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Emma @ The Movies (1786 KP) rated Like A Boss (2020) in Movies
Jan 22, 2020
Before going in I knew this was either going to be fantastic or a total disaster, it wasn't likely to fall in the middle of the scale. For the most part that was an accurate assumption.
Mia and Mel are lifelong friends and both share a passion for make-up and a more positive way of living. Their business, while a source of joy for them, is close to an end. But when Claire Luna appears on the scene Mel thinks it could be the answer to their financial worries, Mia is a little more sceptical. It appears that Claire is up to something but can they get to the bottom of everything before they lose their business, and each other?
Let us first give a round of applause to the uncredited actors in this film... Salma Hayek's breasts. They did sterling work, everyone else rather paled in comparison.
Now on to the serious things.
Let me be upfront about this... I will never want to watch this film again, if I happened across it being shown I would probably sit in silence for 83 minutes instead.
I love so many of the actors in this and yet I couldn't even rely on them to help this along. It's a fun premise and it had a cast that could definitely have made this great and yet somehow it's really quite poorly executed. Jokes didn't hit home and while I did chuckle a couple of times towards the end the beginning was not strong enough to be drama and not amusing enough to be comedy.
Billy Porter and Karan Soni probably come out the best from the whole ensemble. Porter has a very dramatic humour throughout and his delivery really helped. Soni's bitchy assistant wasn't overly complicated and had a fairly simple storyline to follow which allowed him to be more memorable.
I was rather disappointed with the hand that Jennifer Coolidge got dealt, she is amazingly funny and the humour in Like A Boss needed to give her something better to work with. Tiffany Haddish's return to over the top comedy also left me sad, having seen her in The Kitchen and being so impressed with her dramatic role I was really hoping she would try more of the same. While Mia is perfectly matched to her comedy stylings the script was severely lacking.
Everything about this seemed dated and it's very much a 90's feeling scenario. It felt like they were going for a bit of slapstick but left out the actual slapstick element. The confusion/disappointment did not stop there, the end of the film became evident quite early on and then it was just a case of waiting for it to happen without any anticipation.
The curious thing to me is the film's rating. There is absolutely no reason for this to be rated 15... that's to say that it didn't need any of the bits that would have caused it to be a 15, it easily could have been 12 and still had the same or hopefully a better impact.
Yes, there were some minor plus points but Like A Boss was overwhelmingly poor. I say that but it obviously has an audience out there because a lot of the people in our screening were laughing. Perhaps it would have helped me if so many key laughter points weren't shown in the trailer... but I think that's a little optimistic. On the plus side it did give me a chance to have a catch up with my friend around the dire movie.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/like-boss-movie-review.html
Mia and Mel are lifelong friends and both share a passion for make-up and a more positive way of living. Their business, while a source of joy for them, is close to an end. But when Claire Luna appears on the scene Mel thinks it could be the answer to their financial worries, Mia is a little more sceptical. It appears that Claire is up to something but can they get to the bottom of everything before they lose their business, and each other?
Let us first give a round of applause to the uncredited actors in this film... Salma Hayek's breasts. They did sterling work, everyone else rather paled in comparison.
Now on to the serious things.
Let me be upfront about this... I will never want to watch this film again, if I happened across it being shown I would probably sit in silence for 83 minutes instead.
I love so many of the actors in this and yet I couldn't even rely on them to help this along. It's a fun premise and it had a cast that could definitely have made this great and yet somehow it's really quite poorly executed. Jokes didn't hit home and while I did chuckle a couple of times towards the end the beginning was not strong enough to be drama and not amusing enough to be comedy.
Billy Porter and Karan Soni probably come out the best from the whole ensemble. Porter has a very dramatic humour throughout and his delivery really helped. Soni's bitchy assistant wasn't overly complicated and had a fairly simple storyline to follow which allowed him to be more memorable.
I was rather disappointed with the hand that Jennifer Coolidge got dealt, she is amazingly funny and the humour in Like A Boss needed to give her something better to work with. Tiffany Haddish's return to over the top comedy also left me sad, having seen her in The Kitchen and being so impressed with her dramatic role I was really hoping she would try more of the same. While Mia is perfectly matched to her comedy stylings the script was severely lacking.
Everything about this seemed dated and it's very much a 90's feeling scenario. It felt like they were going for a bit of slapstick but left out the actual slapstick element. The confusion/disappointment did not stop there, the end of the film became evident quite early on and then it was just a case of waiting for it to happen without any anticipation.
The curious thing to me is the film's rating. There is absolutely no reason for this to be rated 15... that's to say that it didn't need any of the bits that would have caused it to be a 15, it easily could have been 12 and still had the same or hopefully a better impact.
Yes, there were some minor plus points but Like A Boss was overwhelmingly poor. I say that but it obviously has an audience out there because a lot of the people in our screening were laughing. Perhaps it would have helped me if so many key laughter points weren't shown in the trailer... but I think that's a little optimistic. On the plus side it did give me a chance to have a catch up with my friend around the dire movie.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/like-boss-movie-review.html
Sophia (Bookwyrming Thoughts) (530 KP) rated Titans in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<i>Titans</i> is amazing, I adored the book and everything that came with it, and...
I want a Titan of my own as well.... Then again, I don't have horse riding experience, so I'll probably fall straight onto the ground face first. I'll stick with those wooden sticks that only have a horse head.
Here's what I adored and loved about Victoria Scott's latest novel (this is my first time reading her works....):
<ul>
<li>Mechanical horses, and it's not just a mechanical horse for experimental purposes. The mechanical horses, known as Titans in the book are horses used for racing. They not only resemble real horses, but they have emotions as well, and that's a little scary. The Kentucky Derby just got a new twist.</li>
<li>Victoria Scott almost always has a dash of humor in her characters' dialogue. I think this takes talent.</li>
<li>I adored each and every one of the major characters in the story. And if I didn't like them at first, I loved them by the end. That says something.</li>
</ul>
We have Astrid, a girl living an extremely rough life with everything on the line and sometimes scavenging to make a living. Being able to race in the Titan Derby allows her the chance to turn her rough life around, and she is determined to do what it takes within honorable boundaries. She also has a talent with math and can probably Calculus better than I ever did.
Then there's Magnolia, Astrid's best friend since childhood with the same amount of problems as Astrid if not more. But despite all of that, there is a strong bond of friendship between the two girls and Magnolia is there for Astrid every step of the way throughout the race, encouraging and supporting her. She is also hilarious and basically makes everything seem much better than they really are.
Victoria also introduces us to Rags, one of the key players who started the whole Titans spiel for Astrid (okay, he also started the whole Titans spiel in the first place) and allowing her the opportunity to race in the derby. He's a grumpy old man who comes across as overly crabby at first, but is secretly warm, fuzzy, and grandpa-ish.
Another key player to the whole Titans spiel is Barney, and he is definitely not the purple dinosaur from childhood. Although to be honest... he certainly reminds me of Childhood Barney in a weird way.
And later completing the ensemble, Victoria eventually introduces us to Lottie, a wealthy lady who has a history with Rags and gives off an "I seem intimidating because of my status, but I'm not <em>that</em> intimidating" vibe. She is also one of the few people who has hopes for Astrid early in the races and offers to be Astrid's sponsor, along with teaching her (and Magnolia) proper etiquette among the upper classes. Lottie is almost a surrogate mother outside of Astrid's home.
But even though they are all different from each other and normally wouldn't be caught dead together, the five of them click well throughout the duration of the race, forming a lasting friendship. The combination of friendship with the aspect of mechanical horses put together makes <i>Titans</i> a fantastic read for all ages.
<a href="https://bookwyrmingthoughts.com/arc-review-titans-by-victoria-scott/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<i>Titans</i> is amazing, I adored the book and everything that came with it, and...
I want a Titan of my own as well.... Then again, I don't have horse riding experience, so I'll probably fall straight onto the ground face first. I'll stick with those wooden sticks that only have a horse head.
Here's what I adored and loved about Victoria Scott's latest novel (this is my first time reading her works....):
<ul>
<li>Mechanical horses, and it's not just a mechanical horse for experimental purposes. The mechanical horses, known as Titans in the book are horses used for racing. They not only resemble real horses, but they have emotions as well, and that's a little scary. The Kentucky Derby just got a new twist.</li>
<li>Victoria Scott almost always has a dash of humor in her characters' dialogue. I think this takes talent.</li>
<li>I adored each and every one of the major characters in the story. And if I didn't like them at first, I loved them by the end. That says something.</li>
</ul>
We have Astrid, a girl living an extremely rough life with everything on the line and sometimes scavenging to make a living. Being able to race in the Titan Derby allows her the chance to turn her rough life around, and she is determined to do what it takes within honorable boundaries. She also has a talent with math and can probably Calculus better than I ever did.
Then there's Magnolia, Astrid's best friend since childhood with the same amount of problems as Astrid if not more. But despite all of that, there is a strong bond of friendship between the two girls and Magnolia is there for Astrid every step of the way throughout the race, encouraging and supporting her. She is also hilarious and basically makes everything seem much better than they really are.
Victoria also introduces us to Rags, one of the key players who started the whole Titans spiel for Astrid (okay, he also started the whole Titans spiel in the first place) and allowing her the opportunity to race in the derby. He's a grumpy old man who comes across as overly crabby at first, but is secretly warm, fuzzy, and grandpa-ish.
Another key player to the whole Titans spiel is Barney, and he is definitely not the purple dinosaur from childhood. Although to be honest... he certainly reminds me of Childhood Barney in a weird way.
And later completing the ensemble, Victoria eventually introduces us to Lottie, a wealthy lady who has a history with Rags and gives off an "I seem intimidating because of my status, but I'm not <em>that</em> intimidating" vibe. She is also one of the few people who has hopes for Astrid early in the races and offers to be Astrid's sponsor, along with teaching her (and Magnolia) proper etiquette among the upper classes. Lottie is almost a surrogate mother outside of Astrid's home.
But even though they are all different from each other and normally wouldn't be caught dead together, the five of them click well throughout the duration of the race, forming a lasting friendship. The combination of friendship with the aspect of mechanical horses put together makes <i>Titans</i> a fantastic read for all ages.
<a href="https://bookwyrmingthoughts.com/arc-review-titans-by-victoria-scott/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Gareth von Kallenbach (965 KP) rated Triple 9 (2016) in Movies
Aug 6, 2019
A crew of bank robbers is strong-armed by the Russian mob to pull off a near impossible heist due the response time of the police. In order to create a larger window, the dirty cops of this crew suggest creating a 999 (police code for “officer down.”) on the other side of town. That is the basic plot of Triple 9. Yet, the tagline for this film is, “The Code on the street is never black and white.” Seems like a different movie which is part of the letdown of Triple 9. It doesn’t know what it wants to be. Is it a heist movie like Heat or The Town? Or is it trying to be a movie about the cops and the rules of the streets like Training Day?
In the beginning, the film sets its self-up to be a smart and stylistic heist film. However shortly after it begins to feel disjointed as it attempts to develop everyone in its ensemble cast to the point where it hurts the story and some excellent performances become forgettable. It’s a shame because somewhere in this film is potentially two excellent separate films. One film about a crew having to complete a heist for the mob to save their lives and loved ones, and another about dirty cops, their partners and the moral ambiguity of the code on the streets. In Triple 9, these two premises never really get developed on one side or the other and thus everything is just left there.
On the heist side, Chiwetel Ejiofor plays ex-mercenary Michael Atwood. Michael is the careful and calculating leader of the crew, but is tied to the Russian mafia through the mother of his son. Michael is constantly being coerced by the Russian Mob Boss, played by Kate Winslet. The two give stellar performances, most notably Winslet who is cold and ruthless in wielding her power, speaking her mind and not caring how the job gets done as long as it gets done.
On the cop side, Anthony Mackie plays dirty police detective Marcus Belmont who becomes partnered with the ex-marine turned rookie detective Chris Allen (Casey Affleck). Belmont feels that the rookie doesn’t respect the streets and his “Do-gooder” “make a difference” attitude is going to get him killed. When Belmont’s heist crewmate Jorge Rodriguez (Clifton Collins Jr.) learns Chris is also the nephew of the Sergeant Detective (Woody Harrelson) investigating the heist crew, Chris becomes the clear candidate to be set up for the Triple 9. (Convenient huh)
Ultimately, as the story plays out it feels we are always arriving at the end of the meeting to plan the coming events. From the planning of the heist, to the set up murder, and to the exit plan, we are just carried through the motions without much motivation of how or why things have to play out the way they do. As a result, I didn’t really care for any of the characters good or bad, unlike other films of this nature. Even Ejiofor’s character Michael, who has his child involved, doesn’t get the opportunity to really show why the rest of the crew respects him and follows him, or why he needs to stay alive for his son, who basically seems better off being taken care of by the Russian mob.
In the end Triple 9 is not a bad movie, it just isn’t really a great one either. It has strong performances by the entire cast and has the makings of something great, but fails to deliver on that opportunity with a disjointed story trying to focus on too many characters. This makes it ultimately forgettable compared to other heist films of similar nature.
In the beginning, the film sets its self-up to be a smart and stylistic heist film. However shortly after it begins to feel disjointed as it attempts to develop everyone in its ensemble cast to the point where it hurts the story and some excellent performances become forgettable. It’s a shame because somewhere in this film is potentially two excellent separate films. One film about a crew having to complete a heist for the mob to save their lives and loved ones, and another about dirty cops, their partners and the moral ambiguity of the code on the streets. In Triple 9, these two premises never really get developed on one side or the other and thus everything is just left there.
On the heist side, Chiwetel Ejiofor plays ex-mercenary Michael Atwood. Michael is the careful and calculating leader of the crew, but is tied to the Russian mafia through the mother of his son. Michael is constantly being coerced by the Russian Mob Boss, played by Kate Winslet. The two give stellar performances, most notably Winslet who is cold and ruthless in wielding her power, speaking her mind and not caring how the job gets done as long as it gets done.
On the cop side, Anthony Mackie plays dirty police detective Marcus Belmont who becomes partnered with the ex-marine turned rookie detective Chris Allen (Casey Affleck). Belmont feels that the rookie doesn’t respect the streets and his “Do-gooder” “make a difference” attitude is going to get him killed. When Belmont’s heist crewmate Jorge Rodriguez (Clifton Collins Jr.) learns Chris is also the nephew of the Sergeant Detective (Woody Harrelson) investigating the heist crew, Chris becomes the clear candidate to be set up for the Triple 9. (Convenient huh)
Ultimately, as the story plays out it feels we are always arriving at the end of the meeting to plan the coming events. From the planning of the heist, to the set up murder, and to the exit plan, we are just carried through the motions without much motivation of how or why things have to play out the way they do. As a result, I didn’t really care for any of the characters good or bad, unlike other films of this nature. Even Ejiofor’s character Michael, who has his child involved, doesn’t get the opportunity to really show why the rest of the crew respects him and follows him, or why he needs to stay alive for his son, who basically seems better off being taken care of by the Russian mob.
In the end Triple 9 is not a bad movie, it just isn’t really a great one either. It has strong performances by the entire cast and has the makings of something great, but fails to deliver on that opportunity with a disjointed story trying to focus on too many characters. This makes it ultimately forgettable compared to other heist films of similar nature.
Gareth von Kallenbach (965 KP) rated Magic Mike XXL (2015) in Movies
Aug 6, 2019
When we last saw Mike Lane (Channing Tatum) he was trading in his g-string and the adulation of grown women with lots of dollar bills to spare, for a custom furniture business of his own and a serious relationship with a girl named Brooke. He said goodbye to his band of magical, muscular men (and by magical, we mean in the art of making clothes disappear) and headed off into a better future.
Or so he thought.
Three years later, we find Mike has found a little success, his company has grown by one employee. The empty apartment with no sign of a roommate suggests his future no longer includes Brooke. A phone call from Tarzan (Kevin Nash) has Mike donning a suit to attend a “wake”. Cue the reunion with his old gang that is far from somber, and more of a ruse to see him. Apparently, his orphaned crew is set on one last hurrah before they follow in Mike’s footsteps and go after their own entrepreneurial dreams.
Does Mike want in on the swan song of stripteases at Myrtle Beach’s stripper convention? Of course not. He has a business to run, employees to pay, he postures. But considering this movie is a sequel entitled “Magic Mike XXL” you know he changes his mind. And, boy, how he changes his mind! With a little help from power tools and Genuwine’s “Pony”, natch.
Magic Mike XXL is a road trip of discovery for Mike, Tarzan, Tito (Adam Rodriguez), Ken (Matt Bomer), Tobias (Gabriel Iglesias) and Big Dick Richie (Joe Mangeniello). There were a few times I wondered where exactly this story was going, but as ensemble features go, the insightful peeks into the guys’ individual stories distracted from the meandering plot. Okay, why I was looking for a plot in a movie clearly made to titillate fans of sculpted male phsyiques, I don’t know. Sorry. Not sorry.
The road to Myrtle Beach is littered with conquests, old and new, and epiphanies fueled by pharmaceuticals inspire the Kings of Tampa to learn a few new tricks along the way. XXL actually achieves that rare feat of being better than the original. I know, that may not exactly be high praise, but it delivers more of what fans enjoyed in the original – the male entertainment.
XXL has the same awkward, but slightly improved banter between Mike and the females he encounters, but it also has new routines, a sexier emcee in Jada Pinkett-Smith (with all due respect to Matthew McConaughey) and it doesn’t require Kevin Nash to dance like a lost mannequin. There are some eyebrow-raising casting choices for a couple of new strippers. You may find yourself asking “Hey, is that who I think it is jumping all over that woman?” And “Okay…so he doesn’t actually strip. He just sings?” But don’t worry, that singer inspires Matt Bomer to do both. Very well. How did I not know Matt Bomer could sing?
The finale is one the screener audience, the majority of which were female, of course, did not want to end. I admit I could’ve stayed in my seat for more Channing Tatum and professional dancer, Stephen “tWitch” Boss, who could make his own Magic Malik movie. As my girlfriends and I left the theater, one commented that her face hurt from smiling the whole time. At the risk of sounding extremely shallow, we all agreed that the only way the movie could have been better is if it was shown on the IMAX screen in 3D. Maybe in Dbox seats.
Probably not a movie women will want to take their significant others to, but their girlfriends for a ladies night out? Hell to the yeah.
For story, acting and plot? Ummm 2 out of 5
For sheer, eye-candy entertainment? 4 stars.
Or so he thought.
Three years later, we find Mike has found a little success, his company has grown by one employee. The empty apartment with no sign of a roommate suggests his future no longer includes Brooke. A phone call from Tarzan (Kevin Nash) has Mike donning a suit to attend a “wake”. Cue the reunion with his old gang that is far from somber, and more of a ruse to see him. Apparently, his orphaned crew is set on one last hurrah before they follow in Mike’s footsteps and go after their own entrepreneurial dreams.
Does Mike want in on the swan song of stripteases at Myrtle Beach’s stripper convention? Of course not. He has a business to run, employees to pay, he postures. But considering this movie is a sequel entitled “Magic Mike XXL” you know he changes his mind. And, boy, how he changes his mind! With a little help from power tools and Genuwine’s “Pony”, natch.
Magic Mike XXL is a road trip of discovery for Mike, Tarzan, Tito (Adam Rodriguez), Ken (Matt Bomer), Tobias (Gabriel Iglesias) and Big Dick Richie (Joe Mangeniello). There were a few times I wondered where exactly this story was going, but as ensemble features go, the insightful peeks into the guys’ individual stories distracted from the meandering plot. Okay, why I was looking for a plot in a movie clearly made to titillate fans of sculpted male phsyiques, I don’t know. Sorry. Not sorry.
The road to Myrtle Beach is littered with conquests, old and new, and epiphanies fueled by pharmaceuticals inspire the Kings of Tampa to learn a few new tricks along the way. XXL actually achieves that rare feat of being better than the original. I know, that may not exactly be high praise, but it delivers more of what fans enjoyed in the original – the male entertainment.
XXL has the same awkward, but slightly improved banter between Mike and the females he encounters, but it also has new routines, a sexier emcee in Jada Pinkett-Smith (with all due respect to Matthew McConaughey) and it doesn’t require Kevin Nash to dance like a lost mannequin. There are some eyebrow-raising casting choices for a couple of new strippers. You may find yourself asking “Hey, is that who I think it is jumping all over that woman?” And “Okay…so he doesn’t actually strip. He just sings?” But don’t worry, that singer inspires Matt Bomer to do both. Very well. How did I not know Matt Bomer could sing?
The finale is one the screener audience, the majority of which were female, of course, did not want to end. I admit I could’ve stayed in my seat for more Channing Tatum and professional dancer, Stephen “tWitch” Boss, who could make his own Magic Malik movie. As my girlfriends and I left the theater, one commented that her face hurt from smiling the whole time. At the risk of sounding extremely shallow, we all agreed that the only way the movie could have been better is if it was shown on the IMAX screen in 3D. Maybe in Dbox seats.
Probably not a movie women will want to take their significant others to, but their girlfriends for a ladies night out? Hell to the yeah.
For story, acting and plot? Ummm 2 out of 5
For sheer, eye-candy entertainment? 4 stars.
Bob Mann (459 KP) rated A Quiet Place: Part II (2021) in Movies
May 29, 2021
Continuation of the original story, with thrills and suspense throughout (1 more)
Great cast - Millicent Simmonds and Noah Jupe are particularly good
Plot Summary:
In a pre-title sequence, we return to “Day 1” of the events of the first movie to see how life in the Abbott’s home town changed forever when chaos reigned down from the skies.
Rolling forward 473 days later, the plot picks up on the life of Evelyn (Emily Blunt), Regan (Millicent Simmons) and Marcus (Noah Jupe), following the dramatic events of “A Quiet Place” and the death of husband/father Lee (John Kravinski).
The three, together with Evelyn’s newborn, set off on a perilous journey to find help.
Positives:
- Sequels often try to over-reach, lobbing-in over-the-top action and forgetting why the audience so loved the original hit. This sequel doesn't fall into that trap, continuing the story in a seamless way. We very quickly get reinvested in the character's dire situation (as their situation suddenly gets even more dire!).
- The pre-title sequence is perfectly paced and utterly thrilling. It's the sequence that most grabbed my attention so many months (years?!) ago when - pre-Covid - I first saw the trailer attached below. That bus!!
- The ensemble cast works well together. Cillian Murphy is a fine actor, filling the Krasinski-shaped hole. And Emily Blunt is as kick-ass and wonderful as always. But special 'attaboys' need to go to the two youngsters, Millicent Simmonds and Noah Jupe. They were impressive in the first movie but here have to carry even more of the dramatic action and are just brilliant.
- Technically, the film has Oscar-worthy strengths.
-- The editing here is first rate: many of the jump scares are well-signposted, but they still work thanks to the timing of the cuts.
-- The sound design is (as you would expect) fantastic: once again this is a movie where snacks should be banned!
-- The soundtrack, by Marco Beltrami, is great, building on his themes from the original but knowing when to shut-up as well!
Negatives:
- It's a genuine joy to see John Krasinski in the dramatic pre-title sequence reprising his role of Lee Abbott. But then his massive presence is missed for the rest of the movie. Perhaps killing him off at the end of part 1 wasn't such a good idea?
- There's a lot of 'grief and mourning' to contend with here, post- (or nearly post-) Covid. This didn't affect me. But the illustrious Mrs Movie Man was 'not mentally ready' for it, and actively disliked the film as a result.
Summary Thoughts on "A Quiet Place Part II": Often a sequel doesn't live up to my expectations. Particularly so when I've loved the original AND had to wait SOOOOOOoooooooo long to see it. But this time I was not disappointed. I gave the original 5 stars. This naturally lacks the originality of the premise and is - imho - less good. But not by a great margin. It's still a rollercoaster thrill-ride that - at 97 minutes - doesn't overstay its welcome. Sometimes 'more of the same' is enough.
This is also a great movie to get people back into cinemas. Because, ladies and gents, since this is a MUST SEE on the big screen, and ideally in a screen with a great sound system.
As long as Krasinski stays at the helm, I'll personally be looking forwards to AQP - Part III, which I understand is in the works.
(For the full graphical review, please check out One Mann's Movies on t'interweb or Facebook. Thanks.)
In a pre-title sequence, we return to “Day 1” of the events of the first movie to see how life in the Abbott’s home town changed forever when chaos reigned down from the skies.
Rolling forward 473 days later, the plot picks up on the life of Evelyn (Emily Blunt), Regan (Millicent Simmons) and Marcus (Noah Jupe), following the dramatic events of “A Quiet Place” and the death of husband/father Lee (John Kravinski).
The three, together with Evelyn’s newborn, set off on a perilous journey to find help.
Positives:
- Sequels often try to over-reach, lobbing-in over-the-top action and forgetting why the audience so loved the original hit. This sequel doesn't fall into that trap, continuing the story in a seamless way. We very quickly get reinvested in the character's dire situation (as their situation suddenly gets even more dire!).
- The pre-title sequence is perfectly paced and utterly thrilling. It's the sequence that most grabbed my attention so many months (years?!) ago when - pre-Covid - I first saw the trailer attached below. That bus!!
- The ensemble cast works well together. Cillian Murphy is a fine actor, filling the Krasinski-shaped hole. And Emily Blunt is as kick-ass and wonderful as always. But special 'attaboys' need to go to the two youngsters, Millicent Simmonds and Noah Jupe. They were impressive in the first movie but here have to carry even more of the dramatic action and are just brilliant.
- Technically, the film has Oscar-worthy strengths.
-- The editing here is first rate: many of the jump scares are well-signposted, but they still work thanks to the timing of the cuts.
-- The sound design is (as you would expect) fantastic: once again this is a movie where snacks should be banned!
-- The soundtrack, by Marco Beltrami, is great, building on his themes from the original but knowing when to shut-up as well!
Negatives:
- It's a genuine joy to see John Krasinski in the dramatic pre-title sequence reprising his role of Lee Abbott. But then his massive presence is missed for the rest of the movie. Perhaps killing him off at the end of part 1 wasn't such a good idea?
- There's a lot of 'grief and mourning' to contend with here, post- (or nearly post-) Covid. This didn't affect me. But the illustrious Mrs Movie Man was 'not mentally ready' for it, and actively disliked the film as a result.
Summary Thoughts on "A Quiet Place Part II": Often a sequel doesn't live up to my expectations. Particularly so when I've loved the original AND had to wait SOOOOOOoooooooo long to see it. But this time I was not disappointed. I gave the original 5 stars. This naturally lacks the originality of the premise and is - imho - less good. But not by a great margin. It's still a rollercoaster thrill-ride that - at 97 minutes - doesn't overstay its welcome. Sometimes 'more of the same' is enough.
This is also a great movie to get people back into cinemas. Because, ladies and gents, since this is a MUST SEE on the big screen, and ideally in a screen with a great sound system.
As long as Krasinski stays at the helm, I'll personally be looking forwards to AQP - Part III, which I understand is in the works.
(For the full graphical review, please check out One Mann's Movies on t'interweb or Facebook. Thanks.)
Amy Norman (1042 KP) rated The Haunting of Bly Manor in TV
Oct 10, 2020 (Updated Oct 10, 2020)
Ok wow. There is so much to deconstruct from 'The Haunting of Bly Manor'.
*there will be no direct spoilers but I will be talking about indirect spoilers*
Indirect spoilers to me are still spoilers, as they change the way you view what piece of media you are consuming! So fair warning here, don't read on if you want to watch Bly unencumbered, or directed towards certain aspects.
The first thing I hope that everyone appreciates about Bly is that it is not a carbon copy of 'The Haunting of Hill House', it is a beautiful piece of its own theatre, and should be appreciated in its own right e.g. each individual season of American Horror Story.
If you are looking for more jump scares, and something more akin to Hill House, then you need to look else where.
Bly is such a delicate and deliberate story, that unfurls so slowly, it crawls. I understand some will find this boring, and will likely give up watching after the first 3 episodes, but it is so perfectly placed, I would implore you to watch on until the end.
*Every* detail within Bly is precise.
I constantly felt like the walls, the flooring, paintings, and general decor were changing, but it was so subtle, and often hadn't at all, it is purposefully disorientating.
Even the camera angles are ever so slightly askew between each shot, the cinematography is unfalteringly gorgeous as a whole anyway.
The colour palate, and colour itself, becomes a character of its own, and was a joy to watch, and take note of.
The dark corners are so black, and add to the heaviness and gravity of any particular scene, leaving you constantly second guessing if you saw a ghost in the background, or if something did subtly change, and then importantly why.
For me, a great many of the characters are heart achingly powerful to watch. I was mesmerised by certain scenes, and I was so drawn in, I sometimes forgot they were delivering an absolutely powerful monologue, and haven't interacted with another character for a while.
For me this was absolutely an ensemble piece, it would not have worked without each moving part, and I would struggle to choose an outstanding performance, as they all delivered.
Some noteworthy topics!
The background ghosts blend in so sublimely, I am sure I missed plenty of them, including some obvious ones, but again that is all part of the absolute majesty of Bly, or 'The Haunting' series.
I would advise to try not to look for them on a first watch through, and let them come to you organically.
I've already seen some mention of this, and I expect it will become a bone of contention - the accents.
I will admit, at first I found some of the accents difficult to listen to, but they are so important, and key to a much larger arc. At first I thought someone needs to fire that voice acting coach! However, what they have done is actually absolutely stellar.
I could gush about the programme for a while but I will leave it here, and let each person decide for themselves what they enjoy about it!
Overall, the whole series is surprisingly poignant and heartfelt - not a lot of titles in the horror genre can claim that. I thoroughly enjoyed it, and will likely rewatch, something I haven't been overly inclined to do in recent years.
I so hope that audiences will enjoy this for what it is, and it won't be downplayed as being 'not as good as Hill House', as they are non-comparable to me.
Masterful! Please enjoy for the utter eye candy the whole thing is.
*there will be no direct spoilers but I will be talking about indirect spoilers*
Indirect spoilers to me are still spoilers, as they change the way you view what piece of media you are consuming! So fair warning here, don't read on if you want to watch Bly unencumbered, or directed towards certain aspects.
The first thing I hope that everyone appreciates about Bly is that it is not a carbon copy of 'The Haunting of Hill House', it is a beautiful piece of its own theatre, and should be appreciated in its own right e.g. each individual season of American Horror Story.
If you are looking for more jump scares, and something more akin to Hill House, then you need to look else where.
Bly is such a delicate and deliberate story, that unfurls so slowly, it crawls. I understand some will find this boring, and will likely give up watching after the first 3 episodes, but it is so perfectly placed, I would implore you to watch on until the end.
*Every* detail within Bly is precise.
I constantly felt like the walls, the flooring, paintings, and general decor were changing, but it was so subtle, and often hadn't at all, it is purposefully disorientating.
Even the camera angles are ever so slightly askew between each shot, the cinematography is unfalteringly gorgeous as a whole anyway.
The colour palate, and colour itself, becomes a character of its own, and was a joy to watch, and take note of.
The dark corners are so black, and add to the heaviness and gravity of any particular scene, leaving you constantly second guessing if you saw a ghost in the background, or if something did subtly change, and then importantly why.
For me, a great many of the characters are heart achingly powerful to watch. I was mesmerised by certain scenes, and I was so drawn in, I sometimes forgot they were delivering an absolutely powerful monologue, and haven't interacted with another character for a while.
For me this was absolutely an ensemble piece, it would not have worked without each moving part, and I would struggle to choose an outstanding performance, as they all delivered.
Some noteworthy topics!
The background ghosts blend in so sublimely, I am sure I missed plenty of them, including some obvious ones, but again that is all part of the absolute majesty of Bly, or 'The Haunting' series.
I would advise to try not to look for them on a first watch through, and let them come to you organically.
I've already seen some mention of this, and I expect it will become a bone of contention - the accents.
I will admit, at first I found some of the accents difficult to listen to, but they are so important, and key to a much larger arc. At first I thought someone needs to fire that voice acting coach! However, what they have done is actually absolutely stellar.
I could gush about the programme for a while but I will leave it here, and let each person decide for themselves what they enjoy about it!
Overall, the whole series is surprisingly poignant and heartfelt - not a lot of titles in the horror genre can claim that. I thoroughly enjoyed it, and will likely rewatch, something I haven't been overly inclined to do in recent years.
I so hope that audiences will enjoy this for what it is, and it won't be downplayed as being 'not as good as Hill House', as they are non-comparable to me.
Masterful! Please enjoy for the utter eye candy the whole thing is.
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Bob Mann (459 KP) rated Babyteeth (2019) in Movies
Aug 25, 2020
I've had more fun at the orthodontist's
Now, before I start, I know I'm likely to be at odds with a lot of viewers on this one. Having had a glance at the IMDB ratings, I can see a lot of arthouse love for this Australian movie. But this really was not for me.
Eliza Scanlen plays Australian schoolgirl Milla, displaying typically rebellious symptoms of adolescence but hampered by a crippling medical issue. She meets a 23-year old drug addict, Moses (Toby Wallace), and the pair feel an immediate pull towards each other, much to the horror of her parents Henry (Ben Mendelsohn) and Anna (Essie Davis). The kids are dysfunctional (for different reasons); the parents are not much better. Adding to the drama is a strange violin teacher (Eugene Gilfedder) and a pregnant (MILF-to-be) next door neighbour (Emily Barclay). We follow the life and love of Milla as she struggles with her circumstances... and the last of her Babyteeth.
I can draw parallels here to the movie "Animals" from last year. Indeed to the Oscar-winner "Moonlight" from four year's ago. I could readily perceive it to be intelligent and artfully produced. But I'm afraid I felt zero empathy or pull from any of the characters. Given that, and the slow burn of writer Rita Kalnejais's screenplay, I found myself constantly looking at my watch for the last half-hour of the movie.
The movie's not without its merits though. Babyteeth has picked up a number of nominations, and as many wins, on the international film-festival circuit, mostly for the direction of Shannon Murphy. This is a first-time feature for TV-director Murphy (she directed two episodes from this year's series of "Killing Eve" for example). Awards have also gone to Toby Wallace for his portrayal of the slightly unhinged and unpredictable Moses. But for me, it was Eliza Scanlen's performance as Milla that appealed to me most and kept my attention. Other-worldly and slightly ethereal, she pulls off the role well. Scanlen was of course Beth March in the recent superb version of "Little Woman". (She's a young lady with great potential, but she needs to be careful not to get typecast as sickly waifs!)
Babyteeth was for me a curate's egg in the photography department. Cinematography was by Andrew Commis, and I found it both breathtaking and frustrating in almost equal measure. There's a scene towards the end of the movie with Milla's face half-lit in the moonlight that was reminiscent to me of the star-child in "2001: A Space Odyssey". Simply gorgeous. And scenes in a nightclub are both strangely and effectively shot. But - and art-house movies seem to mandate this approach - the movie is shot on handheld cameras. This makes a lot of the shots drift in and out of focus. Moreover - and most frustratingly for me - it makes the multitude of scene titles, employed in the telling, float ever-so-slightly against the backgrounds, with a generally nauseating effect.
I'll no doubt feel a right Charlie if Babyteeth gets into the Oscars nominations short-list. But for me, it just wasn't engaging enough to be entertaining. It's billed as a "Comedy Drama". While there were a few good comic lines, it rarely made me do more than smile. And as for the drama, I'm afraid tears were far from being spilled. It's in no way a "bad film": it just personally wasn't for me.
(For the full graphical review please check out One Mann's Movie on https://bob-the-movie-man.com/2020/08/25/babyteeth-you-might-have-more-fun-at-the-orthodontists/.)
Eliza Scanlen plays Australian schoolgirl Milla, displaying typically rebellious symptoms of adolescence but hampered by a crippling medical issue. She meets a 23-year old drug addict, Moses (Toby Wallace), and the pair feel an immediate pull towards each other, much to the horror of her parents Henry (Ben Mendelsohn) and Anna (Essie Davis). The kids are dysfunctional (for different reasons); the parents are not much better. Adding to the drama is a strange violin teacher (Eugene Gilfedder) and a pregnant (MILF-to-be) next door neighbour (Emily Barclay). We follow the life and love of Milla as she struggles with her circumstances... and the last of her Babyteeth.
I can draw parallels here to the movie "Animals" from last year. Indeed to the Oscar-winner "Moonlight" from four year's ago. I could readily perceive it to be intelligent and artfully produced. But I'm afraid I felt zero empathy or pull from any of the characters. Given that, and the slow burn of writer Rita Kalnejais's screenplay, I found myself constantly looking at my watch for the last half-hour of the movie.
The movie's not without its merits though. Babyteeth has picked up a number of nominations, and as many wins, on the international film-festival circuit, mostly for the direction of Shannon Murphy. This is a first-time feature for TV-director Murphy (she directed two episodes from this year's series of "Killing Eve" for example). Awards have also gone to Toby Wallace for his portrayal of the slightly unhinged and unpredictable Moses. But for me, it was Eliza Scanlen's performance as Milla that appealed to me most and kept my attention. Other-worldly and slightly ethereal, she pulls off the role well. Scanlen was of course Beth March in the recent superb version of "Little Woman". (She's a young lady with great potential, but she needs to be careful not to get typecast as sickly waifs!)
Babyteeth was for me a curate's egg in the photography department. Cinematography was by Andrew Commis, and I found it both breathtaking and frustrating in almost equal measure. There's a scene towards the end of the movie with Milla's face half-lit in the moonlight that was reminiscent to me of the star-child in "2001: A Space Odyssey". Simply gorgeous. And scenes in a nightclub are both strangely and effectively shot. But - and art-house movies seem to mandate this approach - the movie is shot on handheld cameras. This makes a lot of the shots drift in and out of focus. Moreover - and most frustratingly for me - it makes the multitude of scene titles, employed in the telling, float ever-so-slightly against the backgrounds, with a generally nauseating effect.
I'll no doubt feel a right Charlie if Babyteeth gets into the Oscars nominations short-list. But for me, it just wasn't engaging enough to be entertaining. It's billed as a "Comedy Drama". While there were a few good comic lines, it rarely made me do more than smile. And as for the drama, I'm afraid tears were far from being spilled. It's in no way a "bad film": it just personally wasn't for me.
(For the full graphical review please check out One Mann's Movie on https://bob-the-movie-man.com/2020/08/25/babyteeth-you-might-have-more-fun-at-the-orthodontists/.)
Emma @ The Movies (1786 KP) rated Fantasy Island (2020) in Movies
May 5, 2020
Michael Peña and Maggie Q in a film... I'm in. This was high up my watchlist even though Blumhouse and I don't always see eye to eye.
A group of strangers arrive on an island, this experience will give them their deepest desires. Wish for it and you can live it, all you have to do is see it through to the end on Fantasy Island.
Evidently, Nic Cage turned down the role of Mr Roarke... I didn't know that he turned down any roles so that (if true) should have been a massive warning sign.
I do have to wonder how some of these stories come about. This is based on the 70's TV show of the same name which was entirely not scary as far as I know. Is there a giant bingo cage full of ping pong balls inscribed with names of old shows and films? Do they just let studios try their luck to spin whatever they get to their niche?
Twisting this tale is a pretty good idea, though I'm not really sure why an island would want to do that to people, but what do I know about malevolent black goop spirits? I was generally on board with the storyline and I thought it wove them together quite well but that ending... are you kidding me? There was some speculation thrown out about what was going on and that thread was believable. The one they gave us was laughable, the absolute worst choice. Had they done a small reshuffle they could have given a much less ridiculous conclusion.
There are a lot of different threads and each one has its moments, as daft as they might be they come together quite well even when the filler is poor.
Maggie Q's performance as Gwen felt like the most believable out of the whole ensemble, but that's not really a surprise from her. Gwen is basically the only decent person in the group and throughout her stay she is the one that's grounded and tries to deal with her situation. That should give us something good to work off... but she's kind of bland on screen compared to everything else.
Michael Peña is always a pull to a movie for me, but Roarke's story wasn't all the effective. Had he been a construct of the island then there might have been something in it, but as it was you didn't get any real struggle with his actions, I couldn't see how a character that wasn't portrayed as actively evil could go along with any of it even given his background.
While the rest of the cast is filled with faces you'd know there isn't really a great performance to be seen. From unlikeable characters to a script that's not amusing when it tries to be, what's left of the film is plain in a glossy kind of way, and by that I mean it's got the makings of something good but misses anything that could have made an impact. The effects are fine for the most part and the sets are fine when you take into consideration they're supposed to be a fantasy and don't need to fit together perfectly. The exception is Roarke's door that Maggie Q interacts with, I liked that move and I don't know whether the rest of the film might have benefitted from something similar.
Bits of the film are quite good and could have made for an exciting watch, but that ending was so frustrating that any enjoyment went straight out the window and any thrill from what I'd already seen was gone. Also, considering it is classified as horror there wasn't really enough, or anything of quality, too make that a reality. Untapped potential in abundance here.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/05/fantasy-island-movie-review.html
A group of strangers arrive on an island, this experience will give them their deepest desires. Wish for it and you can live it, all you have to do is see it through to the end on Fantasy Island.
Evidently, Nic Cage turned down the role of Mr Roarke... I didn't know that he turned down any roles so that (if true) should have been a massive warning sign.
I do have to wonder how some of these stories come about. This is based on the 70's TV show of the same name which was entirely not scary as far as I know. Is there a giant bingo cage full of ping pong balls inscribed with names of old shows and films? Do they just let studios try their luck to spin whatever they get to their niche?
Twisting this tale is a pretty good idea, though I'm not really sure why an island would want to do that to people, but what do I know about malevolent black goop spirits? I was generally on board with the storyline and I thought it wove them together quite well but that ending... are you kidding me? There was some speculation thrown out about what was going on and that thread was believable. The one they gave us was laughable, the absolute worst choice. Had they done a small reshuffle they could have given a much less ridiculous conclusion.
There are a lot of different threads and each one has its moments, as daft as they might be they come together quite well even when the filler is poor.
Maggie Q's performance as Gwen felt like the most believable out of the whole ensemble, but that's not really a surprise from her. Gwen is basically the only decent person in the group and throughout her stay she is the one that's grounded and tries to deal with her situation. That should give us something good to work off... but she's kind of bland on screen compared to everything else.
Michael Peña is always a pull to a movie for me, but Roarke's story wasn't all the effective. Had he been a construct of the island then there might have been something in it, but as it was you didn't get any real struggle with his actions, I couldn't see how a character that wasn't portrayed as actively evil could go along with any of it even given his background.
While the rest of the cast is filled with faces you'd know there isn't really a great performance to be seen. From unlikeable characters to a script that's not amusing when it tries to be, what's left of the film is plain in a glossy kind of way, and by that I mean it's got the makings of something good but misses anything that could have made an impact. The effects are fine for the most part and the sets are fine when you take into consideration they're supposed to be a fantasy and don't need to fit together perfectly. The exception is Roarke's door that Maggie Q interacts with, I liked that move and I don't know whether the rest of the film might have benefitted from something similar.
Bits of the film are quite good and could have made for an exciting watch, but that ending was so frustrating that any enjoyment went straight out the window and any thrill from what I'd already seen was gone. Also, considering it is classified as horror there wasn't really enough, or anything of quality, too make that a reality. Untapped potential in abundance here.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/05/fantasy-island-movie-review.html