"Chekhov is one of my gods and this, his first play, is my favorite. It’s a well-observed ensemble of the famous, the not-so-famous and their hangers-on at a country house they retreat to when the theatre is too much with them. But even there they are very good at playing games with one another. The genius of Chekhov is to transcend the small events that define us and reveal the universal truth behind the most ordinary situation. To me, he is the first modern writer. He writes on a human scale and by doing so with such detail, he rises to Olympian heights as surely as Oedipus or Hamlet."

"In a year filled with epochal films—Sunset Boulevard, All About Eve, the great In a Lonely Place—this 1950 noir may have secretly had the greatest impact. Every heist film or let’s-get-a-team-together caper of the last seventy years owes a huge debt to Huston’s twisting and intense thriller, whose delightful ensemble cast features a bright-eyed Marilyn Monroe (then just about to take over Hollywood) and a grizzled Sterling Hayden (who was already looking to leave the industry altogether). The final moment is a genuine heartbreaker—as is the documentary about Hayden on the Criterion edition, which finds the great actor living on a boat, seemingly set adrift from society."