"This one was one of my favorites because it was the opening track to The Rise & Fall Of Ziggy Stardust. What was wanted was a drum beat to introduce the song itself and to set an atmosphere for the whole album. The idea of the song is that the world is ending in five years, so it was about finding a drumbeat that got that across – which was quite a challenge! I remember going through drum rolls, cymbal crashes and I kind of thought: 'Well if it's the end of the world… I can't be bothered! Haha!' You wouldn't be excited and you wouldn't feel like doing a lot. So, that beat came out of sort of despair and apathy, and then when the band comes in and David starts singing, it just feels right. It felt like a really good beginning, so I was quite proud of that. I nailed the brief by all reports! It's been a lot of people's favorite bit of drumming, which is always nice to hear. They'll say: 'Oh when 'Five Years' starts, it gives my spine a tingle when I hear it!' Well my spine was tingling when I played it!"

"This 1990 masterpiece is very much a travel album. It has all the hallmarks and some of the pitfalls of a life on the road: the single 'I Left my wallet in El Segundo' is a case in point. The advice lyric 'I don't eat no ham'n'eggs cuz they're high in cholesterol' in the classic cut 'Ham'n'eggs' is another highly unusual call and response rhyme - but again paints a true picture of the perils of a road life spent in diners. Over the course of the album we visit Lucien in Paris and traverse around the world of music with a zillion samples of classic sixties and seventies rock and soul albums. It's always optimistic and wide eyed - the best way to travel. I was talking to my friend Ben the other day about how this is my favorite Tribe album - (most people seem to prefer The Low End Theory?) - but I learned so much about music through this record - The songs are great and it's one of those albums that drags you into a different universe and world view and changes you for the better."

"I admired the fierce honesty in the single-mindedly feminist world-view of this book. It breaks many of the ‘rules’ of fiction. Walker comes close to painting all the men in a simplistic shade of ‘bad,’ although she attempts to give the nameless husband of Celie some redemption in the end. But the reader senses that a greater truth is at stake; that this was a story that needed to be told. I liked how Celie becomes strong with the love of Shug. And how Sofia is amazingly resilient but is punished for sassing the mayor, and later has to go and work for the mayor’s wife. I applauded Celie’s sexual awakening. And, most of all, I liked the idea that God gets angry if we walk past a field with the colour purple and don’t notice it."