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Sarah (7798 KP) rated Ghosts of War (2020) in Movies
Nov 9, 2020
The ending is worth it
Ghosts of War follows a group of American soldiers as they make their way to take up post at a French chateau towards the end of the Second World War, and encounter much more than they bargained for in this slightly above average B movie.
Right from the start, this opens with your usual cliched group of soldiers that you’d find in any war film. Brenton Thwaites is Chris, the boss and leader, you have Skylar Astin as Eugene, the brains/intellectual, Kyle Gallner as the odd and trouble sniper Tappert, Alan Ritchson as a typical macho man and finally Theo Rossi as the filler. So far, so generic, and other than Tappert who gets a decent bit of creepy character development later on, the rest of the main group are virtually one dimensional. Which is a shame as the cast are a decent group of actors that have been let down by the poor writing. Although I did enjoy Billy Zane popping up with a intentionally cheesy blink and you’ll miss it cameo as a Nazi with horrific German accent.
The film begins like your typical war movie; a group of soldiers working their way across country to reach their destination. It’s nothing we haven’t seen before. However what helps lift this is a rather moving and poignant opening quote, and a score that accompanies this very well. The score in this would be at home on any dramatic war film, and almost seems out of place in a horror film. It gives this a feeling that it’s a lot more epic and grand than it actually turns out to be.
What really drags this film down is when the group arrive at the aforementioned chateau and begin to experience all of the supernatural going’s on. Aside from a a couple of potentially creepy scenes, the jump scares are tired and predictable and the ghosts look like every other spook that’s been in a modern day horror film recently. It reeks of a below average, typical ghost film with some hit and miss special effects (albeit with an respectable amount of blood and gore) and had it continued on like this, it would’ve been completely forgettable. However throughout the scenes in the chateau there are hints that there is something deeper and more sinister going on, and it starts to pick up again when the group encounter a party of Nazi soldiers trying to enter the building. Things start to get a little weird and confusing and then a big reveal in the last 20 minutes completely shifts this film into something you never expected. I didn’t see this particular twist coming and for me, this made this movie more than just a sub par horror film. The reveal has been met with mixed reviews from critics and reviews alike, but I think it injects some much needed enjoyment and intrigue – it’s just a shame we have to wait over an hour to get there. The entire twist and ending is rather disturbing and also quite moving and emotional, and the final scene, whilst one we’ve seen done many times before, did make this a satisfying and darkly entertaining end.
Ghosts of War starts off as a below average clichéd war horror film, however it you can get through the first hour, the ending packs a decent, enjoyable and rather surprising punch. It’s just a shame the first two acts don’t match up to the ending.
Right from the start, this opens with your usual cliched group of soldiers that you’d find in any war film. Brenton Thwaites is Chris, the boss and leader, you have Skylar Astin as Eugene, the brains/intellectual, Kyle Gallner as the odd and trouble sniper Tappert, Alan Ritchson as a typical macho man and finally Theo Rossi as the filler. So far, so generic, and other than Tappert who gets a decent bit of creepy character development later on, the rest of the main group are virtually one dimensional. Which is a shame as the cast are a decent group of actors that have been let down by the poor writing. Although I did enjoy Billy Zane popping up with a intentionally cheesy blink and you’ll miss it cameo as a Nazi with horrific German accent.
The film begins like your typical war movie; a group of soldiers working their way across country to reach their destination. It’s nothing we haven’t seen before. However what helps lift this is a rather moving and poignant opening quote, and a score that accompanies this very well. The score in this would be at home on any dramatic war film, and almost seems out of place in a horror film. It gives this a feeling that it’s a lot more epic and grand than it actually turns out to be.
What really drags this film down is when the group arrive at the aforementioned chateau and begin to experience all of the supernatural going’s on. Aside from a a couple of potentially creepy scenes, the jump scares are tired and predictable and the ghosts look like every other spook that’s been in a modern day horror film recently. It reeks of a below average, typical ghost film with some hit and miss special effects (albeit with an respectable amount of blood and gore) and had it continued on like this, it would’ve been completely forgettable. However throughout the scenes in the chateau there are hints that there is something deeper and more sinister going on, and it starts to pick up again when the group encounter a party of Nazi soldiers trying to enter the building. Things start to get a little weird and confusing and then a big reveal in the last 20 minutes completely shifts this film into something you never expected. I didn’t see this particular twist coming and for me, this made this movie more than just a sub par horror film. The reveal has been met with mixed reviews from critics and reviews alike, but I think it injects some much needed enjoyment and intrigue – it’s just a shame we have to wait over an hour to get there. The entire twist and ending is rather disturbing and also quite moving and emotional, and the final scene, whilst one we’ve seen done many times before, did make this a satisfying and darkly entertaining end.
Ghosts of War starts off as a below average clichéd war horror film, however it you can get through the first hour, the ending packs a decent, enjoyable and rather surprising punch. It’s just a shame the first two acts don’t match up to the ending.
Adam White (32 KP) rated Mean Dreams (2016) in Movies
Jun 22, 2020
A new Bonnie and Clyde Feel
Well, let me start by saying this took me a few years to watch this and it wasn't because of the mixed reviews it was because I knew this was one of Bill Paxton last movie rolls. With that being said, I should have watched this years ago, as it was not a let down. Bill Paxton will be truly missed.
This movie is a caring, passionate, modern love story. At some points during the movie It had a Bonnie and Clyde feel to it, which was okay. A lot less killing but you will get the drift if you watch it.
Wayne Caraway (Bill Paxton) plays an over controlling father/policeman with a major hatred towards his daughter Casey Caraway (Sophie Nélisse) new found crush Jonas Ford (Josh Wiggins).
The movie starts off slow but speeds up very quickly, which for me is the only downfall of the movie. You learn about the characters quickly, but I wish we had more backstory and also a future of things to come, by the end you are left wondering what will take place next.
Now with only having about 8 total characters and a dog in the movie, it draws you into each person a lot faster, which I enjoyed too.
All and all it's a good movie, even if you have mixed feelings you should watch it for Bill Paxton, a true legend in the movie world.
Blaise
This movie is a caring, passionate, modern love story. At some points during the movie It had a Bonnie and Clyde feel to it, which was okay. A lot less killing but you will get the drift if you watch it.
Wayne Caraway (Bill Paxton) plays an over controlling father/policeman with a major hatred towards his daughter Casey Caraway (Sophie Nélisse) new found crush Jonas Ford (Josh Wiggins).
The movie starts off slow but speeds up very quickly, which for me is the only downfall of the movie. You learn about the characters quickly, but I wish we had more backstory and also a future of things to come, by the end you are left wondering what will take place next.
Now with only having about 8 total characters and a dog in the movie, it draws you into each person a lot faster, which I enjoyed too.
All and all it's a good movie, even if you have mixed feelings you should watch it for Bill Paxton, a true legend in the movie world.
Blaise
Warhammer Quest 2
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Sarah (7798 KP) rated Spree (2020) in Movies
Jan 24, 2021
Different
In a world filled with YouTubers and social media influencers, it was inevitable that eventually we’d get a film shot in the style of a social media stream. We’ve seen similar with films like Unfriended and Searching, taking on the likes of social media whilst shot entirely from a webcam. However Spree is the first that I’ve seen that takes on social media almost entirely from live streaming or go pro recordings, and overall it’s a pretty decent attempt.
Spree is a 2020 comedy horror film starring Joe Keery as Kurt Kunkle, a failing social media influencer who works as a driver for a rideshare app called Spree. Fed up of his lack of viewers, Kurt decides to fit out his car with cameras and livestream “The Lesson”, where he instructs viewers on how to become famous on social media while picking up passengers and murdering them. One of the passengers he lets go is comedian Jessie Adams (Sasheer Zamata), a star and social media success who Kurt becomes obsessed with over the course of his murderous evening.
Spree is definitely a fun film. The comedic horror style works very well, especially in the first half although later on it does make way for a more serious side. There’s a decent amount of blood and gore too and it has a wonderfully cheesy B-movie vibe about it. What makes Spree so fun though is Joe Keery. His performance as an influencer is entirely believable and it’s his charisma and baby-faced innocence that makes this film watchable. He spends the entirety of the film like he’s high and hyped up on energy drinks and while this does make his performance a little over the top, this is exactly what Spree needs. David Arquette as Kurt’s dad also brings a lot of fun although his screen time is sadly lacking.
Despite Spree’s dark comedic feel, there’s a more serious story and commentary underlying this film. It might look as though it’s making light of social media influencers, but actually it’s making a rather serious point of the pressures and negatives of the constant need influencers have to be liked and obtain more followers. Kurt’s story is rather sad, and even the other characters like Jessie are shown to have their own stories but still stuck in the same social media behaviour. The live streams used to shoot most of this film, with the likes and comments from viewers, emphasise the pitfalls and real life issues with social media.
Admittedly this live stream method does get a little thin by the end of the 90 minute run time, and after the initial few murders, it’s only Keery’s performance that holds the film up to the end. It isn’t helped that aside from Kurt, none of his victims are particularly likeable and it makes them very difficult to relate to or care about. And this also goes for Jessie who despite her heroine status, becomes unlikeable due to how she too bows to the pressure of social media.
I’m not a fan of the YouTube and influencer revolution, so for me Spree was an interesting take on this and social media in general. It has a good point to make and a serious message, although this may be overshadowed by the dark comedy and horror. With a great turn from Joe Keery, it’s a fun film but not entirely memorable.
Spree is a 2020 comedy horror film starring Joe Keery as Kurt Kunkle, a failing social media influencer who works as a driver for a rideshare app called Spree. Fed up of his lack of viewers, Kurt decides to fit out his car with cameras and livestream “The Lesson”, where he instructs viewers on how to become famous on social media while picking up passengers and murdering them. One of the passengers he lets go is comedian Jessie Adams (Sasheer Zamata), a star and social media success who Kurt becomes obsessed with over the course of his murderous evening.
Spree is definitely a fun film. The comedic horror style works very well, especially in the first half although later on it does make way for a more serious side. There’s a decent amount of blood and gore too and it has a wonderfully cheesy B-movie vibe about it. What makes Spree so fun though is Joe Keery. His performance as an influencer is entirely believable and it’s his charisma and baby-faced innocence that makes this film watchable. He spends the entirety of the film like he’s high and hyped up on energy drinks and while this does make his performance a little over the top, this is exactly what Spree needs. David Arquette as Kurt’s dad also brings a lot of fun although his screen time is sadly lacking.
Despite Spree’s dark comedic feel, there’s a more serious story and commentary underlying this film. It might look as though it’s making light of social media influencers, but actually it’s making a rather serious point of the pressures and negatives of the constant need influencers have to be liked and obtain more followers. Kurt’s story is rather sad, and even the other characters like Jessie are shown to have their own stories but still stuck in the same social media behaviour. The live streams used to shoot most of this film, with the likes and comments from viewers, emphasise the pitfalls and real life issues with social media.
Admittedly this live stream method does get a little thin by the end of the 90 minute run time, and after the initial few murders, it’s only Keery’s performance that holds the film up to the end. It isn’t helped that aside from Kurt, none of his victims are particularly likeable and it makes them very difficult to relate to or care about. And this also goes for Jessie who despite her heroine status, becomes unlikeable due to how she too bows to the pressure of social media.
I’m not a fan of the YouTube and influencer revolution, so for me Spree was an interesting take on this and social media in general. It has a good point to make and a serious message, although this may be overshadowed by the dark comedy and horror. With a great turn from Joe Keery, it’s a fun film but not entirely memorable.
Acanthea Grimscythe (300 KP) rated The Mansion in Books
Jan 31, 2019
The Mansion is a tale stricken with ghosts of the past–but not the sort that haunt. Rather, in this novel by Ezekiel Boone, much of the elements that one might describe as horrific simply don’t exist. If you’re picking up The Mansion to find out what goes wrong in an automated house, I’d suggest Dean Koontz’s Demon Seed instead because this story crawls at a dreadfully slow pace.
The story centers around a rather messy love triangle. One girl, two guys, they both want her, and beyond that there’s little use for her character in the story. Much of the book’s plot consists of exposition, exposition, and even more exposition. You’ll learn all the faults and flaws of the characters, you’ll learn their childhood histories, you’ll hear their sob stories. It’s not until the final ten percent of the book that you’ll actually get a chance to see some action, and even then it’s still rather tame by horror standards. Amongst all this exposition, we learn of the wedge driven between Billy and Shawn, as well as a mysterious third person, Takata, whose whereabouts are unknown. Despite playing somewhat of a role in the book, he’s mostly an unnecessary character.
Speaking of characters, The Mansion has a rather small roster of them, and they’re all traumatized. With the exception of one, and she’s objectified. Billy has an addiction problem. Shawn is a pretentious nitwit that thinks the entire world revolves around him. Emily is simply there to fuel a fire between these two masculine characters who have devalued themselves to the point that now, years and years later on down the road, are still fighting over the same girl–and no one asks her what she wants at any point in the story. Poor Emily. There’s also the twins. They’re creepy. Really creepy. And no one seems to acknowledge that? Hello, realism?
Development. That’s an important part of a book, and The Mansion severely lacks it. There’s no development in the plot for 90% of the book. There’s absolutely no character development for Wendy, who is described as a black woman that looks like she walked out of a Victoria’s Secret magazine (or something along those lines). In fact, poor Wendy gets the short end of the stick all around. She’s the oddball out in this little teenaged drama hissy fit.
The Mansion simply falls horribly flat all around. The writing style was good, and it wasn’t so awful that I could’t complete reading the book, but it’s definitely not a title I’d recommend to a horror fan. A romance-thriller sort? Maybe. But not horror.
I received this book from NetGalley and the publisher in exchange for an honest review.
The story centers around a rather messy love triangle. One girl, two guys, they both want her, and beyond that there’s little use for her character in the story. Much of the book’s plot consists of exposition, exposition, and even more exposition. You’ll learn all the faults and flaws of the characters, you’ll learn their childhood histories, you’ll hear their sob stories. It’s not until the final ten percent of the book that you’ll actually get a chance to see some action, and even then it’s still rather tame by horror standards. Amongst all this exposition, we learn of the wedge driven between Billy and Shawn, as well as a mysterious third person, Takata, whose whereabouts are unknown. Despite playing somewhat of a role in the book, he’s mostly an unnecessary character.
Speaking of characters, The Mansion has a rather small roster of them, and they’re all traumatized. With the exception of one, and she’s objectified. Billy has an addiction problem. Shawn is a pretentious nitwit that thinks the entire world revolves around him. Emily is simply there to fuel a fire between these two masculine characters who have devalued themselves to the point that now, years and years later on down the road, are still fighting over the same girl–and no one asks her what she wants at any point in the story. Poor Emily. There’s also the twins. They’re creepy. Really creepy. And no one seems to acknowledge that? Hello, realism?
Development. That’s an important part of a book, and The Mansion severely lacks it. There’s no development in the plot for 90% of the book. There’s absolutely no character development for Wendy, who is described as a black woman that looks like she walked out of a Victoria’s Secret magazine (or something along those lines). In fact, poor Wendy gets the short end of the stick all around. She’s the oddball out in this little teenaged drama hissy fit.
The Mansion simply falls horribly flat all around. The writing style was good, and it wasn’t so awful that I could’t complete reading the book, but it’s definitely not a title I’d recommend to a horror fan. A romance-thriller sort? Maybe. But not horror.
I received this book from NetGalley and the publisher in exchange for an honest review.
Midlife Magic (Not Too Late #1)
9.0
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FOR ALL THE EVERYDAY HEROINES OVER FORTY WHO KNOW IT'S NOT TOO LATE FOR MAGIC! If you can imagine...
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Service-Oriented Architecture: Concepts, Technology, and Design
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Neon's Nerd Nexus (360 KP) rated the Playstation 5 version of Guardians of the Galaxy in Video Games
Oct 25, 2021
YOU GOT THE TOUCH. YOU GOT THE POWER... YEAH!
This game is absolutely fantastic and a contender for one of my favourite games of this year. In fact I actually prefer Starlord in this game to how he's portrayed in the films. I guess it's also safe to say Im really enjoying this game as I've played it solidly now for two days, I'm only on chapter 8 and there's apparently 16 chapters so I'd say if that's true it's a pretty meaty game. I'm honestly having and absolute blast with it and if you are a fan of the characters, the world and the lore you really should pick it up for sure. Id say is a cross between The Order a light version of Mass Effect and Tales Of Arise If you need a comparison and more importantly it's nothing really like the recent Avengers game. It's not overly challenging however on medium anyway unless you let enemies overwhelm you (I've died roughly 4 times I'd say) but that's not bothering me at all because it's so much fun and if you want more of a challenge you can crank it up. Graphics are awsome, voice acting is great and the humour is on point, controls are responsive and characters have a nice weight to them and overall it's an incredibly polished game that's clearly had a lot of love put into it by huge fans of the source material. The soundtrack also kickass and really does add to it alot really getting you going when it all kicks off action wise. Ive only had 3 really annoying bugs one where I got stuck in the floor and had to restart, one where a character was stood on a bar with his head in the roof and the other where a tutorial message got stuck in the middle of the screen but reloading sorted them. Like I said earlier however it's the lore, environments, characters and creatures that have mainly pulled me and it's a joy to explore the different detailed areas (even though they are quite linear experiences) and it's absolutely crammed to the teeth with dialogue, collectables, costumes and little details everywhere from the films and comics. The end of the day it's quite a casual affair but to me that doesn't matter I'm just loving spending more time with these characters and essentially living in a rich and dense sci-fi world (it's almost like a Star Wars game at times and is better than any of the Star Wars games we have had so far if I'm honest). An absolute must buy for any sci-fi or Guardians fan.
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