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Gareth von Kallenbach (980 KP) rated Tomb Raider (2018) in Movies
Jun 19, 2019
The third film in the “Tomb Raider” film series has arrived and much like
the recent entries in the video game series that inspire it; the film
serves as a reboot of the franchise.
This time out Alicia Vikander takes over the title role from Angelina
Jolie and brings us a younger and far less experienced Lara Croft who
toils as a bike messenger struggling to get by in London. She has a feisty
and competitive nature but is haunted by the absence of her father
(Dominic West), who has been missing for seven years and is presumed dead.
As such, Lara is his sole heir and is being pressured to sign documents
that will legally declare him dead and turn over a vast corporation and
fortune to Lara. True to her nature, Lara resists this as she is
unwilling to move on from her father and cannot bring herself to declare
him dead and take her inheritance.
In time Lara learns that her father was also a dabbler in the supernatural
and artifacts and may have vanished trying to find a secluded tomb on a
remote Japanese island.
Undaunted, Lara sets off to get answers and finds herself in the company
of a boat Captain named Lu Ren (Daniel Wu), who reluctantly takes her to
the dangerous island. Danger arrives first in a storm then in the form of
a Mercenary named Matthias Vogel (Walton Goggins), who wants to find the
mysterious tomb as well for nefarious reasons and will stop at nothing
including murder to get it.
Lara is soon faced with the fight of her life as she must battle Vogel and
his men as well as the island and other forces in order to survive and
protect the world.
The film moves at a pace slower than you might expect as the first half of
the film is mostly setup but there are a few moments of action included to
keep things interesting. While many of the action sequences may seem like
they are either restrained or influenced from other films, they do still
work and entertain. While some may call this a female “Indiana Jones”
film, Lara is very much her own character as she has a spunk and grit that
makes her equal adapt in a cultured setting as she is solving a dangerous
trap or mixing it up with deadly threats.
Vikander also portrays Lara with a sense of vulnerability as she does get
injured, bruised and tormented. This is not an unstoppable action machine,
but rather a real person who knows there is a time use your brain and then
a time to take action, but is also remorseful about the consequences of
her actions at times.
The film does move to a satisfying finale and sets up a further chapter
very well. There are some great nods to prior games in the film which was
refreshing as I joked to my wife during some of the more intense scenes
that I feel like I need to be pushing the X and O button on our Dualshock
4 controllers to help Lara run faster and jump higher.
In the end “Tomb Raider” is a satisfying if safe reboot for the franchise
that I expect should keep fans of the series happy. I do think that
audiences in North America may want a bit more action but the film should
play well in the Asian and European markets.
http://sknr.net/2018/03/16/tomb-raider/
the recent entries in the video game series that inspire it; the film
serves as a reboot of the franchise.
This time out Alicia Vikander takes over the title role from Angelina
Jolie and brings us a younger and far less experienced Lara Croft who
toils as a bike messenger struggling to get by in London. She has a feisty
and competitive nature but is haunted by the absence of her father
(Dominic West), who has been missing for seven years and is presumed dead.
As such, Lara is his sole heir and is being pressured to sign documents
that will legally declare him dead and turn over a vast corporation and
fortune to Lara. True to her nature, Lara resists this as she is
unwilling to move on from her father and cannot bring herself to declare
him dead and take her inheritance.
In time Lara learns that her father was also a dabbler in the supernatural
and artifacts and may have vanished trying to find a secluded tomb on a
remote Japanese island.
Undaunted, Lara sets off to get answers and finds herself in the company
of a boat Captain named Lu Ren (Daniel Wu), who reluctantly takes her to
the dangerous island. Danger arrives first in a storm then in the form of
a Mercenary named Matthias Vogel (Walton Goggins), who wants to find the
mysterious tomb as well for nefarious reasons and will stop at nothing
including murder to get it.
Lara is soon faced with the fight of her life as she must battle Vogel and
his men as well as the island and other forces in order to survive and
protect the world.
The film moves at a pace slower than you might expect as the first half of
the film is mostly setup but there are a few moments of action included to
keep things interesting. While many of the action sequences may seem like
they are either restrained or influenced from other films, they do still
work and entertain. While some may call this a female “Indiana Jones”
film, Lara is very much her own character as she has a spunk and grit that
makes her equal adapt in a cultured setting as she is solving a dangerous
trap or mixing it up with deadly threats.
Vikander also portrays Lara with a sense of vulnerability as she does get
injured, bruised and tormented. This is not an unstoppable action machine,
but rather a real person who knows there is a time use your brain and then
a time to take action, but is also remorseful about the consequences of
her actions at times.
The film does move to a satisfying finale and sets up a further chapter
very well. There are some great nods to prior games in the film which was
refreshing as I joked to my wife during some of the more intense scenes
that I feel like I need to be pushing the X and O button on our Dualshock
4 controllers to help Lara run faster and jump higher.
In the end “Tomb Raider” is a satisfying if safe reboot for the franchise
that I expect should keep fans of the series happy. I do think that
audiences in North America may want a bit more action but the film should
play well in the Asian and European markets.
http://sknr.net/2018/03/16/tomb-raider/
Movie Metropolis (309 KP) rated Vacation (2015) in Movies
Jun 11, 2019
Family holidays will never be the same
It was 1983 when Chevy Chase and Beverly D’Angelo made the infamous decision to take their family across the US to “America’s Favourite Family Fun Park” in National Lampoon’s Vacation.
Being the best in the long-running series, it seemed natural for it to receive a fully-fledged sequel of some kind, but it has taken up until now to get the balance right, but does Vacation evoke memories of that brilliant road-trip comedy?
Ed Helms takes on the role of an adult Rusty Griswold as he, like his father makes the epic trip to Walley World theme park alongside his long-suffering wife Debbie (Christina Applegate) and his two sons James and Kevin, played by Skyler Gisondo and Steele Stebbins respectively.
Everybody’s favourite thunder-god, Chris Hemsworth makes a rather revealing cameo as Rusty’s brother-in-law and ladies’ man, Stone Crandall, and helps lift Vacation out of what could have been a half-way lull.
Naturally, there are many tasteful references to its predecessor but this isn’t just a lesson in comedy history. Writers Jonathan Goldstein and John Francis Daley inject some much-needed modern humour into the film – this is most definitely a movie from the 21st Century.
Ed Helms and Christina Applegate have real chemistry as the married couple but it is in their children that most of the laughs are. James and Kevin are the stereotypical, bickering siblings but like everything in Vacation they are turned up to eleven.
From raw sewage infested hot springs to a would-be maniac truck driver, the gags on the whole hit the spot every single time – by no means an easy feat when writing a comedy over 90 minutes in length. There are a couple of ill-placed laughs like a Four Corners police brawl that threaten to stop the film in its tracks, but thankfully these are few and far between.
Short but sweet cameos for Chevy Chase and Beverly D’Angelo towards the climax anchor Vacation to what came before it and it’s nice that the writers didn’t forget to honour those roots in more ways than sickly nostalgia.
The direction is also positively inspired. Acting like a tourist brochure for the USA, Vacation makes you feel like you’re part of the vast locations. From desolate highways to bustling cities, it’s all here and beautifully shot.
Unfortunately the plot seems to run a little out of steam towards the end. After all, there’s only so much déjà vu a story can take and it seems that the writers put all their best work in the first two thirds of the movie, as is the case with many films in the genre.
Nevertheless, Vacation is a confident film that knows exactly what it’s trying to be. Acting as a standalone comedy for newcomers and a decent sequel for fans of the original, it has something for everyone.
The acting is sublime and the casting choices are spot on, only a lacklustre final third pull it back from the edge of glory.
I probably won’t be planning that road trip any time soon.
https://moviemetropolis.net/2015/08/23/family-holidays-will-never-be-the-same-vacation-review/
Being the best in the long-running series, it seemed natural for it to receive a fully-fledged sequel of some kind, but it has taken up until now to get the balance right, but does Vacation evoke memories of that brilliant road-trip comedy?
Ed Helms takes on the role of an adult Rusty Griswold as he, like his father makes the epic trip to Walley World theme park alongside his long-suffering wife Debbie (Christina Applegate) and his two sons James and Kevin, played by Skyler Gisondo and Steele Stebbins respectively.
Everybody’s favourite thunder-god, Chris Hemsworth makes a rather revealing cameo as Rusty’s brother-in-law and ladies’ man, Stone Crandall, and helps lift Vacation out of what could have been a half-way lull.
Naturally, there are many tasteful references to its predecessor but this isn’t just a lesson in comedy history. Writers Jonathan Goldstein and John Francis Daley inject some much-needed modern humour into the film – this is most definitely a movie from the 21st Century.
Ed Helms and Christina Applegate have real chemistry as the married couple but it is in their children that most of the laughs are. James and Kevin are the stereotypical, bickering siblings but like everything in Vacation they are turned up to eleven.
From raw sewage infested hot springs to a would-be maniac truck driver, the gags on the whole hit the spot every single time – by no means an easy feat when writing a comedy over 90 minutes in length. There are a couple of ill-placed laughs like a Four Corners police brawl that threaten to stop the film in its tracks, but thankfully these are few and far between.
Short but sweet cameos for Chevy Chase and Beverly D’Angelo towards the climax anchor Vacation to what came before it and it’s nice that the writers didn’t forget to honour those roots in more ways than sickly nostalgia.
The direction is also positively inspired. Acting like a tourist brochure for the USA, Vacation makes you feel like you’re part of the vast locations. From desolate highways to bustling cities, it’s all here and beautifully shot.
Unfortunately the plot seems to run a little out of steam towards the end. After all, there’s only so much déjà vu a story can take and it seems that the writers put all their best work in the first two thirds of the movie, as is the case with many films in the genre.
Nevertheless, Vacation is a confident film that knows exactly what it’s trying to be. Acting as a standalone comedy for newcomers and a decent sequel for fans of the original, it has something for everyone.
The acting is sublime and the casting choices are spot on, only a lacklustre final third pull it back from the edge of glory.
I probably won’t be planning that road trip any time soon.
https://moviemetropolis.net/2015/08/23/family-holidays-will-never-be-the-same-vacation-review/
MaryAnn (14 KP) rated An Hour Unspent (Shadows Over England, #3) in Books
Mar 5, 2019
Once London’s top thief, Barclay Pearce has turned his back on his life of crime and now uses his skills for a nation at war. But not until he rescues a clockmaker’s daughter from a mugging does he begin to wonder what his future might hold.
Evelina Manning has constantly fought for independence but she certainly never meant for it to inspire her fiancé to end the engagement and enlist in the army. When the intriguing man who saved her returns to the Manning residence to study clockwork repair with her father, she can’t help being interested. But she soon learns that nothing with Barclay Pearce is as simple as it seems.
As 1915 England plunges ever deeper into war, the work of an ingenious clockmaker may give England an unbeatable military edge—and Germany realizes it as well. Evelina’s father soon finds his whole family in danger—and it may just take a reformed thief to steal the time they need to escape it.
My Thoughts: This is an intriguing and entertaining book. From the first chapter to the last, it has the reader completely enamored. This is the third book in the series and if the reader like myself hasn't read the first two, they will be able to read along easily. The setting takes place during the first world war and grabs the readers attention from the first page. The characters are fun, witty and down to earth.
I believe that this book is to teach us what family really is and to appreciate and to hold on tight and love our famililies. It's a book about serving others and putting family first.
I believe that readers will truly enjoy this novel, especially those who love historical fiction.
Evelina Manning has constantly fought for independence but she certainly never meant for it to inspire her fiancé to end the engagement and enlist in the army. When the intriguing man who saved her returns to the Manning residence to study clockwork repair with her father, she can’t help being interested. But she soon learns that nothing with Barclay Pearce is as simple as it seems.
As 1915 England plunges ever deeper into war, the work of an ingenious clockmaker may give England an unbeatable military edge—and Germany realizes it as well. Evelina’s father soon finds his whole family in danger—and it may just take a reformed thief to steal the time they need to escape it.
My Thoughts: This is an intriguing and entertaining book. From the first chapter to the last, it has the reader completely enamored. This is the third book in the series and if the reader like myself hasn't read the first two, they will be able to read along easily. The setting takes place during the first world war and grabs the readers attention from the first page. The characters are fun, witty and down to earth.
I believe that this book is to teach us what family really is and to appreciate and to hold on tight and love our famililies. It's a book about serving others and putting family first.
I believe that readers will truly enjoy this novel, especially those who love historical fiction.
Kevin Wilson (179 KP) rated Black Mirror - Season 3 in TV
Jul 14, 2018 (Updated Jul 14, 2018)
Interesting and frightening stories (2 more)
So many twists
Fantastic acting
The series just keeps getting better
This series I feels just keeps getting better and better. I loved season 3. There were definitely some episodes that stood out as the best you will see on TV altogether.
It also felt completely relevant to what is actually happening in the world today. The first episode was about how your perceived through social networking and how your judged through being rated. 1 about the dangers of downloading unknown programs that may contain viruses and another about how the technology behind VR is progressing. As a gamer that was most interesting.
As far as acting goes, the episode that really stood out was the 4th called San Junipero. I'll be honest I spent a majority of the episode confused because it seemed to be set during time period but then it all made sense. The twists and the emotion in the scenes were incredible and I was in tears by the end.
The 5th was good, it reminded me a lot of startship troopers for a while and the twists were great. Twists seems to be where black mirror thrives. I don't like giving spoilers usually so trying not to say much. It's all about the army and blindly following orders without question.
The last episode I could take or leave. It was good but I wasn't as invested as the others. It was about killer machincal bees I guess I can say.its basically a cop drama episode about someone solving a murder. Bees are not the twist to be honest.
What I love about black mirror is how all this is actually possible. It's something that could happen 1 day and that terrifies me. It's a frightening concept and It feels it's all set now but with added tech. You don't need to watch these in any order but I'd still recommend watch every episode.
It also felt completely relevant to what is actually happening in the world today. The first episode was about how your perceived through social networking and how your judged through being rated. 1 about the dangers of downloading unknown programs that may contain viruses and another about how the technology behind VR is progressing. As a gamer that was most interesting.
As far as acting goes, the episode that really stood out was the 4th called San Junipero. I'll be honest I spent a majority of the episode confused because it seemed to be set during time period but then it all made sense. The twists and the emotion in the scenes were incredible and I was in tears by the end.
The 5th was good, it reminded me a lot of startship troopers for a while and the twists were great. Twists seems to be where black mirror thrives. I don't like giving spoilers usually so trying not to say much. It's all about the army and blindly following orders without question.
The last episode I could take or leave. It was good but I wasn't as invested as the others. It was about killer machincal bees I guess I can say.its basically a cop drama episode about someone solving a murder. Bees are not the twist to be honest.
What I love about black mirror is how all this is actually possible. It's something that could happen 1 day and that terrifies me. It's a frightening concept and It feels it's all set now but with added tech. You don't need to watch these in any order but I'd still recommend watch every episode.
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Kirk Bage (1775 KP) rated BlacKkKlansman (2018) in Movies
Jan 22, 2021
I have had my issues with Spike Lee as a filmmaker over the years. It always seemed like his next film was the most “important” one, and that he didn’t make a film if it didn’t have something to say about race and the oppression of African Americans. Which in itself is not a problem, as long as that point isn’t laboured to the detriment of all other aspects of the film. My problem wasn’t the message, it was that a lot of the films were dull or just not that great.
I like Malcolm X to a point, but it is overlong and uneven. I think Do the Right Thing is a fine example of indie bravura, but also has faults. Of the rest, I really only rate 25th Hour and Inside Man, both of which are entertaining movies that move tentatively away from full on politics and therefore avoid the trap of being bombastic. In short, I’ve always wanted to like him as a director a lot more than I do.
The thing that drew me to BlacKkKlansman more than Lee, or the yet little known John David Washington, was the 100% dependable Adam Driver. I have yet to see a performance of his I didn’t like, and I’d heard that he was the standout of this film too, so it went on my list of must sees. And, yes, he is excellent, of course he is – there’s something about how easy and relaxed he can be within a character that is very rare. I’d suggest he is one of the very best male actors of that age group working today.
Now, obviously, it is entirely intentional that the two leads and eventual partners in the film are black and white… but the idea that this is a problem, or a thing at all, is not addressed as the only issue; in BlacKkKlansman it isn’t being black or white or anything else that defines you, it is what you do, what you say and what you stand for. And that idea is so crystal clear and well achieved that as an entertainment the film can then go anywhere it wants around that framework. Which it revels in doing.
It is both a good looking film and an exciting one; funny when it wants to be, smart all the time, and razor serious when it needs to be. A balancing act not to be sniffed at! And one that Lee has struggled with in the past. Here he nails the tone so well that it feels like his entire back catalogue was just a training exercise to get him to this point. I wouldn’t say it’s a masterpiece, but it is a damn fine work of art on many levels.
Washington as the focus of the tale, which also functions perfectly as an undercover cop movie of basic intent, i.e. infiltrate the bad guys and take them down, is perfectly cast and believable from minute one. His chemistry with the insanely gorgeous and talented Laura Harrier is a highlight, especially watching them dance and move with absolute cool in those 70s clothes and hairstyles. This movie has serious style that leaves you in no doubt that the black sub-culture is where it’s at, and the stupid bigoted klansmen are shown up as ridiculous as much as dangerous.
Every trope and icon of the Blacksploitation era is referenced and reclaimed as cool. Perhaps to a degree I am not aware of, as I’ve only seen one or two obvious examples in my time. We are given the tease to follow the notion that racism of this kind was a thing of the past, specifically related to the 70s and now it’s better in many ways. Before we are hit with the hammer blow of realisation at the very end of the film, where a juxtaposition of fantasy and horrific reality collide to magnificently shocking and depressing effect.
I felt after seeing it that I had been cleverly schooled. As in, I’m glad you enjoyed this, now go away and really think about it… and it worked, because I have tried to think about it more than I have before. And feel just that little bit more educated to a problem that is worldwide, but has never really felt directly part of my world.
Discussing anything related to the BLM movement in 2020 feels important and complicated in so many ways. It is an emotive subject that I’d feel I mostly want to avoid for fear of saying the wrong thing. Even though the basic idea of human rights and basic rights for all people has always been a no brainer; prejudice and hate crimes and fear are wrong, and we collectively must do whatever we can to educate ourselves and others not to make the mistakes of the past. Can a movie do that? No of course not, but it can open the door to dialogue that might not have happened otherwise.
Lee isn’t scared of what you think of this film, or any argument you may have against it. He knows his subject, and you feel that confidence in every scene. He doesn’t want to lecture you, or scream at you in despair, he wants to tell you an entertaining story that comes with a whole side discussion if you want it. Which is so much more powerful than any tactic he has tried before. And I think it works. I’d recommend anyone watch this, without hesitation.
I like Malcolm X to a point, but it is overlong and uneven. I think Do the Right Thing is a fine example of indie bravura, but also has faults. Of the rest, I really only rate 25th Hour and Inside Man, both of which are entertaining movies that move tentatively away from full on politics and therefore avoid the trap of being bombastic. In short, I’ve always wanted to like him as a director a lot more than I do.
The thing that drew me to BlacKkKlansman more than Lee, or the yet little known John David Washington, was the 100% dependable Adam Driver. I have yet to see a performance of his I didn’t like, and I’d heard that he was the standout of this film too, so it went on my list of must sees. And, yes, he is excellent, of course he is – there’s something about how easy and relaxed he can be within a character that is very rare. I’d suggest he is one of the very best male actors of that age group working today.
Now, obviously, it is entirely intentional that the two leads and eventual partners in the film are black and white… but the idea that this is a problem, or a thing at all, is not addressed as the only issue; in BlacKkKlansman it isn’t being black or white or anything else that defines you, it is what you do, what you say and what you stand for. And that idea is so crystal clear and well achieved that as an entertainment the film can then go anywhere it wants around that framework. Which it revels in doing.
It is both a good looking film and an exciting one; funny when it wants to be, smart all the time, and razor serious when it needs to be. A balancing act not to be sniffed at! And one that Lee has struggled with in the past. Here he nails the tone so well that it feels like his entire back catalogue was just a training exercise to get him to this point. I wouldn’t say it’s a masterpiece, but it is a damn fine work of art on many levels.
Washington as the focus of the tale, which also functions perfectly as an undercover cop movie of basic intent, i.e. infiltrate the bad guys and take them down, is perfectly cast and believable from minute one. His chemistry with the insanely gorgeous and talented Laura Harrier is a highlight, especially watching them dance and move with absolute cool in those 70s clothes and hairstyles. This movie has serious style that leaves you in no doubt that the black sub-culture is where it’s at, and the stupid bigoted klansmen are shown up as ridiculous as much as dangerous.
Every trope and icon of the Blacksploitation era is referenced and reclaimed as cool. Perhaps to a degree I am not aware of, as I’ve only seen one or two obvious examples in my time. We are given the tease to follow the notion that racism of this kind was a thing of the past, specifically related to the 70s and now it’s better in many ways. Before we are hit with the hammer blow of realisation at the very end of the film, where a juxtaposition of fantasy and horrific reality collide to magnificently shocking and depressing effect.
I felt after seeing it that I had been cleverly schooled. As in, I’m glad you enjoyed this, now go away and really think about it… and it worked, because I have tried to think about it more than I have before. And feel just that little bit more educated to a problem that is worldwide, but has never really felt directly part of my world.
Discussing anything related to the BLM movement in 2020 feels important and complicated in so many ways. It is an emotive subject that I’d feel I mostly want to avoid for fear of saying the wrong thing. Even though the basic idea of human rights and basic rights for all people has always been a no brainer; prejudice and hate crimes and fear are wrong, and we collectively must do whatever we can to educate ourselves and others not to make the mistakes of the past. Can a movie do that? No of course not, but it can open the door to dialogue that might not have happened otherwise.
Lee isn’t scared of what you think of this film, or any argument you may have against it. He knows his subject, and you feel that confidence in every scene. He doesn’t want to lecture you, or scream at you in despair, he wants to tell you an entertaining story that comes with a whole side discussion if you want it. Which is so much more powerful than any tactic he has tried before. And I think it works. I’d recommend anyone watch this, without hesitation.
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5 Minute Movie Guy (379 KP) rated The Fault In Our Stars (2014) in Movies
Jun 26, 2019 (Updated Jun 26, 2019)
Undoubtedly one of the great love stories of our time. (3 more)
Shailene Woodley and Ansel Elgort are a perfect match.
John Green's novel is brilliantly adapted to the silver screen.
This is a movie that will stay with you long after it's over.
On the surface, it's easy to dismiss The Fault in Our Stars as being a sappy teenage love affair, but I can fortunately say that this is one of the great love stories of our time.
Based on John Green’s popular young adult novel, The Fault in Our Stars is a film that is profoundly beautiful, eloquent and heartfelt. It tells of an extraordinary love between two unforgettable characters who are brought together by similarly ill-fated circumstances. Hazel Grace Lancaster and Augustus Waters are both victims of cancer. Although they do their best to hide it, these two young adults are each afraid of their ominous and unstable futures. They’re just trying to live purposeful lives and experience life like normal teenagers, but the looming threat of an untimely death impedes that desire. However, for a film filled with so much uncertainty, I can fortunately say that there is little doubt that The Fault in Our Stars is one of the great love stories of our time.
On the surface, it’s easy to dismiss The Fault in Our Stars as being a sappy teenage love affair. I’ll confess that I went into the theater expecting to be fully surrounded by crying teenage girls, while I would be quietly laughing to myself at their heartache. What I surely didn’t anticipate, however, was to be so deeply drawn into the film. Even more surprising is the fact that The Fault in Our Stars has actually turned out to be my favorite movie of the year so far. This is a film that is sincerely heartfelt and unflinchingly genuine. It brings truth to the romantic fantasies we have, and teaches us that we can’t let the fear of possible heartache hold us back from the endless potential of love.
Make no mistake about it, The Fault in Our Stars is a tear-jerker. It’s difficult to watch these lovable characters endure such unjustifiable hardship. Hazel and Augustus are each forced to face a formidable fate that they shouldn’t have to. I really felt a strong attachment to both of them, and found them to be remarkably identifiable. This connection makes it all the more unsettling when their situations turn dire. The reason that The Fault in Our Stars manages to be so effective is because of its authenticity and accessibility. The characters are not only admirable, but relatable. They’re not simply reduced to being unfortunate young cancer patients that we’re meant to feel sorry for. While of course we can sympathize with their condition, it is their compassion and the content of their characters that make them so compelling.
While the film features its fair share of tragedy, I should make it clear that it’s not heart-wrenchingly malicious in the way it deals with its ensuing sadness. This is not a film that is deliberately trying to make anyone feel bad. It is merely being honest in its depiction of the unfairness that often exists in life. While you very well might cry when watching the film, it’s not entirely depressing and hopeless. In fact, I would argue that The Fault in Our Stars is more pleasant than painful. The sadness it makes you feel ends up all being worthwhile because of the joyous, unforgettable memories the movie creates along the way. This is a film that will stay with you long after seeing it. To answer the question you’re all wondering: no, the movie didn’t make me cry. Though my lack of tears is not a particularly good indicator of the emotional quality of the film. I don’t really allow myself to cry during movies, but I certainly came close, and it undeniably left me deeply touched and forever grateful that I watched it.
Being that this is a romance, I must warn you that this isn’t a movie for everyone. Truth be told, I’m a sucker for a good romance, but I’m aware not everyone has the patience for these kind of movies. The Fault in Our Stars is a slow-burning journey that takes its time to relish in the moments. It does this skillfully, maintaining a steady, balanced pace while building up to a powerful climax. Some may find the film to be a little too cutesy, but I think anyone who approaches it with an open-mind will find that it’s legitimately a really great film. My only real criticism of the movie involves the awkward return of a particular character towards the end of the movie. It makes for a rather unwelcome and perplexing intrusion, although it does at least help to set up the film’s wonderful ending.
John Green’s story is refreshing, witty, and modern. It is not only insightful in its depiction of love and life, but also offers an amazing attention to detail. It nails the feelings of love, and perfectly captures the life of being a teenager. The characters created by Green truly come to life in this film. Divergent star Shailene Woodley shines as Hazel, a young woman suffering from terminal thyroid cancer. Additionally, Ansel Elgort is incredibly charming as Augustus, a high school basketball star whose career ended short when cancer turned him into an amputee. The two of them are a perfect complementary match. Laura Dern also puts in a commendable performance as Hazel’s mom, a selfless, loving parent and companion. The film’s soundtrack is sensational. It’s appropriately fitting and delightful, featuring great work by artists such as Ed Sheeran, Birdy, and Ray LaMontagne. Every aspect of the movie comes together to produce a thoroughly poignant and relevant package.
The Fault in Our Stars is a film that speaks to our generation. It stares boldly into our fears of the eminent death that haunts us all, and makes no attempt to glamorize it. Even though it’s about a pair of teenagers, it’s not afraid to deal with mature content. It’s actually all the more engrossing and troubling because these two characters are young. They’re already facing a pivotal time in their lives and are learning to experience the world on their own accord, and yet their journeys are plagued by the callous complications of cancer. Their age gives the film a stronger emotional impact, emphasizing the preciousness of life and the importance of living it to the fullest. The Fault in Our Stars is a smart and stimulating movie, and just like its star characters, it is wholly worthy of remembrance.
(This review was originally posted at 5mmg.com on 7.12.14.)
On the surface, it’s easy to dismiss The Fault in Our Stars as being a sappy teenage love affair. I’ll confess that I went into the theater expecting to be fully surrounded by crying teenage girls, while I would be quietly laughing to myself at their heartache. What I surely didn’t anticipate, however, was to be so deeply drawn into the film. Even more surprising is the fact that The Fault in Our Stars has actually turned out to be my favorite movie of the year so far. This is a film that is sincerely heartfelt and unflinchingly genuine. It brings truth to the romantic fantasies we have, and teaches us that we can’t let the fear of possible heartache hold us back from the endless potential of love.
Make no mistake about it, The Fault in Our Stars is a tear-jerker. It’s difficult to watch these lovable characters endure such unjustifiable hardship. Hazel and Augustus are each forced to face a formidable fate that they shouldn’t have to. I really felt a strong attachment to both of them, and found them to be remarkably identifiable. This connection makes it all the more unsettling when their situations turn dire. The reason that The Fault in Our Stars manages to be so effective is because of its authenticity and accessibility. The characters are not only admirable, but relatable. They’re not simply reduced to being unfortunate young cancer patients that we’re meant to feel sorry for. While of course we can sympathize with their condition, it is their compassion and the content of their characters that make them so compelling.
While the film features its fair share of tragedy, I should make it clear that it’s not heart-wrenchingly malicious in the way it deals with its ensuing sadness. This is not a film that is deliberately trying to make anyone feel bad. It is merely being honest in its depiction of the unfairness that often exists in life. While you very well might cry when watching the film, it’s not entirely depressing and hopeless. In fact, I would argue that The Fault in Our Stars is more pleasant than painful. The sadness it makes you feel ends up all being worthwhile because of the joyous, unforgettable memories the movie creates along the way. This is a film that will stay with you long after seeing it. To answer the question you’re all wondering: no, the movie didn’t make me cry. Though my lack of tears is not a particularly good indicator of the emotional quality of the film. I don’t really allow myself to cry during movies, but I certainly came close, and it undeniably left me deeply touched and forever grateful that I watched it.
Being that this is a romance, I must warn you that this isn’t a movie for everyone. Truth be told, I’m a sucker for a good romance, but I’m aware not everyone has the patience for these kind of movies. The Fault in Our Stars is a slow-burning journey that takes its time to relish in the moments. It does this skillfully, maintaining a steady, balanced pace while building up to a powerful climax. Some may find the film to be a little too cutesy, but I think anyone who approaches it with an open-mind will find that it’s legitimately a really great film. My only real criticism of the movie involves the awkward return of a particular character towards the end of the movie. It makes for a rather unwelcome and perplexing intrusion, although it does at least help to set up the film’s wonderful ending.
John Green’s story is refreshing, witty, and modern. It is not only insightful in its depiction of love and life, but also offers an amazing attention to detail. It nails the feelings of love, and perfectly captures the life of being a teenager. The characters created by Green truly come to life in this film. Divergent star Shailene Woodley shines as Hazel, a young woman suffering from terminal thyroid cancer. Additionally, Ansel Elgort is incredibly charming as Augustus, a high school basketball star whose career ended short when cancer turned him into an amputee. The two of them are a perfect complementary match. Laura Dern also puts in a commendable performance as Hazel’s mom, a selfless, loving parent and companion. The film’s soundtrack is sensational. It’s appropriately fitting and delightful, featuring great work by artists such as Ed Sheeran, Birdy, and Ray LaMontagne. Every aspect of the movie comes together to produce a thoroughly poignant and relevant package.
The Fault in Our Stars is a film that speaks to our generation. It stares boldly into our fears of the eminent death that haunts us all, and makes no attempt to glamorize it. Even though it’s about a pair of teenagers, it’s not afraid to deal with mature content. It’s actually all the more engrossing and troubling because these two characters are young. They’re already facing a pivotal time in their lives and are learning to experience the world on their own accord, and yet their journeys are plagued by the callous complications of cancer. Their age gives the film a stronger emotional impact, emphasizing the preciousness of life and the importance of living it to the fullest. The Fault in Our Stars is a smart and stimulating movie, and just like its star characters, it is wholly worthy of remembrance.
(This review was originally posted at 5mmg.com on 7.12.14.)
Rachel King (13 KP) rated Spirit Bound in Books
Feb 11, 2019
My first big surprise in this book was Rose actually taking Adrian's interest in her seriously, especially since I know that she is still head-over-heels in love with Dimitri, no matter his present state. This boggled my mind from cover to cover, even though I do like Adrian, but I am guessing she did it at first to honor her deal with him. Later on it became obvious that she does have real feelings for him - so the question is, what about Dimitri? I guess this becomes another Team Dimitri vs. Team Adrian. I don't think I am going to choose a side on this one, I'm just going to grab the final book in the series, Last Sacrifice (Vampire Academy, Book 6), as soon as it hits the shelves!
In other matters, I found it a bit unreal how fast and easily that Dimitri was able to track Rose - I would have liked to know some of the details behind that, such as how extensive Dimitri's connections are in the Strigoi world. Lissa's connection with Dimitri is intriguing, even though it is non-magical, especially since it so strongly resembles a parental role. What I immediately started wondering after that event is why isn't anyone notifying Dimitri's family, expecially Rose? Queen Tatiana makes me think of a grown-up version of Mia, before she became Rose's friend. I wish I understood more of her motives for what she does throughout this book, since it seems like she goes back and forth between tolerating Rose and hating her. I could be completely off-base on this, but I keep getting the feeling that Lissa is/was being groomed to inherit Tatiana's title. With the way that many of the Moroi and Dhampirs view Lissa as a goddess, it would certainly fit. Also, by the end of the book, it seems that Rose has all but forgotten about the escaped convict, Victor Dashkov. Maybe she just thinks that the "authorities" would handle him?
Wow, so I had a lot of questions while reading this book, but that's only because I really enjoyed it, and I am anxious to read the last one to get them answered! I read the first five books back-to-back and ugh, I really hate waiting!
In other matters, I found it a bit unreal how fast and easily that Dimitri was able to track Rose - I would have liked to know some of the details behind that, such as how extensive Dimitri's connections are in the Strigoi world. Lissa's connection with Dimitri is intriguing, even though it is non-magical, especially since it so strongly resembles a parental role. What I immediately started wondering after that event is why isn't anyone notifying Dimitri's family, expecially Rose? Queen Tatiana makes me think of a grown-up version of Mia, before she became Rose's friend. I wish I understood more of her motives for what she does throughout this book, since it seems like she goes back and forth between tolerating Rose and hating her. I could be completely off-base on this, but I keep getting the feeling that Lissa is/was being groomed to inherit Tatiana's title. With the way that many of the Moroi and Dhampirs view Lissa as a goddess, it would certainly fit. Also, by the end of the book, it seems that Rose has all but forgotten about the escaped convict, Victor Dashkov. Maybe she just thinks that the "authorities" would handle him?
Wow, so I had a lot of questions while reading this book, but that's only because I really enjoyed it, and I am anxious to read the last one to get them answered! I read the first five books back-to-back and ugh, I really hate waiting!
Debbiereadsbook (1472 KP) rated Owned by the Sea in Books
Jul 2, 2018
really REALLY good
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
A year ago, Jonty's world imploded at the loss of his parents and his sister in a storm at sea. In an effort to get out more, and begin to try to get on with his life, Jonty decides a charity auction to raise funds for the lifeboat station that saved him would be a good idea. Jed was on that lifeboat, indeed, was that one to pull Jonty from the stormy sea and he knew, he KNEW that day, that one day, Jonty would be his. The charity auction is a great way to spend time with Jonty, to get Jonty into his life, and into his bed.
I liked this one, a lot, a LOT!
It focuses on Jonty coming out of himself, pushing his own boundaries. On Jed's 'no rush' approach to getting Jonty into his bed. On the fact that neither of these two men see this...whatever it is...as a quick fling. And on Jonty's art auction, that pulls the whole village together to raise money for the lifeboat station.
It's well told, from both men's point of view, so we get Jonty's escape from the sea, and his effort to pull himself out of his painting funk. We get Jed and all the naughty thoughts he has about Jonty, and his infinite patience.
There is no break up/make up, no nutty ex to spoil anything between them and their growing love. It's a really great easy read and I mean this in a very VERY good way!
Jed in a Dominant that calls to Jonty's submissive side, but it's only in the bedroom and nothing too heavy. I've NOT filed it on the BDSM shelf, because of that fact. I actually found it not overly explicit for a MM book, and I really liked that it wasn't too heavy on the sexy time. It's not needed for THIS book.
OH!!!
Be warned! There is a third in this relationship, a Newfoundland dog called Marmite. He really steals the show, that is, right up until Jed gives Jonty his gift right near the end. Some proper giggle out loud moments!
A great story, well written, that was the perfect way to spend a lazy, wet, holiday afternoon.
4 solid stars
**same worded review will appear elsewhere**
A year ago, Jonty's world imploded at the loss of his parents and his sister in a storm at sea. In an effort to get out more, and begin to try to get on with his life, Jonty decides a charity auction to raise funds for the lifeboat station that saved him would be a good idea. Jed was on that lifeboat, indeed, was that one to pull Jonty from the stormy sea and he knew, he KNEW that day, that one day, Jonty would be his. The charity auction is a great way to spend time with Jonty, to get Jonty into his life, and into his bed.
I liked this one, a lot, a LOT!
It focuses on Jonty coming out of himself, pushing his own boundaries. On Jed's 'no rush' approach to getting Jonty into his bed. On the fact that neither of these two men see this...whatever it is...as a quick fling. And on Jonty's art auction, that pulls the whole village together to raise money for the lifeboat station.
It's well told, from both men's point of view, so we get Jonty's escape from the sea, and his effort to pull himself out of his painting funk. We get Jed and all the naughty thoughts he has about Jonty, and his infinite patience.
There is no break up/make up, no nutty ex to spoil anything between them and their growing love. It's a really great easy read and I mean this in a very VERY good way!
Jed in a Dominant that calls to Jonty's submissive side, but it's only in the bedroom and nothing too heavy. I've NOT filed it on the BDSM shelf, because of that fact. I actually found it not overly explicit for a MM book, and I really liked that it wasn't too heavy on the sexy time. It's not needed for THIS book.
OH!!!
Be warned! There is a third in this relationship, a Newfoundland dog called Marmite. He really steals the show, that is, right up until Jed gives Jonty his gift right near the end. Some proper giggle out loud moments!
A great story, well written, that was the perfect way to spend a lazy, wet, holiday afternoon.
4 solid stars
**same worded review will appear elsewhere**