” kick-ass female character Zia ( Daniella Pineda), who is actually very good. As a whole though it’s not terribly engaging, leading to even the reveal of the derelict theme park – which should have been a high point – falling somewhat flat.
The much trailered volcano scenes that follow are impressive but should have been left to impress in the film.
Things ratchet up again though when the action moves to the more confining environment of Lockwood’s estate, bringing in arch-villain Gunnar Eversol played by Toby Jones (“The Snowman“, “Atomic Blonde“), who really should have taken the stairs, and Lockwood’s granddaughter Maisie ( Isabella Sermon) who is excellent as the ‘child in peril’. Some of the character’s actions don’t make a lot of sense (laser-targeting Owen? Why?) but they do generate some memorable scenes, supported by Michael Giacchino’s stirring soundtrack.
So, it pretty much works as an action film, but in terms of character development it doesn’t go anywhere in particular: Claire and Owen come out in about the same condition as they came in. I was expecting something deeper from Bayona (with his “A Monster Calls” being my personal No. 2 film of last year) than just a ‘running and screaming’ film.
It’s also difficult to avoid the fact that after five of these films there’s nothing much new under the Isla Nublar sun. Some of the plot here is a retread of the genetic shenanigans of the last film, mixed with the ‘off-island’ antics of “The Lost World”. And most of the action scenes are just stripped and re-painted from the earlier films. For example, the “about to get eaten but saved by another dinosaur” trope so expertly done by Spielberg in the finale of JP1 is re-hashed not once but THREE times in this movie: leading to more yawning that excitement if I’m honest.
Overall though, it’s an effective summer blockbuster that mostly delivers on the thrills and should be a good crowd-pleaser. By the way, staying through the endless credits is worth it not just for getting the full force of Giacchino and Williams’ majestic themes: there is quite a nice “monkey” at the end, illustrating that gambling might involve more than just money in the future!
With extreme topicality given what is happening on one of the Hawaiian islands at the moment, Isla Nublar – home to the now derelict Jurassic World theme park – is in serious trouble due to a volcanic eruption. Swayed by chaos theory expert Ian Malcolm (Jeff Goldblum), a US senate committee decides to do…. absolutely nothing, letting the dinosaurs face re-extinction. This is much to the fury of our heroine from the first film, Claire Dearing (Bryce Dallas-Howard), who now runs a “Save the Dinosaurs” group. When all seems lost, help comes from the wallet of philanthropist Benjamin Lockwood (James Cromwell, “Babe”, “LA Confidential”) and his ops manager Eli Mills (Rafe Spall, “The Big Short“) who propose to fund a private rescue mission: a mission that requires the involvement of Velociraptor-wrangler Owen Grady (Chris Pratt, “Guardians of the Galaxy“, “Passengers“). But are their motives truly honourable?
The film has its moments, with some well-executed action scenes, some nice munching of bad people and a few scenes that are truly touching: shots of a brachiosauruses’ last moments is a memorable piece of cinema. But that said, the film is extremely patchy. An exciting (but not particularly logical) pre-title sequence seques into a very wordy and action-free first reel, headed up by Goldblum (always seated: did he have his legs chewed off by a raptor?) droning on (blah blah blah), no doubt for a huge fee but not for much purpose. The early part of the movie is good however at introducing new characters: specifically the geeky Franklin (Justice Smith) and the pre-requisite 2018 ‘Times Up” kick-ass female character Zia ( Daniella Pineda), who is actually very good. As a whole though it’s not terribly engaging, leading to even the reveal of the derelict theme park – which should have been a high point – falling somewhat flat.
The much trailered volcano scenes that follow are impressive but should have been left to impress in the film.
Things ratchet up again though when the action moves to the more confining environment of Lockwood’s estate, bringing in arch-villain Gunnar Eversol played by Toby Jones (“The Snowman“, “Atomic Blonde“), who really should have taken the stairs, and Lockwood’s granddaughter Maisie ( Isabella Sermon) who is excellent as the ‘child in peril’. Some of the character’s actions don’t make a lot of sense (laser-targeting Owen? Why?) but they do generate some memorable scenes, supported by Michael Giacchino’s stirring soundtrack.
So, it pretty much works as an action film, but in terms of character development it doesn’t go anywhere in particular: Claire and Owen come out in about the same condition as they came in. I was expecting something deeper from Bayona (with his “A Monster Calls” being my personal No. 2 film of last year) than just a ‘running and screaming’ film.
It’s also difficult to avoid the fact that after five of these films there’s nothing much new under the Isla Nublar sun. Some of the plot here is a retread of the genetic shenanigans of the last film, mixed with the ‘off-island’ antics of “The Lost World”. And most of the action scenes are just stripped and re-painted from the earlier films. For example, the “about to get eaten but saved by another dinosaur” trope so expertly done by Spielberg in the finale of JP1 is re-hashed not once but THREE times in this movie: leading to more yawning that excitement if I’m honest.
Overall though, it’s an effective summer blockbuster that mostly delivers on the thrills and should be a good crowd-pleaser. By the way, staying through the endless credits is worth it not just for getting the full force of Giacchino and Williams’ majestic themes: there is quite a nice “monkey” at the end, illustrating that gambling might involve more than just money in the future!
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Merissa (13293 KP) rated Not If I See You First in Books
May 23, 2023
This is a young adult book with clout! Told in a contemporary setting, our female lead isn't very likeable, although she does have some redeeming features. With a good set of friends around her, she sets out on a normal school year, trying to cope with her blindness and a new influx of students.
Unfortunately for her, one of those students is her old best friend, who also broke her heart when she was thirteen. Now, Parker can hold a grudge and hold it well. However, she also has to grow up herself, as she deals with situations beyond her current comprehension and also has that painful lesson to learn that she is not the most important person of all, even if she is blind, and the world does not revolve around her.
With a smidge of romance thrown in for good measure, this is a well-told story about a girl maturing into herself, and the strength of friendships.
There is a bit of braille at the end which, according to Virginia on Goodreads, are simply two more rules:
Rule #11:
Don't worry that I won't give you any second chances. I will. I might even need some from you.
Rule #12:
Don't jump to conclusions. You and me both, but mostly me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Feb 22, 2016
Unfortunately for her, one of those students is her old best friend, who also broke her heart when she was thirteen. Now, Parker can hold a grudge and hold it well. However, she also has to grow up herself, as she deals with situations beyond her current comprehension and also has that painful lesson to learn that she is not the most important person of all, even if she is blind, and the world does not revolve around her.
With a smidge of romance thrown in for good measure, this is a well-told story about a girl maturing into herself, and the strength of friendships.
There is a bit of braille at the end which, according to Virginia on Goodreads, are simply two more rules:
Rule #11:
Don't worry that I won't give you any second chances. I will. I might even need some from you.
Rule #12:
Don't jump to conclusions. You and me both, but mostly me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Feb 22, 2016
BankofMarquis (1832 KP) rated Doctor Sleep (2019) in Movies
Oct 5, 2020
Better Than I Expected
Over the years, there has been "cash grab" sequels thrown out onto an unsuspecting public years after the beloved original film has settled into the warm memories of time. Films like THE TWO JAKES (sequel to CHINATOWN), THE EVENING STAR (sequel to TERMS OF ENDEARMENT) and, most notably, THE GODFATHER III (sequel to the first two, terrific GODFATHER films) all were filmed more than 10 years after the original classic and quickly died at the box office.
Thus, I steered very clear of the sequel to the great Stanley Kubrick film THE SHINING (based on the novel by Stephen King). This time it was Ewan MacGregor as a grown up Danny Torrance, otherwise known as DOCTOR SLEEP. True, this one was based on Stephen King's sequel novel, but still, I avoided it.
Well...2020 being 2020...I was searching for something "new" to watch and tripped across this, so thought "what the heck, I'll give it a go"...
And...I was pleasantly surprised - Doctor Sleep is actually a pretty good flick, capturing the flavor of the original while becoming an entity of it's own.
Doctor Sleep tells the tale of an adult Danny Torrance (Ewan MacGregor) the grown-up son of the Jack Nicholson character (Jack Torrance) in THE SHINING. Danny struggles to come to grips with what happened at the Overlook Hotel - and with his ability to "Shine".
As written and directed by Mike Flanagan (GERALD'S GAME), Doctor Sleep serves as a creepy "chase flick" and a homage to The Shining at the same time. Flanagan does a decent job of giving us motivations and meanings to Danny's own personal journey while weaving in a plausible, effective use of the characters and locations of The Shining.
Part of this success rests on the castings of actors to recreate the roles - and feelings - of characters from the original Stanley Kubrick film. Alex Essoe (Wendy Torrance), Carl Lumbly (Dick Halloran) and Henry Thomas - yes the kid from ET - (as "the bartender", who is clearly Jack Torrance) all bring the essence of the previous film's characters to the events while carving out their own versions of the characters. The same can be said for Flanagan's use (re-use?) of the Overlook Hotel locations and stylings. From the patterned carpet to the typewriter in the lobby to the elevators spewing blood to the hole in the bathroom door that the axe went through - all added to the creepy eeriness of "I've been here before".
But, I think Flanagan was more interested in that part of the story/film than the other part, for faring less successfully is Danny's journey. Fault cannot be made of Ewan MacGregor's performance, he is very good, considering the clunky dialogue he is given, and he gives Danny a haunted feeling, simultaneously chasing and running from his past. But Flanagan really skims over this part of the film - why/how Danny becomes the titular "Doctor Sleep" is almost in a "blink and you'll miss it" moment. While I like the pacing of this film, I think it could have used a little more care and feeding on the front end, to help us understand/invest in Danny's journey more.
Also not faring as well as it could have is the bad guys in this film - a group of characters called THE KNOT. Flanagan enlists a "decent enough" group of character actors for this group though, I think, this film pulls it's punches with these villains and it suffers from it. The leader of the group is "Rose The Hat", played by Rebecca Ferguson (THE GIRL ON THE TRAIN) and she is charismatic (as always) and draws you into her world, and her group. She is very seductive in this role - and that is really good. HOWEVER, when it is time for this "spider" to pounce on her prey, she just doesn't have the intimidation and fear factor, so I was never really scared or unnerved by her.
But, as far as sequels go, this one holds up very well and does a very good job of being an homage to the original film while driving it's own story - and characters - along.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Thus, I steered very clear of the sequel to the great Stanley Kubrick film THE SHINING (based on the novel by Stephen King). This time it was Ewan MacGregor as a grown up Danny Torrance, otherwise known as DOCTOR SLEEP. True, this one was based on Stephen King's sequel novel, but still, I avoided it.
Well...2020 being 2020...I was searching for something "new" to watch and tripped across this, so thought "what the heck, I'll give it a go"...
And...I was pleasantly surprised - Doctor Sleep is actually a pretty good flick, capturing the flavor of the original while becoming an entity of it's own.
Doctor Sleep tells the tale of an adult Danny Torrance (Ewan MacGregor) the grown-up son of the Jack Nicholson character (Jack Torrance) in THE SHINING. Danny struggles to come to grips with what happened at the Overlook Hotel - and with his ability to "Shine".
As written and directed by Mike Flanagan (GERALD'S GAME), Doctor Sleep serves as a creepy "chase flick" and a homage to The Shining at the same time. Flanagan does a decent job of giving us motivations and meanings to Danny's own personal journey while weaving in a plausible, effective use of the characters and locations of The Shining.
Part of this success rests on the castings of actors to recreate the roles - and feelings - of characters from the original Stanley Kubrick film. Alex Essoe (Wendy Torrance), Carl Lumbly (Dick Halloran) and Henry Thomas - yes the kid from ET - (as "the bartender", who is clearly Jack Torrance) all bring the essence of the previous film's characters to the events while carving out their own versions of the characters. The same can be said for Flanagan's use (re-use?) of the Overlook Hotel locations and stylings. From the patterned carpet to the typewriter in the lobby to the elevators spewing blood to the hole in the bathroom door that the axe went through - all added to the creepy eeriness of "I've been here before".
But, I think Flanagan was more interested in that part of the story/film than the other part, for faring less successfully is Danny's journey. Fault cannot be made of Ewan MacGregor's performance, he is very good, considering the clunky dialogue he is given, and he gives Danny a haunted feeling, simultaneously chasing and running from his past. But Flanagan really skims over this part of the film - why/how Danny becomes the titular "Doctor Sleep" is almost in a "blink and you'll miss it" moment. While I like the pacing of this film, I think it could have used a little more care and feeding on the front end, to help us understand/invest in Danny's journey more.
Also not faring as well as it could have is the bad guys in this film - a group of characters called THE KNOT. Flanagan enlists a "decent enough" group of character actors for this group though, I think, this film pulls it's punches with these villains and it suffers from it. The leader of the group is "Rose The Hat", played by Rebecca Ferguson (THE GIRL ON THE TRAIN) and she is charismatic (as always) and draws you into her world, and her group. She is very seductive in this role - and that is really good. HOWEVER, when it is time for this "spider" to pounce on her prey, she just doesn't have the intimidation and fear factor, so I was never really scared or unnerved by her.
But, as far as sequels go, this one holds up very well and does a very good job of being an homage to the original film while driving it's own story - and characters - along.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
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BookwormMama14 (18 KP) rated In the Company of Secrets (Postcards from Pullman #1) in Books
Jan 2, 2019
(There are some spoilers in this review)
What happens when you build an entire life on a foundation of lies? Consequences!
Olivia travels to Pullman, Illinois from England with the Lady Charlotte. Charlotte is unmarried and pregnant. In order to be hired for a position as the assistant chef at the Hotel and to protect Charlotte's honor, they fabricate a pack of lies and stories about who they are. As time progresses, Olivia's closest friends Fred and his mother, Mrs. DeVault, as well as her cousin Albert and his girlfriend Martha are all deceived by who they are. In the end Olivia realizes the importance of honesty and seeks the Lord's forgiveness for what she has done. She tries to begin a fresh in her walk with the Lord. However, she keeps the truth about the lies hidden. She is eventually found out and has to face the consequences.
I am very baffled by this book. It drove me crazy at parts and I wanted to stop reading it, but I was also intrigued to see how it would all play out. I was disappointed in the end that the loose ends were not tied up. I understand that it is a series, however it felt very confusing at the close of the book. The two main characters were the reasons why I wanted to put the book down. Charlotte has her baby and neglects him and eventually abandons him. I know that this happens in the real world, but Charlotte's snobbery is the main reason behind her poor attitude towards the baby. Being a mother of 2 small children, this made me quite upset. Olivia is extremely naive when it comes to men and seems to be quite spineless when it comes to standing up for herself. She constantly lets herself get walked over and lives in complete fear that someone will find her out. I read for enjoyment and I prefer to read about women who are strong, truthful and stand up for what is right. I did enjoy the historical side of this book. Although, I am not quite sure where the "Postcards" come into play, learning a little about Pullman and the railworks in 1892 was quite interesting.
Even though I have conflicting feelings regarding this book, I am curious to see how Olivia's character progresses. Seeing as how the library does not yet have this series in electronic form though, I will not be continuing. I was able to purchase this book for free at Barnes & Noble.
Bethany House Publishers
What happens when you build an entire life on a foundation of lies? Consequences!
Olivia travels to Pullman, Illinois from England with the Lady Charlotte. Charlotte is unmarried and pregnant. In order to be hired for a position as the assistant chef at the Hotel and to protect Charlotte's honor, they fabricate a pack of lies and stories about who they are. As time progresses, Olivia's closest friends Fred and his mother, Mrs. DeVault, as well as her cousin Albert and his girlfriend Martha are all deceived by who they are. In the end Olivia realizes the importance of honesty and seeks the Lord's forgiveness for what she has done. She tries to begin a fresh in her walk with the Lord. However, she keeps the truth about the lies hidden. She is eventually found out and has to face the consequences.
I am very baffled by this book. It drove me crazy at parts and I wanted to stop reading it, but I was also intrigued to see how it would all play out. I was disappointed in the end that the loose ends were not tied up. I understand that it is a series, however it felt very confusing at the close of the book. The two main characters were the reasons why I wanted to put the book down. Charlotte has her baby and neglects him and eventually abandons him. I know that this happens in the real world, but Charlotte's snobbery is the main reason behind her poor attitude towards the baby. Being a mother of 2 small children, this made me quite upset. Olivia is extremely naive when it comes to men and seems to be quite spineless when it comes to standing up for herself. She constantly lets herself get walked over and lives in complete fear that someone will find her out. I read for enjoyment and I prefer to read about women who are strong, truthful and stand up for what is right. I did enjoy the historical side of this book. Although, I am not quite sure where the "Postcards" come into play, learning a little about Pullman and the railworks in 1892 was quite interesting.
Even though I have conflicting feelings regarding this book, I am curious to see how Olivia's character progresses. Seeing as how the library does not yet have this series in electronic form though, I will not be continuing. I was able to purchase this book for free at Barnes & Noble.
Bethany House Publishers
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Design, configure, build, and test professional web applications in PHP 7 About This Book * Leverage...
Rachel King (13 KP) rated Fragile Eternity (Wicked Lovely, #3) in Books
Feb 11, 2019
At first I was really excited that this book was picking up on Seth and Aislinn from where the first book left off. Sorcha's court is very interesting and uniquely different from the other three courts, and I think that it is the court I would most likely fit into. I like how Marr fashions each court by a different set of rules, so that something that one court has the power to accomplish another court cannot necessarily duplicate. This makes the plot less predictable and allows the monarchs of each court to become more memorable and unique to the reader.
Keenan is just as much of an arse as he is in the other books - I see the least character growth with him, despite how much he is not getting what he wants. Aislinn is obviously still relatively naive about him. Despite how hard she works to be a good queen, she still appears to be an amateur, based on how easily everyone keeps secrets from her. I really like how hard Seth works to be a good boyfriend, but I love how the reader gets to see him in his weaker moments. This makes him more humane and believeable. His courage and determination are quite commendable, but I can hardly believe that he missed that very important detail about Faerie when he makes his bargain with Sorcha. As much reading as he has supposedly done on the subject, it isn't very likely that he would not read about the time differences. I was so disappointed when I realized that Seth had essentially become a "momma's boy" when Sorcha makes him her Faerie son. While this seems to benefit Sorcha, I really don't see how this will benefit Seth - and every other fairy, except for Bananach, seems to agree with this.
As for Bananach, while what she sees is focused on her goals of War, by the end of this book, I don't see how there could be any other outcome. Each of the monarchs are too focused on protecting and strengthening his or her own courts to care about the fate of the fairy world as a whole, which the real world has proven can only have one outcome. While the romantic in me just wants to see each of the monarchs find mates and a happily ever after, I like how Marr deviates from this typical theme and produces books that thrive on unpredictability. I look forward to getting my hands on the next book, Radiant Shadows (Wicked Lovely).
Keenan is just as much of an arse as he is in the other books - I see the least character growth with him, despite how much he is not getting what he wants. Aislinn is obviously still relatively naive about him. Despite how hard she works to be a good queen, she still appears to be an amateur, based on how easily everyone keeps secrets from her. I really like how hard Seth works to be a good boyfriend, but I love how the reader gets to see him in his weaker moments. This makes him more humane and believeable. His courage and determination are quite commendable, but I can hardly believe that he missed that very important detail about Faerie when he makes his bargain with Sorcha. As much reading as he has supposedly done on the subject, it isn't very likely that he would not read about the time differences. I was so disappointed when I realized that Seth had essentially become a "momma's boy" when Sorcha makes him her Faerie son. While this seems to benefit Sorcha, I really don't see how this will benefit Seth - and every other fairy, except for Bananach, seems to agree with this.
As for Bananach, while what she sees is focused on her goals of War, by the end of this book, I don't see how there could be any other outcome. Each of the monarchs are too focused on protecting and strengthening his or her own courts to care about the fate of the fairy world as a whole, which the real world has proven can only have one outcome. While the romantic in me just wants to see each of the monarchs find mates and a happily ever after, I like how Marr deviates from this typical theme and produces books that thrive on unpredictability. I look forward to getting my hands on the next book, Radiant Shadows (Wicked Lovely).